“ZERO HOUR” was supposed to be a one-minute PROMO, but it turned into a full seven-minute FAN FILM!

Next week, the eagerly-awaited CRISIS ON INFINITE EXCALIBURS, the latest fan film from THE AVALON UNIVERSE, will finally make its debut. And having seen an early cut, let me assure you that it will be a game-changer of a release, sure to be talked about excitedly by a LOT of fans for a very long time.

Avalon showrunner JOSHUA IRWIN and his team have poured a massive amount of time, effort, financial resources, and emotional commitment into getting this production perfect. And leading into its December premiere, Josh wanted to release a short promo “ad” on YouTube to tease the new film. But not just any ad, Josh had a clever idea.

As some folks know—and most others can very likely guess—Avalon‘s new fan film features a crossover of many different universes (one might say an infinite number!). And yes, one of those is the Star Trek “Mirror” Universe. VANCE MAJOR, who plays the character of Erick Minard across many fan films and series—including CONSTAR, VALIANT, DREADNOUGHT DOMINION, PROJECT GEMINI: CROSSROADS, ANTYLLUS, NATURE’S HUNGER, RAINCROSS, EAGLE, TASK FORCE 78, and of course, Avalon Universe, where that Minard is the chief engineer of the U.S.S. Excalibur.

But Minard also exists in the Mirror Universe as a villainous sociopath known as The Phantom, a character who will be appearing in the upcoming Crisis on Infinite Excaliburs. So Josh thought it might be cool to see The Phantom recording an ominous-sounding log entry for about a minute, hinting at some nefarious plan and ending with “A crisis is coming…” Josh tossed the log entry promo idea over to Vance, offering him complete creative control over whatever he would send back.

Now, technically, Vance officially “retired” from fan filmmaking last year, and this time he actually meant it. Well, mostly. He retired to spend more time with his son Royce, but now Royce wants to make fan films. So Vance is quietly working on CONSTAR: THE MOTION PICTURE, with Royce being the filmmaker in charge. But that’s more of a project done for sheer fun and father/son bonding time.

Vance and Royce Major

However, Vance is also available for friends in the fan film community who’d like his help either in front of or behind the camera. In fact, that’s how the “retired” Vance Major wound up appearing as various Minards in Crisis. So Vance was game to do the promo, as well.

But then, like Josh, Vance had a clever idea…

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R.I.P. – STEVE “KORATH” ATWELL (1967-2023)

It is always a sad moment for the Star Trek fan film community when one of our own embarks on a final journey to what Shakespeare called “…the undiscovered country from whose bourn no traveler returns.” Earlier this week, cosplayer STEVE ATWELL, who played the role of the Klingon Korath in multiple episodes of VANCE MAJOR’s CONSTAR CHRONICLES saga, passed away at the too-young age of 56 after battling an illness that he could not defeat.

Vance contacted me yesterday to ask if I would write a blog about Steve and noting his passing. Unfortunately, I did not know Steve and never even met him, and aside from watching his performances as Korath and occasional appearances on the CRITICAL NOT CYNICAL video podcast, I knew nothing about this unique man. So I suggested that Vance, who was quite close to Steve as both director and friend, write Steve’s eulogy, and I would publish it here.

I now turn the blog over to Vance Major…


Vance Major with Steve Atwell

My loyalty is to my house, as your loyalty is….

– Krorath (“Much Afraid”)

How do you sum up the life of one man into a few paragraphs? You can’t. Something is going to be overlooked. All I can tell you is what Steve Atwell meant to me and his impact on this community. He is known by so many of us as “Fan Films’ Greatest Klingon” for a reason: he lived the part so much.

I met Steve a few years ago at TOPCON when STARBASE STUDIOS had been part of the event, and I was asked to help out with the bridge there. As people from every fanbase walked by, I noticed this cosplay of a Klingon that was so detailed that I had to know who guy was.

I followed Steve around for a while before approaching him, as he is a pretty intimidating guy…especially in Klingon garb! But he was so warm and receptive to me and my questions. We discussed what I was doing in fan films and his involvement in cosplay and exchanged information.

It was a little over a year before I actually was able to get him into a film, as I was still new to creating my films at the time. But he took to it really well, and we became fast friends. I trusted him to change dialog if it didn’t fit what a Klingon would say, as he was not just an actor, he was a guy with experience with Klingon culture. It stemmed from cosplaying for years as the character of Krorath. He lived this. When I brought Steve on, it was not me making the character of Krorath for him, it was more like we were bringing his character of Krorath from cosplay into the fan films, and it worked. We had a trust that I began to put on screen that was very much behind our characters…a bond, if you will.

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AXANAR completes its first film shoot in MORE THAN A YEAR!

1/27/2023 Axanar Day 1 at Ares Studio

Wow, can you believe that it’s been more than 14 MONTHS since my last AXANAR-focused blog? I remember back when I used to publish blogs about Axanar almost weekly! Back in November of 2021, I reported on the first new Axanar shoot since 2019…and the first shoot where new directors TED BRUNETTI and MARK EDWARD LEWIS took over the production.

Of course, the 20-month delay before that blog was due in most part to COVID shutting down not only production on Axanar but across the entire film industry! The next 14-month delay was the result of a move to a smaller (and more affordable) studio space located about five minutes away from the previous ARES STUDIOS location. The move required the dismantling of the USS Ares bridge set and its reassembly inside the new facility. Unfortunately, around this same time, studio manager DANA WAGNER became seriously ill, and his treatment and recovery took more than six months. There is no one else on the planet who could have supervised the reassembly of that complex bridge set…and certainly not for free!

Fortunately, Dana came through his treatment and recovery with flying colors and was able to return to the studio, supervising the reconstruction and even adding a number of improvements like LED lighting under the console panels, better power supply infrastructure, and even a new glowing ship schematic plaque next to the turbolift door. You can see how good the new bridge looks in this video that Dana posted to Facebook…

In addition to all of the construction going on, work had also been progressing on other aspects of pre-production over the previous few months. Mark Edward Lewis, who is handling the technical aspects of directing (while Ted Brunetti works more closely coaching the actors on their performances) has been texting almost daily with cinematographer GEOFF FAGIEN to figure out lighting, camera angles, lenses, and lots of other stuff that is so above my pay grade that I won’t even pretend to understand it!

Indeed, both Mark (traveling from Tennessee) and Geoff (traveling from Florida) arrived in Lawrenceville, GA a few days before the shoot to set up the lighting prior to the two-day shoot, which began last Friday. By getting all of the lights set up on both the bridge and in the green screen area, they saved several hours on the actual shooting days, allowing the actors to get into place and then setting up the cameras properly to give everyone the opportunity to capture all the footage with multiple takes and from multiple angles in the time allotted.

And how much time was allotted?

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Welcome back, Parker! Prodigal fan filmmaker returns with CROSSROADS: THE GEMINI PROJECT (video interview with FRANK PARKER, JR.)

Report two casualties: Commodore Sam Grissom, Actor FRANK PARKER, JR.

Correction: they’re not casualties. They are…list them as “missing.”

That’s the way it seemed back in 2016. Frank Parker, Jr. had become a prominent name in the fan film community. Appearing in THE ROMULAN WARS fan series in 2012, he had gone on to help build sets that were used for both STARSHIP FARRAGUT and STAR TREK CONTINUES. In fact, Frank briefly appeared in the penultimate episode of Farragut, “The Crossing.”

But what Frank was really becoming known for was the debut of a new fan series filmed on the Farragut/STC sets in Kingsland, GA: DREADNOUGHT DOMINION. Frank played Commodore Sam Grissom of the titular starship, as bald as Jean-Luc Picard and plagued by a troubled past. Two episodes, “Haunted” and “Anchors Aweigh,” promised another fine addition to the world of Star Trek fan films with Frank as showrunner. But then, seemingly without any warning, Frank completely disappeared from the fan film community without a trace! POOF!!!

Fortunately, Dreadnought Dominion found a way to carry on without their lead actor and creator. GARY DAVIS and RANDY WRENN took over the series, releasing nearly a dozen follow-up episodes, including a crossover with STARSHIP VALIANT titled “Chain of Command,” which dealt with the aftermath of Commodore Grissom’s sudden departure.

Fast forward five years to early 2021.

As quickly as he disappeared, Frank reappeared in the Star Trek fan film world, almost as if he’d simply beamed down somewhere and beamed back half a decade later. And although Dreadnought Dominion had moved on, Frank appeared in an episode titled “The Passenger with Baggage” to tie up many loose ends and bring closure for most of the characters, including his.

But Frank’s return didn’t stop there. Frank has since formed an alliance, of sorts, with VANCE MAJOR of the MINARD and CONSTAR saga of fan films, partnering Frank’s FILK FERRET PRODUCTIONS with Vance’s NO BUDGET PRODUCTIONS to create multiple fan films. These have included the following for CONSTAR COMPLETED episodes released between March and June of this year:

Sam Grissom also appeared in a flashback during the alternate 24th century timeline fan film WASTELAND, released this past March. Plus, a Kelvin timeline version of Sam Grissom appeared in the 47-minute long MINARD 2: HEMORRHAGE released in June and the recent Dominion/Constar crossover fan film CALM, COOL, & COLLECTED released in July.

Whew!

If you don’t want to watch all of the above, Frank and Vance compiled a “highlight reel” titled THE STORY SO FAR GRISSOM ADVENTURES. It serves as a user primer…

A primer for what, you ask?

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DREADNOUGHT DOMINION and STARSHIP VALIANT cross-over in “CHAIN OF COMMAND”!

chain-of-command-dreadnought-dominion-and-svBack in April of 2015, a new Star Trek fan series called DREADNOUGHT DOMINION premiered with its initial episode, “Haunted.”  Three months later, a second episode, titled “Anchors Aweigh” (a bit of a prequel to the first episode), made its debut.  It wasn’t the only TOS-era fan series to feature the crew of a non-heavy cruiser class starship, but it was the first and only one to feature the crew of a Starfleet dreadnought-class starship based on the mid-1970s Franz Joseph Star Trek Technical Manual.

dreadnought-dominionThanks to a 3D model created by Kenneth Thomson, Jr. and Thomas Phong, the beauty shots of the tri-nacelled USS Dominion in the opening credits and during the episodes were gorgeous.  The two episodes were filmed primarily on the very impressive TOS sets in Starship Farragut’s Studio Two in Kingsland, GA (also the shooting location of Star Trek Continues).

A year earlier, another fan series, Starship Valiant, made its debut on YouTube with an introduction vignette titled “Legacy.”  Valiant was filmed using the TOS bridge set at Starbase Studios in Oklahoma City.  (The following year, a “special edition” version of “Legacy” with added footage was posted after Starbase Studios built a new sickbay set.)  Valiant has since completed principal filming on its second episode “The Ties That Bind,” although post production is still ongoing and the second episode hasn’t been released yet.

So what do these two fan series–filmed in different locations in different states during different years–have in common?  A man named Vance…

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