Fan Film Features – Fan Film Factor

Latest SPACE COMMAND Kickatarter in danger of coming up short!

Up until now, MARC ZICREE’s original sci-fi epic SPACE COMMAND hasn’t had much, if any, difficulty raising crowd-funding donations from fans. But we are currently living in the age of a global pandemic, people are losing their jobs and/or being furloughed, and contributions to fan projects aren’t flowing nearly as freely as they used to be.

Space Command got its start waaaaaaay back in 2012 with an early Kickstarter that brought in a staggering $212K from more than 2,000 donors. It then took five years for the project to reach post-production, where a second Kickstarter raised an additional $108K that would help complete the first hour of the 2-hour pilot episode “Redemption.”

A third Kickstarter raised $102K more for post-production on the second hour of the pilot. Marc also sold individual $7,500 shares in the venture for supporters looking for a return on investment if/when the series sells. Those shares brought in an additional half million dollars.

A fourth Kickstarter in 2019 raised $86K for production to begin on the first hour of the second 2-hour episode, “Forgiveness.” And finally, this past April, a fifth Kickstarter raised $57K to help fund production on the second half of “Forgiveness.” Add it all up, and that’a more than $565K in donations and over a million dollars total including investment share sales!

Last month, Space Command launched a sixth Kickstarter to fund the remainder of production on “Forgiveness.” Already, the first hour of “Redemption” has been completed and released, and the second hour has been filmed and is nearly complete (it will have more than 900 visual FX shots!). The first hour of “Forgiveness” is filmed and now in post production. And the second hour of “Forgiveness” is ready to film as soon as it’s safe to do so and as soon as this sixth Kickstarter reaches its $48K goal.

And therein lies the problem.

Kickstarter’s rules say that your campaign needs to set a goal, and if you don’t reach that goal—no matter how close you come—you don’t get anything, no one’s credit card is charged, and the campaign is considered a failure. With only two days to go, the latest Space Command Kickstarter is still $11K short of its $48K goal (a miss of nearly 25%).

While it’s not impossible that Space Command can bridge that gap in so short a period of time, the independent sci-fi film project has never had to face such a challenge before. Each of the previous campaigns reached their goals easily and even surpassed them to unlock stretch goals.

But right now, the global economy is in shambles, millions have lost their jobs, and many crowd-funding campaigns are struggling (not just this one). On the other hand, Space Command still has thousands of loyal supporters. So don’t count them out completely just yet.

If you want to make a donation, click on the link below…

https://www.kickstarter.com/projects/spacecommand/space-command-episode-4-forgiveness-part-2

And here is the exciting pitch video from MARC SCOTT ZICREE…

PAUL JENKINS and AXANAR part ways!

Well, I certainly had an interesting Saturday morning! Before I get into the news and the statements from PAUL JENKINS and ALEC PETERS on the subject of the termination of their relationship, I’d like to start this blog with something that happened on Friday night…

Several weeks ago, just prior to Alec contracting COVID-19, I’d offered to help edit a new trailer for AXANAR. Normally, the trailers are cut by the editor, MARK EDWARD LEWIS. But post-production funding is only just starting to trickle in, and I’m willing to work for free patches. So Alec agreed to send me all of the raw footage from the Axanar shoots and let me have at it. Cool, I thought.

Then Alec got sick and couldn’t leave the house. So the hard drive with the files on it didn’t arrive here in California until Friday afternoon. I took a look through everything—hundreds and hundreds of video and audio files—and thought to myself: which of these takes are the ones that the director (Paul Jenkins) wants to use? I watched through nearly everything until about 2:30am, and then went to sleep, expecting to (hopefully) set up a 3-way call with Alec and Paul sometime over the weekend or in the coming week to figure out which takes they wanted to select for the trailer.

Then I woke up Saturday to this…

Honestly, the first thing that went through my head as I considered my previous plan of going through selects with Paul and Alec was Lt. Kevin Riley’s line from “The Naked Time”: No dance tonight…

But seriously, folks…WTF???

The latest in FANdemic Star Trek – THE FEDERATION FILES: “The Green Manifesto”…

Okay, I’ve decided to coin a new term: “FANdemic Star Trek film.” Because let’s face it, the global COVID-19 crisis isn’t going away anytime soon, and we’re gonna need to wear masks and social distance at least until a safe vaccine is developed and disseminated (and people actually take it!).

But Star Trek fan filmmakers are a dedicated and tenacious bunch! And just because most of Hollywood has shut down doesn’t mean fan films have to. We simply need to do things a little more creatively and carefully. Already, we’ve seen several pandemic-produced fan film releases from all over the world. One of the first, HORREUR POST ATOMIQUE from France, told the story of three survivors of World War III living in bunkers, just before first contact with the Vulcans. Then LOOK FORWARD TO THE DAY showed a socially distancing Kirk, Spock, and McCoy having a futuristic Zoom call. Two weeks later, JENS DOMBEK, “The German Spock,” released a one-man (well, one-Vulcan) fan film called I AM SPOCK. And even VANCE MAJOR has released two CONSTAR CONTINUES films post-pandemic (and I’ll be featuring an audio interview with him soon).

So for lack of a better word, I’m going with “FANdemic” film. And the latest example of one was written only three and a half weeks ago, filmed shortly thereafter in Mountain Home, Arkansas, and released this past weekend from WARP 66 STUDIOS and WOLF/REYNOLDS PRODUCTIONS. It’s the seventh overall fan film from the fan series THE FEDERATION FILES (you can view all of their releases on this YouTube playlist). Because their anthology format covers the entire history of the Star Trek universe, stories have ranged from the 20th and 21st centuries to the 23rd and 24th centuries.

Their latest production is set solidly in the 21st century during the time of World War III and focusing on Colonel Green from the TOS episode “The Savage Curtain” (although in this fan film, Green is still a Major). His genocidal campaign in the 21st century resulted in the deaths of 37 million people. Green believed he was cleansing the gene pool—a hero in his own mind and to scores of followers…an evil homicidal monster to others and to the annals of future history.

But how did he kill so many people so quickly? This fan film seeks to shine a light on this dark question with a little help from today’s headlines. Producer and director of photography DAN REYNOLDS (who also appears in the film as the scientist who engineers a deadly virus) suggested to writer GLEN WOLFE the idea of creating a story about a pandemic. Glen then researched the character of Colonel Phillip Green.

GARY GRAHAM leaves the AXANAR project!

The following message from actor GARY GRAHAM was posted to Facebook on Wednesday afternoon:

An hour or so later, when asked what happened, Gary added this brief explanation:

This obviously comes as a blow to AXANAR fans who looked forward to once again seeing Vulcan Ambassador Soval in the two 15-minute sequel fan films. Gary had already played the venerated character to near universal praise in PRELUDE TO AXANAR and then a year later in the 3-minute “Vulcan Scene.” In the years since the lawsuit that shut down production on Axanar in 2016, Gary had been an ardent supporter of both the project itself and of show-runner ALEC PETERS. Gary traveled from California to Georgia to appear at AXACON in 2018, saying positive things about Alec and the original production in interviews like this one (skip to 14:40).

Gary’s announcement came without any warning. And in the last 36 hours, I’ve seen unconfirmed reports of “irreconcilable differences,” that Gary is hoping to land a role on the new Star Trek: Strange New Worlds series and worried that an association with Axanar Productions would hurt his chances, and even political friction (Gary and Alec are on opposite sides regarding Donald Trump).

With so many unconfirmed rumors spreading on social media, I reached out to both Alec and Gary for comment. Gary has not yet responded to my request, but Alec confirmed that the first he knew that Gary was leaving the project came on Wednesday, and Alec provided me with the following statement (which has also been posted to the Axanar website)…

Could the new LOWER DECKS be the STAR TREK series fans have been waiting for?

Get ready for an, ahem, animated discussion…and probably a whole bunch of really angry response comments!

These days, if a new Star Trek series from CBS All Access debuts to universal or near-universal acclaim, then it’s probably premiering in a different universe! In THIS universe, Trek fans are an infamously hard-to-please/easy-to-piss-off mob with social media pitchforks and YouTube podcast torches.

I know; I’ve been one of them…kinda.

Granted, I’ve probably kept more of an open mind than many, and with the exception of the last two episodes of the first season of PICARD, I actually really enjoyed that series. But you guys know how critical I was of DISCOVERY‘s first season—and season two, while significantly better, didn’t completely escape my blogs of shame!

And so, like many fans, I reacted to details about the new STAR TREK: LOWER DECKS series (debuting next month) with some serious trepidation…although still trying very hard to keep an open mind. It hasn’t been easy. The very concept of the new series scared the crap out of me!

I mean…an animated comedy???

Star Trek has survived being animated before. The 22 episodes from Filmation in 1973-74 had a few true gems (“Yesteryear” and “The Slaver Weapon”) and some major klunkers (“The Infinite Vulcan”). But it was generally a well-executed series. As for comedy Trek, episodes like “The Trouble with Tribbles,” “A Piece of the Action,” and movies like Star Trek IV: The Voyage Home showed that you could certainly add a bit of comedic flair to Trek and get a pretty decent result.

Don’t say that Star Trek can’t be funny!

But could an animated series designed purposefully for non-stop gags and punchlines still work as Star Trek? Would fans accept such a tongue-in-cheek approach to a universe that we’ve dearly cherished and believed in for all these decades?

Well, CBS (now VCBS, I guess) and ALEX KURTZMAN have decided to find out—and I suppose we will, too, on August 6…and more likely on August 7 when the fannish mob once again takes to social media to make their opinions known (probably quite loudly).

But I am going to go out on a limb and say that, in my gut, we fans might just be getting the Star Trek we’ve been demanding for so long now from both CBS and Paramount!

Before diving into my reasons for that bold prediction, however, if you haven’t seen the latest trailer yet (released on July 12), then please have a look…

Also, a short scene from the first episode was just released yesterday…

And now, let’s cry “Havoc” and let those dogs of war slip a little…

INTERLUDE clip gets 7.8K views (and 1K likes) in 15 HOURS!

Wow…what a difference a successful YouTube Channel makes!

I posted a link to the 48-second “sneak peak” clip from INTERLUDE last week as part of a blog explaining why we were going to miss our announced premiere date of July 25, 2020. Long story short, the music isn’t done yet. But I wanted to give folks a taste of how the music sounded. So I cut a short clip and posted it. The video got 363 views over six days.

Last night, ALEC PETERS debuted the same video clip on the AXANAR YouTube channel. If you haven’t seen it yet, here it is…

I woke up this morning to see that the clip has now had over 7.8K views and 1K thumbs up (versus only 35 thumbs down)…so YAY! Of course, the channel has 89K subscribers—no wonder it got so many views so quickly. But hey, I’m not complaining!

I also read though the comments, and there were a number of questions and topics that came up repeatedly. So I thought I’d respond to them here if anyone is interested and/or curious:

1. When is Interlude coming out?

Soon. As I explained in last week’s blog, KEVIN CROXTON is about halfway done with the music, then MARK EDWARD LEWIS will add in the final sound effects and balance the sound levels. We’re also awaiting one final VFX sequence from LEWIS ANDERSON. Then we’re pretty much D-O-N-E.

2. The music is too loud/voices are too low.

Yep. As I said, the sound-mixing gets done last (since you need all the music before you can balance the levels). This clip was simply to give folks a taste of the music, and it’s a work-in-progress.

One of the most FUN things about making this fan film is showing you folks the behind-the-scenes steps of making a fan film. I didn’t want this clip to be polished and perfect…yet. It’s more interesting to hear the music raw before sound-mixing and then compare it to the finished product in order to get an appreciation for what sound mixing can do.

3. We waited ten years for 48 seconds???

Sigh. First of all, Interlude isn’t Axanar. We only started crowd-funding a year ago. And for the record, Axanar had its first crowd-funding campaign in 2014…six years ago, not ten. (Why people keep saying “ten years” is beyond me. Counting to six isn’t hard…you don’t need to round to the nearest ten!) And remember that Axanar was sued for a year, had to move across the country, then finish the bridge, raise money to replace the funds that were lost during the lawsuit while filming couldn’t happen, and then had to go through the many and complex steps of actually producing a fan film.

Axanar has now had multiple shoots, and only one 2-day shoot remains…a shoot that can’t happen while the international pandemic is still shutting down union productions everywhere. And if you’d like to donate to Axanar so that it can be finished, please click on the link below…

https://aresdigital.axanar.com

New ANIMATED Star Trek fan film THE QUINTAIN spotlights SCOTTY! (audio interview with CURT DANHAUSER)

With the new animated Star Trek series LOWER DECKS set to premiere next month, now is a great time for fan films to revisit the original animated Trek series from the 1970s.

For those of you young ‘uns who don’t remember the 70s or aren’t familiar with the animated Star Trek series, it ran on Saturday mornings between 1973 and 1974 and featured 22 half-hour episodes starring all of the members of the original cast except for WALTER KOENIG (there were budget limitations, although Koenig did write one of the episodes). Episodes featured return appearances by Sarek and Amanda, Cyrano Jones, Harry Mudd, Bob Wesley, and Koloth. The series actually won an Emmy for Outstanding Entertainment in a Children’s Series…the first Emmy win for any Star Trek.

As far as fandom and canon go, the animated series (TAS) is a peculiar life form. TAS was the first time we ever learned that the “T” in James T. Kirk stands for Tiberius (which became official canon in Star Trek VI: The Undiscovered Country). Details of Vulcan from the animated episode “Yesteryear” made it into fourth season episodes of Star Trek: Enterprise. And many fans consider Robert April to be the first captain of the USS Enterprise NCC-1701 and Dr. McCoy’s daughter’s name to be Joanna…both revealed in TAS episodes.

Robert April from the TAS episode “The Counter-Clock Incident”

On the other hand, some aspects of TAS seem to defy canon—like Enterprise crew members carrying security ID cards, life support belts (never seen before or since), NCC-1701 being the first ship with warp drive, an early holodeck nearly a century before the Enterprise-D, and an Enterprise “decoy” that could be inflated to a size twice that of the starship itself AND would fool a Romulan crew! But the show was still fun, and some of the episodes were quite good (others…not so much). And for Trekkies in the 1970s who hadn’t seen new Star Trek episodes since 1969, just hearing those familiar voices again was magical.

So it was for fans like CURT DANHAUSER and KAIL TESCAR. Each of these gentleman has created their own website dedicated to the animated series. Kail created Star Trek Animated while Curt created his Guide to Animated Star Trek. Both websites have existed for decades (and look like it), and both are labors of love by their creators.

Now, one might think that the two websites would have a lot of overlap, but instead, they feature very complementary content. Take a look at the main sections of both sites (Kail’s is the first, Curt’s second)…

Kail’s has screen caps, fan artwork (including fan comics), sounds, games, and even calendars. Curt’s, on the other hand, has a ton of information about the characters, technology, timeline, and behind-the-scenes write-ups on the production itself. Both sites are veritable treasure troves! But the reason that Curt Danhauser is being featured in today’s blog is because he has just released a brand new, original animated Star Trek fan film—“The Quintain.”

Check it out…

INTERLUDE Confidential #12 – The best laid plans of fans and filmmakers…

Um, about that July 25th release date…

As I’ve said before ,when I first set out to make INTERLUDE, my goal wasn’t simply to make a Star Trek fan film. I wanted to EXPERIENCE making a Star Trek fan film and then share that experience with with all of you through these blogs.

But there was one fan filmmaker moment that I hadn’t experienced yet—until now, that is. Over the decades-long history of Star Trek fan films, many projects have announced their premiere dates…only to miss them. For some fan films, multiple premiere dates were missed.

Well, you can now add Interlude (and me) to that list. After announcing my premiere date in this really cool trailer that I edited together…

…I can now confirm that Interlude will NOT be coming to YouTube on July 25th after all. And I sincerely apologize. It won’t be delayed too much—and I can say that because I know what still needs to be done (more on that shortly).

To quote The Talking Heads, “You may ask yourself: ‘Well, how did I get here?'” The answer isn’t as simple as “letting the days go by.” Lots of people have been working really hard on post-production. But since these blogs are meant to assist other and future fan filmmakers by sharing my experiences (both good and bad), here’s what happened…

JENS DOMBEK shows why “I AM SPOCK” in a new fan film vignette! (interview, part 2)

Last week, we began chatting with the über Star Trek fan JENS (pronounced “Yens”) DOMBEK, known around the world as The German Spock. He’s been booked for appearances in both the eastern and western hemispheres, and most recently, he’s appeared in two different Trek fan films as the logical Vulcan, both released within two weeks of each other.

The first, LOOK FORWARD TO THE DAY, is a short film featuring Kirk, Spock, and McCoy sharing a long-distance video call during a time of frustrating separation. The vignette was written, filmed, and edited as people around the planet found themselves having to social distance and isolate at home.

The second vignette was even shorter and features Jens providing a monologue as Spock in a dark, empty room over haunting music. It’s a simple yet brilliant masterpiece of minimalism, and if you haven’t watched it yet, take a look…

In Part 1, Jens and I discussed his history as a fan and how he became such a well-known cosplayer. One of his greatest regrets, though, was missing a chance to meet LEONARD NIMOY in person when the actor’s failing health led to the cancelation of an appearance at a convention in Germany. However, Jens did have a chance to meet William Shatner at that convention—dressed as Spock! Naturally, I asked the obvious question…

USS ARES blueprints Kickstarter finishes up with $10,887 from 217 backers!

Yesterday, with less than 5 hours to go in the 16-day Kickstarter for deck plans of the USS Ares-class assault cruiser, the total raised was still about a thousand dollars below the $10K needed to reach their stretch goal. The campaign had already surpassed its initial $3K goal in the first few hours, but if it passed $10K, each donor would ALSO get a free 11″ x 17″ version of the USS Ares Master Display Poster along with the blueprints.

Then, with four hours to go, an e-mail went out to the Ares Studios mailing list reminding supporters that the blueprints were still available, but not for long! An hour later, the Kickstarter total crossed $10K…and when the dust settled at 9pm Eastern Time, 217 backers had pledged $10,887 to the campaign.

The money (after the cost of printing and packing materials) will go toward funding the ongoing expenses for Ares Studios in Lawrenceville, GA, home to the extraordinary USS Ares bridge and captains quarters sets plus the Pike-era sets that were used on the upcoming FIRST FRONTIER fan film. Additional donations are coming in monthly to Ares Studios through an ongoing Patreon campaign.

Note that Ares Studios is a separate legal entity from Axanar Productions, which fundraises privately to finance the completion if the two AXANAR sequel fan films. That campaign is currently at $23,305 out of $35,000 needed for the final filming weekend plus the beginning of post-production. To donate to Axanar, click the link below and follow the instructions provided…

https://aresdigital.axanar.com