WARNING! SPOILERS AHEAD!
Last time: Having released a very impressive debut episode, “Pilgrim of Eternity,” in May of 2013, STAR TREK CONTINUES was ready to bring fans even more episodes from what they imagined would have been the never-produced 4th and 5th seasons of TOS Star Trek. They just needed one thing: money.
Vic Mignogna had funded their first episode himself as a way of telling fans, “Hey, this is what we can do. Please donate so we can make more episodes like this.” Some of the sets had already been built by the team at Starship Farragut, which agreed to share their studio with STC. Other set pieces, like the briefing room and captain’s quarters, had been partially constructed in Oklahoma City for the never-made fan film Starship Ajax, and Vic purchased them from Ajax show-runner John Hughes to take to Georgia.
In 2012, Farragut Films moved to a larger studio in Kingsland, GA, with 10,000 square feet to expand into. With their combined resources, the two productions were now able to have a TOS bridge, transporter, crew quarters, briefing room/mess hall, sickbay, and corridors. New set construction—including improvements for the existing bridge—were overseen by local contractor William Smith, who became the de facto “custodian” of the entire set, as he lived close to the studio.
But a fan film needs more than just sets. There was also rent for the sound stage, rent for the equipment, utilities, prop creation, costume production and rental, make-up supplies and equipment, and post-production costs for things like hard-drive storage. Add to this costs for travel and lodging for out-of-town cast and crew plus food for everyone during the week and a half of filming. And while most of the team were volunteers, some professionals were working at a discounted rate (about 10% of their normal fee). It all added up!
Vic determined that if STC could raise $100,000 in a crowd-funder, they could afford to make three additional episodes. The campaign was held in late 2013, and on November 6, the Kickstarter (or KIRKstarter, as they called it) finished with $126,028 from 2,981 backers. That was more than enough for three new episodes!
Let’s take a closer look at each of them…
EPISODE #2 – LOLANI
Work on their second episode had started months before their Kickstarter campaign began. The first thing required, of course, was a script…and for that, they needed a story.
In multiple interviews, show runner Vic Mignogna discussed how he wanted STC to have stories about something. Many fans had pitched him space battle episode ideas with Klingons and the such, but the original series had relatively little of that. Instead, TOS scripts had social relevance, reflecting societal issues of the day through a sci-fi “lens.” Star Trek gave us stories that made us think, that had moral dilemmas where things weren’t always wrapped up neatly in a bow. And that’s the foundation on which STC’s second episode was conceived.
Vic co-wrote “Lolani” with Huston Huddleston, who in turn finished the teleplay with Paul Bianchi. Like their first episode, “Pilgrim of Eternity,” (which featured a theme of redemption through self-sacrifice), their second episode also touched on an important subject: human trafficking. Conveniently, Trek already had the perfect foils for an episode about this subject: the green-skinned Orions and their intoxicatingly sensual “slave women.” Surprisingly, TOS itself never dealt with the seemingly incongruous existence of an active slave trade in an otherwise utopian future. On the other hand, Orion wasn’t a member of the Federation… and thus does the episode introduce the primary conflict of Lolani’s story.
The challenge of such an episode, of course, was going to be actor make-up. “Lolani” featured two prominent characters who would have large amounts of exposed green skin: Lolani herself, an Orion slave played by the mesmerizing Fiona Vroom, and her brutish Orion owner Zaminhon, played by Lou Ferrigno. Ferrigno was no stranger to green body make-up, having played the Incredible Hulk on the live-action TV series from 1977-1981. But this green make-up this time was going to look noticeably different and include a beard and bald head (not very Hulk-like). His face, neck, hands, and very muscular arms would need to be colored, while Lolani would be doing many of her scenes scantily clad, requiring massive coverage of green make-up that (hopefully) wouldn’t get all over the place…including on all those nice uniforms and set pieces!
Fortunately, the wife and husband team of Lisa Hansell and Tim Vittetoe were on the job as the hair and make-up supervisors on STC. Based in Los Angeles, Tim and Lisa have done a lot of work in the Hollywood entertainment industry and received instruction from five-time Emmy winning make-up artist Gil Mosko (who worked on TNG and DS9). They were also no strangers to Trek fan films, Tim having been part of Star Trek: Of Gods and Men, and both of them having supervised make-up on Star Trek: Renegades, which is where they met Vic. (They’ve also done work on the recent Star Trek: Horizon fan film.)
For the green coloring, Tim and Lisa used a mixture of adhesive and acrylic color, called PAX, so that the green would not transfer onto the sets or costumes. A custom-matched cream make-up was used for their faces. Each day, Fiona’s Lolani make-up required a crew of three make-up artists five hours to apply. Lou Ferrigno’s make-up took about three hours. When they were done each day, it still took hours more to remove all the make-up! But it was worth it, as the two characters were among the most visually interesting of any seen in a Trek fan film so far…and their strong acting only enhanced the impact.
(I should note that Lou Ferrigno lost the majority of his hearing as a small child and has a bit of a speech impediment because of it. While the lisp is noticeable in the episode, his strong performance and physical presence far outweigh it.)
Ferrigno wasn’t the only notable sci-fi genre star to appear in this episode. As a frequent guest at signing conventions, Vic knows a lot of industry folks, and he convinced Erin Gray (who portrayed Colonel Wilma Deering on Buck Rogers in the 1980s) to play a Starfleet Commodore, as well as Daniel Logan (who played the young Boba Fett in Star Wars: Attack of the Clones) to play the Enterprise navigator.
Released in February of 2014, “Lolani” was a huge hit with fans, even more than STC’s first episode. This was considered to be a major triumph for the team, as this time they weren’t relying on a sequel to a TOS episode but instead presenting a truly unique and stand-alone story. Vic had stepped aside from directing (Chris White directed “Lolani”), allowing him to concentrate more on playing Kirk correctly and avoiding the stigma of imitating a caricature of Shatner’s acting style. Michele Specht’s new character of Counselor McKennah also got a chance to really shine as a foil for Kirk, setting up some interesting tension between the two of them.
EPISODE #3 – FAIREST OF THEM ALL
If make-up was the biggest challenge for their second full episode, then costuming was the major obstacle for their third. “Fairest of Them All” wasn’t so much a sequel to the TOS episode “Mirror, Mirror” as an extension of it. We all know what happened to “our” Captain Kirk after he and the landing party returned from the mirror universe. But what about their counterparts? Was Mirror-Spock able to find a way to spare the Halkans after all? What would Mirror-Kirk do now that he was back on the ISS Enterprise?
In an episode co-written by Vic and James Kerwin (who also directed) from a story by Vic, these questions and more were answered…in an exciting and suspenseful way. In fact, it’s a top MUST WATCH Trek fan film. Released onto the Internet on June 15, 2014, the story line draws you in, the drama keeps you on the edge of your seat and constantly guessing, and the resolution is ultimately quite satisfying. Sure, these aren’t the exact same actors who crewed our favorite starship 50 years ago (how could they be?), but once you put that expectation aside, the entire 40-minute episode feels like a piece of “lost” Star Trek from the 1960s.
Especially notable was the performance of Todd Haberkorn as Spock. Up until this point, Todd hadn’t been given much to do. But he owned this episode and played the mirror-Spock to perfection. Also amazing was Asia DeMarcos, playing the captain’s woman, Marlena Moreau. Asia looked uncannily similar to BarBara Luna, who played the role back in 1967. Also, listen closely to the computer voice. Recognize it? That’s TNG’s and DS9’s Michael “Worf” Dorn! (Chuck Huber also returned to the role of McCoy in this episode and has continued to play him ever since.)
The look of the mirror universe was sheer brilliance! The costuming department, which included Vic himself and was led by costume designer Ginger Holley, worked almost non-stop on the costumes from November of 2013 until March of 2014 when filming kicked off. Nearly everything had to be made from scratch! You would think they could just tweak their regular uniforms and add the Empire’s insignia, but it wasn’t that easy. Their regular STC uniforms were made from a polyester fabric similar to what TOS had used in its third season. But “Mirror, Mirror” was a second season TOS episode, filmed while Shatner and company were still wearing uniforms made of stretch velour (which is nearly impossible to find these days).
Ginger described the final rush to complete the uniforms in an interview on the STC website: “We finally found the right cotton velour about two weeks before filming began, and so all of the dyed tunics for the main cast and for extras had to be cut and assembled very quickly. I had never dyed anything before, so I watched a lot of YouTube videos. I ended up dyeing the fabrics in my bathtub. It was a lot of trial and error.”
And then there was Kirk’s sleeveless sparkly gold vest, perhaps the toughest piece to make. Ginger found a vintage woven gold metal lurex fabric and hand-stitched two identical vests just in case one became damaged in the fight scenes. The attention to detail on those costumes and their adornments was the icing on this oh-so-sweet cake.
After doing most of the filming in March, the last scenes were shot in May at the Johnson Space Center where the recently-restored Galileo shuttlecraft was (and still is) on display. Special permission was given to STC to film there based on a review of the quality of their previous episodes, and the scene is pretty awesome to watch.
EPISODE #4 – THE WHITE IRIS
“The White Iris” (co-written by Vic, James Kerwin, and Chris White, and directed by James Kerwin again) was an interesting departure from anything STC had done before. A relatively quiet episode, “The White Iris” felt more like a dramatic stage play than a typical Star Trek fan film. It’s a journey, of sorts, through Kirk’s psyche as he deals with the “ghosts” of women from his past who have died, and it provides an amazing opportunity for Counselor McKennah’s character to really develop. I won’t say more, as the ending is one of the most beautiful tear-jerkers (yes, dammit, I cried!) that I’ve ever seen in ANY Star Trek…not just fan films.
As was becoming the norm, the episode featured a noted sci-fi celebrity guest star: Colin Baker, who played the sixth incarnation of the titular Time Lord on the British series Doctor Who. Also, Martina “Coiunselor Troi” Sirtis returned to STC to once again voice the Enterprise computer.
Kudos must go to costume designer Ginger Holley and wardrobe supervisor Dorothy Booraem, who spent uncounted hours creating amazing replicas of the costumes originally worn by the characters of Edith Keeler, Miramanee, and Rayna…plus nearly a dozen other original pieces.
But what was most notable about this episode was the music. For the first three episodes of STC, a collection of the commercially-available original Star Trek music was used. But then something pretty awesome happened, and I’ll let Vic tell it in his own words from a great radio interview he recently did (regrettably, no longer available online, so I can’t link to it)…
I got an e-mail out of the blue from this guy [Andy Farber], and he said, “Listen, I’m a composer, and I love Star Trek, and I love the original series, and I love what you guys are doing. Have you ever thought of having original music?”
And I wrote this guy back—just like I’d written five other guys back—and I said, “Well, I really appreciate it, but the reality is that people just don’t write like that anymore. It’s a very specific style of writing.” And he wrote back and said, “Well, I’d love to try.” And I said to him, “Well, I’ll tell you what: our episode that we’re getting ready to do has an original character in it named Nakia. She was a young girl who served on the Farragut with Kirk when he was a young lieutenant. And just like Edith Keeler had her own theme and Miramanee had her own theme, we want this original character to have her own theme. Andy, why don’t you write something for her and send it to me, as a test, and see how you do?” And he recorded something and he sent it, and my jaw hit the ground! I was like, omigod, this guys gets it!
And so I sent him the rough cut of the episode, and he wrote some original pieces for the episode. And then I flew up to Rochester, NY, where he had put together an orchestra at the Rochester Institute of Technology, and we recorded a live orchestra…never been done on a fan production before! And we had such a good time, and it went so well, that we did the same thing for “Divided We Stand” [episode 5], and he’s gonna be writing original music for “Come Not Between the Dragons” [episode 6].
And by the way, I found out later on that Andy Farber, he’s not just “a composer,” but he teaches composition at Julliard in New York City…one of the most prestigious music schools in the country.
STC produced a wonderful 8-minute behind-the-scenes video spotlighting the creation of the music for this episode:
“The White Iris” debuted on the Internet at the end of May 2015 and, shortly thereafter, ran into a bit of controversy. YouTube pulled down the episode due to a copyright violation because STC used a short clip from the TOS episode “The Paradise Syndrome” without obtaining permission. A number of fans began to panic that CBS was now going to start shutting down all fan films and that STC had pushed the envelope too far and ruined everything. (Yeah, I know…sounds very familiar. But this was six months before Axanar Productions was served with an infringement lawsuit from CBS and Paramount.)
But instead of STC being shut down, within a few days, the matter was resolved. On June 19, 2015, STC posted to its Facebook page: “We are very pleased to announce that, after two notices from CBS to YouTube, the mistaken copyright strike against us has been removed — and Episode 4, THE WHITE IRIS, is back on our channel! Sincere thanks to CBS for following up on this personally. They graciously contacted us yesterday asking why the episode was not yet reposted. After learning that the hold-up was on YouTube’s end, CBS sent them a second notice to reinstate the episode immediately. Contrary to any rumor-mongering, no changes to the original cut have been made, nor was that ever the issue. So spread the word, and we hope you enjoy THE WHITE IRIS as much as we enjoyed bringing it to you.”
Whew…not a copyright crisis after all!
Next time: believe it or not, a lot MORE happened in 2015! In addition to another Kickstarter and the release of STC’s sixth episode “Divided We Stand,” STC and Starship Farragut also parted ways. Not a lot of fans know the background details, and who was paid how much and for what. But I’ll have all of that information for you next week. And finally, a closer look at how episodes 7 and 8 both broke new ground.
All of the amazing offerings of STC can be found on their website at this page: