Alec Peters – Page 3 – Fan Film Factor

INTERLUDE Confidential #15: After putting out fires, INTERLUDE will finally premiere on MONDAY, APRIL 5!

I can finally and proudly announce a release date for my AXANAR Universe fan film INTERLUDE:

MONDAY, APRIL 5, 2021 (Star Trek ‘s “First Contact Day”).

We‘ll be premiering it during a special Axanar Confidential livecast this Monday night at 10:00 pm Eastern Time when I and a bunch of members of Team Interlude will be appearing with Fleet Captain Garth himself, ALEC PETERS. You can find the livecast on the Axanar YouTube Channel.

Let me tell ya, folks, for the last week or so, I wasn’t quite sure we were gonna make that deadline! While there’s no one holding a phaser to our heads to release Interlude on April 5th, “First Contact Day” is a coveted spot among Star Trek fan filmmakers if they can hit it. But I checked around, and this year, no one I spoke to was claiming that day (and if they had, I would have let them have it and just chosen a different date a week or two later). So with the coast clear, I started mentally preparing myself for April 5th.

Although we’ve been REALLY close to completing Interlude for the past few weeks, I wasn’t feeling comfortable enough to make an announcement until today. After all, we’ve been having a series of really crazy things happen along the way that have delayed or at least impacted pre-production, production, and post-production. Among these: rivers flooding, wild tornadoes, freak polar blast ice storms, trapped woodpeckers, and stray dogs on the road. Read more about them here, here, and here.

And now we can add FIRE to the list!

This past Monday, I couldn’t reach MARK EDWARD LEWIS, our post-production sound designer, for most of the day. That in and of itself isn’t unusual; Mark has a pretty busy life, and I don’t expect the entire team to be “on call” 24/7. (You need to actually pay people—and pay them a lot!—for that kind of service.)

But Monday was an important day. With just seven days left until my still-unannounced but highly desired deadline, we’d had an e-mail glitch. Two days earlier, I’d sent Mark a compilation of final notes on the latest sound mix from myself, our director VICTORIA FOX, our editor JOSH IRWIN, and our composer KEVIN CROXTON. But it was now Monday, the clock was ticking, and no one had heard back from Mark. So I messaged him on Monday morning my time (about noon for Mark in rural Tennessee) just checking that he’d be able to get those final fixes done in the next day or two and send the final audio mix over to Josh.

“I’m still waiting for a response from my last e-mail,” he replied.

JAMES CAWLEY releases the unfinished STAR TREK: PHASE II “Origins: The Protracted Man”!

It’s been five years since fans have seen anything new from STAR TREK: PHASE II (a.k.a. STAR TREK: NEW VOYAGES). The most recent completed Phase II episode to debut was “The Holiest Thing” in January of 2016. But that changed last week with the unexpected release of a never-completed episode filmed way back in 2010-2011: “Origins: The Protracted Man,” directed by DAVID GERROLD and co-written by him along with Trek novelist DAVE GALANTER.

Phase II founder and show-runner JAMES CAWLEY had announced, shortly before the unveiling of the fan film guidelines by CBS in June of 2016, that Phase II would cease all fan film production. Then two weeks after the guidelines came out, James announced that his TOS sets in Ticonderoga, NY would become a brand new, licensed STAR TREK Original Series SET TOUR.

Fans were certainly excited by the opportunity to walk these amazing TOS set recreations that had previously been reserved only for fan filmmakers and special guests. But what about the episodes of Phase II that had already been filmed (or partially filmed)? Would these be completed and released? There were still three unfinished Phase II projects: “Bread and Savagery” (a sequel to the TOS episode “Bread and Circuses), “Torment of Destiny” (a sequel to “For the World is Hollow and I Have Touched the Sky” and featuring the now-deceased RICHARD HATCH), and “Origins: The Protracted Man.”

The answer seemed to be that these three episodes would forever remain in limbo. None was in any condition to be released (or so we were told), and with Retro Studios in upstate New York now turned into a licensed set tour, James didn’t appear to be in interested in having any of these remaining Phase II projects completed. In fact, in the case of “Bread and Savagery,” the director, MARK BURCHETT, had passed away in 2014. Certain actors were also no longer available, and in some cases, the footage that had been filmed wasn’t shot properly (camera and/or sound issues), and wouldn’t be usable…and reshoots were rather problematic.

And so these three episodes remained hidden away, inaccessible to fans beyond this really exciting trailer for “Torment of Destiny” and this equally exciting trailer for “Origins: The Protracted Man” (along with a couple of scene clips, including one of Kirk’s Koybashi Maru test and another in sickbay).

Jeff Johnson as Finnegan…just as annoying as we imagined!

Fan were desperate to see more, as these two episodes looked amazing. They were also quite special for other reasons. In addition to “Torment of Destiny” featuring the late RICHARD HATCH, “Origins” featured actor COLIN CUNNINGHAM as Christopher Pike (Cunningham’s extensive Hollywood career includes recurring and regular roles in such series as Stargate SG-1, Falling Skies, and Preacher). Also, voice-over actor JEFF JOHNSON turned in such an amazing performance as Cadet Finnegan that you would’ve sworn they’d managed to kidnap original Finnegan actor BRUCE MARS by beaming him through time!

AXANAR test vignette “THE DECOMMISSIONING” premieres!

Last Tuesday, fans of AXANAR got a pleasant little surprise when a new short fan film, set in the “Axaverse,” was released by GEOFF FAGIEN, who is the Director of Photography on the two upcoming Axanar sequels.

Geoff’s two-minute vignette, titled “The Decommissioning,” is not part of the official Axanar trilogy (PRELUDE TO AXANAR plus the two sequels). Instead, created by a a separate production company, REACH FILMS, it stands alone as an adjunct to the overall Axanar storyline . Axanar, of course, is a project from AXANAR PRODUCTIONS.

So why a sudden, unexpected Axanar vignette?

It turns out that this little exercise is a “test film” trying out a brand new camera, called the RED Komodo, that hasn’t even been released to the general public yet. Geoff is one of a small number of beta-testers of the new product. They each still have to buy the camera (about $6K-$7K…a fraction of the cost of higher-end cameras), but the company, RED, is looking to actual users to provide them with feedback to help improve and perfect this newest offering. And filmmakers like Geoff are happy to help, since the results they relay back to RED will only serve to make the firmware of the camera that they just bought even better.

One of the things that Geoff wanted to test was the camera’s ability to record video in low light. Lower-end cameras often cannot differentiate among the color values of very dark colors—many times interpreting them as solid blacks. Higher end cameras do a better job. Geoff was interested in seeing what the RED Komodo could do in a low-light production environment…and what better place to test it than on the bridge of the U.S.S. Ares in Lawrenceville, GA (just a short 9-10 drive from Boca Raton, FL where Geoff lives). Geoff has made multiple trips to Ares Studios for the previous shoots for Axanar, most recently back in March just before the pandemic lockdowns started.

In August, Geoff made the trip yet again, wanting to put the RED Komodo through its paces for potential future, non-Axanar projects at Ares Studios. And even though Geoff did a few straight-on tests comparing the Komodo to a Blackmagic pocket 6K camera with the same shots in the same lighting (you can see the surprising differences in this video), he really wanted to see how the Komodo would work in an actual production environment. So in addition to a couple of simple comparison tests, Geoff decided to also shoot a short film.

The idea for the film was simple enough: it’s 10 years after the end of the Four Years War, Memory Alpha is shooting their documentary (including Prelude to Axanar), and the U.S.S. Ares is being decommissioned to be turned into a starship museum. With the lights turned down low, Fleet Captain Garth is taking one final stroll around the bridge, lost in thought…

GARY GRAHAM leaves the AXANAR project!

The following message from actor GARY GRAHAM was posted to Facebook on Wednesday afternoon:

An hour or so later, when asked what happened, Gary added this brief explanation:

This obviously comes as a blow to AXANAR fans who looked forward to once again seeing Vulcan Ambassador Soval in the two 15-minute sequel fan films. Gary had already played the venerated character to near universal praise in PRELUDE TO AXANAR and then a year later in the 3-minute “Vulcan Scene.” In the years since the lawsuit that shut down production on Axanar in 2016, Gary had been an ardent supporter of both the project itself and of show-runner ALEC PETERS. Gary traveled from California to Georgia to appear at AXACON in 2018, saying positive things about Alec and the original production in interviews like this one (skip to 14:40).

Gary’s announcement came without any warning. And in the last 36 hours, I’ve seen unconfirmed reports of “irreconcilable differences,” that Gary is hoping to land a role on the new Star Trek: Strange New Worlds series and worried that an association with Axanar Productions would hurt his chances, and even political friction (Gary and Alec are on opposite sides regarding Donald Trump).

With so many unconfirmed rumors spreading on social media, I reached out to both Alec and Gary for comment. Gary has not yet responded to my request, but Alec confirmed that the first he knew that Gary was leaving the project came on Wednesday, and Alec provided me with the following statement (which has also been posted to the Axanar website)…

ALEC PETERS tests positive for COVID-19!

ALEC PETERS has logged a lot of “firsts” in the Star Trek fan film community. He was the first to raise more than a million dollars in crowd-funding for a Trek fan film project, he was the first to get sued by the studios, the first to survive such a lawsuit and reach a settlement agreement, and the first to set up an online store to sell merchandise based on original aspects of a fan film.

And now he’s the first well-known Star Trek fan filmmaker to test positive for COVID-19.

At this point, this is kinda “old” news. Alec first told me that he thought he’d caught the virus back on Sunday, July 5th. He’d had a 101-degree fever for two straight days and was feeling sicker than he’d ever felt before (although he never lost his sense of smell or taste). Alec explained that he’s generally healthy, and when he gets sick, symptoms typically don’t get too bad and pass pretty quickly. This felt different. And since it wasn’t flu season, Alec suspected by Sunday evening that he might have contracted the Novel Coronavirus.

It’s not that Alec hadn’t been careful. He wore a mask everywhere, washed his hands often, and social distanced. But Georgia is a pandemic hot-spot, currently 4th in the nation of 50 states in active COVID-19 cases with an average of 3,500 new cases per day for the month of July.

On Sunday evening, as Alec began to suspect that he’d contracted the highly infectious virus, he went to the CVS website to schedule a test and discovered that the earliest appointment they had available wasn’t until Wednesday. (What’s wrong with this picture, folks?) He booked it.

Meanwhile, Alec’s girlfriend CRYSSTAL HUBBARD, kept her distance from Alec while he isolated himself upstairs in his room. Fortunately, they have a five-bedroom house, so separation wasn’t difficult on a practical level. Going to work wasn’t an issue for Crysstal, as her job is at a night club, and those establishments were closed down at the time Alec got sick. In fact, Crysstal was furloughed for about 2-3 months total.

Although Alec announced through social media that he was “95% certain” that he had coronavirus (shortly before taking the test), I decided to hold off reporting it here on Fan Film Factor until the results were in. Alec was told to expect the results in about 6 days. (Again, what is wrong with this picture??? )

There was, of course, an outpouring of sympathy and well wishes from across fandom. And then, sadly, there were also Facebook posts like these…

INTERLUDE clip gets 7.8K views (and 1K likes) in 15 HOURS!

Wow…what a difference a successful YouTube Channel makes!

I posted a link to the 48-second “sneak peak” clip from INTERLUDE last week as part of a blog explaining why we were going to miss our announced premiere date of July 25, 2020. Long story short, the music isn’t done yet. But I wanted to give folks a taste of how the music sounded. So I cut a short clip and posted it. The video got 363 views over six days.

Last night, ALEC PETERS debuted the same video clip on the AXANAR YouTube channel. If you haven’t seen it yet, here it is…

I woke up this morning to see that the clip has now had over 7.8K views and 1K thumbs up (versus only 35 thumbs down)…so YAY! Of course, the channel has 89K subscribers—no wonder it got so many views so quickly. But hey, I’m not complaining!

I also read though the comments, and there were a number of questions and topics that came up repeatedly. So I thought I’d respond to them here if anyone is interested and/or curious:

1. When is Interlude coming out?

Soon. As I explained in last week’s blog, KEVIN CROXTON is about halfway done with the music, then MARK EDWARD LEWIS will add in the final sound effects and balance the sound levels. We’re also awaiting one final VFX sequence from LEWIS ANDERSON. Then we’re pretty much D-O-N-E.

2. The music is too loud/voices are too low.

Yep. As I said, the sound-mixing gets done last (since you need all the music before you can balance the levels). This clip was simply to give folks a taste of the music, and it’s a work-in-progress.

One of the most FUN things about making this fan film is showing you folks the behind-the-scenes steps of making a fan film. I didn’t want this clip to be polished and perfect…yet. It’s more interesting to hear the music raw before sound-mixing and then compare it to the finished product in order to get an appreciation for what sound mixing can do.

3. We waited ten years for 48 seconds???

Sigh. First of all, Interlude isn’t Axanar. We only started crowd-funding a year ago. And for the record, Axanar had its first crowd-funding campaign in 2014…six years ago, not ten. (Why people keep saying “ten years” is beyond me. Counting to six isn’t hard…you don’t need to round to the nearest ten!) And remember that Axanar was sued for a year, had to move across the country, then finish the bridge, raise money to replace the funds that were lost during the lawsuit while filming couldn’t happen, and then had to go through the many and complex steps of actually producing a fan film.

Axanar has now had multiple shoots, and only one 2-day shoot remains…a shoot that can’t happen while the international pandemic is still shutting down union productions everywhere. And if you’d like to donate to Axanar so that it can be finished, please click on the link below…

https://aresdigital.axanar.com

USS ARES blueprints Kickstarter finishes up with $10,887 from 217 backers!

Yesterday, with less than 5 hours to go in the 16-day Kickstarter for deck plans of the USS Ares-class assault cruiser, the total raised was still about a thousand dollars below the $10K needed to reach their stretch goal. The campaign had already surpassed its initial $3K goal in the first few hours, but if it passed $10K, each donor would ALSO get a free 11″ x 17″ version of the USS Ares Master Display Poster along with the blueprints.

Then, with four hours to go, an e-mail went out to the Ares Studios mailing list reminding supporters that the blueprints were still available, but not for long! An hour later, the Kickstarter total crossed $10K…and when the dust settled at 9pm Eastern Time, 217 backers had pledged $10,887 to the campaign.

The money (after the cost of printing and packing materials) will go toward funding the ongoing expenses for Ares Studios in Lawrenceville, GA, home to the extraordinary USS Ares bridge and captains quarters sets plus the Pike-era sets that were used on the upcoming FIRST FRONTIER fan film. Additional donations are coming in monthly to Ares Studios through an ongoing Patreon campaign.

Note that Ares Studios is a separate legal entity from Axanar Productions, which fundraises privately to finance the completion if the two AXANAR sequel fan films. That campaign is currently at $23,305 out of $35,000 needed for the final filming weekend plus the beginning of post-production. To donate to Axanar, click the link below and follow the instructions provided…

https://aresdigital.axanar.com

LAST DAY to order USS Ares BLUEPRINTS!

As Kermit the Frog once said, “Time’s fun when you’re having flies.” Nowhere is that more apparent at the moment than Kickstarter where the full set of deck plans for the USS ARES-class assault cruiser are available for pre-order until 9:00 pm Eastern Time on Sunday night.

Like the previous Kickstarter for the USS Ares Master Display Poster, this current Kickstarter has been a quick 16-day campaign with a modest goal of only $3,000. And also like the previous campaign, the goal was easily reached within hours. The previous poster campaign took in donations totaling $9,690 from 258 AXANAR fans and supporters. This surpassed two stretch goal amounts, resulting in supporters getting two additional posters.

As I type this, the Blueprints campaign sits at $8,742 from 181 backers. If the total passes $10K, then each of us backers also gets a special stretch goal extra item: an 11″ x 17″ mini-poster version fo the USS Ares Master Display cutaway (the original was a massive 24″ x 36″ size)…

Both the cutaway poster and the blueprints were meticulously crafted by Axanar graphic designer extraordinaire ALEXANDER RICHARDSON, who spent an average of 5-10 hours per deck and then another 3 hours laying them out on the individual pages (plus extra time making alterations along the way).

Although the blueprints will eventually be available later on in the Ares Studio OnlineStore, the price will, most likely, be higher than the $30 plus shipping on the Kickstarter page. And remember that, if the campaign can generate just $1,258 more, each donor will receive a stretch goal prize, as well, for no additional cost.

Like the Ares Studios Patreon campaign (which generates about $2.5K per month from about 250+ patrons), the net proceeds from these two Kickstarters go toward the expenses of Ares Studios in Lawrenceville, GA…not to the production of Axanar fan film sequels. Those donations can be made through the private fundraising campaign on Ares Digital (currently about $8.7K short of funding the final Axanar film shoot).

In the meantime, the clock is ticking off the final hours to order your USS Ares Blueprint set. Just click on the link below…

https://www.kickstarter.com/projects/aresstudios/uss-ares-blueprints

AXANAR schedules shoots in AUGUST and OCTOBER!

AXANAR needs only two more shooting days and the production phase will be complete. Just…two…more…days.

Seems so simple, and yet, because of COVID-19, it’s proven to be just out of reach. And it’s not just Axanar that’s been stopped dead in its tracks. Because of concerns from the various Hollywood trade unions, television and motion picture production has been brought to a standstill throughout the entertainment industry. Don’t binge-watch too much too fast because your favorite shows aren’t coming back in September…and probably not even this year!

But there is finally a ray of hope.

Actors, directors, writers, camera people, hair & make-up, grips, gaffers, and pretty much everyone in the film industry are dying to get back to work. They just don’t want to be dying BECAUSE they went back to work (man, that sounded morbid!). As such, the Alliance of Motion Picture and Television Producers recently formed a task force to put together this 21-page white paper providing guidelines for “safely” restarting production. I put “safely” in quotation marks because it’s hard to be 100% safe when actors often have to be up close to other actors and not wearing face coverings, and lighting and camera and sound people have to lean in close to each other, and hair and make-up people can’t do their jobs if they’re 6 feet away from the actors and aren’t able to powder noses and put on lipstick because of face masks and…you get the idea.

But the white paper does its best to provide a reasonable “cover-your-asses” approach to restarting film production…and both the unions and the studios are on board with it. After all, people need to get back to work! And the recommendations are pretty obvious, all things considered:

Crews should consist of as few people as possible.
Have production meetings virtually or at least with social distancing.
Everyone wears PPEs on set except for actors when they’re filming.
Wash hands frequently; clean every piece of shared equipment as often as is practical.
Regular, periodic testing of the cast and crew; social distance as much as possible on set.
Use electronic scripts and call sheets on personal handheld devices (or if you need print things out, make sure no paper is shared).

And the list goes on and on. But the idea is to minimize the risk factors on production sets as much as possible.

Because Axanar is a union project, no new filming could be done until a set of guidelines was issued that Axanar Productions could follow. But now that the white paper is available and being slowly adopted throughout the industry, the Axanar project can begin moving forward again, albeit tentatively at first.

Here’s the plan as it stands right now…

INTERLUDE Confidential #11.2 – Jonathan’s favorite memories from the November shoot (part 2)

INTERLUDE is nearly complete, and this is likely my final “Interlude Confidential” before the release. Last week, I began reminiscing about the big two-day shoot last November at ARES STUDIOS in Lawrenceville, GA. For me, it was truly the culmination of the filmmaking experience…even though there would still be another eight months of intense work. But the shoot itself—that was pure magic.

Nearly 50 people came together that weekend with a single goal in mind: to produce a top-quality Star Trek fan film. They weren’t making gobs of money; they simply wanted to be a part of something fun, creative, exciting and dynamic.

A lot of things had the potential to go wrong. The most effective teams work and train together for weeks, months, or even years to maximize their effectiveness. Our team, with a few exceptions, was mostly strangers who had only met for the first time that weekend. Would they mesh together like a well-oiled machine, or would there be friction? Would one or more people with egos grate against the others, show an attitude, or be uncooperative? I’ve been told it can (and often does) happen, and even one bad apple can cripple a production.

And last but not least—in addition to the thousand other things that could could go wrong—there was me. I’d never been a producer before! It was my job to take care of a seemingly endless list of items to ensure the set would be ready for VICTORIA FOX and JOSHUA IRWIN to film on: everything from making sure all the actors, extras, and production team knew where and when to show up to getting measurements for uniforms to the seamstress to ordering the rental camera equipment to finding the caterer and making sure there were tables and chairs for the food plus a hundred other little details. I needed to make sure everything was prepared so my directors and production crew could focus on making an awesome fan film.

Was I up to the task?