Fan Film Features – Page 5

LIGHT-YEARS BEYOND “just” a fan film, FARRAGUT FORWARD still needs YOUR help to hit $50K!

You’d think $37,745 would be enough money to make a single Star Trek fan film, right? And in most cases, you’d be 100% correct. But when it comes to FARRAGUT FORWARD, well, there’s Star Trek fan films and then there’s BLOW-YOUR-FRIGGIN’-MIND Star Trek fan films!!! And Farragut Forward certainly falls into the latter category.

With one shoot still to go scheduled for this fall, the team just wrapped filming on one of the most ambitious bridge sets ever constructed for a Star Trek fan film. This followed other major shoots in starship corridors, sickbay, and a Klingon bird-of-prey…each with equally amazing sets and costumes of the highest caliber. Beyond just impeccable monster maroons and Klingon outfits, they also recreated the most detailed cadet jumpsuits, command jackets, white medical uniforms, and even the engineering radiation suits from the 80s and 90s Star Trek feature films!

Back in February of 2022, showrunner JOHN BROUGHTON and director JOHNNY K. launched an Indiegogo campaign with a goal of $30K. They ultimately exceeded that goal, meaning the campaign shifted to “InDemand” status and could continue raising donations indefinitely. And since then, they’ve added a few thousand dollars more. But they’re currently trying to take their total up to the $50K level…the maximum allowed by the fan film guidelines.

With all of the sets built, costumes created, and 80% of the footage shot, why are they looking for even MORE money now? The short answer is that they’ve spent way more of their own money than they ever expected to…well into the many thousands of dollars. And it shows! Don’t worry, if they don’t hit their $50K stretch goal, Farragut Forward will still be completed and released. But with this kind of quality, I’m hopeful that fans can help pitch in just a little bit more to ease the burden on the Farragut Films team’s wallets.

If you’d like to donate (or donate again), here is the link:

https://www.indiegogo.com/projects/farragut-forward-a-star-trek-fan-production

And remember, even if you can’t afford to give anything more yourself, simply posting, sharing, and helping to spread the link to your friends and fellow fans can go a long way.

If you haven’t had a chance yet to see some of the indescribable footage they’ve shot so far, here are their three latest behind-the-scenes videos that will make your jaw drop…

JOSH IRWIN discusses THE TEST OF TIME…and just about everything else, too! (interview, part 2)

Yesterday in Part 1, I began talking to JOSHUA IRWIN about the latest release from TALES FROM THE NEUTRAL ZONE, an ambitious fan film titled THE TEST OF TIME.

Or rather, we almost talked about it!

Y’see, Josh burst onto the Star Trek fan film stage back in late 2018 with the first of his high quality AVALON UNIVERSE fan films, GHOST SHIP. And the reason for the professional look and feel of Avalon releases is that Josh is himself a professional in the film industry, having graduated from film school and worked on countless projects from short commercials to full-length feature films cast with major celebrities. In other words, Josh knows what he’s doing, and you can watch all nearly-dozen Avalon releases here on this YouTube playlist.

But this blog isn’t about Avalon. It’s about Tales from the Neutral Zone, which Josh is also now working on regularly. In fact, beginning with their next release, Josh will be taking over as director, after having worked as cinematographer on both this latest fan film as well as the previous one, DOOMSDAY, which he also ended up co-directing with RAY TESI, the showrunner and owner of the TOS sets down in Kingsland, GA. But it’s not just NEUTRAL ZONE STUDIOS that Josh is helping out. He’s begun working in various capacities on numerous other fan films and series, as well.

And that ended up becoming the focus of most of the first half of our interview, conducted via phone as Josh was driving from Arkansas to Maryland to help shoot some stuff for FARRAGUT FORWARD. We discussed the growing cooperation among various fan filmmakers in the community, sharing talents and resources. We also chatted about what exactly Josh does on all of these other non-Avalon projects and how he deals with so much driving and getting time off from work for this hobby that he loves so much.

Anyway, the moment has finally come to discuss The Test of Time. And if you haven’t seen it yet, give it a viewing first…

And now, the conclusion of my interview with Josh Irwin…

JOSH IRWIN discusses THE TEST OF TIME…and just about everything else, too! (interview, part 1)

A funny thing happened on the way to a discussion of THE TEST OF TIME, the latest TALES FROM THE NEUTRAL ZONE fan film release from NEUTRAL ZONE STUDIOS in Kingsland, GA. Those are the Star Trek TOS sets that were originally used for STARSHIP FARRAGUT and STAR TREK CONTINUES. Now owned by super-fan RAY TESI (who pays thousands of dollars of his own money each month to rent the location that houses the sets), Neutral Zone Studios is available to any fan production wanting to film there. Among the fan series that shoot at the studio regularly are DREADNOUGHT DOMINION, AVALON UNIVERSE, and of course the aforementioned Tales from the Neutral Zone. And even more fan projects are slated to shoot there in the coming months.

Typically, I interview Ray Tesi about new Neutral Zone episodes, although for the previous release, the wildly popular DOOMSDAY, Ray tag-teamed with JOSHUA IRWIN on the interview , as Josh had stepped up to co-direct, along with being director of photography as well as editor. And with their latest release, Josh was once again director of photography…with VIC MIGNOGNA returning to Star Trek fan films for the first time since the end of STC to direct. With Ray’s approval, this time I reached out to Josh to field the questions, and so we began our interview.

Now, Josh is one of the busiest filmmakers in our community, serving not only as showrunner for the Avalon Universe fan series but also helping out on a whole slew of other productions in all sorts of different capacities. As such, it was probably appropriate that I ended up interviewing Josh via a recorded phone conversation while he was driving more than 1,000 miles from his home in Bentonville, Arkansas to Frederick, Maryland to help shoot some videos for FARRAGUT FORWARD!

So naturally, I began the interview asking Josh about all of these other projects he’s been working on, and…well…sometimes interviews just go in unexpected directions. So please accept my apologies that Josh and I don’t start discussing The Test of Time until PART 2 of this interview! But trust me, the stuff in PART 1 is just as fascinating, and I really do recommend that you read the whole interview. You won’t be disappointed.

And speaking of not being disappointed, take a look at The Test of Time, as it turned out REALLY well…

And now, here’s Josh Irwin…

Fandemic film “359”was MUCH more challenging to make than you might think! (feature, part 2)

In Part 1, I introduced you to DAVE ELLIS, a video game writer and director for more than two decades. A couple of visits to watch STAR TREK CONTINUES and Dave was bitten by the fan film bug. He wrote a Star Trek fan film script to shoot at NEUTRAL ZONE STUDIOS in Kingsland, GA, but before he could assemble a cast a film crew, the Covid pandemic hit, and Dave had to shelve the idea.

But then he had the idea to create a “Starfleet Zoom call” fan film (what I like to call a fandemic film) where all of the actors could be on screen one at a time, shooting their lines separately at their homes. Titled simply “359,” the story would deal with survivors from the devastating battle with the Borg from TNG‘s “The Best of Both Worlds,” each person in a separate escape pod. But in the time it took to write and finalize the script, the lockdown had begun to lift. So instead, Dave set up a green screen “studio” inside of his garage . Roles were cast, and two shooting weekends were held in September 2021 and again in May 2022, with over a hundred takes recorded for the four actors combined.

Dave Ellis (right) with actors Sarah Johnson and Doug Baldwin in Dave’s “studio”/garage

Dave has created a full “359” website with behind-the-scenes background info, blog entries, and even outtakes and and bonus features. Indeed, most of the information in both parts of this blog feature is sourced from the blogs and photos on Dave’s website, which I strongly recommend that you check out for a much fuller story. I will be covering just the highlights here. Pre-production and shooting were the subject of Part 1. Now we move onto post-production and how something that seems like it was so simple and straightforward to create was actually very, VERY challenging.

First, take a look at the completed fan film…

Now let’s find out all of the steps that went into turning that raw footage into what you just saw above. As they say on Star Trek: “And now, the conclusion…”

Fandemic film “359”was MUCH more challenging to make than you might think! (feature, part 1)

What I like to call “fandemic” films—fan films where characters are speaking to each other via subspace communications, alternating with one person on the screen at a time—actually predate the global COVID lockdown of 2020. Years earlier, VANCE MAJOR would feature these interstellar “Zoom calls” in his MINARD and CONSTAR saga fan films. In Vance’s case, this was an easy way to have friends and fellow fans (including me!) be able to record segments in our homes and still appear in one of his fan films. It was a lot of fun and relatively easy to do.

But one newbie fan filmmaker, DAVE ELLIS, has taken the fandemic film to a whole other level with “359,” the story of four survivors of the Borg attack from TNG‘s “The Best of Both Worlds,” trapped in escape pods, trying to find other survivors and also just trying to stay alive. Two years in the making, this fan film is very impressive, surprisingly engaging for a story limited simply to “talking heads,” and includes a full website with behind-the-scenes background info, blog entries, and even outtakes and and bonus features. Indeed, most of the information in this blog feature is sourced from the blogs and photos on Dave’s website, which I strongly recommend that you check out for a much fuller story.

But before I go into the background of “359,” take a few minutes to give it a viewing. You’ll be glad you did…

Writer/director Dave Ellis spent over 20 years as a video game writer and director. And indeed, his first assignment was as a lead writer, co-writing the story and writing the script for the 1998 CD-ROM game Star Trek: The Next Generation Klingon Honor Guard from MicroProse. (An an amusing coincidence, my brother’s and my Internet marketing company at the time, 2-Lane Media, had MicroProse as a client and created the marketing website for Klingon Honor Guard—although I’ve never met Dave.

*A page from the website that my company built to market Klingon Honor Guard back in 1998*

Along with fellow designer ADAM COGAN, Dave actually won the very first Writer’s Guild of America award for video game writing in 2008 for their work on Dead Head Fred. Dave continued working in the video game industry until 2015, writing scripts and directing voice-over sessions. Nowadays, Dave works as a marketing writer, but he also remains a huge Star Trek fan, and therein begins the origin tale of 359…

With PRODIGY abruptly canceled, a fan rushes to release the first LIVE-ACTION Prodigy fan film: FLIGHT OF THE PROTOSTAR! (interview with SAM COCKINGS)

Star Trek fans were shocked this past week when Paramount unexpectedly announced the immediate cancelation of the animated STAR TREK: PRODIGY series prior to the release of any episodes of season 2…and then quickly removed the show entirely from its Paramount+ streaming service.

The announcement included additional details that production of the second season of Prodigy was nearly complete, and that the property would be shopped around by CBS Studios as a 2-season package to other streaming services and networks. And so the reason for taking down the 20 completed episodes from Paramount+ was to make Prodigy a more attractive and valuable commodity for purchase.

And if my grandmother had wheels, she’d be a wagon…

Anyway, Prodigy was always the “great experiment” at Paramount. One of the first and only series to simultaneously debut on a regular broadcast network (Paramount-owned Nickelodeon) as well as streaming on Paramount+, the idea behind Prodigy was to attract a new generation of young Star Trek fans, introducing them to the five-decade-old franchise a little at a time through the eyes of a crew of kids who, themselves, slowly discover what Starfleet is and the fascinating history of the United Federation of Planets.

The plan (hope?) was that these young viewers would get so curious about Star Trek that they would beg their parents to subscribe to Paramount+ so the kids could watch more of the shows. (Someone might have wanted to explain that strategy to everyone who inserted F-bombs into DISCOVERY and PICARD…just sayin’.)

Perhaps ironically, in trying to present a window into Star Trek‘s long history for new viewers, the creators of Prodigy inadvertently created a fan-favorite series that, more than any of the other CBS-produced new series, hewed much more closely to established canon. Older fans (lime me!) loved the new show.

Apparently, however, the numbers weren’t quite as strong when it came to the kids (or else the show wouldn’t have been canceled). And can you blame the younglings for not jumping on board after an airing schedule of five weekly episodes, followed by 2 months of nothing, then another five weekly episodes, then 9 months of nothing, followed by ten weekly episodes? Kids tend to have short attention spans to begin with!

Many fans were frustrated and angry—furious actually!—and moved quickly to set up #SaveStarTrekProdigy. Petitions are circulating, memes are meming, and one fan filmmaker rushed to produce the first-ever Star Trek: Prodigy live-action fan film!

SAMUEL COCKINGS, the Brit with Grit and co-host of the TREKYARDS podcast, has been passionately producing a parade of phenomenal fan films with eye-raisingly accurate CGI-generated digital backgrounds and jaw-dropping VFX animations under the banner TREK SHORTS. (You can view those fan films here on this playlist.) This past Friday, after a week of sleepless nights, Sam released FLIGHT OF THE PROTOSTAR, a love-letter to the show and (hopefully) a salient message to the suits at Paramount that there is more support for this series then they might suspect…

STARSHIP CALIBORN releases their third fan film: “RECIPROCITY” (interview with BILLY SWANSON)

Certain states have become nexuses of fan film production: Arkansas, Georgia, and now Kentucky. Of course, it helps when those states contain studios with permanent sets like WARP 66 STUDIOS (Arkansas), NEUTRAL ZONE STUDIOS (Georgia), and POTEMKIN PICTURES (Kentucky). In the case of the latter, three different creative groups are now in active production of Star Trek fan films: STARSHIP WEBSTER, KLINGON SCOUT SHIP QAB’ELTH, and STARSHIP CALIBORN. All three rely on the talents and hard work of fans and friends mostly living in the areas in and around Lexington, KY, coordinated by the efforts of Potemkin Pictures Poobah RANDY LANDERS. (You can view all of Potemkin‘s many dozens of releases from a dozen different creative groups on their website.)

So when I saw a new release from the Caliborn folks, “RECIPROCITY,” I reached out to Randy, as I typically do, for some background on this latest effort. And that’s when Randy recommended that I speak with episode writer and lead actor BILLY SWANSON, as he is the “voice” of Caliborn.

Well, far be it from me not to speak directly with the “voice”! So I reached out to Billy for a quick interview, which appears below. But first, let’s take a look at “Reciprocity”…

And now, here’s Billy…

JONATHAN – Randy said that you are now the “voice” of Caliborn. Does that mean you are officially the showrunner?

BILLY – Yeah, I saw that! I am indeed the showrunner for Caliborn.

JONATHAN – So what does being a showrunner entail for you specifically, Billy?

BILLY – As showrunner, I work with Randy to arrange the chapters (films) accordingly and set up the space to shoot (ha!). Being the showrunner puts me in the position to guide the tone of the overall “volume” (of chapters) that the various films fit into.

When Randy and I decide on a script, I then run it past ROBIN KUNKEL and ANDREW ORTWEIN for their ideas regarding shot composition and what other unique ways we can film. Andrew has a great mind for storyboarding and lighting, as well as ways to accomplish more unique shots! Robin is also a hell of a photographer and broaches the script with a different perspective I enjoy in terms of reasonably scheduling the order of the shots we need, the shots we would like, and the nice-to-have-but-not-a-priority shots, so that we can fit all of that into a reasonable day’s shoot for the actors.

The feedback from this team also helps with initial rewrites to help with narrative and vocal flow for us to present to the actor, to mitigate day-of troubleshooting. It is a lot like Randy’s shot lists, but with more technology and fun pictures! I also facilitate the shoot crew and work with the production team to prepare for the next chapter (storyboarding, lighting, costume, and directing).

JONATHAN – Are you writing all of the scripts entirely by yourself, or is that task shared among several writers?

Here are the 2023 Star Trek Fan Film SHOWRUNNER AWARD entries for BEST SHORT SCENE…

While all of the fan film award competitions feature categories that are common to every contest—like best fan film, best director, best actor, best music, etc.—what makes life extra interesting are categories that are unique to each competition. For example, the DIRECTORS CHOICE AWARDS have categories for Best Ensemble Cast and Best Portrayal of an Existing Character…categories that other fan film contests don’t offer.

In the case of the SHOWRUNNER AWARDS, we just added four new categories this year for Best Props, Best Original Set Design, Funniest Fan Film, and Most Clever Easter Egg. But returning from last year is one of our most unique categories—and one of my personal favorites!—Best Short Scene. This award is for a single sequence from a fan film that is two minutes or shorter, a sequence that is particularly exciting or gripping or dramatic or memorable. The standout elements can be the acting, writing, directing, editing, VFX, music, or any combination. The question is: which short scene does a judge find to be most impactful?

Last year, we had ten fan films that entered submissions into this category. This year, only five submissions came in for Best Scene, but they are each excellent! And best of all, each has a 60% chance of winning an award because we present an Admiral Award, Captain Award, and Commander Award in each category. (Remember that for next year, fan filmmakers: enter a short scene for a good chance at winning!)

I’ve just started creating the online ballot for the judges to record their votes in each of our 22 categories (that is a lot of work for both me to make the form and them to watch everything and fill it out!). And I need a convenient place for them to access all the short scenes in one place. What could be more convenient than a blog page, right?

If you’d like to view all of this year’s 23 fan film entries in their entirety, click here. But now net’s take a look at the five submissions for this year’s Best Short Scene, in alphabetical order by fan film…

From DOOMSDAY…

From THE NEEDS OF THE ONE…

From OUTBREAK…

From RESISTANCE…

From YORKTOWN: A TIME TO HEAL…

At long last, STALLED TREK: “THE CITY ON THE EDGE OF FORECLOSURE” is released onto YouTube!

Putting the “stall” into STALLED TREK, showrunner/writer/animator/voice-actor/comedic genius MARK LARGENT finished creating his second puppet parody adaptation of a classic TOS episode, “THE CITY ON THE EDGE OF FORECLOSURE” way back in June of 2021. But with the exception of those hundred-plus donors who contributed to his Kickstarter in mid-2018 and his follow-up Indiegogo campaign in early 2021 and received DVD/Blu-ray versions of the new fan film, no other fan(s) saw it…unless they attended one of 28 film festivals where “City” was an official selection.

And indeed, that is why Mark has held out releasing the film onto YouTube for so long. Many of those film festivals required submissions to NOT be available on YouTube. And so, Mark kept “COTEF” (his abbreviation) off of the Internet for nearly two years! The restraint and self-control paid off, however, as COTEF has gone on to earn a total of FIFTEEN awards. Take a look…

Wow, right?

Anyway, with one last hurrah as COTEF won BEST ANIMATED COMEDY SHORT at the MIAMI INTERNATIONAL SCIENCE FICTION FILM FESTIVAL, Mark finally decided to, without much fanfare, to post the hilarious puppet parody with the time-displacing rock donut onto the Internet. And you can watch it here…

Mark’s first foray into the 3D animation odyssey that is Star Trek puppet parodies came back in 2012 with the release of the first Stalled Trek, an adaptation of fan favorite TOS episode “Amok Time” titled “AMUTT TIME” (read my interview with Mark about that fan film here.) The gag in the title was that Mr. Spott was a Vulcanine and was going into heat, needing to return home to his betrothed T’Pomerian. If you loved what you just saw above, you’ll love what’s below just as much…

But wait, that’s not all!

After doing the aforementioned interview with Mark back in early 2016, we began talking about AXANAR and the CBS/Paramount lawsuit. This led to an idea for a parody of both PRELUDE TO AXANAR and the lawsuit itself. Mark and I quickly came up with a script, I supplied a few of the voices, and Mark did his usual lion’s share of the 3D modeling, animating, and render to create a Stalled Trek parody not of a TOS episode but of a fan film being sued for copyright infringement! You can check that one out here…

But wait, there’s even more Stalled Trek!

After raising over $4K in the 2018 Kickstarter, Mark learned that his go-to 3D application, Animation:Master, would no longer be supported for Macintosh, and Mark didn’t have the funds nor desire to purchase and transition to a Windows PC. Instead, Mark switched over to the open-source (i.e. free!) Blender 3D allowing him to remain on a Mac AND, as it happened, render his animated footage about 30 times faster!

The only problem was that he now needed to learn the new software as well as to import and/or recreate all of his characters and settings into the new 3D platform…

The 2023 SHOWRUNNER AWARDS now have their final 21 entries!

Submissions for this year’s Star Trek Fan Film SHOWRUNNER AWARDS are now complete. It feels like only yesterday when I announced the entrants for last year’s inaugural competition! (Well, maybe not yesterday…but certainly not a full year ago!!!) For our previous running, we had a whopping 38 Star Trek fan films submitted, totaling just a smidge under 13 hours of viewing time for our twelve judges.

This year, our number of entrants is a smidge below two-thirds of that: 21 fan films. That lower total isn’t too surprising to me. Last year, a quarter of our submissions came from one person, VANVE MAJOR, who decided to enter TEN of his CONSTAR saga fan films! Vance, who announced his final retirement from Star Trek fan filmmaking last year, has decided to sit it out this time, which is fine.

Other fan films like SQUADRON, THE HOLY CORE, BEYOND THE SUN, AGENT OF NEW WORLDS, PACIFIC 201, INTERLUDE, STAR TREK: FIRST FRONTIER, and CHANCE ENCOUNTER won enough awards last year that their creators didn’t feel the need to enter again, as a fan film is only allowed to win once in any specific category. One fan films has returned this year for a second chance at the winners’ circle, but most haven’t, resulting in fewer entries.

And speaking of entering the same film multiple times, I’m considering shortening the window of eligibility from 5 years to something less, like only 2 or 3 years. I still feel strongly that fan films should get at least one extra chance to compete, rather than being eligible in only a single year. But while the first year’s submissions spanned the full five years of eligibility (2017-2021), all but 3 of our 21 submissions for this year were for fan films released during the previous calendar year of 2022. It’s certainly something for the judges and me to discuss going into 2024’s contest, but feel free to chime in with a blog comment or e-mail to me your thoughts.

In the meantime, I am very excited about this year’s entrants because there will be ample more widely-competitive categories this time. Last year cleared out many of the “giants” (from a whole bunch of years) that were, admittedly, extremely hard to compete against. But that leaves this year with a significantly more level playing field.

So while the judges have only about 60% as many films to watch and judge this year (and only 5 and 2/3 hours needed to view them all), I suspect that judging those submissions is going to be MUCH harder. We shall see.

Like last year, the winners will be announced on Star Trek‘s anniversary of September 8, 2023. There are 22 categories this year, with three winners in each category: Admiral, Captain, and Commander level. I salute all of our 21 entrants for 2023, and I wish each of them the best of luck and encourage you, the reader, to watch as many as you can…