STARSHIP WEBSTER’s 3rd episode “THE TOMBSTONE” (interview with JERRY WILLIAMS)

Even though POTEMKIN PICTURES has been around for over a decade now, the folks in their STARSHIP WEBSTER Creative Group are definitely the new kids on the fan film block. Their predecessors include PROJECT: POTEMKIN, STARSHIP DEIMOSSTARSHIP ALEXANDERSTARSHIP TRISTANHOSPITAL SHIP MARIE CURIEBATTLECRUISER KUPOKSTARSHIP TRITON, and STARSHIP ENDEAVOUR.

When show-runner RANDY LANDERS and his wife moved from Alabama to Lexington, Kentucky in 2019, it provided an opportunity to find and invite a whole new collective of local Trekkers in the fan film family. And even though the pandemic made things a little more challenging, the new Webster group still managed to release their debut fan film, “LAUNCH,” on October 9, followed quickly by their second offering, “A VOICE IN THE DARK,” just two weeks later. The latter allowed one of their actors, BILLY SWANSON, to take the lead and both write and direct—as well as star in—what was essentially a “one-man show.”

Two months later, released on Christmas day, another member of the team, JERRY WILLIAMS, got to write and appear in an episode…although this time, Randy Landers was the one directing, and the cast consisted of more than one actor (seven, in fact—three in major roles).

I’ve been making it a point to give these fine fan film folks a spotlight here on the blog as both a welcome to the community and also in acknowledgment of their quick embrace of this sub-sub-genre and dedication to getting their first few fan films produced and released.

As such, I asked Randy whom he thought would be the best person to interview for this third release, and he quickly said it should be Jerry Williams himself. “Jerry is quite a local legend,” Randy told me.

So let’s take a look at Jerry’s first Star Trek fan film, “THE TOMBSTONE,” and then we can chat…

And now, heeeeeeerrrrrrrreeeeeee’s Jerry (do my younger readers even get that reference?)…

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Writer/Director/Actor/Wrestler BILLY SWANSON discusses “A Voice in the Dark” from STARSHIP WEBSTER…

One of my favorite aspects of Star Trek fan films (and fan films in general) is the sheer variety you get from all of the different fan productions. Even from the same group—such as the uber-prolific folks at POTEMKIN PICTURES who have released upwards of seven dozen individual fan films (you can view them all here)—there are still surprises to be had. As DeForest Gump once said, “Fan films are like a box of Spican flame gems…you never know what you’re gonna get.” (Okay, I just made that up.)

Anyway, I had one of those very pleasant surprises when I watched the recently-released second fan film from Potemkin Pictures‘ newest film Creative Group, STARSHIP WEBSTER, under the watchful eye of show-runner RANDY LANDERS, now living in Lexington, Kentucky. The 7-minute vignette is titled “A Voice in the Dark” and features a character alone in his quarters recording a series of log journal entries. That might not seem overly impressive but for one notable thing: the entire fan film, all of the monologue, is delivered in a single take! And the performance is surprisingly solid for a fan film, suggesting a fair amount of acting experience.

Take a look…

Randy explained to me that the script was written by BILLY SWANSON, one of the members of the new Starship Webster Creative Group, and the actor playing the main role of Commander Robert Hawkins. Initially, the producers in the group came up with the idea of doing a series of shorts to introduce the crew, ultimately intended for no-contact filming during the pandemic. Billy created a one-person character-study, wrote an outline of what he wanted to do, practiced it, and recorded it into his phone.

Randy took a watch and loved the vignette; it was a great look at his character’s backstory. The only problem was that it seemed like it was filmed on a cell phone in someone’s bedroom. So Randy asked Billy to come to the studio to film it using Randy’s lighting, green screens, camera, and sound equipment. Randy set up the green screen and a table for the bed, a chair from the bridge set, and a uniform. He set up the camera and the mics, lined Billy up, and turned the equipment on. Then Randy walked 10 feet across the room, sat in their remaining captain’s chair, and watched Billy do his thing.

So Billy was literally the actor, writer, and director. It was one single continuous shot, so there really wasn’t much for Randy to do except adjust the lighting, add the VFX for the officer’s quarters, and make sure it looked good in post. Randy provided the following comment…

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