It’s the end of an era.
Granted, that “era” has only been going on since 2016 or thereabouts, but it seems like so much longer! And maybe that’s because, over the past seven years, VANCE MAJOR (Owen is his middle name) has produced and released a total of 146(!!!) Star Trek fan films featuring his character of Erick Minard (in all its many iterations!) as well as a bevy of recurring characters, cameos by a who’s who of other fan filmmakers (including myself), and even his own 5-year-old son Royce…who has been appearing in Vance’s films literally since infancy.
And that doesn’t include Vance’s appearances in other fan series like STARSHIP VALIANT and THE AVALON UNIVERSE. Vance has been a staple of our fan film community this entire time, and his parade of new releases—sometimes coming almost weekly!—provided a recurring reminder that Star Trek fan films come as much from the heart as from the camera.
Of course, Vance’s stuff isn’t to everyone’s taste, and I totally get that. His production budgets are ridiculously humble (like, “Buddy, can ya spare some change?” humble), the quality modest at best, and the acting as likely to be hit as miss. More often than not, there’s limited if any “action,” and the more recent films (especially since COVID) have been little more than a series of interstellar Skype calls as two people have a conversation. “The Best of Both Worlds” or “Sacrifice of Angels” these fan films are most assuredly not!
But what they are, in my opinion, is a form of poetry. Vance presents his thoughts, feelings, observations, perspectives, concerns, triumphs, frustrations, dreams, and passions through his films. Most poets don’t need much more than a pen and paper (or keyboard). For Vance, it also means a camera phone, Starfleet uniform, and video editing software. But the idea and the goal is the same: to share a part of himself with others.
Some of us enjoy that sharing and don’t mind seeing the cord in the doorway or not being able to hear bits of the dialog because of the wind. We don’t mind seeing 20th and 21st century cars and trucks, or clothes and baseball caps that look like they were bought at Target, appearing in a story set centuries in the future. That’s never been what Vance’s poetry has been about. Instead, it was always about using Star Trek to speak his truth…for those interested in listening.
And even though it was never Vance’s primary intention, his fan films also served as inspiration for others for make fan films of their own. If Vance didn’t care about top-tier production quality or jaw-dropping sizzle, then how important was it really? If you have a story you want to tell, then hey, just do do it.
Continue reading “VANCE MAJOR concludes CONSTAR! (some final thoughts from me)”