Alec Peters – Page 2 – Fan Film Factor

CANADIAN fan filmmaker announces a brand new CAPTAIN GARTH fan film! (interview with DARREN HANN)

I love Canada. I’ve been there many times—summer and winter (BRRRR!!!)—and there are two things I can assure you of: the place is absolutely gorgeous and the people are some of the nicest and most courteous I’ve ever met anywhere on the planet.

Over the years, I’ve covered many “international” (as in not-made-in-the-United-States) Star Trek fan films—from England and Scotlnd, France, Germany, the Czech Republic, Australia, and I’ll soon be covering ones from Italy and Russia. And I always found it somewhat odd that I hadn’t yet happened upon a current fan group in Canada…the birthplace of WILLIAM SHATNER and JAMES DOOHAN and the current filming location of STAR TREK: DISCOVERY. The closest I got was JOHN ATKIN, who is the co-showrunner of YORKTOWN: A TIME TO HEAL (due out soon) and lives in Toronto. But most of the production on Yorktown happened in the U.S.

And so it was that I took great interest in an announcement that was posted to Fan Film Forum this past Friday by DARREN HANN…

DHann Productions is pleased to announce its exciting new film project- CAPTAIN GARTH: A STAR TREK FAN PRODUCTION. Based on the character from the original Star Trek series, CAPTAIN GARTH will follow the highs and lows of Garth’s starfleet career post the Four Years War and prior to the original series episode “Whom Gods Destroy” and aims to give an insightful look at one of the most fascinating and tragic characters within the Star Trek iconography.

CAPTAIN GARTH is being produced in the province of Newfoundland, Canada, and is produced by Darren Hann. The production team includes various members who have brought the geek fandom favourites like STAR TREK: RELIANT (web series) 11 Episodes, STAR WARS: Inner Demons (short film), STARGATE: REPLICATION (short film), and PLAN 9.5 FROM OUTER SPACE (short film) all of which can currently be found on youtube and Vimeo.

As per the Fan Film Guidelines set by Paramount and CBS, CAPTAIN GARTH will consist of two 15 minute episodes, shot with a cast and crew of amateurs, and is self-funded.

Of course, the announcement attracted my attention for another reason beyond the location being Canada’s easternmost province—and that was the use of the “G”-word: Garth. Up until now, in the fan film world, Garth has meant AXANAR—more specifically PRELUDE TO AXANAR, INTERLUDE, and the upcoming Axanar sequels. And Garth has also meant ALEC PETERS. So many folks in the fan film community (including I) were wondering if this new production might be somehow linked to Alec or the Axanar project, or if it was going to be a completely separate story with no tie-ins to the Axanar fan films that have come before.

To get the answers to these and other questions, I reached out to Captain Garth showrunner Darren Hann, who lives in Mount Pearl, Newfoundland, just a few short kilometers from the colorful coastal capital city of St. John’s…

COSMIC STREAM is the first-ever fan film to be shot at THREE different TOS set studios! (video interview with JOSHUA IRWIN and TYLER DUNIVAN)

The AVALON UNIVERSE isn’t the Prime Star Trek universe, and it’s not the Kelvin timeline either. It’s not the Mirror universe or the Axanar universe or any other Star Trek or Marvel or DC or sci-fi universe you’ve ever seen before…unless, of course, you’ve watched the previous six Avalon fan films releases.

Instead, the Avalon Universe is simply a place where show-runner JOSHUA IRWIN (from Fayetteville, Arkansas) can play around with Star Trek stories without worrying about tripping over existing canon or angering this or that Trekkie because such-and-such never happened or this-or-that did happen so what you’ve just shown us doesn’t work. It works in the Avalon Universe, and that’s all you need to know.

The Avalon fan series got its start on Halloween 2018 with the release of the creepily comedic (or was that comedically creepy?) GHOST SHIP, which can best be described as “Star Trek meets The Walking Dead.” It was fun and surprisingly professional-looking. The reason for the latter is because Josh and many members of his team do actually work in the film industry and know how to shoot a proper film…fan or otherwise.

Ghost Ship introduced the new crew of the recently-repaired U.S.S. Excalibur, including VICTORIA FOX as First Officer Amanda Beck, VICTORIA ARCHER as Engineer Jamie Archer (yep, same last name as the character), and TYLER DUNIVAN as Captain Derek Mason. But no sooner had Mason been introduced than we saw the character die a noble death in the second Avalon episode AVALON LOST.

The third Avalon episode, DEMONS, released a year after Ghost Ship and eight months after Avalon Lost, showed fans how Commander Beck and new commanding officer, Captain Lance Ramirez (played by CHUCK MERÉ) dealt with the loss of their close friend and colleague. LEGACY and NEW ORDERS were both short vignettes, while AIR AND DARKNESS was an ambitious full-length episode with night shots, stunts, great VFX, and lots of Klingons!

Earlier this month, “Team Avalon” launched a brand new GoFundMe campaign trying to raise $20K to continue their saga, hoping to finance as much of their next multi-episode chapter “Crisis on Infinite Excaliburs” as possible. Barely a week and a half in, the campaign is doing strongly with 55 backers and nearly $3K in donations so far—about 15% of the way to their goal. But more support is sorely needed to generate the remaining 85%, so please consider making a donation, even if it’s a small one, by clicking here…

https://www.gofundme.com/f/zdn4p-AvalonUniverse2021

While the team waits for more backers, they have been doing anything BUT resting on their laurels! In fact, Josh has already released a number of interviews with the team and other special features, and today they’ve just premiered their seventh fan film, COSMIS STREAM. Take a look…

Is that Tyler Dunivan’s character of Derek Mason, back from the dead??? Or is he in heaven, purgatory, another universe, another dimension, or is it just a dream? Fortunately, I was able to interview both Tyler and Josh and discover the answer.

Reason #2 to donate to the AVALON GoFundMe: DO IT FOR PIXI…!

If you’ve never been part of the making of a fan film, it’s kinda hard to explain. But there’s a bug that bites ya, and then there’s an itch that you just need to scratch. It’s difficult to say when exactly that fan film bug bites—I guess it’s different for everyone; like the moment someone realizes they’re a Trekkie/Trekker—but when it does, everything can change in a heartbeat.

Or not. Some people make a fan film or participate in a production or two and they’re done. And that’s fine. But for many others, fan films get into your blood—sometimes into your very DNA—and then there’s just no stoppin’ it!

Which brings us to PIXI NEREID.

That’s actually her stage name. Pixi’s real name is ILIA McNEIL…and yes, the “Ilia” is actually inspired by the bald Deltan navigation officer from Star Trek: The Motion Picture, as her parents were TOS fans. And Ilia is a hardcore fan herself. But all of her friends call her Pixi, and so do I because Pixi has (almost overnight!) become a friend.

And honestly, it’s hard not to absorb all of the positivity, fun, and optimism that radiates from her—so much so that you almost need to call her Pixi. And if you’re wondering where that name comes from, Pixi has a side gig (along with a small number of other women in the Fayetteville, Arkansas area) performing as a mermaid at children’s parties. So I suppose that Pixi Nereid isn’t her “stage” name so much as her “pool” name, but whatever you call it, she’s totally a Pixi!

*We got no troubles*…life is the bubbles…under the sea!

JOSHUA IRWIN, who will be directing the new AVALON UNIVERSE fan films that are crowd-funding now (click here to donate), first met Pixi on the set of the soon-to-be-released COSMIC STREAM while filming at WARP 66 STUDIOS in northeastern Arkansas. Pixi was told about the shoot by one of her fellow mermaids, who had a role in the fan film. But Pixi didn’t come to appear on camera, she just wanted to help out. In fact, she arrived and immediately told Josh that she’d be happy to be a grip for the day (a grip is someone someone who moves the lights around…not very glamorous but super-important).

It’s a 108-mile drive each way from Fayetteville to the studio, so the people who volunteer for these fan film shoots at WARP 66 have to be pretty committed. After the shoot in mid-March, Josh posted the following photo and comment to Facebook…

Reason #1 to donate to the AVALON GoFundMe: JAKANDE LIVES!!!

Over the next 21 days, I’m planning to provide one excellent reason each week to donate to the just-launched GoFundMe for the AVALON UNIVERSE‘s new series of Star Trek fan films, a multi-episode saga that will be titled “Crisis on Infinite Excaliburs.” The campaign had a soft launch last week and has already taken in over $1,200 in donations before most fans even knew it was happening! But today marks the official kick-off, and with it, my series of blogs.

Of course, if you don’t want to wait for me to convince you, feel free to click on over and donate something right now (and watch the “ask” video; it’s awesome!)…

https://www.gofundme.com/f/zdn4p-AvalonUniverse2021

I know, I know. It seems like lately there’s been a new Star Trek fan film crowd-funding campaign every month. And yep, there has! Back in May, CGI sensei SAMUEL COCKINGS raised more than $13K for his series of six (or is it seven?) anthology fan films under the canopy title of TREK SHORTS. Then in June, it was DREADNOUGHT DOMINION‘s turn, as GARY DAVIS successfully topped their $5K goal for two Dominion episodes plus the debut episode of their new PROJECT RUNABOUT fan series.

And as July begins, we go for the “hat trick” as JOSHUA IRWIN has just launched the most ambitious of these back-to-back-to-back campaigns, endeavoring to raise $20K for a new series of fan films set in the Avalon Universe.

There have already been six Avalon Universe fan films: GHOST SHIP, AVALON LOST, DEMONS, LEGACY, AIR AND DARKNESS, and NEW ORDERS…nearly two hours of super-high quality Star Trek fan films with a combined hundreds of thousands of views on YouTube. And a seventh film, COSMIC STREAM, is set to premiere later this month…with an eighth film, AGENT OF NEW WORLDS, already in production!

Believe it or not, Josh has only ever held ONE Avalon crowd-funding campaign before now…back in early 2019, he raised $6,500. All the rest of the production costs for Avalon—literally tens of thousands of dollars—have been paid for out of Josh’s pocket…and this guy ain’t exactly living the lifestyle of the rich and famous!

Joshua Irwin…spent his last pennies in the Avalon Universe!

Understandably, most fan filmmakers can only self-fund for so long before they need to ask for a little help from their friends…which is why many Star Trek fan productions seek support through crowd-funding. And indeed, that’s why I’m writing this blog (and the three weekly blogs that will follow): because Josh is my friend—along with being my Director of Photography and Editor on INTERLUDE. I’m also writing these blogs because I love the quality of Josh’s work, I love the Avalon Universe, and oh…

…BECAUSE JOSH IS BRINGING BACK CAPTAIN JAKANDE!!!

Yep, that’s the big Reason #1 to donate to this campaign!

ARES STUDIOS moves “down the street” into a new facility!

Back in 2017, ALEC PETERS closed down the massive INDUSTRY STUDIOS in Valencia, CA and moved all of the AXANAR assets—including the massive and still unfinished Ares bridge set—2,500 miles across the country to Lawrenceville, GA. The new and much smaller facility was dubbed ARES STUDIOS, and the bridge set was effectively completed and debuted to the public by AXACON in November of 2018.

Since then, Ares Studios has hosted film shoots for the two upcoming Axanar sequels, my own Axanar Universe fan film INTERLUDE, a smattering of other fan film projects, a couple of sci-fi parody projects, and a number of student films for high schoolers in the Gwinnett County School District.

Located in a small industrial area nestled behind a strip mall featuring (among other businesses) a donut shop situated NEXT TO a weight loss center(!!!), the 6,000 square foot space was perfect for housing the bridge set, the captain’s quarters set, other set pieces, props, costumes, and a seemingly endless supply of patches and other perks. The facility also had a front office, reception area, a second office that was often used for a changing room, a small kitchenette, and of course, a restroom. You can see Ares Studios in this video I posted for Interlude Confidential…

As great as the space and location was, the main drawback was the rent+utilities, which came to about $4,000/month. And even with a Patreon providing monthly donations from hundreds of donors covering about half of that cost, it’s been a huge drain on Alec’s personal financial resources to the tune of about $20K a year!

Alec was (and still is) looking for property to purchase and construct a small metal building to hold the sets, lowering his monthly expenses. But that in and of itself is a time-consuming process, maybe 2-3 years out. In the meantime, the lease on his current space was about to run out, and his landlord had another tenant looking to take over (meaning there was no real pressure on Alec to renew). So a few months ago, Alec and DANA WAGNER began looking around for a new location, preferably less expensive but still large enough to fit the sets, props, costumes, and perks; provide space for an office and make-up/dressing room; and still be practical and functional for filming.

Many facilities were visited, but one was perfect. Located only about 2 miles down the road, and approximately a 1,000 square feet smaller than the previous space, the overall layout was actually much better. The new space would allow for the sets to all be in the back and the office space and make-up/dressing room to be out in front. It was a bit of a fixer-upper—the restroom was a disaster, and the place needed some walls moved, painting, carpeting, etc. But all of these things were relatively easy to deal with. And best of all, the monthly rent was $1,000 less!

Now, the biggest challenge was moving that incredible bridge set…!

INTERLUDE Confidential #19: Watching ARES STUDIOS come alive…

INTERLUDE is knocking on the door of a combined 75,000 views for “version 2.0.” You can watch it on the AXANAR YouTube channel or the AVALON UNIVERSE YouTube channel…or both!

A few weeks ago, I published a blog looking at three scenes from Interlude that wound up on the digital “cutting room floor.” But one of the most talked about aspects of that blog was a clip that I included showing 18 minutes of the actual shoot itself…filming the stunning opening scene looking down from above onto the bridge with all sorts of activity going on. Fans of Axanar and ARES STUDIOS loved getting a glimpse into all of the action happening on that set.

Well, folks, there’s a LOT more where that came from…and I’m going to share it with you starting today!

As producer on Interlude, most of my job was done by the time we got to the weekend of our two-day shoot at Ares Studios on November 2-3, 2019. In addition to writing the script, I was in charge of budgeting, crowd-funding, paying for things that needed to be paid for (everything from chest emblem patches to camera and lens and light rental to hair and make-up supplies to renting chairs and tables to the caterer himself…plus about a hundred other little and not-so-little things!).

Another part of my job was to make sure we had the right people at the studio on the right days—actors, extras, production crew, even an on-site medic—that they knew where to be and when and that their gas, travel, food and lodging was paid for if/when necessary. My efforts were designed to make it possible for VICTORIA FOX, JOSHUA IRWIN, and the entire amazing Interlude production team to shoot the scenes of our fan film over two 10-hour days with everything they needed ready and waiting for them.

In short, I was the guy setting up the buffet table so all of the guests could have a good time at the party. So once the party got started, what was left for me to do?

Well, there were still some minor fires that needed putting our during those two days—figuring out where to put the hair and make-up people, handing my credit card to people I hardly knew to go make emergency runs to Home Depot or Target or wherever. But for the most part, the producer wasn’t really needed on set.

But that provided me with a very unique and special opportunity…

(Re) Presenting: INTERLUDE…the big premiere, TAKE TWO!

I’ve been writing a series of blogs about all of the typical things that happen with fan films, things that I’ve been encountering during the development of INTERLUDE. But now it’s time for something that I don’t think has ever happened on any Star Trek fan film!

Someone in our cast has asked (demanded, actually) for his shots to be completely REMOVED from the Interlude fan film…forcing us to re-shoot specific scenes using a different actor and to re-edit those scenes back into a new version.

The actor in question is PAUL JENKINS. I won’t go into details on this other than to say what is already known publicly: that Paul and ALEC PETERS are involved in litigation following Paul’s parting of ways from the AXANAR sequels in the early summer of last year. As I understand it, Paul is concerned that his appearance in a fan film that features Alec Peters in a leading role within the Axanar continuity could imply some kind of endorsement by Paul of Alec, Axanar, Ares Studios, and/or Axanar Productions.

Paul’s request/demand for all footage of him be removed from Interlude came first via a Facebook message sent to me barely 24 hours before the big premiere on April 5. Obviously, that was not enough time for us to make such significant changes, and we weren’t about to delay the release on such short notice. I’d already told the entire fan film community plus my friends and family about it. Heck, my parents had told all of their friends about it!

So as planned, we premiered the version of Interlude (with Paul in it) that we’d worked so hard to complete, but on the request/demand of Paul and his CEO at META Studios, a disclaimer was pinned as the top comment of the YouTube video page making clear that “META Studios and its employees, including Founder and Chief Creative Officer Paul Jenkins, DO NOT endorse the use of the Axanar logo and the solicitation of funds for the purpose of creating fan films associated with CBS intellectual property. “

So yeah, that happened.

We also agreed to their imposed constraint that Interlude could only be posted to the AVALON UNIVERSE YouTube channel and not to the Axanar YouTube channel, probably costing us a few hundred thousand views during our opening week. The video still crossed 50K views in 12 days with more than a 97% thumbs-up/thumbs-down ratio, so I didn’t really lose any sleep over it.

Meanwhile, our director of photography/editor JOSHUA IRWIN jumped into action to act on to Paul’s main request.demand to be removed entirely from Interlude, and two weeks later, Josh has come through with flying colors.

This was no small feat, folks…!

INTERLUDE Confidential #17: On the cutting room floor…

Christy Price Pagano deserves the top image because she wound up on the cutting room floor!

INTERLUDE is finally released, and it’s already up to 42K views on YouTube! Did you see it? (If not, click here.) Did you like it? Is it everything you hoped it would be? Personally, I’m extremely happy with the way Interlude turned out. So many people put SO much work into making an awesome fan film.

But I feel really bad about CHRISTY PRICE PAGANO (pictured above) because her ONE shot in Interlude wound up on the cutting room floor.

Christy showed up on our second day of filming Interlude at Ares Studios in Lawrenceville, GA (on Sunday, November 3, 2019) along with her good friend LISA BURGESS (pictured below). The two moms live nearby in the suburbs north of Atlanta, and they were told about the shoot and our need for extras by one of our actors, JAY PLYBURN, who played the U.S.S. Ares science officer with the cool 70’s-era mustache.

If you watched Interlude, you might have noticed that there’s really only one very brief shot of the U.S.S. Ares where we see most of the extras on the bridge…

There are some other close-ups and medium shots, but this was the only shot that featured nearly all of our Ares crew members at once. Only two officers aren’t in the shot: the aforementioned Jay Plyburn and Christy Pagano, who was actually about to come out of the turbolift. But we cut away before the turbolift doors ever have a chance to open.

This is what the full sequence would have looked like had the decision to cut away not been made (note that there are no sound effects or music in following clip)…

That’s Christy coming out of the turbolift. And though we barely get to see them, the wounded engineer is JOSE CEPEDA from the fan series STAR TREK: NATURES HUNGER, and the person carrying him off is CRYSTAL RAMOS, who was so excited to be a part of this production. And now, we don’t even get to see their faces! But I’m going to fix that right now (at least on this blog page, since we can’t reshoot the scene without it costing a lot of time and money)…

Anyway, back to the wide shot. As you can see from the full 11-second clip, there was a lot going on! The ship was shaking, panels were flickering, Garth was giving an order, people were moving across the bridge with some getting up from seats and others sitting down, the turbolift doors had to open AND close, and not only did Crystal have to make it look like she was carrying Jose into the lift, but Christy had to rush out of the turbolift without bumping into either Crystal or Jose and then squeeze past the communications chair without looking as though she was squeezing (’cause it is a very tight fit!).

And that’s just what was happening ON camera!

INTERLUDE Confidential #16: Shields up! Time for the reviews…

INTERLUDE is finally out, and the reviews are coming in fast and furious! On YouTube, the video has racked up 15K views in three days, with 97% thumbs up. If you haven’t seen it yet, to quote Chekov, “Now vould be a good time…”

The praise and kudos have been great and are very rewarding to everyone on the team. And of course, the criticisms are out there, too. It’s inevitable that you’re not going to please all the Trekkies all the time. The trick to surviving the bad reviews is to focus on the good ones. If you give too much weight to the critics, the negativity will drag you down like an anchor. It’s the positive, supportive comments that bring up back up for air. If you want to keep breathing, use them as a helpful floatation device.

Or you can just do what I do and respond to the negative YouTube comments with: “Look, I’m really, really sorry that so many people disagree with you.”

Some people thought that Interlude was too short (is that criticism or praise?) or that the Ares and Artemis should have been firing back. Just for the record, the Klingons knocked out both ships’ weapons systems—listen closely to some of the background bridge chatter—and as you’ll discover in the AXANAR sequels, the new D7’s were nearly invulnerable to phasers and photon torpedoes.

Some folks thought ALEC PETERS’ acting was better in the first half, and some thought he was better in the second half. Some thought he couldn’t act at all, but hey, most fans couldn’t do much better and would probably have been a lot worse. It takes a lot of confidence to place yourself in front of the camera for the main role in any fan film…let alone one that’ll likely have hundreds of thousands of views. Alec put in ten long hours of tightly-focused work the day we filmed and another few hours getting the epilogue interview done. I was never expecting Laurence Olivier or Tom Hanks, and I was very happy with Alec’s performance.

Oh, and for anyone complaining about Alec’s “bulging Gowron eyes,” you might want to take another look at the TOS episode “Whom Gods Destroy.” I see the Garth glare as more of a feature than a bug…

On the other hand, praise was nearly universal for fan film newcomer and fellow sci-fi geek WARREN HAWK. Everyone love-love-loved Warren as Captain Jakande—as well they should have! Warren gave an awesome and passionate performance…and I love that deep, velvet voice of his.

(And consider this: in the Avalon Universe, Captain Jakande might not have died. So start saving your crowd-funding dollars, folks, ’cause you might just be able to help bring him back to fan films in a few months!)

Presenting INTERLUDE – a Star Trek fan film in the AXANAR Universe!

(I know you wanna see INTERLUDE! Feel free to scroll down to the bottom of this web page, then come back to read the full blog entry.)

I was a fan of AXANAR even before the launch of their first Kickstarter campaign back in early 2014. And when PRELUDE TO AXANAR was released that summer, I was ecstatic. There had never been any fan film like this one, and it FELT like the Star Trek I had grown up with…something I couldn’t say about the newest Trek movie releases from Paramount and (later) television releases from CBS.

Later that summer, I jumped at the chance to volunteer to help pack and ship perks to donors (of which I was one, of course), and I got to know ALEC PETERS, DIANA KINGSBURY, ROBERT MEYER BURNETT, and a bunch of other folks involved with the production. Heck, I even joined the gang along with RICHARD HATCH (may he rest in peace) at a P.F. Chang’s in Long Beach after a convention for an awesome dinner experience.

By 2015, I was writing weekly “Fan Film Friday” blogs for the Axanar website about other Trek fan films…something that led to the creation of Fan Film Factor half a year later. Fan films in general, and Axanar in particular, had quickly become a major part of my life as a Trek fan.

Interlude was born in stages, but I can trace its initial origin back to June of 2017 when I was reading Alec’s new 2-part Axanar script. The legal settlement with CBS and Paramount forced him to trim the full-length movie script down to two 15-minute segments that would be filmed in the same mock documentary style as Prelude.

By this point, the amazing half-completed bridge set was being packed up and moved cross-country from southern California to Georgia, and I was looking forward to seeing how bridge scenes would be incorporated into the “mockumentary” format. But to my shock and horror, there were NO bridge scenes in Alec’s new script…only the same “talking heads” dialog and VFX as there was in Prelude. Huh?

What I didn’t know at the time was that Alec had purposefully left out any bridge scenes because he wasn’t certain whether he’d be able to raise the funds to complete the set. However, not knowing why there weren’t any bridge scenes, I mistakenly assumed Alec just felt like he couldn’t squeeze them in and still tell the story properly. So as a way of demonstrating that it was possible to have bridge scenes, I wrote a new version of the script…what I call my “alt-Axanar” script. Alec won’t be using it (he’s fine with his own version), but someday after the two Axanar sequels are released, I’ll publish it here on the blog just for fun.