The race to $500 for VANCE MAJOR is nearly over in just 48 hours!

Hurry, or else you won’t have a chance to donate!

The last time VANCE MAJOR, creator of the MINARD saga and currently producing the upcoming CONSTAR CHRONICLES, asked fans for donations, it was last July. He needed $500 to buy uniforms for his multi-episode Constar project. Just as I was getting ready to post something about the campaign, 72 hours after launching it, Vance shut it down. Why? Because he’d managed to raise the $500 he needed (plus an extra $50 to cover the commission to the crowd-funding service).

That $500 allowed Vance to complete 15 fan films (which will debut later this year), with a bunch more in post-production at the moment. But now he wants to produce some additional stories, but he needs a few more uniforms and certain props to make that happen. So once again, he’s reaching out to the fan community.

This time, it’s only been 48 hours, but Vance is nearly there again! As I write this, he’s at $401…just $99 to go to reach $500. If you’d like to help push him over the top in record time, click the link below:

https://www.gofundme.com/extra-constar-chronicles-minard-saga-films

And hey, if Vance reaches his goal before you can donate, and you still really want to help out a fan film, consider giving a few bucks to DREADNOUGHT DOMINION for their upcoming project “Redemption at Red Medusa.” (Check out the trailer here.) You can donate to their active crowd-funding campaign here:

https://www.gofundme.com/dreadnought-dominion

And finally, if you still feel like you haven’t donated enough today, the folks over at POTEMKIN PICTURES are building a full-size shuttlepod…with a design halfway between Trek movie-era and TNG-era. It’s taking shape nicely, as you can see here on Facebook.

In what I consider to be an interesting experiment, Potemkin opted NOT to use a crowd-funding service and is instead simply taking in donations directly through PayPal at [email protected]. And if you donate $189, you get to name one of five shuttles they’ll be using (one model, five names).

So far, two of the five shuttles have been named. C.W. THOMPSON named the USS Deimos shuttlecraft “Ernest J. King” and LARRY FLEMING named the USS Endeavour shuttlecraft “Raptor.”

What would YOU name your shuttlecraft?

NEUTRAL ZONE STUDIOS once again opens their TOS sets to the public for FAN APPRECIATION WEEKEND 2!

When I was a kid growing up in the 1970s, watching Star Trek each weeknight at 6:00pm, I used to dream of one day building my own Enterprise bridge. I’d have it on the second floor of my house, in a circular area, with a turbolift elevator that would go up to it, doors whooshing open to shock and impress my friends.

Sadly (at least for me, not sad for my wife), that didn’t happen.

But miraculously, I can still walk onto the bridge of the USS Enterprise NCC-1701. I can sit in the captain’s chair, stand in the transporter, walk through the corridors, visit sickbay and engineering, wander into the briefing room and Captain Kirk’s quarters. And I can even do it in two different locations!

The first place I can go is the officially licensed Star Trek Original Series Set Tour in Ticonderoga, NY. For $22.50/person (less for seniors, military, and kids), I can walk around meticulous, museum-quality recreations of the original 1960s sets that were used to film Star Trek. The sets in upstate New York were used to make the fan series Star Trek: New Voyages/Phase 2, and now are available throughout the year for personal and group tours.

Further south in Kingsland, GA are the sets that were originally used for the fan series Starship Farragut and Star Trek Continues. A little over a year ago, those sets were sold by VIC MIGNOGNA to RAY TESI, who has opened them up for free filming (just pay the electricity costs) to any fan production that follows the CBS guidelines. Originally called Stage 9 Studios, the sets were recently renamed NEUTRAL ZONE STUDIOS to avoid confusion with the Virtual 3D walkthrough of the Enterprise-D that was shut down by CBS.

Last October, Ray Tesi opened his Georgia sets to the general public for a FAN APPRECIATION WEEKEND. It featured tours, photo opportunities, some fan film celebrity guests, and even two different fan productions shooting scenes in front of a live, studio audience.

However, there was also some controversy

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Who let the air out of DISCOVERY this week??? (editorial review)

THE MOTHER OF ALL SPOILER WARNINGS!

The tenth episode of STAR TREK: DISCOVERY‘s second season was called “The Red Angel.” I call it the “Oh, By The Way…” episode. In my opinion, it was the weakest of the second season so far, and not even as good as some of the first season episodes.

Even the positive reviews I’ve read so far have acknowledged that this was a “talky” episode, filled with a lot of quiet scenes where two or three or four people were just chatting with each other—mainly about plot exposition. The first 37 minutes were almost entirely that, with only the final 10 minutes picking up the pace with an exciting and engaging ending.

So what is an “Oh, By The Way…” episode? Glad you asked!

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The last SURVIVOR fan film is THE LAST SURVIVOR (interview with MATTHEW BLACKBURN, part 2)

Last week, we began discussing the Survivor trilogy with creator and show-runner MATTHEW BLACKBURN. The fan series got its start back in 2010 with the release of the 10-minute fan film SURVIVOR, produced on a teeny-tiny budget and filmed entirely by just four people.

In 2017, a 15-minute sequel called SURVIVORS was released, this one produced by a team of six fans. Matthew wrote, directed, and starred in both films. This one was lighter and a bit more humorous than the first, although it was still a serious fan film.

And just as 2018 was ending, Matthew released his third fan film, using the same main characters as the previous film. Again with a 15-minute runtime (following the fan film guidelines), LAST SURVIVOR was perhaps Matthew’s most ambitious undertaking thus far…


In part one of our interview, we discussed Matt’s formal education (or lack thereof) in cinematic production, and how he was mainly self-taught and learned by doing. We then took a look back on what went into creating the first two fan films…before shifting our focus to Matthew’s latest release.

And that’s where we pick up…

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AVALON UNIVERSE Indiegogo gets a $1,000 DONATION from a SINGLE donor!

Right now, I’m actively watching four different Trek-related crowd-funding campaigns. I have tabs open for each one, and I check them every day or so to see how they’re doing:

There’s also a few other crowd-funders that I check in on from time to time. You can find them all listed here on Fan Film Factor under the CROWDFUNDING NOW tab at the top.

Usually, there isn’t much movement on a daily basis for these campaigns…just little increases here and there. For the Avalon Universe Indiegogo, the donation total had been hovering in the low $2K range for the last few days…not unusual for a crowd-funding campaign to slow a bit in its second or third week.

And so I literally did a double-take when I checked the Avalon campaign late yesterday to discover their total at $3.4K (bringing them to over 40% of the way to their $8,500 goal). Huh? I’d checked it earlier in theday, and it was still in the low twos. What the heck happened???

I scrolled down through the perks. One of the perks is a $1,000 “Executive Producer Package” where the donor gets their name listed in both the opening and closing credits as—you guessed it!—Executive Producer. Two of these perks were initially available, and one had just been snatched up!

I checked with Avalon showrunners JOSHUA IRWIN and VICTORIA FOX, and they confirmed this is a legitimate donor and someone who has supported fan films in the past (although we won’t find out who until the fan film is released and we check the credits).

I don’t usually report on single donations to crowd-funders, and $1K donations certainly aren’t unheard of. But they are indeed rare…and almost non-existent for “smaller” campaigns with goals under $10K. So for me, this is news worth sharing—and a good reminder for folks to consider donating, if they haven’t already (even if it’s just $10 and not $1,000).

I also allows me to address a recent semi-controversy that has cropped up involving me supporting this and other crowd-funding campaigns…

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THE HOLY CORE releases its first TRAILER!

In any list of the top 10 Star Trek fan films of all time, I will always include CHANCE ENCOUNTER, from British writer/director GARY O’BRIEN and co-writer PAUL LAIGHT. It doesn’t have dazzling VFX or edge-of-your seat action. In fact, it’s a “quiet” story that treats viewers to some top-level acting, emotionally engaging characters, and lovely music…all wrapped in a skillfully directed and edited package that I consider to be a MUST-SEE fan film.

So naturally, I and others have been most eager to see what Gary and Paul do for an encore! A year ago, Gary launched a Kickstarter for what was, at the time, about $12,000 (American). But it failed to get even half-way to its goal, and so Gary received nothing…since Kickstarter requires a project to fully fund before awarding pledged donations.

However, a single “angel donor” came forward in May with an offer to fund the entire production, and Gary was now set up to create THE HOLY CORE, a TNG-era fan film with more action and VFX than his previous release…but the promise of the same great level of acting, directing, engaging characters, and quality of presentation.

This project also called for the construction of some ambitious TNG-era sets for a Nebula-class starship…including the captain’s ready room, deflector control room, and even the engineering station on the bridge! Could Gary and his team pull it off? A series of production updates teased us with quick glimpses into how good these sets were looking. I posted a blog back in December collecting all of these updates in one place. It’s worth checking out.

In the meantime, Gary has just released his first official trailer for The Holy Core, and it looks really impressive (especially all of those amazing sets)…!

ALEX KURTZMAN goes FOUR-for-FOUR in rescuing DISCOVERY! (editorial review)

SPOILERS WITH A CAPITAL “A”!

Remember last week when I said the eighth episode of STAR TREK: DISCOVERY season two was the best one yet? Well, the ninth episode, “Project Daedalus” just blew the eighth one away! I mean…WOW!

After the announcement last June of the firing of Discovery‘s previous showrunners, GRETCHEN BERG and AARON HARBERTS, fans were nervously awaiting the sixth episode of season two, the first to be produced entirely under the stewardship of new showrunner ALEX KURTZMAN, who was also officially named the Tsar of Trek (actually, only I named him that). Would Kurtzman save Discovery or ruin it? And once the sixth episode (which took Saru back to his home planet) showed a return to Star Trek values of hope and optimism, the next question became: was this one episode just a fluke, or is this the new normal for Discovery?

Well, it wasn’t the new Discovery normal; it was the starting point of a turbolift that has been ascending ever higher with each successive episode—with a trip home to Vulcan for Burnham (where she finds Spock), a trip to Talos IV (where we find Vina, and Spock finds himself), and now a trip to the very heart of Section 31 where we find…um, I did mention there would be spoilers, right?

Anyway, for a third week in a row, I watched the episode all the way through without stopping. I couldn’t look away! And with four episodes in a row that have each been, in succession, the best of the series, I feel that I can finally feel confidence in Alex Kurtzman. YAY!

Of course, a show-runner doesn’t work alone. But he does determine which people to hire and who does what. This episode was written by MICHELLE PARADISE (yes, she was born with that name) and directed by JONATHAN FRAKES. I don’t need to tell you about Frakes, as he’s done a little work in Hollywood before. But Paradise was just named as co-showrunner for Discovery in season three…and fans were again worried that this newcomer Paradise not be up for making Star Trek. Well, after this episode, as with Kurtzman—I’m not really worried anymore!

Okay, let’s start talking about this little gem…

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The last SURVIVOR fan film is THE LAST SURVIVOR (interview with MATTHEW BLACKBURN, part 1)

Back in 2010, a short 10-minute 24th century-era Trek fan film made its debut. Despite being ultra-low budget, it was actually quite ambitious, being shot in multiple outdoor locations by a team of just four people…two of whom appeared on screen. It was called SURVIVOR and was written, produced, and directed by MATTHEW BLACKBURN, who also starred in the leading role. The finished product was very well done and quite interesting.

Most fans thought Survivor was just a one-and-done effort, but seven years later in the summer of 2017, Matthew released a sequel: SURVIVORS. Still low-budget, this time six people had produced the fan film, and it was 15 minutes long and a bit more ambitious. It even had some very decent visual FX and strong performances for a fan film. Matthew and I chatted about both projects in one of my very first audio interviews here on Fan Film Factor.

At the very end of 2018 (two days before the new year), Matthew released what seems to be—at least from the title—the final installment of the Survivor trilogy: LAST SURVIVOR. It’s my favorite of the three, although they are each very enjoyable. Check it out…

I reached out to Matthew for another interview, wanting to know about the making of this latest production and whether any more fan films would be coming our way in the future. Matthew was happy to oblige, although this time the interview will be in text format…

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Deep Space 9 documentary WHAT WE LEFT BEHIND gets picked up by SHOUT!

Sometimes it pays off to get backlogged on blogging! On March 1st, I received a donor update from IRA STEVEN BEHR on the current status of the crowd-funded Star Trek: Deep Space Nine documentary WHAT WE LEFT BEHIND. Although they held three theatrical screenings late last year in New York, Los Angeles, and London—where select donors and supporters got to see an early “final” cut of the film—things weren’t quite finished yet. In fact, they weren’t even close!

The delays in completion stemmed from a noble cause, however. Additional crowd-funding (over and above their initial $650K from fans) was generated to pay for remastering all of the 20 minutes of footage from the seven seasons of DS9 into digital HD quality to be shown in the documentary. Since CBS has no plans to remaster DS9 or Voyager or Enterprise (as they did TOS and TNG), this could be fans’ only opportunity to see any of DS9 in high definition. Here’s an example of the difference in quality…

The digital transfer process began with massive amounts of time in the CBS vault sorting through seemingly endless rolls of 35mm film reels looking for the footage they needed. Then a request was sent out to deliver 400 of those reels to CBS Digital, who would then digitally scan in the film into high definition for Ira and his team to color adjust, enhance, and edit into the final cut. At the time Ira posted the following video on March 1, about three-quarters of the requested film reels had been sent to CBS Digital for logging in and scanning…

I’d planned to share that update here, but in the last 13 days, I’ve published 9 other blogs (and two of those days were spent at Disneyland). So the DS9 news was pushed to the bottom of my “to do” list until this week. No big deal—updates about the DS9 documentary are not very frequent anyway. The news could certainly wait a week or two, right?

But then the BIG news broke…

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Take that, DR. SEUSS; TREK MASH-UP is legally FAIR USE!

I’ve been watching this case closely for nearly two years, fascinated by the question of whether a”mash-up” of two separate intellectual properties (in this case STAR TREK and DR. SEUSS) could be successfully defended against a copyright infringement lawsuit using a defense of FAIR USE.

And yesterday, we discovered that the answer is officially “YES.”

For a more complete history of this case, check out any of my previous 15 blogs on the subject (I told you I was watching it closely!). In short, DAVID GERROLD (the creator of the tribbles) and TY TEMPLETON (award-winning comic book artist) set out to create a Seuss/Trek mash-up book called Oh, the Places You’ll Boldly Go!

Together with their publisher ComicMix, they set up a Kickstarter in late 2016 to fund a run of 5,000 printed copies of the book to sell through ThinkGeek. They raised about $30,000 when Dr. Seuss Enterprises (DSE) contacted Kickstarter with a DMCA takedown notice. The money was never collected.

Six weeks later, DSE sued the mash-up team for both copyright and trademark infringement. The case was an emotional rollercoaster ride for both sides, with the judge at one point dismissing the trademark claims and then later (after a re-refiling by DSE) reinstating the trademark claims.

On the copyright complaint side of things (different than trademark), the judge was ready to dismiss the case outright on grounds of Fair Use, but she gave DSE one chance to prove market harm by Team Mash-up. DSE was able to make a strong enough argument for financial damages that the judge allowed the case to move forward. That was 14 months ago.

The case has been complex, to say the least! And it had the potential, according to Ninth Circuit Federal Judge Hon. JANIS SAMMARTINO, to quite literally determine the fate of nearly all mash-ups well into the future. Would this new art form die in its infancy? Was it even a true art form? All of her rulings were carefully considered, and nothing was rushed.

After more than two years of legal wrangling, filings, responses, discovery and evidence and testimony, and motions for summary judgement, it all came down to pre-trial oral arguments made in Judge Sammartino’s San Diego Courtroom five weeks ago on February 7.

So what exactly happened, and is this case finally over…?

Continue reading “Take that, DR. SEUSS; TREK MASH-UP is legally FAIR USE!”