RENEGADES: “THE REQUIEM, Part 2” available on YouTube until AUGUST 28!

Back in June of 2016, on the second day of filming the first hour-long episode of STAR TREK: RENEGADES, “The Requiem,” the production team received a nasty and potentially catastrophic surprise. CBS and Paramount had just released a new set of guidelines for Star Trek fan films that would essentially stop Renegades in its tracks.

The timing of the release might not have been entirely coincidental.

Six months earlier, CBS and Paramount had “stopped” the fan film AXANAR with a huge, multi-million dollar copyright infringement lawsuit. But there were still many other fan productions out there using the Star Trek name and intellectual property. And while Axanar had been the first to cross the million-dollar threshold by raising $1.2 million in donations from thousands of fans, Renegades was hot on Axanar‘s heels with (at the time) over $850K in crowd-funding, also from thousands of fans.

And while Axanar featured one veteran Star Trek actor reprising his role from canon (GARY GRAHAM as Soval), Renegades would feature TIM RUSS as Tuvok, WALTER KOENIG as Chekov, NICHELLE NICHOLS as Uhura, CIRROC LOFTON as Jake Sisko, TERRY FARREL as “Jadzia” (minus the Dax symbiont), ROBERT BELTRAN as Chakotay, ARON EISENBERG as Nog, and even HANA HATAE as a grown-up Molly O’Brien.

The previous year, Star Trek: Renegades had premiered a 90-minute fan film with a red carpet premiere at the historic Crest Theatre in Westwood, Los Angeles, calling the project a “backdoor pilot”or “spec pilot” for CBS to consider. Late in 2015, CBS requested (politely) that the Renegades team stop referring to their fan film as a pilot, a request they quickly compiled with. So instead they announced plans to release 12 half-hour webisodes per year (or “season”) oftheir spinoff Star Trek series, with “The Requiem” being the kickoff full-hour episode.

But the guidelines put the kibosh on all of that. No longer permitted to use Star Trek veteran actors or crew people, no longer allowed to pay professions, and constrained to no more than two 15-minute episodes and no sequels or seasons or ongoing series, Renegades had been effectively castrated as a Star Trek fan production before production come even get up to speed.

So a fateful decision was made. The script was quickly edited to remove all references to any Star Trek character or race or technology. The Federation became the “Confederation.” Chekov became “The Admiral.” The Romulans became the Rigelians.  The CGI ships would be redesigned.  Nog would trade in his Ferengi make-up for something totally new. The footage shot the first day had to be digitally manipulated to remove the Starfleet insignia comm badges. It was a mad scramble, but it ultimately resulted in the new independent film project: RENEGADES: THE SERIES.

“The Requiem, Part 1” debuted in February of 2017 exclusively to donors.  Two months later, it was released to the general public…but not on YouTube.  Instead, it was behind a firewall requiring a sign-up first.  Although free to view, some fans objected to having to share their contact information before being allowed to see a fan film.

On July 6, 2017, “The Requiem, Part 1” was finally released with no firewall onto YouTube for free viewing by anyone…

And a week later on July 12, “The Requiem, Part 2” was shown for the first time at a theater in North Hollywood…along with Part 1.  Like the red carpet premiere in Westwood two years earlier, the cast and crew attended, with tickets sold to donors at $20 each.  Here’s the blog with photos and descriptions of that special event.

But since then, “The Requiem, Part 2” has never been posted to YouTube. Although still available behind the firewall on the AtomicTV website, many fans didn’t bother to go through the process of creating an account and have therefore never seen the conclusion…which features a stellar final scene with Walter Koenig.

However, as a special tie-in to the 15-day Kickstarter for the new Renegades project OMINARA with Nichelle Nichols and Walter Koenig (more on that in my next blog!), “The Requiem, Part 2” is being posted for free on YouTube for a limited time—until August 28, 2020.

So watch it now while you can…!

2 thoughts on “RENEGADES: “THE REQUIEM, Part 2” available on YouTube until AUGUST 28!”

  1. Thanks so much for drawing my attention to this. I stayed away from Requiem part 1 until now because, for exactly the reasons you gave, I did not fancy giving my personal details out to watch part 2. Anyway, I’ve just found time to watch it all with the attention it deserves and it was fantastic (FANtastic I mean 🙂 ). Sure, they were compressing a story that would have played out over a series into an hour with limited locations, but, overall, it was great!

    I have to say that the one thing that strikes me about this is the speed with which they turned around the production. I’m not knocking others (well possibly one, but I… well no, I shouldn’t, because I only watch the things, not make them) but I think they did it quicker than Interlude, which I think has been one of the faster higher quality productions. When it’s your own work (and I do some creative stuff in other fields) I can appreciate these things take time and it’s hard to know when to stop tweaking.

    Really looking forward to Romulan War btw, which I see you’ve just featured.

    1. I think the comparison to Interlude might be a little unfair, Alastair, simply because the Renegades folks had hundreds of thousands of dollars to work with and could pay their people respectable sums of money to prioritize production and post production tasks. They also had a much larger crew. I had 50 people, $20K, and mainly volunteers (we paid the caterer, of course, and some folks were reimbursed for travel and lodging expenses). As for comparisons to Axanar, that’s not exactly apples to apples either. The lawsuit shut down production for a year, forced a move across country, and required a start-from-scratch crowd-funding initiative that has been hampered by Alec’s inability (because of the settlement) to publicly promote where and how to make donations. And keep in mind that Axanar managed to do three shoots in five months and only needs one more. Had the pandemic not happened, all of the footage would have already been in the can by now, leaving only post production to finance and complete.

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