LOGICAL music video parody from STAR REKT took 2 years and massive dance choreography to complete! (interview with IAN RAMSEY)

I always get a feeling of giddy anticipation when I see a new video from fan filmmaker IAN RAMSEY show up in my YouTube feed. I subscribe to his STAR REKT YouTube channel, and every few months, Ian posts a new, brilliantly hilarious Star Trek-themed musical video parodystarring himself in a different era uniform(s) and/or costume(s) with wonderful green screen editing composited in with backgrounds and spliced with short clips from all the myriad Star Trek series.

Over the past four years, Ian has released no less than SIXTEEN parodies of songs ranging from Frankie Valli to Katy Perry, Barry Manilow to Queen, Nickelback to the Backstreet Boys, and Green Day to Michael Bublé (to name but a few!). I interviewed Ian back in early 2023 when he’d released “only” nine musical parodies—all excellent—but with his editing abilities only just beginning to develop. And I was thinking it might be time to interview Ian again…although I wondered what kind of spin to put on the blog. After all, making music videos in front of a green screen in your house is kind of a one-note interview, right?

Then, late last year, I saw this…

Wow! This was a step beyond (pun somewhat intended) anything I’d seen out of Ian before this. And who knew the boy could dance??? Actually, according to the tag at the end of the video, this effort required a professional choreographer and more than two years to complete.

Well, if that’s not fodder for an interesting blog, I don’t know what is!

Actually, I should mention that the paradigm shift happened one video sooner, as Ian went from videos that were mainly framed from mid-level up to full-body coverage shots. This music video parody of “Baby One More Time” by Britney Spears debuted in July of 2024…

And Ian’s latest masterpiece (from January of this year) takes the song “Starships” by Nicki Minaj, cleans up the lyrics to a PG rating, and sets its phasers (literally) on “Redshirts“…

I’m pretty sure Ian included every TOS red shirt death in that video…plus a few blue and gold shirt departures. (Let me know if he missed any.) But for now, I want to find out more about LOGICAL, Ian’s awesome dance moves, and his choreographer, CAROLYN DESKIN. So let’s fly…or hit it…or whatever. Here’s Ian…

Continue reading “LOGICAL music video parody from STAR REKT took 2 years and massive dance choreography to complete! (interview with IAN RAMSEY)”

The Star Trek Fan Film SHOWRUNNER AWARDS return for 2025…submissions are now OPEN through MAY 31!

Earlier this month, the winners of this year’s DIRECTORS CHOICE AWARDS were announced. Now it’s time for the other major award competition dedicated exclusively to fan films judged by their peers to kick off—the annual SHOWRUNNER AWARDS.

Unlike the Directors Choice Awards, which are open to fan films from any genre, the Showrunner Awards focus EXCLUSIVELY on Star Trek fan films…allowing our little niche of a niche of a niche both to shine as well as providing a friendly venue for Star Trek fan filmmakers to compete directly against each other.

As the name implies, the judging panel for the Showrunner Awards is made up of a dozen fan film showrunners, and I’ll spotlight them in an upcoming blog. Another unique aspect of the Showrunner Awards is that each of our nearly two-dozen categories recognizes THREE winners, with the top film in that category earning an Admiral Award, the second-place finisher receiving a Captain Award, and the third highest judged film winning a Commander Award. Each award is personalized for that fan film and sent to the entrant as a digital printable certificate.

A final element that distinguishes the Showrunner Awards is that the eligibility window for submission is more than just a single year. While we used to have a 5-year window (kinda like a 5-year mission), the judges and I determined that number of be a little too high. So this year, we’re reducing the window of eligibility to 3 years, (anything released between January 1, 2022 and December 31, 2024). So we still allow for a fan film that may not have won in a previous year because of strong competition additional chances to earn an award (no film is allowed to win twice in the same category), just not quite so many chances. The multi-year window also allows a fan filmmaker who wasn’t previously aware of the Showrunner Awards to enter a slightly older project rather than missing out completely.

As always, the cost is $10 per entry plus $1 for each category beyond Best Fan Film that the submitter wishes to enter—things like best director, best actor/actress, best VFX, best music, etc. I will note that this year we have retired the “Best Scene” category, as that typically received only 3 or 4 submissions each year and was causing some confusion with the new TREKS IN 90 SECS contest that debuted last year.

The submission period is now open through May 31, 2025. After that, judges will have until the middle of August to view and vote for their top five fan films in each category, with the most points going to each judge’s top choices. (A showrunner judge is not allowed to vote for any of their own fan films in any of their top three slots.) Winners will be announced, as usual, on September 8, the anniversary of the first airing of Star Trek on NBC back in 1966.

Anyone can submit a nomination using the following form page:

https://www.cognitoforms.com/JonathanLane1/_2025StarTrekFanFilmSHOWRUNNERAWARDS

Good luck!

Announcing the WINNERS of the 4th annual DIRECTORS CHOICE fan film awards for 2024!

They’re baaaaa-aaaaack! The annual DIRECTORS CHOICE AWARDS have returned for a fourth year to announce their winners for fan films released during calendar year 2024. If you’re a fan filmmaker and want your production judged by a jury of your peers, there are currently two options. One is the Directors Choice Awards, and the other show, the SHOWRUNNER AWARDS, is limited exclusively to Star Trek fan films.

However, the Directors Choice Awards, hosted and organized by GLEN L. WOLFE and DAN REYNOLDS, co-owners of WARP 66 STUDIOS in northern Arkansas, are open to fan films from all genres of sci-fi, fantasy, superhero, and horror. And that makes for a pretty extensive list of entries.

Glen shared this with me…

This year, I am not only blogging about the awards show, I was also a judge…and a contestant! My animated movie-era Star Trek fan film, AN ABSENT FRIEND, came out in 2024 and was entered (you can see if it won anything in the list of winners and runners up below). The judges are each the director of the fan film that they enter (hence, the name of the contest). All judges were expected to watch each of the 55 entries before voting, and while I can’t vouch for all 55 judges, I will say that I myself did watch every minute of each film—despite some entries being over an hour long (and one was two full hours)! It was quite a time commitment, and I will admit to occasionally accelerating playback speed (slightly) on some of the longer films…shhhh, don’t tell anyone.

Continue reading “Announcing the WINNERS of the 4th annual DIRECTORS CHOICE fan film awards for 2024!”

BOMBER GIRL from STAR TREK: NATURE’S HUNGER gets over 110K views! (video interview with JOSE CEPEDA and the gang)

I hadn’t even checked the number of views on YouTube when I went to interview JOSE CEPEDA and members of the cast and crew of “BOMBER GIRL,” the latest release from the long-running STAR TREK: NATURE’S HUNGER fan series. Even their previous release, “FIGHTING CHANCE: ROARING THUNDER,” has only about 7K views, and their most-viewed (prior to “Bomber Girl”) was “RAZOR’S EDGE” from three years ago with 31K views.

But as I went to get the link to post the video on this blog (below), I discovered that “Bomber Girl,” which debuted on November 28, 2024, has already generated 111K views in just four months! And my first thought was: “Well, this kind of success couldn’t have happened to a nicer group of people.”

And indeed, if you were making a list of the nicest folks in the Star Trek fan filmmaking community, you’d need to reserve at least a half-dozen to dozen spots at the top for Jose and his fellow Nature’s Hungerers (if that’s even a word!). And that’s not just my opinion. Most of the creators whom I talk to who have traveled to Atlanta to shoot on Jose’s incredible TOS set recreations in his basement or who have simply dealt with Jose and his peeps all tell me how warm, friendly, and awesome to work with they all are. Indeed, I know this from personal experience, as I myself have worked with Jose, actress LEZLIE SAWYER, and very recently, musical composer DAVID McHENRY and find all of them to be the nicest of nice people.

Of course, if you were instead making a list of the quirkiest Star Trek fan film series out there, you would definitely need to reserve a prominent slot for Nature’s Hunger. While set firmly in the Star Trek prime universe, the series also accepts magic and sorcery as existing (as does the Federation itself). Indeed, it is not unheard of to see witches, enchantresses, and dragons during a typical episode…or for matter, talking simians from The Planet of the Apes. And if that weren’t enough, Dorothy from The Wizard of Oz has joined Starfleet and is a recurring character!

When it comes to Nature’s Hunger, there are no rules beyond having fun and keeping your tongue firmly in your cheek. Fans seeking more “polished” Star Trek fan films might want to consider clicking on a different YouTube video. But for Trekkies who appreciate a group of fans trying their best, working hard, and producing a labor of love, it’s certainly worth giving these folks a chance.

Their latest offering clocks in at more than two hours of runtime! And lest you worry that violates the time limit imposed by the fan film guidelines, only about 15 minutes of “Bomber Girl” is a framing Star Trek sequence. The rest occurs during World War II. Take a look…

Once again, I had the pleasure of hosting a video interview with the folks involved, and as usual, they were a delightful group to chat with…

THE FEDERATION FILES’ “SLIPSTREAM” tells the story of the ill-fated U.S.S. INTREPID…and more! (video interview with GLEN L. WOLFE)

Well, folks, this makes it fourteen…fourteen fan films from THE FEDERATION FILES fanthology series, run by GLEN L. WOLFE and DAN REYNOLDS, the co-owners of WARP 66 STUDIOS in northern Arkansas. Beginning in 2016, they have used their TOS set recreations plus other custom-built sets to tell stories in the Prime Star Trek Universe spanning the 20th century all the way through to the 24th.

Here’s a complete list of their previous thirteen releases and the blogs that spotlighted each of them…

As I only just discovered in the video interview with Glen Wolfe that appears below, the initial intention for The Federation Files was to have each episode focus on a different one of the twelve (or was it fifteen?) original Constitution-class heavy cruiser starships. However, this plan has strayed a bit from the expected path, as multiple storylines haven’t included any starships (since they took place in the distant past…at least from a 23rd century perspective). Nevertheless, Glen would still like to eventually complete the full set of starships with at least one story for each.

And that brings us to the latest release: “SLIPSTREAM.” It was time to bring the U.S.S. Intrepid into The Federation Files‘ spotlight. Fans of TOS will recall that the Intrepid was manned by a crew made up entirely of Vulcans, and it was destroyed off-camera by a giant space amoeba during the teaser to the second season episode “The Immunity Syndrome.” Spock senses the mass extinguishment of the crew, even though we viewers never see it with our own eyes.

Glen felt that the natural tale to tell for the ill-fated Intrepid was her final mission, this time ON-camera. And that’s how we got the latest release from The Federation Files. Take a look…

While I normally ask showrunners about production and/or insights from behind-the-scenes, this time I decided to go in a somewhat different and unique direction. You see, not only is Glen the showrunner and director of this particular fan film, he also wrote the script.

I’m certain that many fan film script-writers (and aspiring script-writers) would be curious how someone comes up with their story and puts it all together in script form. How long does it take to write a fan film script? How many pages should it be…and how detailed in stage direction? What software do they use? Is formatting important? How many iterations does a script go through, and who is consulted for feedback and potential changes? How “locked” is a script once filming begins, and who decides which changes, if any, get made on the fly?

Glen answers these questions and many more in this enlightening video interview…

Where did JONATHAN go?

Don’t look now, but my last published Fan Film Factor blog was on January 9th! And for a guy who prides himself on posting at least one or two new blogs a week, that’s almost an eternity of radio silence! Indeed, it had gotten so noticeable that one fan filmmaker actually IM’d me recently to ask if I’d survived the recent Los Angeles wildfires. (I was tempted to respond, “No, I died in a smoldering inferno last month. I’m writing to you from the Great Beyond…and they have Star Trek reruns!”)

So what did happen?

Well, as I mentioned in my final blog of 2024, I had been spending quite a bit of time finishing the writing of a new book on day trading. (Don’t laugh! I’ve gotten quite good at it, folks. And something has to pay for my next fan film!) But the book came out in late January, so that doesn’t explain my lack of blogger productivity for much of January and all of February.

I could, of course, blame the wildfires that devastates L.A. and left a number of our friends effectively homeless. But fortunately for myself and the Lane family, homes on the west side of Los Angeles were spared from the fiery maelstrom. I did volunteer at an organization called Project Angel Food (mostly chopping vegetables), but that didn’t take away too much blogging time.

No, the two reasons for my lack of new fan film blogs these past two months were twofold: the DIRECTORS CHOICE AWARDS and robots.

Usually, I simply report on the annual Directors Choice fan film awards. But this year, due to my entering of my own fan film, AN ABSENT FRIEND, into the competition, I am also a judge. And as it turns out, there were FIFTY-FIVE different entries this time out!!!! Some of them I’ve already seen, as they are Star Trek fan films. But others are superhero, Alien, Nightmare on Elm Street, Harry Potter, Ghostbusters, The Last of Us, Power Rangers, Narnia, and a host of other sci-fi/fantasy/horror genres. And many of them are truly excellent and worth watching (for example, this one and this one). But while some of them are fairly short, others have run times of thirty minutes to over an hour…and there’s quite a few of those! So I’ve been spending a LOT of time just watching dozens and dozens of different fan films so I can cast an informed ballot before the March voting deadline.

As for the robots…

Continue reading “Where did JONATHAN go?”

California wildfires threaten the house where 70 episodes of STAR TREK: HIDDEN FRONTIER and its spin-offs were filmed!

From 1999 through 2010, a humble little house on the border of Pasadena and Altadena, California was one of the hubs of the early Star Trek fan film scene. The house belonged to fan filmmaker and CG artist ROB CAVES, and it served as the “studio” for 50 episodes of STAR TREK: HIDDEN FRONTIER and another 20 episodes of multiple spin-offs fan films and series. I was there for the filming of several episodes, and even appeared in one as an alien guard.

The house had a living room and kitchen in the front where actors and crew would hang out between scenes, a master bedroom off the kitchen where Rob slept, and the rest of the space was dedicated to serving as a studio. One bedroom/office was turned into a make-up room with mirrors, a countertop, and wigs and prosthetics against the opposite wall. Here’s a photo of me getting into makeup in 2008…

Another alcove held costumes, a third was dedicated to the green screen, and a back room was used for equipment like lights and boom mics. And finally, in a small nook in the very back of the house—only large enough for one or two people to sit at a single desk and crammed with digital equipment—Rob would squeeze himself in to composite the green screen footage against virtual backgrounds while scenes were being filmed. (Those were the days when video files were still very large and hard to edit; so it wasn’t practical for a non-professional to capture green screen footage first and then composite it later.)

Rob has since moved on from producing Star Trek fan films and is actually rather passionately involved in model trains these days. But he and I still have some contact every now and then. Last night, I e-mailed him to check if he was safe. I didn’t hear back directly, but this morning on Facebook, I saw him post the following to his feed…

Continue reading “California wildfires threaten the house where 70 episodes of STAR TREK: HIDDEN FRONTIER and its spin-offs were filmed!”

There’s only ONE WEEK LEFT to enter the fourth annual DIRECTORS CHOICE AWARDS!

Back on November 1, GLEN WOLFE and DAN REYNOLDS announced that entries were now open for the fourth annual DIRECTORS CHOICE AWARDS. The deadline to submit an entry is January 11, 2025…as in next Saturday!! If you made a fan film (of any genre, not limited to just Star Trek) that was released during calendar year 2024 and you haven’t entered it yet, here is the link to do so…

https://thefederationfiles.com/?page_id=1407

Winners will be announced on First Contact Day: April 5, 2025.

There is a $10 entry fee that includes submitting the film for consideration in up to seven of the following specialty categories in addition to being considered for Best in Fest (which carries a $250 cash prize). The categories are…

Best Actor
Best Actress
Best Director
Best Original Costuming
Best Make-up/Hairstyling
Best Cinematography
Best Original Music
Best Audio Mixing
Best Lighting
Best FX Make-Up
Best CGI FX
Best Green Screen
Best Composite Shot
Best Screenplay
Best Parody/Comedy
Best Portrayal of an Existing Character
Best Animated Fan Film
Best Editing
Most Canon Award
Best Ensemble
Best On-Location Scene
Best Plot Twist
Best Use of Improvised Sets
Best Choreography
Best Trailer
Best Poster

The last two categories are brand new for this year’s awards. Glen clarified that the poster must be for a fan film that premiered in calendar year 2024. However, the trailer can be for a fan film that hasn’t been released yet. The only requirement is that the trailer itself must have been publicly posted for the first time during 2024.

As with the three previous years (and in line with the name of the contest), the fan films will be judged by the directors themselves. Each director will be e-mailed a ballot for each film they submitted . A director cannot vote for any fan film they themselves directed, and all ballots will be due no later than March 15. If a judge fails to return their completed ballot in time, their film submission(s) will be disqualified.

Glen reports that submissions have been robust this year, with a late push of Star Trek genre fan film entries. Typically, those are one of the most prolific types of fan films submitted, but until late December, Trek fan films were actually in the minority of submissions. Also notable (at least for me personally, as I’ve entered my own fan film, AN ABSENT FRIEND, since it was released last April and was eligible), is that a record number of animated fan films from various genres have been submitted this year.

So things are looking pretty exciting for this fourth installment of the Directors Choice Awards!

2024 Star Trek Fan Film YEAR IN REVIEW

First, my friends, I must apologize for being a bit less diligent in my coverage of Star Trek fan films this past year. Granted, I’ve still published over 65 blogs since January 1, 2024, but that’s compared with 90 blogs in 2023 and 114 in 2022.

The reason behind my diminished output is that I’ve been spending much of this past year co-authoring a book, which I’ve only just completed (it will be out early next year). It was a paying gig, so it needed to take priority. It’s actually my third co-authored book, my first being Starship Spotter (with ADAM “MOJO” LEBOWITZ, ROB BONCHUNE, and ALEX ROSENZWEIG) and my second, Being Santa Claus, still available for purchase in various formats here on Amazon.

But enough about me!

Let’s get started looking at what’s been happening in world of Star Trek fan films for the last twelve months. As usual, I won’t have enough time or space to get to everything, but here are the biggest stories of the year…


Sadly, the year kicked off on a bit of a sour note as a debate began to rage on social media whether Trek fan films should continue crowd-funding. It began when RANDY LANDERS announced that POTEMKIN PICTURES would no longer do any public crowd-funding. But then he added (somewhat forcefully) that he felt that other fan productions shouldn’t crowd-fund either. Things got heated from there. And sadly, in part because I didn’t agree, Randy told me to no longer cover any of his Potemkin releases on Fan Film Factor…and I have, of course, complied with his wishes, albeit regrettably.

Perhaps ironically, not many fan productions chose to crowd-fund this year. In fact, I only counted four during all of 2024 (well, technically five, since FARRAGUT FILMS ended one campaign and began another shortly thereafter), and those were for:

In previous years, crowd-funding campaigns were much more prolific. Now, it seems they are diminishing in frequency and, in general, bringing in less money (although FARRAGUT FORWARD did reach $47.5K before wrapping). Will 2025 continue to see this phasing out of crowdfunding? I guess we’ll just have to wait and find out.

Continue reading “2024 Star Trek Fan Film YEAR IN REVIEW”

SHORT VOYAGES offers TWO MORE fan films—“DESPERATE MEASURES” and “RENAISSANCE”—that you can watch in 5 MINUTES AND 42 SECONDS! (interview with AARON VANDERKLEY)

Do you have nine minutes to spare? If so, you can watch THREE full fans films from Australian filmmaker AARON VANDERKLEY. I last interviewed Aaron back in September after the release of the first of three planned SHORT VOYAGES, “UNAVOIDABLE DELAYS.” Aaron had already made quite a name for himself with the release of five full-length NX-01 era fan films…

Then Aaron leapfrogged a century to release a trio of full-length Voyager-era fan films under the banner THESE ARE THE VOYAGES

Each of the above fan films is truly excellent and absolutely worth watching. But Aaron still had a bit of fan filmmaking left in him. Inspired by the challenge of the TREKS IN 90 SECS contest, Aaron set out to see how short a runtime he could give his own Voyager-era films. And while he wasn’t quite able to shave his times down as far as 90 seconds or two minutes, he did come impressively close. Indeed, as I mentioned at the top of this blog, you can watch all three of his Short Voyages in less than nine minutes total. Check ’em out…

As you can see, each film is unique. The first is comedic, the second quiet and introspective, and the third is full of drama and suspense. That is NOT easy to do when your runtime is three minutes or less!

I also couldn’t help but notice the amazing subdued lighting and shadow-play in “Renaissance.” Since most fan filmmakers aren’t trained or experienced in cinematography, fan films don’t usually feature anything but the most basic, rudimentary lightning—and there’s nothing wrong with that. Fan films are intended to allow fans to play in the sandbox, not to construct an elaborate beach house. That said, it is nice, every so often, to be treated to this level of craftsmanship in a fan film.

The latter two vignettes were released in mid-November and mid-December, just five weeks apart and too quickly for me to cover “Renaissance” and “Desperate Measures” each in its own blog. So I’ll be asking Aaron about both fan films together (with behind-the-scenes photos, as usual, at the bottom of the blog)…

Continue reading “SHORT VOYAGES offers TWO MORE fan films—“DESPERATE MEASURES” and “RENAISSANCE”—that you can watch in 5 MINUTES AND 42 SECONDS! (interview with AARON VANDERKLEY)”