Latest SPACE COMMAND Kickatarter in danger of coming up short!

Up until now, MARC ZICREE’s original sci-fi epic SPACE COMMAND hasn’t had much, if any, difficulty raising crowd-funding donations from fans. But we are currently living in the age of a global pandemic, people are losing their jobs and/or being furloughed, and contributions to fan projects aren’t flowing nearly as freely as they used to be.

Space Command got its start waaaaaaay back in 2012 with an early Kickstarter that brought in a staggering $212K from more than 2,000 donors. It then took five years for the project to reach post-production, where a second Kickstarter raised an additional $108K that would help complete the first hour of the 2-hour pilot episode “Redemption.”

third Kickstarter raised $102K more for post-production on the second hour of the pilot. Marc also sold individual $7,500 shares in the venture for supporters looking for a return on investment if/when the series sells. Those shares brought in an additional half million dollars.

A fourth Kickstarter in 2019 raised $86K for production to begin on the first hour of the second 2-hour episode, “Forgiveness.” And finally, this past April, a fifth Kickstarter raised $57K to help fund production on the second half of “Forgiveness.” Add it all up, and that’a more than $565K in donations and over a million dollars total including investment share sales!

Last month, Space Command launched a sixth Kickstarter to fund the remainder of production on “Forgiveness.” Already, the first hour of “Redemption” has been completed and released, and the second hour has been filmed and is nearly complete (it will have more than 900 visual FX shots!). The first hour of “Forgiveness” is filmed and now in post production. And the second hour of “Forgiveness” is ready to film as soon as it’s safe to do so and as soon as this sixth Kickstarter reaches its $48K goal.

And therein lies the problem.

Kickstarter’s rules say that your campaign needs to set a goal, and if you don’t reach that goal—no matter how close you come—you don’t get anything, no one’s credit card is charged, and the campaign is considered a failure. With only two days to go, the latest Space Command Kickstarter is still $11K short of its $48K goal (a miss of nearly 25%).

While it’s not impossible that Space Command can bridge that gap in so short a period of time, the independent sci-fi film project has never had to face such a challenge before. Each of the previous campaigns reached their goals easily and even surpassed them to unlock stretch goals.

But right now, the global economy is in shambles, millions have lost their jobs, and many crowd-funding campaigns are struggling (not just this one). On the other hand, Space Command still has thousands of loyal supporters. So don’t count them out completely just yet.

If you want to make a donation, click on the link below…

https://www.kickstarter.com/projects/spacecommand/space-command-episode-4-forgiveness-part-2

And here is the exciting pitch video from MARC SCOTT ZICREE…

Continue reading “Latest SPACE COMMAND Kickatarter in danger of coming up short!”

INTERLUDE clip gets 7.8K views (and 1K likes) in 15 HOURS!

Wow…what a difference a successful YouTube Channel makes!

I posted a link to the 48-second “sneak peak” clip from INTERLUDE last week as part of a blog explaining why we were going to miss our announced premiere date of July 25, 2020. Long story short, the music isn’t done yet. But I wanted to give folks a taste of how the music sounded. So I cut a short clip and posted it. The video got 363 views over six days.

Last night, ALEC PETERS debuted the same video clip on the AXANAR YouTube channel. If you haven’t seen it yet, here it is…

I woke up this morning to see that the clip has now had over 7.8K views and 1K thumbs up (versus only 35 thumbs down)…so YAY! Of course, the channel has 89K subscribers—no wonder it got so many views so quickly. But hey, I’m not complaining!

I also read though the comments, and there were a number of questions and topics that came up repeatedly. So I thought I’d respond to them here if anyone is interested and/or curious:

1. When is Interlude coming out?

Soon. As I explained in last week’s blog, KEVIN CROXTON is about halfway done with the music, then MARK EDWARD LEWIS will add in the final sound effects and balance the sound levels. We’re also awaiting one final VFX sequence from LEWIS ANDERSON. Then we’re pretty much D-O-N-E.

2. The music is too loud/voices are too low.

Yep. As I said, the sound-mixing gets done last (since you need all the music before you can balance the levels). This clip was simply to give folks a taste of the music, and it’s a work-in-progress.

One of the most FUN things about making this fan film is showing you folks the behind-the-scenes steps of making a fan film. I didn’t want this clip to be polished and perfect…yet. It’s more interesting to hear the music raw before sound-mixing and then compare it to the finished product in order to get an appreciation for what sound mixing can do.

3. We waited ten years for 48 seconds???

Sigh. First of all, Interlude isn’t Axanar. We only started crowd-funding a year ago. And for the record, Axanar had its first crowd-funding campaign in 2014…six years ago, not ten. (Why people keep saying “ten years” is beyond me. Counting to six isn’t hard…you don’t need to round to the nearest ten!) And remember that Axanar was sued for a year, had to move across the country, then finish the bridge, raise money to replace the funds that were lost during the lawsuit while filming couldn’t happen, and then had to go through the many and complex steps of actually producing a fan film.

Axanar has now had multiple shoots, and only one 2-day shoot remains…a shoot that can’t happen while the international pandemic is still shutting down union productions everywhere. And if you’d like to donate to Axanar so that it can be finished, please click on the link below…

https://aresdigital.axanar.com

Continue reading “INTERLUDE clip gets 7.8K views (and 1K likes) in 15 HOURS!”

USS ARES blueprints Kickstarter finishes up with $10,887 from 217 backers!

Yesterday, with less than 5 hours to go in the 16-day Kickstarter for deck plans of the USS Ares-class assault cruiser, the total raised was still about a thousand dollars below the $10K needed to reach their stretch goal. The campaign had already surpassed its initial $3K goal in the first few hours, but if it passed $10K, each donor would ALSO get a free 11″ x 17″ version of the USS Ares Master Display Poster along with the blueprints.

Then, with four hours to go, an e-mail went out to the Ares Studios mailing list reminding supporters that the blueprints were still available, but not for long! An hour later, the Kickstarter total crossed $10K…and when the dust settled at 9pm Eastern Time, 217 backers had pledged $10,887 to the campaign.

The money (after the cost of printing and packing materials) will go toward funding the ongoing expenses for Ares Studios in Lawrenceville, GA, home to the extraordinary USS Ares bridge and captains quarters sets plus the Pike-era sets that were used on the upcoming FIRST FRONTIER fan film. Additional donations are coming in monthly to Ares Studios through an ongoing Patreon campaign.

Note that Ares Studios is a separate legal entity from Axanar Productions, which fundraises privately to finance the completion if the two AXANAR sequel fan films. That campaign is currently at $23,305 out of $35,000 needed for the final filming weekend plus the beginning of post-production. To donate to Axanar, click the link below and follow the instructions provided…

https://aresdigital.axanar.com

LAST DAY to order USS Ares BLUEPRINTS!

As Kermit the Frog once said, “Time’s fun when you’re having flies.” Nowhere is that more apparent at the moment than Kickstarter where the full set of deck plans for the USS ARES-class assault cruiser are available for pre-order until 9:00 pm Eastern Time on Sunday night.

Like the previous Kickstarter for the USS Ares Master Display Poster, this current Kickstarter has been a quick 16-day campaign with a modest goal of only $3,000. And also like the previous campaign, the goal was easily reached within hours. The previous poster campaign took in donations totaling $9,690 from 258 AXANAR fans and supporters. This surpassed two stretch goal amounts, resulting in supporters getting two additional posters.

As I type this, the Blueprints campaign sits at $8,742 from 181 backers. If the total passes $10K, then each of us backers also gets a special stretch goal extra item: an 11″ x 17″ mini-poster version fo the USS Ares Master Display cutaway (the original was a massive 24″ x 36″ size)…

Both the cutaway poster and the blueprints were meticulously crafted by Axanar graphic designer extraordinaire ALEXANDER RICHARDSON, who spent an average of 5-10 hours per deck and then another 3 hours laying them out on the individual pages (plus extra time making alterations along the way).

Although the blueprints will eventually be available later on in the Ares Studio OnlineStore, the price will, most likely, be higher than the $30 plus shipping on the Kickstarter page. And remember that, if the campaign can generate just $1,258 more, each donor will receive a stretch goal prize, as well, for no additional cost.

Like the Ares Studios Patreon campaign (which generates about $2.5K per month from about 250+ patrons), the net proceeds from these two Kickstarters go toward the expenses of Ares Studios in Lawrenceville, GA…not to the production of Axanar fan film sequels. Those donations can be made through the private fundraising campaign on Ares Digital (currently about $8.7K short of funding the final Axanar film shoot).

In the meantime, the clock is ticking off the final hours to order your USS Ares Blueprint set. Just click on the link below…

https://www.kickstarter.com/projects/aresstudios/uss-ares-blueprints

AXANAR schedules shoots in AUGUST and OCTOBER!

AXANAR needs only two more shooting days and the production phase will be complete. Just…two…more…days.

Seems so simple, and yet, because of COVID-19, it’s proven to be just out of reach. And it’s not just Axanar that’s been stopped dead in its tracks. Because of concerns from the various Hollywood trade unions, television and motion picture production has been brought to a standstill throughout the entertainment industry. Don’t binge-watch too much too fast because your favorite shows aren’t coming back in September…and probably not even this year!

But there is finally a ray of hope.

Actors, directors, writers, camera people, hair & make-up, grips, gaffers, and pretty much everyone in the film industry are dying to get back to work. They just don’t want to be dying BECAUSE they went back to work (man, that sounded morbid!). As such, the Alliance of Motion Picture and Television Producers recently formed a task force to put together this 21-page white paper providing guidelines for “safely” restarting production. I put “safely” in quotation marks because it’s hard to be 100% safe when actors often have to be up close to other actors and not wearing face coverings, and lighting and camera and sound people have to lean in close to each other, and hair and make-up people can’t do their jobs if they’re 6 feet away from the actors and aren’t able to powder noses and put on lipstick because of face masks and…you get the idea.

But the white paper does its best to provide a reasonable “cover-your-asses” approach to restarting film production…and both the unions and the studios are on board with it. After all, people need to get back to work! And the recommendations are pretty obvious, all things considered:

  • Crews should consist of as few people as possible.
  • Have production meetings virtually or at least with social distancing.
  • Everyone wears PPEs on set except for actors when they’re filming.
  • Wash hands frequently; clean every piece of shared equipment as often as is practical.
  • Regular, periodic testing of the cast and crew; social distance as much as possible on set.
  • Use electronic scripts and call sheets on personal handheld devices (or if you need print things out, make sure no paper is shared).

And the list goes on and on. But the idea is to minimize the risk factors on production sets as much as possible.

Because Axanar is a union project, no new filming could be done until a set of guidelines was issued that Axanar Productions could follow. But now that the white paper is available and being slowly adopted throughout the industry, the Axanar project can begin moving forward again, albeit tentatively at first.

Here’s the plan as it stands right now…

Continue reading “AXANAR schedules shoots in AUGUST and OCTOBER!”

INTERLUDE Confidential #11.2 – Jonathan’s favorite memories from the November shoot (part 2)

INTERLUDE is nearly complete, and this is likely my final “Interlude Confidential” before the release. Last week, I began reminiscing about the big two-day shoot last November at ARES STUDIOS in Lawrenceville, GA. For me, it was truly the culmination of the filmmaking experience…even though there would still be another eight months of intense work. But the shoot itself—that was pure magic.

Nearly 50 people came together that weekend with a single goal in mind: to produce a top-quality Star Trek fan film. They weren’t making gobs of money; they simply wanted to be a part of something fun, creative, exciting and dynamic.

A lot of things had the potential to go wrong. The most effective teams work and train together for weeks, months, or even years to maximize their effectiveness. Our team, with a few exceptions, was mostly strangers who had only met for the first time that weekend. Would they mesh together like a well-oiled machine, or would there be friction? Would one or more people with egos grate against the others, show an attitude, or be uncooperative? I’ve been told it can (and often does) happen, and even one bad apple can cripple a production.

And last but not least—in addition to the thousand other things that could could go wrong—there was me. I’d never been a producer before! It was my job to take care of a seemingly endless list of items to ensure the set would be ready for VICTORIA FOX and JOSHUA IRWIN to film on: everything from making sure all the actors, extras, and production team knew where and when to show up to getting measurements for uniforms to the seamstress to ordering the rental camera equipment to finding the caterer and making sure there were tables and chairs for the food plus a hundred other little details. I needed to make sure everything was prepared so my directors and production crew could focus on making an awesome fan film.

Was I up to the task?

Continue reading “INTERLUDE Confidential #11.2 – Jonathan’s favorite memories from the November shoot (part 2)”

USS Ares BLUEPRINTS now available in a new Kickstarter for ARES STUDIOS!

Hurry, hurry! Get ’em while they’re hot…and available! (Well, at least get them while they’re still only $30 plus shipping.)

Last month, ALEC PETERS raised nearly $10K for ARES STUDIOS in a Kickstarter that offered a special Master Systems Display cutaway poster of the USS Ares, the fan-favorite Starfleet assault cruiser depicted in PRELUDE TO AXANAR, the soon-to-be released INTERLUDE fan film, and the upcoming AXANAR sequels. The campaign ended up passing two stretch goals, adding two additional free posters to the orders for all donors: a cutaway of the Geronimo-class and a D7 tactical display.

That campaign, it turns out, was just a warm-up to the main event: a new Kickstarter offering a full set of USS ARES BLUEPRINTS! In total, it will be eight 11″ x 17″ blueprint sheets that show every deck and part of the Ares-Class Assault Cruiser.

The campaign launched at 9:30am Eastern Time with a goal of $3,000 (the same as the first campaign) and a 16-day duration. That means, according to Kickstarter rules, that Ares Studios has only half a month to reach that goal or else they get zero. No worries, though, as the campaign surpassed that goal in HALF A DAY (closer to just seven hours) and is currently at $4,906 from 100 backers as I write this. There’s actually a stretch goal of $10K that, if reached, will result in every donor being sent a free 11″ x 17″ version of the USS Ares Master System Display poster from the first campaign.

Naturally, I ordered mine as soon as got to my computer this morning. Ever since I first got ahold of the original Franz Joseph blueprints for the USS Enterprise back in 1975, I have LOVED deck-by-deck renderings of starships. There haven’t been many full sets done over the years, but the few that have been published remain some of the jewels of my collection.

When I heard that Axanar graphic designer ALEXANDER RICHARDSON was creating deck-by-deck blueprints of the USS Ares-class, I got very excited. And when I first saw some of his initial layouts, excitement quickly turned to elation. Each time he completed and shared another deck, I marveled at the careful attention to detail, thought, and quality that went into every line.

Alexander used Adobe Illustrator to create the blueprints, spending an average of 5-10 hours per deck and then another 3 hours laying them out on the individual pages (plus extra time making alterations along the way). Alexander told me, “I based the aesthetics on Rick Sternbach’s Enterprise-D blueprints, a copy of which has been hanging on my walls for reference for some time.”

Just take a look at some of these samples…

Continue reading “USS Ares BLUEPRINTS now available in a new Kickstarter for ARES STUDIOS!”

ARES STUDIOS poster Kickstarter winds up with nearly $10K! (interview with ALEC PETERS)

It took just two weeks, but 258 AXANAR fans and supporters just donated $9,690 to fund a series of Master Display Posters and also, of course, ARES STUDIOS in Lawrenceville, GA. The monthly expenses run about $4,200 ($3,750 of that is rent, the rest utilities). A Patreon brings in about $2,600 a month from an average of 260-270 donors…so the remaining $1,600 is coming out of the pocket of ALEC PETERS himself.

To help make up at least some of the shortfall, Alec launched a new Kickstarter on May 16, offering fans a snazzy full color poster of the USS ARES—a side-view cutaway designed by Axanar graphic designer extraordinaire ALEXANDER RICHARDSON. The original goal was a pretty humble $1,200…with a stretch goal of $3,000 that would unlock a second full-color cutaway poster of the USS Geronimo class and a mystery poster stretch goal at $5,000.

Donations began pouring in almost immediately. The $1,200 goal was passed in less than one hour, the first stretch goal a few hours later, and the second stretch goal within the first week! When the campaign closed yesterday evening, the final total was nearly $10,000! Even I wasn’t expecting such a large amount.

A few folks wondered if this Kickstarter campaign was a violation of the agreement that Alec Peters and Axanar Productions signed with CBS and Paramount to settle their infringement lawsuit and allow Alec to finish Axanar as two 15-minute fan film segments. As I wrote in this blog from a couple of weeks ago, the answer is no. The agreement not to publicly crowd-fund using services like Kickstarter applies only to Axanar Productions and the completion of the Axanar fan film, not to the studio that houses the bridge and captain’s quarters set. In fact, Ares Studios did not even exist at the time the agreement was signed in January of 2017, and so Ares Studios (a not-for-profit corporation in Georgia) cannot legally be considered a signatory to the settlement agreement (barring the existence of time-travel).

I texted Alec last night to congratulate him on his surprising achievement of nearly $10,000 in just two weeks, and our back-and-forth turned into a mini-interview of sorts…

Continue reading “ARES STUDIOS poster Kickstarter winds up with nearly $10K! (interview with ALEC PETERS)”

Why the new ARES STUDIOS Kickstarter is NOT a breach of the AXANAR legal settlement…

Okay, so a lot happened over the past few days in Lawrenceville, GA…the home of ARES STUDIOS. If you read yesterday’s blog, you know that the AXANAR project got a jaw-dropping $10,000 donation last Thursday from a very generous and supportive donor…bringing the total for the current private crowd-funding campaign above $20K. The goal was also adjusted upwards from $30K to $35K to bring in a little money to start work on post production while production (filming) is on hold due to the pandemic.

And while I was writing all of that up in a blog, ALEC PETERS was also launching a brand new Kickstarter to fund production of the first in a series of “Master Systems Display” Posters…the first one (pictured above) featuring a beautiful side cutaway view of the USS Ares. The artwork was lovingly and meticulously created by graphic designer extraordinaire ALEXANDER RICHARDSON of Great Britain. He’s actually created a whole bunch of these images based on the various ships from PRELUDE TO AXANAR. And if the first Kickstarter is successful, additional posters will be offered to fans with the proceeds going to help Ares Studios live long and prosper.

Actually, there’s no need to say “if” the first Kickstarter is successful. With a 15-day duration, the campaign reached the $1,200 goal in less than an hour, and within the first few hours had crossed the first stretch goal threshold of $3,000 (which unlocked a second poster—the USS Geronimo class—which will be sent free to all donors). After 24 hours, the campaign had added another thousand and was now closing in on the second stretch goal of $5,000 (which unlocks a mystery poster).

Not entirely unexpectedly, some less-than-supportive fans caught wind of the Kickstarter and mistakenly assumed that Alec was violating the legal settlement that he had signed with CBS and Paramount in January 2017, ending the infringement lawsuit and allowing Alec to complete two Axanar sequel films (15 minutes each) as long as he did not publicly fund the project using services like Kickstarter or Indiegogo.

Since Alec was using Kickstarter for these posters, they surmised, he must be breaking the settlement agreement and would quickly see a cease and desist letter (or worse!) from the lawyers at Loeb & Loeb on behalf of the corporation now known as ViacomCBS.

There are multiple reasons that these folks are wrong, of course. After all, Alec Peters isn’t stupid and did graduate from law school and pass the bar. He’d never risk the Axanar project and potentially his own livelihood just to print up a few hundred posters.

So, yes, this is all on the up and up. But just in case anyone is still dubious, let’s briefly discuss the biggest reasons that Alec is NOT running afoul of his settlement agreement…

ARES STUDIOS IS A SEPARATE LEGAL ENTITY FROM AXANAR PRODUCTIONS

This is, of course, the biggest elephant in the living room. The settlement was signed by Alec Peters on behalf of Axanar Productions. That means that only those two entities can be in breach of that agreement if, in fact, a breach ever happens.

Ares Studios did not exist until seven months after the settlement had been signed and Alec moved himself and the sets from California to Georgia. Therefore, there is no way (barring time travel) for Ares Studios to be considered a signatory of the settlement agreement that was signed before Ares Studios ever existed.

ARES STUDIOS IS NOT ALEC PETERS

Ares Studios is a not-for-profit corporation based in Lawrenceville, GA. Alec Peters is a corporate officer of Ares Studios (one of several) but not considered the corporation itself. Sometimes the Axanar detractors dream of CBS’s lawyers someday “piercing the corporate veil” to determine that Ares Studios is just Alec Peters in disguise or some such. It doesn’t work that way in the real world, however. Don’t take my word for it. Click that link I just provided or just read the following quotation from that article:

“…generally courts have a strong presumption against piercing the corporate veil, and will only do so if there has been serious misconduct.”

Printing a bunch of posters is not “serious misconduct,” folks.

Alec Peters has started a number of small businesses in his time. The legal settlement applies to only ONE of those businesses: Axanar Productions. All other ventures Alec engages in are his business (literally and figuratively).

A STUDIO IS NOT THE SAME AS A FILM

The legal settlement applied only to the production of a fan film called Axanar, the sequel to a previous fan film called Prelude to Axanar. That’s it. It didn’t apply to sets or lights or cameras or green screens or costumes or props or anything other than a finished fan film production.

Ares Studios is a film studio. It’s not nearly as big or impressive as, say, Pinewood Studios an hour’s drive southwest in Fayetteville, GA, but perhaps that’s still a good example to bring up. You see, since it opened in 2013, Pinewood Studios has played host to the filming of eight Marvel blockbusters including Civil War, Ant-Man, Guardians of the Galaxy 2, Black Panther, Spider-Man: Homecoming, and the last two Avengers movies. But Pinewood Studios has no ownership in any of those films. They’re all Disney. The Walking Dead is also filmed at Pinewood, but the production company is AMC Studios. Pinewood is just a place they use to film.

The same is true for Axanar and Ares Studios. Ares Studios is just the facility where Axanar is being filmed. Several other productions have also filmed at the studio, including my own production INTERLUDE, a parody sci-fi project from PUAL JENKINS, and a number of student films. After the pandemic, Alec is planning to film even more productions there…and none of them are Axanar.

The legal settlement only forbids Alec from publicly crowd-funding Axanar itself, not from crowd-funding the rent of a studio used for multiple productions besides Axanar.

THE TWO FINANCIALS ARE COMPLETELY SEPARATE

This probably goes without saying, but money given to the Kickstarter for the posters goes to Ares Studios only (minus the cost of printing, packing, and shipping). The money for Axanar is being collected privately via the Ares Digital 3.0 firewall, not using Kickstarter or any other public service. Alec has been careful not to promote the Axanar fundraiser publicly, and so he is abiding in good faith to the specifics of the settlement.

HALF A YEAR WITH NO COMPLAINTS FROM THE STUDIOS

Late last year, Alec received two Notice of Breach letters over a two-month period from David Grossman, one of the attorneys from Loeb & Loeb, CBS’s outside law firm. Alec had actually received about 8 or 9 of these letters since the settlement in 2017, and Alec has always responded, addressing any issues raised and making corrections to his practices when needed. And when the issues raised were either misunderstandings or incorrect, Alec would clarify that the thing(s) they had a problem with weren’t really a problem, explain why…and that would be the end of it.  There has never been any follow up by CBS or Loeb & Loeb about any unresolved issue.

This time, though, Alec felt particularly aggrieved by the letters, especially after the first letter got leaked to a detractor in an attempt to sabotage the first Axanar shoot in October.  In the process of looking into this leak, Alec discovered to his shock that Mr. Grossman had contacted him (Alec) on behalf of CBS without informing CBS that he (Mr. Grossman) was doing so.

So Alec sent a copy of his second response directly to executives at CBS letting them know what their lawyer was up to and pointing out that, with Star Trek: Picard about to launch, it might not be the best time for stories to start appearing in the media about CBS continuing to harass their fans with legal intimidation after resolving a year-long lawsuit amicably.

And to be fair, Alec has been a good Star Trek citizen.  He is never overly critical of CBS on his live streams and podcasts, he loves Picard, and is excited about the new Pike series Strange New Worlds.

Although I can’t read the minds of the folks at what is now ViacomCBS, my guess is that they don’t think that a guy raising money in the tens of thousands of dollars (no longer over a million) to produce a 30-minute fan film is worth the public relations hassle at such a critical time for All Access. And they certainly wouldn’t care about a bunch of posters and a $1,200 Kickstarter.

In the past six months, Alec hasn’t received a single communication from anyone at either Loeb & Loeb or ViacomCBS…and this despite having a Patreon for Ares Studios taking in $2,600/ month and an online store selling patches, mugs, T-shirts, stickers, hats, messenger bags, and a whole bunch of other “swag.” Long story short, if CBS had a problem with Alec publicly funding Ares Studios while privately funding Axanar, I suspect he would have heard more than crickets over the past six months.

THERE’S NO STAR TREK INTELLECTUAL PROPERTY IN ANYTHING ALEC IS SELLING

Even if ViacomCBS did have some kind of problem with Alec selling swag, it’s hard for them to do anything about it. As I pointed out above, Ares Studios never signed a legal settlement with the studios. And if it’s a case of pulling the infringement alarm again, take a close look at what’s being sold. There’s nothing on any product that says “Star Trek,” nothing that uses any of ViacomCBS’s licensed trademarks, and no intellectual property unique to Star Trek and only Star Trek. Words like “phaser,” “transporter,” and “warp” are too generic to ever be granted copyright protection. And you won’t find unique words like “Klingon” or established starship designs like the USS Enterprise on any Axanar merchandise.

In short, everything that Alec and Ares Studios are selling is 100% original intellectual property that Alec owns the rights to. Anyone arguing differently isn’t looking carefully at the products themselves. This is all completely legit.

So if you think the stuff is cool and worth owning, and you have the money to spare, then shop (or donate) with a clear conscience, my friends…

https://www.kickstarter.com/projects/aresstudios/uss-ares-master-systems-display-poster

AXANAR gets a $10,000 donation and adjusts plans due to the pandemic…

I always leave a tab open on my browser to monitor donation totals when I’m promoting crowd-funding campaigns,. For the past couple of months, I’ve kept a tab for the current AXANAR campaign to fund the major “alien” green screen shoot.

Earlier this week, the private fundraising total was at $10,795…although the number hadn’t moved much recently. The global economic uncertainty from the pandemic is understandably slowing crowd-funding donations down to a veritable standstill. Sure, the Axanar total still moves a little, but over the past three weeks, only $795 had come in since it crossed the $10K mark on April 22.

So imagine my surprise when I refreshed the tab on Thursday and saw the total was at $20,795!

For the first few seconds, my mind didn’t process it. I’d just checked it a couple of days before, and it was at $10,795…so my brain first looked at the “795” part and thought: Oh, well…hasn’t moved. Then it started sinking in—did I see a “2” at the beginning of the number? I checked again. Holy frack! This was either some system glitch with Ares Digital 3.0 or else someone had just given ALEC PETERS ten grand!

It was about 3am for Alec in Atlanta (midnight for me in L.A.), so the answer to my question would need to wait until morning. But first thing, I texted Alec. Yep, it really was a $10,000 donation…and Alec had been just as surprised as I was when he’d found out the day before.

The donor hasn’t given me permission to share his identity, but Alec confirmed that he had given $1,000 to the previous Axanar campaign that had raised money for the second Georgia shoot in March. Apparently, this fellow has been so impressed by the organization and progress of Axanar over the recent months that he decided to provide a second, jaw-droppingly generous donation. The donor called Alec on Thursday explaining how truly enthusiastic he was about the project, and how he had decided to give some more. “Check your account,” he told Alec over the phone—and when he did, Alec was almost speechless…except for a wave of sincere gratitude flowing out to let this donor how much his support meant to the project and to Alec personally.

In the meantime, there have been a few major changes to the Axanar production and post-production game-plan recently, so I might as well catch you up…

Continue reading “AXANAR gets a $10,000 donation and adjusts plans due to the pandemic…”