INTERLUDE Confidential #9 – We have a RELEASE DATE…and a TRAILER!

Hmmmm, let’s see…should I show you the new INTERLUDE trailer first and then talk about it—or talk about it first and then show it? Aw heck, I know you all really wanna see the new trailer…!

Pretty cool, huh? For those of you unfamiliar with the 1970s sci-fi TV series Space 1999, that trailer is an homage to the way they used to start their episodes (take a look at this video to see an example). The opening credits for that series would include rapid-fire quick cuts from various scenes of “this episode” followed by a slower musical bridge where they would show some of the names behind the production. Then the date would flash: September 13th, 1999—the day the moon supposedly would have been blasted out of earth’s orbit to begin its odyssey through deep space.

Cheesy? Yeah…it was 1975, for gosh sakes! But back then, with Star Trek and Lost in Space in reruns, Doctor Who hidden on weird channels at weird times, and Star Wars still two years away, Space 1999 was one of the only first-run sci-fi games in town. And let’s face it, those eagle transport spacecraft were friggin’ cool! I loved that show, and I loved the opening credits sequences.

So what does any of this have to do with my Axanar Universe fan film Interlude, you ask? Well, technically nothing. That’s not even the actual music I’ll be using (composer KEVIN CROXTON is creating an original score for Interlude).

But I did have this dream a few weeks ago…

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HINDSIGHT: The Unmaking of ALTERNATIVE VICTORY…the 1982 fan film that never was!

Why do I spend so much time and effort showing support for fan films large and small?  Why do I insist on always being positive about these productions…even when it would be so easy to find things to criticize?

The answer lies in this amazingly well-crafted video documentary that I present to you today.  I began watching it on a friend’s recommendation.  Initially, I took one look at the run-time—just over an hour—and thought: “Well, I’ll watch the first few minutes, at least…”

A little over an hour later, I’d watched the whole thing and was truly moved.  THIS is the reason I write Fan Film Factor, folks!

If you’ve never worked on a fan film—even a really amateur one (my first, Voyages of the USS Angeles back in 1999, was pretty, um, humble)—it’s hard to explain what a truly intense and often (hopefully) rewarding and bonding experience it is for those involved.  Whether your tasks on the production are large or small, you feel like part of a team, part of a joint creation and shared accomplishment.  And even if the finished product doesn’t turn out as magnificent or awe-inspiring as you first imagined, no one can take away that time, effort, and camaraderie that you and your friends put into it.

And that’s the story presented in HINDSIGHT: THE UNMAKING OF ALTERNATIVE VICTORY.   Back in the winter of 1982, a number of dedicated Trekkers from northern California came together to make a Star Trek fan film.  Most were in high school or college, and nearly all of them were pretty clueless about filmmaking.  But the thing was: they didn’t know they were clueless!  And so they soldiered on, always imagining the awesomeness of their final production.

This 2013 documentary is a retrospective from 30 years later, featuring the young kids—now all grown up—who tried to make Alternative Victory.  Looking back from the perspective of adults in their 40s and 50s, the documentary isn’t just about the making of this fan film. It’s about the people involved and the effect this shared experience had on all of their lives…even decades later.

I invite you all to share this special journey, this trek, with documentary-filmmaker DAVID HOGGAN and his friends as they look back at a fan film that almost was…

My visit to CHÂTEAU PICARD…

One of the coolest things about being a Trekkie living in Los Angeles is that I’ve been able to visit a plethora of filming locations used for various Star Trek episodes over the decades. I’ve been to Vasquez Rocks and Bronson Canyon, both of which appeared in numerous episodes of multiple Trek series and movies. I’ve been to “Starfleet Academy” (the Tillman Water Reclamation Plant), “Bajor” (Fern Dell), the Franklin Canyon Reservoir (where Kirk became Kirok), the hill in “Montana” (really Charton Flats in the Angeles National Forest) where the statue of Zephram Cochrane will be built, the Ba’ku lake that Data steps into in Insurrection (really the San Gabriel Dam in Azusa), Starfleet HQ from Into Darkness (really the Getty Center Art Museum) and even stood on the spot where McCoy saw Alice and the White Rabbit in “Shore Leave” (no longer green and lush, as most of the the Soledad Canyon foliage in that area was washed away in a flood in the early 1970s).

While I probably could have found all of these spots over the years by myself, fortunately, I didn’t have to. Thanks to my membership in the local USS Angeles chapter of Starfleet International, I got to join my crew mates on away missions to these many “sacred sites” of Star Trek

Of course, when the producers of Star Trek: Discovery chose Toronto, Ontario in Canada as their filming location, I figured my opportunities to visit Star Trek filming locations would now be limited to only the TV series and movies produced before 2016. But then Star Trek: Picard was announced, and production was set right back here in Trek‘s (and my) backyard in Los Angeles.

Time to add some more “sacred sites” to my list!

Some are easier than others. The new location for Starfleet HQ is the Anaheim Convention Center, which I visit annually to attend WonderCon. The shoreline location for the Daystrom Institute in “Okinawa” was, I believe, Golden Cove in Rancho Palos Verdes—a place I’ve been to a few times. But by far, the pièce de résistance would be the magnificently beautiful and scenic Château Picard, the winery and vineyard where Jean-Luc Picard grew up, and where he’d spent his twilight years after resigning from Starfleet in 2385.

But where the heck is Château Picard?

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INTERLUDE Confidential #6 – meet WARREN HAWK, Captain Jakande of the USS Artemis…

Post-production work on INTERLUDE is continuing, with our third rough cut edit currently being worked on. I love seeing it all take shape, and I adore watching actor WARREN HAWK playing USS Artemis Captain Imari Jakande. I can’t wait for you all to see him on screen!

Warren was the final actor we cast, and it happened only four days before before our November shoot! I was biting my fingernails down to the nubs, but VICTORIA FOX and JOSHUA IRWIN assured me that everything would work out. Sometimes actors are cast very late in the process; it’s just the nature of the industry. Turns out they were right.

Casting the rest of Interlude, by comparison, was relatively simple. Our other main character, Fleet Captain Kelvar Garth, would be played by ALEC PETERS (of course!). The rest of the speaking parts were pretty minor. Two of the actors who played bridge officers on the USS Ares for the AXANAR shoot in October—AARON ROMANO as Comm Officer Caine and ROBERT HAYES as Pilot Deville—returned to play those same roles for Interlude‘s November shoot. Also on the Ares bridge was Science Officer Franklin, and Joshua got one of his friends, JAY PLYBURN (who lives in the area) for that part. Jay is also a trained actor, and Josh has directed him in the past.

Admiral Slater will appear at the end of Interlude, and STEVEN JEPSON agreed to play him. The two remaining on-camera speaking roles are the Ares doctor, a role which Victoria is filling, and the Artemis chief engineer, being played by an actor whose name we’re keeping secret for the moment (but it’s a person with some fan film experience). Then there’s two voice-over roles, plus all of the background actors who won’t be speaking.

And that left Jakande…

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My sincere apologies to VANCE MAJOR

I know a lot of people in the fan film community—friends, comrades-in-arms, friendly acquaintances, long-distance buddies—but few of them do I feel closer to than VANCE MAJOR. You might have heard of him…’cause I mention him a lot on this blog!

Last month, I posted an audio interview with Vance when he released 51 new episodes of THE CONSTAR CHRONICLES and 18 special editions of the MINARD saga of fan films. Earlier this month, I posted a blog promoting his new GoFundMe campaign for CONSTAR CONTINUES…which I hope you’ll consider donating to.

Over the coming weeks, I’ll be featuring audio interviews with two guys named Greg—GREG TEFT and GREG MITCHELL—both of whom worked on Constar with Vance in significant production roles. Vance requested that I interview them separately to give each fan filmmaker a chance to shine. And I’m happy to do it!

The reason is that I love Vance…I love him like a brother. In fact, he frequently calls me “brother”—although I think that’s just his word for “dude”—but “brother” just shows what a truly warm and loving heart he has for people.

I’ve literally lost sleep because of Vance—not because I worry about him but because he works an overnight shift and our calls frequently start after midnight my time (2am for him in Kansas) and can usually last an hour or even two! We’ve chatted about everything from fan films and fan filmmakers to Star Trek, superhero movies, politics, weather, triumphs, frustrations, and my favorite subject: our boys. Vance is a dad like me—and a damn awesome one!—and since my son is half a decade older than his, I can give him some “heads up” advice and also look back at those days gone by and silently envy Vance getting to live those wonderful moments himself.

Yesterday, I hurt Vance.

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GREEN SCREEN crowd-funded in SIX DAYS…Paul Jenkins reimbursed!

By now, most of you know about the mishap during the INTERLUDE shoot at Ares Studios in November and how, when AXANAR director PAUL JENKINS arrived in December, he found his 100-foot-long custom green screen ruined. It was an accident, but the responsibility lay squarely (or rectangularly) on the shoulders of the Interlude production team.

No one individual was singled out as being “the idiot responsible” because no one on my team was an idiot. In fact, most of them are amazingly talented, competent, and dedicated craftsmen (and women) and hard-working volunteers…from directors JOSHUA IRWIN and VICTORIA FOX, who knocked it out of the park that weekend, to the good folks who vacuumed the bridge set. As far as I am concerned, everyone is to be praised and commended, and no one will be thrown under the bus!

Anyway, I asked my donors and other supporters of Interlude (and fan films in general) to please help raise enough money to reimburse Paul the $4,760 cost for replacing the ruined green screen. I kicked off the donations with $500 of my own money, and three of my biggest donors each matched my amount…leaving another $2,760 to raise from other contributors. Honestly, I thought I was going to be crowd-funding this until February or March, if not longer.

And then a fan film Christmas miracle happened. We reached our goal for reimbursing Paul in less than a week!!!

Usually, the holiday season is the worst time of year to do fan film crowd-funding (other than anytime near tax day in April). But I reached out to folks anyway, asking for only $10 per donor. Altogether, 112 donors graciously answered the call, chipping in anywhere from $10 to $100 each (one put in $300). It was, for me at least, a heartwarming reminder of what I know is so precious about this fan film community.

I sent Paul the full funds via PayPal last Friday, while we were still a few hundred dollars short of our goal. But I had faith it wouldn’t be long until we got there. And then, on Sunday evening—less than six days after I made my first appeal, we reach the goal. If fact, later that evening, two additional donations brought us $35 over that goal. I’ve let the supporters know that they no longer have to donate anything more. Interlude is covered.

I’ve said it probably a thousand times already, but you can never say THANK YOU enough in my book! So my sincere gratitude to everyone who has supported Interlude…whether you gave to replace the green screen or simply donated along the way to help me and my team make a really awesome fan film.

You are truly the best of Star Trek fandom.

INTERLUDE Confidential #2: This is really, really BAD…and I’m going to need some MAJOR HELP!

I need a Christmas miracle.

My heart sank last Friday morning when I got the call from Axanar director PAUL JENKINS. I immediately wished I could shift the blame to someone else and cover my ass in some way.

But no, that’s not what Star Trek taught me. Kirk always took responsibility for the actions of his crew, whether or not the captain himself had personally been the one at fault And as executive producer on INTERLUDE, the buck stops with me…or rather, the 4,700 bucks stop with me.

That’s what it’s going to cost to replace Paul’s 100 ft. x 20 ft. professional-quality, custom-made green screen that was accidentally ruined during the November INTERLUDE film shoot at Ares Studios.

Paul owns a production company, META Studios, and the giant portable green screen belongs to him (not to Alec Peters or Ares Studios). Paul brought the green screen to Ares Studios to use for the October AXAANR shoot and left it there to use again in December for last weekend’s shoot.

In November when we filmed the scenes for Interlude on the Ares bridge, we wanted to be able to shoot toward the view screen and composite in shots later using a green screen. It would (and probably still will) look really cool. But we needed a green screen to do it.

Fortunately, there was one on site, and we assumed it was okay to use it (Paul wasn’t there at the time; he visited the following day). And by “we,” I mean my Interlude team. And as a team, I am not singling anyone out for having screwed up. It was my team, and as such, I’m responsible for what happened next…

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INTERLUDE Confidential #1: Jonathan, the Executive Producer…

It was the best of times, it was…aw, heck! IT WAS FRICKIN’ AWESOME!!!

I’m referring, of course, to the main shoot of my Axanar Universe fan film INTERLUDE that took place about a week ago as I write this. It’s taken me this long just to process the amazing, kaleidoscopic experience I had.

With so much to tell you all about what happened, I wondered how best to do it. A single blog about the weekend would read like War and Peace and still barely scratch the surface. So instead, I’m going to break it down into smaller chunks, and each will end with a series of on-set photos. (I’m still editing through everything…and there’s gonna be at least a few hundred pictures!)

I’ve decided to call this blog series Interlude Confidential. (Not quite sure what made me think of that title…maybe ALEC PETERS can tell me.) Anyway, if you don’t want to read that much, then feel free just to look at the photos and enjoy the captions. But if you’re curious what the experience of being a first-time Executive Producer on a Star Trek fan film felt like, then these blogs will be my “Vulcan mind-meld” with you.

And speaking of executive producing, that’s a really good topic for the first blog about this fan film production. What exactly did Jonathan do?

Many months ago when I first kicked off the Interlude GoFundMe campaign (still accepting donations, by the way!), a few folks in a certain Facebook group complained that I was doing little to make my own fan film besides simply raising money for it (which is quite a chore in and of itself, y’know!). And truth to tell, I initially thought that was the extent of it.

Sure, I also wrote the script, was designing the insignia, and getting uniforms and patches made. But my Directors VICTORIA FOX and JOSHUA IRWIN are the experienced industry professionals. I’m just a guy who likes fan films and blogs about them obsessively. So I figured that, once I raised the money, I’d hand the steering wheel over to them, climb into the back seat, and take a well-deserved nap for the rest of the trip.

Yeah…that totally did NOT happen!!!

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TEAM INTERLUDE expands – we film THIS SATURDAY!!! (part 1)

Holy temporal distortion!

Back when I started the GoFundMe for my Axanar Universe fan film INTERLUDE back in early June, it felt like November 2-3 was a million months away. Now I’ll be getting on a plane for Atlanta this Friday, and I’m feeling a dozen different emotions all at once: excitement, anticipation, dread, abject terror…it runs the gamut, folks!

Y’see, I watched all of those livecasts from the first AXANAR shoot four weeks ago, saw all of those moving parts—the 80-plus volunteers, the costumes, the sound and computer-monitoring equipment, the lights, the cameras, the action, the caterers—and I got totally overwhelmed. That’s a tough act to follow!

Granted, Interlude isn’t nearly that big of a shoot—we’re expecting about 30 people a day, not 80-plus. But make no mistake: there are still a LOT of moving parts to my project, too…and I’m smack in the middle of most of them!

I naively thought that, after the crowd-funder reached its $19.5K goal, that I’d just be able to slide into the proverbial back seat and let my Directors, VICTORIA FOX and JOSHUA IRWIN do the driving the rest of the way. Oh, sure, as Executive Producer, I’d pay the bills for things like patches, plaques, equipment rental, wardrobe, travel expenses, catering, etc. And I’d be supervising my friend LEWIS ANDERSON on the CGI effects. But aside from that and showing up at the shoot, running a few errands, and taking lots of photos and videos for the blog, I figured that I was essentially done.

Boy, was I wrong!

You might have noticed a slowdown in my blog coverage of fan films over the past several weeks. This is mainly because I’ve been doing a boatload of work on Interlude! This doesn’t mean that Victoria and Josh have’t been working their butts off, too. But they haven’t let me sneak into the back seat yet. I am still VERY much in the thick of things!

If you’re a fan filmmaker or, more precisely, are thinking of becoming one, then this blog is for you. I’d like to share my journey, my “trek,” with folks who might be curious to see all of the things a complete novice like me is doing and learning along the way…

Continue reading “TEAM INTERLUDE expands – we film THIS SATURDAY!!! (part 1)”

TEAM INTERLUDE expands – we film THIS SATURDAY!!! (part 2)

As I mentioned in Part 1, these two blogs are intended primarily for those folks interested in fan filmmaking, whether they’re already making fan films or if they’re thinking of taking the plunge for the first time…as I’m doing right now.

Granted, fan films range from super-cheap where there’s only a handful of people (or even as few as two or one) to the super-large productions like STAR TREK CONTINUES and AXANAR where 50 to 100 people might end up being a part of the production. If I had to place our INTERLUDE project on this sliding scale from, let’s call it, one to ten, I’d say we’re a solid seven.

So this blog might not apply directly to every fan project. But if you’re smaller, it might help with a step up to a more ambitious level. And if you’re bigger, then you’d probably just be amused at all the stuff the “newbie” is going through. I’ll simply say that I wish I’d been able to read a blog like this before I started tackling Interlude!

Okay, let’s get back to discussing our rapidly-expanding team who will all be descending on Ares Studios in Lawrenceville, GA this coming weekend. (EEEEP!)

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