STARSHIP FARRAGUT finally releases series finale “HOMECOMING” (interview with JOHN BROUGHTON, PAUL R. SIEBER, and STEVE SEMMEL – part 2)

Last time in Part 1, we celebrated the highly-anticipated release of “Homecoming,” the finale of the long-running Trek fan series STARSHIP FARRAGUT, by interviewing show-runner JOHN BROUGHTON, writer PAUL R. SIEBER, and post-production supervisor and composer STEVE SEMMEL. We found out which elements delayed the completion of the film, what it was like shooting scenes with the legendary STAN LEE, and a whole bunch of other stuff that I’m not going to bother to recap because we’ve still got so much great interview left!

But before we dive into the conclusion, I’d like to recommend (if you’re interested in Starship Farragut) that you check out this 3-part blog covering the fascinating history of this venerated fan series from 2004 – 2016. And definitely watch the finale “Homecoming” if you haven’t already…

For anyone interested in the new sequel series, FARRAGUT FORWARD, I’ll be covering that soon with John and his director in an upcoming blog. But for now, let’s continue to celebrate this wonderful fan series with a question that goes back to the very beginning…


JONATHAN – I’ve always wondered: what made you choose the U.S.S. Farragut rather than one of the other major starships like Potemkin or Lexington or Republic?

JOHN – When I first started working on this project, it was going to be called Starship Excalibur. But then I learned that JOE KEREZMAN was doing his own fan film called STAR TREK: EXCALIBUR. And he reached out and said, “If you change your name to any of the other ships, I’ll make you—gratis for life—all the chest patches that you need.” And I said okay. I wasn’t that married to it.

John Broughton as Captain Jack Carter

So I looked at all of the patch designs that Joe had created, and the Farragut, which has an oval patch design—I thought that will be easy to sew, since I was making all the costumes myself—coupled with the Navy tie-in because I’m a veteran of the U.S. Navy, opted with the Farragut. Joe supplied me with one batch of patches, and that was it. But it was enough for what we needed, until we had our own embroiderer doing the patches for our project.  All in all, I’m glad we went with the Farragut.

JONATHAN – So once you’d decided that you wanted to make a fan film, what did you do next?

John Broughton, Sr.

JOHN – Initially when I started, I pulled in my dad, JOHN BROUGHTON, SR., and other friends, and then it just kinda grew as time went on. We were able to get professionals involved in the project, then we got our first studio in St. Marys, GA…which was much smaller than the Kingsland, GA space that the sets are now in. A lot of the initial sets were built by my father, then we had other volunteers that came on board and helped out.

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STARSHIP FARRAGUT finally releases series finale “HOMECOMING” (interview with JOHN BROUGHTON, PAUL R. SIEBER, and STEVE SEMMEL – part 1)

The history of the fan series STARSHIP FARRAGUT stretches all the way back to 2004 and spans a total of 6 full-length fan films, 3 shorter vignettes, and 2 animated-style fan films (one of them featuring the voices of TIM “Tuvok” RUSS and CHASE “Leeta” MASTERSON). Farragut Films was responsible for the majority of the construction of amazing TOS sets that were also utilized for STAR TREK CONTINUES and DREADNOUGHT DOMINION and are still available for use by fan filmmakers at NEUTRAL ZONE STUDIOS in Kingsland, GA. Farragut also spawned a short-lived spinoff series called TREK ISOLATION that released three vignettes. And coming in 2022, a sequel series titled FARRAGUT FORWARD will move some of the Starship Farragut characters into the Wrath of Khan movie era Trek.

Since we have so much material for today’s interview, I’ll keep the background introduction fairly brief. But if you’d like to read the full backstory of this proud fan series, here’s Part 1 of a 3-part deep-dive into the full history of Starship Farrugut. Well, ALMOST full. The final part of that blog feature came out in early 2016, a month before the release of their penultimate episode, “The Crossing,” and a few months before reshoots wrapped on their announced series finale, “Homecoming.” Crowd-funded with about $15K in late 2015, fans expected to see a completed fan film later in 2016 or maybe 2017. That didn’t happen.

Instead, it wasn’t until mid-2020 that STEVE SEMMEL announced that he was taking over as post-production supervisor, having started off simply doing the music for the episode. I interviewed Steve in June of last year, and he promised a delivery date in the second half of 2021 “most definitely.” And indeed, that’s exactly what happened, as “Homecoming” was released on October 1. Take a look…

I reached out to three people to discuss “Homecoming”: show-runner and lead actor JOHN BROUGHTON and writer PAUL R. SIEBER (both of whom have been with Starship Farragut since the very beginning), and of course, Steve Semmel (who came on board in 2018). We covered so much great behind-the-scenes information about both the finale episode and also going back to the earliest days of the series back in 2004.

I received so many awesome answers that I’ve decided to divide this interview into two parts. Let’s get started…

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STARSHIP FARRAGUT’s finale “HOMECOMING” is coming along… (interview with STEVE SEMMEL)

Starting in 2005, Starship Farragut began releasing a series of nearly a dozen high-quality fan productions—including full length episodes, vignettes, and even two animated projects (featuring voice-overs by TIM RUSS (not playing Tuvok from Voyager) and CHASE MASTERSON (not playing Leeta from Deep Space 9). Along the way, they constructed an extensive TOS set recreation that was eventually shared with, and later sold to, VIC MIGNOGNA of STAR TREK CONTINUES. (Read the full and fascinating history of Starship Farragut here.)

At the end of 2014, Farragut Films decided to transition themselves ino the first full-budget, set-based regular fan series to be set in the Trek movie era.  The actors had aged a decade since the earliest episodes of Starship Farragut, so jumping the series forward seemed logical. In fact, the new series was to be called Farragut Forward. But it never came to be. Instead, at the end of 2015, the group crowd-funded a series finale episode called “Homecoming,” and raised $15,787 from 207 donors on Kickstarter.

Things seemed to be going smoothly on “Homecoming.” Filming took place in early 2016 with some outdoor reshoots being completed in June of that year, according to donor updates. In early 2017, donors were treated to a two-minute teaser-trailer with an unexpected cameo by Marvel Comics legend STAN LEE (who passed away in November 2018). The trailer looked promising…

But after an October 2017 update from show-runner and lead actor JOHN BROUGTON saying that post production was about 50% completed, two and a half years went by without any further updates to donors or new trailers or news of any kind.

That changed this past April when a new update was sent to Farragut donors by STEVE SEMMEL. Steve came on board the project last September to help compose the score, and he had some good news. Steve would be taking on the title and duties of Post-Production Supervisor, and along with Special Effects Supervisor KEN THOMSON, Film Editor JAYN PENNINGTON, and Music Scorer CARL HAYES, there would now be a concerted effort to bring “Homecoming” to completion (and to YouTube) in 2021.

Naturally, I was curious to learn more—not just about the status of the project itself but about Steve, how he came to be involved with the project, how he got the “promotion” from Composer to Post-Production Supervisor, and what tasks he and others will be doing to bring “Homecoming” home…

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The STARSHIP FARRAGUT finale “HOMECOMING” is still being actively worked on!

While AXANAR usually hogs the comments on social media asking, “Why isn’t it finished yet?” there’s been another crowd-funded Star Trek fan project from 2015 also still lingering in post production. No, not PACIFIC 201. And not FIRST FRONTIER either (it wasn’t crowd-funded). And not EQUINOX or PIKE (although successfully crowd-funded, neither project was ever filmed).

No, I am talking about the long-awaited finale to the venerable fan series STARSHIP FARRAGUT, an episode titled “Homecoming.”

Starship Farragut got its start way back in 2005 when they began shooting their pilot episode “The Captaincy.” Over the course of the next decade, the folks at Farragut Films would release nearly a dozen more full-length episodes, vignettes, and even two animated episodes (featuring voice-overs by TIM RUSS (not playing Tuvok from Voyager) and CHASE MASTERSON (not playing Leeta from Deep Space 9). Along the way, they expanded their filming space and constructed an extensive TOS set recreation that was eventually shared with and later sold to VIC MIGNOGNA of STAR TREK CONTINUES. (Read the full and fascinating history of Starship Farragut here.)

At the end of 2014, Farragut Films made a decision to transition themselves to become the first full-budget, set-based regular fan series to be set in the Trek movie era.  The actors had aged a decade since the earliest episodes of Starship Farragut, so jumping the series forward seemed logical. In fact, the new series was to be called Farragut Forward. But it never came to be. Instead, at the end of 2015, they crowd-funded a series finale episode called “Homecoming,” and raised $15,787 from 207 donors on Kickstarter.

Things seemed to be going smoothly on “Homecoming.” Filming took place in early 2016 with some outdoor reshoots being completed in June of that year, according to donor updates. In early 2017, donors were treated to a two-minute teaser-trailer with an unexpected cameo by Marvel Comics legend STAN LEE (who passed away in November 2018). The trailer looked promising…

An October 2017 update by show-runner JOHN BROUGHTON reported decent progress:

Our video editor Jay Pennington is doing an outstanding job with the edit. I’d say that we’re 1/2 way done based on the cuts that have been reviewed and critiqued for edits. Although he is on track to deliver as promised an edited film before year’s end, the CGI and FX shots still need to be done. In addition, there is also color correction and ADR work to do given the acoustical and lighting challenges we had filming outdoors.

And then, silence…

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