The curious case of Jonathan’s YouTube channel “SURGE”…

It was recently brought to my attention that a false rumor has begun circulating that I purchased views for my YouTube channel last summer to boost my numbers for some strange reason. (See the above screen cap.)

Of course, this doesn’t address the most obvious question of I why would do this and then never even mention it. I mean, you buy 300,000+ views to…what? Brag? I completely forgot to brag, folks…d’oh!

In fact, I never even noticed it, let alone talked about it. And apparently, it boosted my subscribers by a couple of thousand, as well, and I never mentioned that either until earlier this past week—and even then it was buried deep inside this response (paragraph 3) in the comments under a blog. I mean, if you’re gonna buy that many views, then shout it from the rafters, right?

The other thing I wondered after hearing about this crazy, stupid rumor was: how much exactly do 300,000+ YouTube views cost to buy? I mean, haven’t YOU ever wondered that? Well, you probably haven’t—but I bet you’re curious now, aren’t you? And that’s why I looked it up

Wait…what??

Buying 300K would have cost me more than FIFTEEN HUNDRED DOLLARS?!?!?!? Holy second mortgage, Batman! I would be kicked out of the house at warp speed if I did that!

Anyway, I was still kinda curious where this surge came from. I mean, SOMETHING happened last summer! A bump like that doesn’t materialize out of nowhere, and I doubted that anyone else out there liked me enough to drop over a grand and a half buying views for my channel. So where did those views come from?

Turns out the answer was: STONE TREK!

Huh?

Back in 2016, one of my first-year’s blogs was about the hilarious fan series Stone Trek, a brilliant mash-up of Star Trek and The Flintstones. At the time, their episodes appeared on this Angelfire web page using the Adobe Flash player to animate (which is how the episodes were created in the first place).

A couple of years later, a convention organizer from San Diego where I’d be a guest wanted to show Stone Trek along with other shorter fan films as part of a continuous program in one of the smaller panel rooms. So I did a video capture from the Flash player of the five completed Stone Trek episodes and provided them as mp4 files for the convention.

And thank goodness I did!!!

Continue reading “The curious case of Jonathan’s YouTube channel “SURGE”…”

RANDY LANDERS tells me to no longer provide coverage of POTEMKIN PICTURES releases on FAN FILM FACTOR… (editorial)

The new year didn’t start off well for Star Trek fan films…or for me.

On the FAN FILM FORUM Facebook group, 2024 began with an early morning post (well, early for me waking up in Palm Desert, California) from RANDY LANDERS of POTEMKIN PICTURES. Over the past eight years, I’ve published a staggering 90-plus blogs on the numerous fan film releases from Potemkin‘s many, many creative groups. And I still wasn’t quite caught up! Their two most recent releases, “EMPYREAN” from STARSHIP CALIBORN and “HONOR AND TREACHERY” from SCOUTSHIP QAB’ELTH were both on deck for early 2024 coverage. In fact, Randy had just given me the names of the team members from Caliborn whom I should reach out to for the blog about “Empyrean.”

Randy’s post to the Fan Film Forum Facebook group started with him proudly announcing that Potemkin Pictures would NOT be crowd-funding in 2024. They had all of their expenses covered. Yay! A year ago, I had helped promote their previous campaign and even tossed in a few bucks myself. Granted, announcing that you’re not going to crowd-fund seemed, to me at least, like announcing that you’re not going to plant tomatoes in your garden this year. I mean, it’s good to know that you’re covered on tomatoes…is that the right reaction?

But then Randy also said something a little odd…and rather controversial, as it turned out. He suggested (somewhat forcefully and resentfully) that other fan productions shouldn’t crowd-fund either. In other words, “I’m not going to plant tomatoes in MY garden, so no one else should plant tomatoes in THEIR garden either!”

This was, to say the least, a bit shocking to some people. And not just people doing crowd-funding campaigns. As the day went on, folks from all over the fan community were IMing with variations of “WTF?” and suggesting/demanding that I remove Randy’s post from the Fan Film Forum Facebook page.

Meet the new year…same as the old year?

Continue reading “RANDY LANDERS tells me to no longer provide coverage of POTEMKIN PICTURES releases on FAN FILM FACTOR… (editorial)”

MEET THE JUDGES for the 2023 Star Trek Fan Film SHOWRUNNER AWARDS!

If you haven’t entered your Star Trek fan film(s) yet, the deadline is coming up in just over two weeks! Click here for the submission form page…

https://www.cognitoforms.com/JonathanLane1/_2023StarTrekFanFilmSHOWRUNNERAWARDS

Last year, the Star Trek Fan Film SHOWRUNNER AWARDS had a FANtastic panel of twelve judges (including yours truly) who reviewed and voted on 38 submitted fan films. They all did a spectacular job!

Unfortunately, not everyone was available for a second year, and a few had to step down. But as they say, whenever a captain closes a hangar bay door, somewhere he/she/they open a viewport—or something like that. As such, I was able to replace the departing judges with new judges, some of them new to the world of fan filmmaking, others experienced veterans. And all of them, of course, remain showrunners of either a Star Trek fan film or series.

A showrunner plays a special role in the production. Sometimes they are also the writer and/or director and/or producer and/or a whole slew of other positions. But the most important thing about a showrunner is that they are where the buck stops. They are the central force that inspires, manages, coordinates, and motivates the team to finish the project. Yes, others involved in the project can also make sure that things get worked on and completed, but most often, the showrunner is the main person that a production cannot live without.

As such, showrunners tend to know about all aspects of filmmaking (or, like me, they were forced to learn fast!). So even if they don’t have enough skills or expertise to tackle every task themselves, they work closely enough with those who do to make sure they have the resources they need to get their specific job(s) done. And that’s why they make such great judges for fan films.

It’s no small commitment to agree to be a judge in a film competition. One needs to watch perhaps a dozen or more hours of the work of others—and watch carefully enough to remember (or take notes on) specific strengths and weaknesses in performance, technical production, and a host of other items in what will be, this year, a total of 22 separate categories! As a reminder, each judge submits their top five choices in descending order for each category, and they cannot vote for any of their own fan films as their top three slots.

And so, in appreciation and acknowledgement of their invaluable assistance in making these awards both effective and successful, I would like to take a blog moment to spotlight these talented fans who have each worked so hard to bring the labors or themselves and their teams to your computer screen.

In alphabetical order…

Continue reading “MEET THE JUDGES for the 2023 Star Trek Fan Film SHOWRUNNER AWARDS!”

This year’s SHOWRUNNER AWARDS feature FOUR new categories!

Today’s blog post is brought to you be the number FOUR. There are just over four weeks left to enter fan films in the 2023 Star Trek Fan Film SHOWRUNNER AWARDS, four fan films have already been submitted, and this year, we are featuring four new categories.

But before I tell you about those new categories, just a few quick reminders…

First, here is the link to submit a Star Trek fan film for consideration in year’s competition:

https://www.cognitoforms.com/JonathanLane1/_2023StarTrekFanFilmSHOWRUNNERAWARDS

Any Star Trek fan film released onto YouTube and/or social media between January 1, 2018 and December 31, 2022 is eligible for entry. There will be three tiers of winner in each category: Admiral (first place), Captain (second place), and Commander (third place).

The deadline for submission is May 31, 2023. The entry fee is $10 for consideration as Best Fan Film and then $1 additional for each category beyond that. Here are the categories that we featured last year (and will have again this year):

  • Best Fan Film
  • Best Director
  • Best Writer
  • Best Lead Actor (submitter may enter up to three actors)
  • Best Lead Actress (submitter may enter up to three actresses)
  • Best Supporting Actor (submitter may enter up to three actors)
  • Best Supporting Actress (submitter may enter up to three actresses)
  • Best Cinematography
  • Best Film Editing
  • Best Sound Design/Mixing
  • Best Visual Effects (CGI)
  • Best Special Effects (non-CGI)
  • Best Musical Score
  • Best Costuming
  • Best Hair & Makeup
  • Best Original Character
  • Best Scene (up to 2 minutes)
  • Best Micro-Budget Fan Film (total production cost $1,000 or less, not including set construction)

Going into this year’s launch, I reached out to our twelve showrunner judges (including myself) for ideas of new categories we might want to introduce based on feedback from last year. In some cases, fan filmmakers themselves had suggestions. For example, Australian writer/director/producer AARAON VANDERKLEY suggested a category for Best Original Set Design (something he and his team work very hard building), and the judges really liked that idea.

Of course, for a category like that, we needed to figure out some guidelines. For example, what should we do about sets like the TOS ones at NEUTRAL ZONE STUDIOS? Not only would fan films that were shot on those particular sets be tough to beat, but multiple fan films shoot on those same sets…meaning it would be difficult to choose between two or more entries that were filmed there.

In the end, after some discussion, we decided to include on the submission form “for sets constructed for this specific fan film and/​or the fan series it is a part of.” Since Neutral Zone‘s sets were constructed for STAR TREK CONTINUES, which is no longer eligible to enter (their last episode debuted on YouTube in late 2017), nothing else shot there would be eligible.

Continue reading “This year’s SHOWRUNNER AWARDS feature FOUR new categories!”

2022 Star Trek Fan Film YEAR IN REVIEW!

Ladies and gentlemen, as I begin my seventh (sheesh!!!) year publishing this blog site, I am very pleased to announce that neither the CBS/Paramount guidelines, the AXANAR lawsuit, COVID-19, the Russian invasion of Ukraine, high gas prices, the collapse of the crypto market, crazy conspiracy theories, nor Elon Musk buying Twitter have managed to destroy our little niche of a niche of a niche community of Star Trek fan films!

In fact, I’d say we’re as strong as ever!

The challenge I always face when writing these year-end blogs is having waaaaaay too much to cover properly. There are literally hundreds of fans involved in making Star Trek fan films…from writing and directing to acting and producing to building sets and making costumes to doing make-up and writing music to editing and creating amazing visual effects. And there’s no way I can possibly cover everyone and everything that deserves mention.

So once again, I’m going to spotlight a few of the biggest stories and trends of the past year. And thus, without further ado…

Continue reading “2022 Star Trek Fan Film YEAR IN REVIEW!”

Announcing the 2022 Star Trek Fan Film SHOWRUNNER Award WINNERS!

First off, a very happy 56th anniversary of Star Trek to all of you!

And now, I am very excited (and somewhat relieved!) to announce the winners of the inaugural 2022 Star Trek Fan Film SHOWRUNNER AWARDS. I say relieved because 1) it was waaaaay more work than I ever expected it would be, and 2) everything went more smoothly than I could have possibly imagined.

And for the latter, I have to give my sincere thanks to my panel of judges, each a showrunner of at least one fan film or series. These eleven judges (plus me) each watched just about 13 HOURS of Star Trek fan films! Many of them took notes as they watched, and all of them submitted their ballots in 18 categories prior to my deadline for them of August 15—giving me enough time to record and tally the vote totals, check them twice (like Santa Claus does), and get the certificates ready.

I would like to, once again, thank all of the judges and list them here by name…

  • SAMUEL COCKINGS (Trek Shorts)
  • GARY DAVIS (Dreadnought Dominion)
  • JOSHUA IRWIN (Avalon Universe)
  • PAUL JACQUES (Raincross)
  • MARK LARGENT (Stalled Trek)
  • MIKE LONGO (Star Trek Fan Productions International)
  • VANCE MAJOR (Constar)
  • FRANK PARKER, JR. (Project: Gemini)
  • DAN REYNOLDS (The Federation Files)
  • GLEN L. WOLFE (The Federation Files)
  • RANDY WRENN (Dreadnought Dominion)

Most of these judges unavoidably had fan films of their own entered, and so the rule was this: each judge had to select their top five choices in each category—their choices being worth 10 points for #1, 7 points for #2, 5 points for #3, 3 points for #4, and 1 point for #5. No judge was allowed to rank a fan film that they worked on among their top three choices. This kept them from “playing favorites” while also not penalizing them completely for agreeing to be a judge.

In the end, this process seemed to work out very well, and we had a very nice variety in winners. In other words, the same two or three fan films didn’t sweep all of the categories. In fact, out of 38 total entries, nearly half of them (16 films) won in at least one category. Granted, strong fan films would rack up high scores with lots of 7’s and 10’s, but lower scores of 5’s, 3’s, and even some 1’s often made the difference between coming in first, second, or third place…or just barely missing the cut.

Speaking of which, remember that each category will have THREE winners: Admiral Award, Captain Award, and Commander Award, for the aforementioned first, second, and third places, respectfully. (Note, there is also a special Cadet Award at the bottom of this blog.)

Continue reading “Announcing the 2022 Star Trek Fan Film SHOWRUNNER Award WINNERS!”

What should I do when another blogger CRIBS off my homework? (editorial)

Okay, I am totally stymied about what to do about this—MATT MILLER is now cribbing off my blog!

It all happened yesterday (Tuesday for me) shortly after I published this blog about this past weekend’s shoot in Arkansas for the upcoming AVALON UNIVERSE fan film THE NEEDS OF THE ONE and also the long-delayed CONVERGENCE marathon of filming in Bedfordshire, U.K. JOSHUA IRWIN and his team had shared so many amazing photos and clips on the Avalon chat group of their martial arts fight choreography, and SAMUEL COCKINGS was posting lots exciting updates about his 4-day shoot with all of the Convergence cast. And I thought it would be fun to do a two-in-one blog update on both major fan projects.

So I reached out to both Josh and Sam for short quotes. Sam, exhausted and about to pass out at what was about 2:15 a.m. for him, managed to write me up something surprisingly coherent and send me a bunch of behind-the-scenes photos that no one in the community had seen yet. Josh, also exhausted after the first day at his new job (congratulations, Josh!) dictated some quotes to me over the phone as I typed his comments as quickly as I could. Then he sent me a short video clip of the the awesome fight scene that, like Sam’s BTS photos, hadn’t been shared publicly yet.

In other words, folks, I did the prep work required and then wrote and published the blog, just as I usually do. End of story, right?

Well, not quite…

I got a call Tuesday afternoon from Josh asking me if I’d seen Matt Miller’s post. “Nope,” I said, “I don’t follow Matt’s Facebook posts anymore.” Well, apparently Matt had taken my blog from the morning, split it into two blogs, re-worded it slightly, and posted what was essentially the same content to his TrekZone website. According to the time-stamp, Matt published his pair of blogs roughly five hours after mine went live.

You can access the blogs here and here to compare the content. Or just in case Matt pulls them down for some reason, here’s the screen caps…

Continue reading “What should I do when another blogger CRIBS off my homework? (editorial)”

Here are the 2022 Star Trek Fan Film SHOWRUNNER AWARD entries for BEST SHORT SCENE…

As I announced last week, the final submissions for the 2022 Star Trek Fan Film SHOWRUNNER AWARDS were made official on June 1, and now the panel of twelve judges—each the showrunner of a Star Trek fan film or series—get to have their chance to pick the winners in 18 different categories…

  • Best Fan Film
  • Best Director
  • Best Writer
  • Best Lead Actor
  • Best Lead Actress
  • Best Supporting Actor
  • Best Supporting Actress
  • Best Cinematography
  • Best Film Editing
  • Best Sound Design/Mixing
  • Best Visual Effects (CGI)
  • Best Special Effects (non-CGI)
  • Best Musical Score
  • Best Costuming
  • Best Hair & Makeup
  • Best Original Character
  • Best Micro-Budget Fan Film (total production cost $1,000 or less, not including set construction)
  • Best Short Scene (up to 2 minutes)

This final category is one that I personally find fascinating!

Think abut the long history of Star Trek, and there are some amazing episodes. But there are also some really impactful SCENES, as well. Let your mind and memory wander back to the scene of Edith Keeler being killed and Kirk’s reaction (“You deliberately stopped me, Jim. I could have save her. Do you know what you just did?” “He knows, Doctor. He knows…”), the scene of Kirk relieving Matt Decker of command on Kirk’s personal authority as captain of the Enterprise (“You’re bluffing…” “Vulcans never bluff…”), Khan stranding Kirk in the middle of a dead planet (“Buried alive…buried alive…” “KHANNNNNN!!!!!!”), Picard appears as Locutus for the first time (“From this time forward, you will service…us.” “Mr. Worf, fire…”), and the list goes on and on.

Yes, those impactful scenes were from some of the best episodes and movies—but not always. The climactic scene of three Losiras about to touch Kirk, McCoy, and Sulu o the shoulders just as Spock and a security guard beam in and shoot the Kalandan computer in “That Which Survives” was an exciting scene in an otherwise average episode.

And what about Star Trek fan films? Do WE have really exciting, dramatic, and impactful scenes? The judges and I decided to find out by offering the category of Best Short Scene (up to two minutes) for all entries. In retrospect, two minutes may have been a tad too short, and perhaps two and a half or even three minutes would have produced more submissions in the category. So we’ll probably increase the runtime limit next year as we figure out ways to improve the contest going forward.

But for this year, we received 10 solid submissions for Best Short Scene out of the 38 total fan films entered. And it’s an interesting collection of scenes—some serious, some funny, some exciting and suspenseful, some poignant and intense. Take a look at the following, and feel free to share in the comments which one(s) YOU think is/are the best and why…


Continue reading “Here are the 2022 Star Trek Fan Film SHOWRUNNER AWARD entries for BEST SHORT SCENE…”

The 2022 SHOWRUNNER AWARDS now have their final 38 entries!

My friends, the great experiment: THE SHOWRUNNER AWARDS.

In January of this year, two new fan film competitions launched, to join the third (the long-running annual BJO AWARDS) in celebrating our fun and quirky little niche-of-a-niche-of-a-niche of fandom. The first of the two new yearly award shows to begin—and conclude—was the DIRECTORS CHOICE AWARDS, where the directors of the submitted fan films became the judges (and were not allowed to vote for their own fan film, of course). And once those awards were handed out, it was time to launch of the new SHOWRUNNER AWARDS.

Both first-time contests had fresh and unique aspects to them. For example, for the past almost-decade, ERIC L. WATTS of the Bjo Awards automatically entered any Star Trek fan film from the previous year that met the eligibility requirements. So a fan filmmaker didn’t have to do anything to be considered for a Bjo aside from release an eligible fan film in the previous year. The Directors Choice and Showrunner Awards, however, each required a small $10 submission fee to enter (in order to prevent a flood of entries). The Directors Choice also opened their contest to fan films beyond Star Trek—Star Wars, Harry Potter, etc.—while the Showrunner Awards limited ourselves to only Star Trek fan films.

All three competitions have the standard categories like Best Fan Film, Best Director, Best Actor/Actress, Best Hair and Makeup, etc. But the Directors Choice introduced some interesting outside-the-box categories like Best Ensemble Cast, Best Foreign (non-U.S.) Fan Film, Most Canon Fan Film, Best Animated Fan Film, and Best Parody.

Meanwhile, the Showrunner Awards created categories for Best Original Character, Best Scene (a short clip up to two minutes in length), and Best Micro-Budget ($1,000 or less) Fan Film. We also decided to do something the other two contests don’t do: give out THREE awards per category rather than just one winner and five finalists or one winner and one runner-up.

I keep saying “we” when referring to the Showrunner Awards. That’s because our panel of twelve judges—each the showrunner of a Star Trek fan film or series—brainstormed, discussed, and voted on our categories, entry fees, and rules. Among those rules is that we will use ranked-choice voting, each judge selecting their five favorites in each category in descending order. First choice gets 10 points, second gets 7, then 5, 3, and finally 1 point. A judge cannot vote for their own fan film in any of the top three slots.

For me, the most interesting aspect of the Showrunner Awards was our decision expand eligibility to a 5-year window. For our 2022 awards, any Star Trek fan film released from January 2017 through December 2021 could enter. Of course, that aspect of the “great experiment” carried some risks…

Continue reading “The 2022 SHOWRUNNER AWARDS now have their final 38 entries!”

This is one of the coolest aspects of the Star Trek Fan Film SHOWRUNNER AWARDS…

First, here’s the link to submit your Star Trek fan film to the first annual Star Trek Fan Film SHOWRUNNER AWARDS (deadline to enter is May 31):

https://www.cognitoforms.com/JonathanLane1/_2022StarTrekFanFilmSHOWRUNNERAWARDS


It’s funny how, over the past week and a half since I announced the first annual Star Trek Fan Film Showrunner Awards, several folks in the Axamonitor group have been up in arms (up in arms, I tells ya!) about this simple little fan film competition. This seemed pretty bizarre, since most of them have never even made a Star Trek fan film and won’t be competing.

At first, it appeared as though their issue was that the Showrunner Awards are charging a $10 entry fee (plus $1 per additional category like best director or best music). And thus I saw several posts like this…

Of course, submission fees are the industry standard. Just look on Film Freeway (where nearly all independent film festivals list their competitions), and you’ll see that submission fees range from $25 up to $100 per film. Even the recent fan film DIIRECTORS CHOICE Awards charged $10 per submission. Entry fees keep film competitions from being innundated with too many free entries.

When I pointed this out in one of the fan film Facebook groups, suddenly the issue “transformed” into from simply charging an entry fee to using those fees to help defray the ongoing annual hosting and site security costs for Fan Film Factor. The aforementioned JUSTIN BURTON suddenly switched to saying he was “fine” with the $10 fee itself, but not with what it would be used for…

And that’s when I realized: this is a complaint in search of a problem! (Imagine that!!!) I was actually tempted to reply, “Okay, so I won’t use the money raised for Fan Film Factor, and instead I’ll just go out and have a sushi dinner.” But I decided against it.

I probably don’t need to point out that fan filmmakers hold crowd-funders all the time looking for donations to help finance their “hobby.” And of course, I’ve covered hosting and security costs for Fan Film Factor mainly out of pocket for more than six years.

But hey, whether this blog site is a “hobby,” a pastime, a ridiculous time-suck, or a crazy obsession, Fan Film Factor serves our community in a very unique and important way. It honors and celebrates fan filmmakers and their creations, gives their projects extra exposure and web views, helps in their crowd-funding, and provides independent media coverage when these fan filmmakers opt to list themselves on IMDb.

Amusing, though, the negative nellies seemed to be even MORE incensed (if such a thing is possible) with the decision of our 12-member judging panel to open the competition to fan films released over MULTIPLE years—in the case of this first awards show, any fan film released from January 2017 through December 2021.

Continue reading “This is one of the coolest aspects of the Star Trek Fan Film SHOWRUNNER AWARDS…”