Has fan LOVE turned 765874: UNIFICATION into an “OPEN SOURCE” fan film?

Sometimes a fan filmmaker produces a fan film that inspires a completely different fan filmmaker to produce something—be it a tribute, continuation, or some other expansion of the original—based in whole or in part on the original work. This has come to be known as “a fan film of a fan film.”

The term was first coined in 2016 with the release of PRELUDE TO AX’D -WE-ARE, the STALLED TREK animated puppet parody of both PRELUDE TO AXANAR and the subsequent copyright infringement lawsuit filed jointly by CBS and Paramount against AXANAR PRODUCTIONS and ALEC PETERS.

Granted, such projects are very rare. Indeed, only INTERLUDE, THE ICARUS MANEUVER, and THE FEDERATION FILES‘ “The Equinox Effect” and “Friends and Foes” come to mind for me. And the former two were more expansions of an existing fan film “universe” of characters and settings, and the latter two were GLEN L. WOLFE’s attempt to complete unfinished fan films so their partial footage could finally be released for fans to see.

All of this is to say that there aren’t many “fan films of fan films” in the Star Trek genre. But over this past weekend, we got our newest entry: PROLOGUE TO UNIFICATION from SAMUEL COCKINGS of Great Britain, the showrunner behind the TREK SHORTS fanthology series of fan films. As the title suggests, this release is meant to lead into the recent 765874: UNIFICATION from OTOY with involvement from WILLIAM SHATNER, the estate of LEONARD NIMOY, and THE RODDENBERRY ARCHIVE. In case you’re one of the four Trek fans on the planet who hasn’t seen this jaw-dropping, cutting-edge love letter to Star Trek yet, watch it now…

And now, take a look at what Sam Cockings was able to put together in the span of just three weeks based on OTOY’s fan film…

Oh! Before I go on, I need to make a disclaimer about my use of the term “fan film.” Technically, 765874: Unification isn’t a standard fan film. It was an approved production, licensed by Paramount Global to OTOY as a way of generating original Star Trek content for the new Apple Vision Pro VR headset. So calling 765874: Unification a “fan film” isn’t entirely accurate. On the other hand, it was not produced by either Paramount or CBS Studios…and it was obviously made by fans with a knowledge of and loyalty to long-established Star Trek canon.

So what is it? Much like the “uncanny valley” in early CG renderings of human faces (like Princess Leia at the end of Star Wars: Rogue One), 765874: Unification walks in two worlds without truly fitting into either. So rather than calling Sam’s latest project a “fan film of a licensed-non-studio-produced-but-still professional-quality-Star-Trek-vignette-CGI-film-made-by-fans-with-fans-in-mind,” I’m going to call it a “fan film of a fan film.” Feel free to argue.

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