Prelude to Ax’d-We-Are – Fan Film Factor

Check out the NEW TRAILER and Indiegogo for STALLED TREK: THE CITY ON THE EDGE OF FORECLOSURE!

Come for the trailer, stay for the crowd-funder!

When it comes to Star Trek puppet parodies, MARK LARGENT is a veritable genius. His first release from 2012, STALLED TREK: AMUTT TIME was a hysterical send-up of the TOS fan-favorite episode “Amok Time.” If you haven’t seen if yet, do yourself a solid and click that link I just provided and watch it. You won’t be sorry.

Four years later in the middle of the AXANAR infringement lawsuit, Mark and I teamed up to write and produce PRELUDE TO AX’D-WE-ARE, an uproarious puppet parody of both PRELUDE TO AXANAR as well as of the lawsuit from CBS and Paramount. And most recently, while trying to test out a new 3D rendering application for his next puppet parody, Mark released yet another hilarious vignette titled ALL AHEAD FULL.

The last of the bunch was intended to help guide Mark learning a new 3D application as he worked on his latest Stalled Trek creation, a parody of the beloved TOS episode “The City on the Edge of Forever” to be titled THE CITY ON THE EDGE OF FORECLOSURE. Mark held a crowd-funding campaign for the project back in 2018, and now he’s asking for a wee bit more. And this new Indiegogo is offering a very unique perk: a full-color, flip-cover COMIC BOOK (just like they used to sell in the 1970s for Star Trek) at the $25 level…

This is in addition to a Blu-ray at the $50 level and a limited number of “Super Backer” perks at $100 containing the comic book, Blu-ray plus three Stalled Trek trading cards. (I grabbed one of those!) There are also stretch goal posters if Mark raises $2500, $5000, and $7500 (he just passed the first stretch goal). And if he reaches $10K, he’ll add a third story to the comic: “Balance of Terrier”!

Now, before anyone says anything about the fan film guidelines not allowing for crowd-funders to offer unlicensed physical perks, remember that this is an obvious parody. And while most fan films can’t be considered parodies, ones that are parodies are protected under the Fair Use doctrine. So the guidelines don’t really apply here.

The reason for the new Indiegogo campaign is that Mark managed to find an actual Hollywood composer to do the music: MAX McGUIRE. Along with composing music for a wide variety of projects including shows airing on FOX, ABC, NBC, E!, CBS and TBS and the hit Syfy/Netflix series 12 Monkeys, Max also wrote the score for RENEGADES: THE REQUIEM. So this campaign is raising money for professional sound quality to go with the professional music. The more money that gets raised, the better the sound will be.

Right now, Mark has taken in $2,525 with 46 days to go. If you’d like to donate (or know someone who might like to donate), here is the link…

https://www.indiegogo.com/projects/stalled-trek-the-city-on-the-edge-of-foreclosure

And here is the first full trailer for Stalled Trek: The City on the Edge of Foreclosure (it looks AWESOME)…

Bad news turns into good news for STALLED TREK!

By far, one of the funniest and most beloved of the fan-produced Star Trek parodies is STALLED TREK, the hilarious CGI-rendered puppet characters from the comedically brilliant mind of MARK LARGENT.

Mark’s first Stalled Trek fan film “Amutt Time” was released in 2012 and followed the adventures of the crew of the USS Second Prize when its first officer, Mr Spott, began going through heat and needed to return to his home planet of Vulcanine to mate. It’s a MUST-SEE fan film.

After doing this blog interview with Mark back in 2016, we collaborated on a parody of Prelude to Axanar, which was really a parody of the Axanar lawsuit. Called Prelude to Ax’d-We-Are, it featured the same puppet-style of characters and was just as funny as Mark’s first offering.

Then, last summer, Mark announced a new Stalled Trek: “The City of the Edge of Foreclosure.” This time, he would be returning to a parody of the TOS characters, and he successfully funded a Kickstarter with $4,181 (over an initial $600 goal) from 114 donors.

It was time to start animating! Well, kinda. As Mark informed donors along the way, animation was a slow, tedious process, as he was rendering on a single Macintosh computer, using a 3D application called Animation:Master. Although it’s a great, affordable all-in-one app (according to Mark)—and he’d been using it reliably for the last 12 years—a single frame could take 3-5 minutes to complete.

With 30-frames-per-second being the accepted norm, each second of Mark’s fan film could easily take 2 hours to render…or more ominously, each minute could take 120 hours of non-stop computer render time! And of course, a single glitch in the rendering of any scene would require starting all over from zero.

This was why Mark told me that “The City on the Edge of Foreclosure” might be his last Stalled Trek. But to make matters worse, a few weeks ago, the makers of Animation:Master announced that their application would no longer be supporting the Macintosh platform…and Mark didn’t have the funds to buy a new PC with the power necessary to render frames of animation at any speed where he could realistically finish in months, possibly even years!

Was this the end of the road for Stalled Trek???

My FAN FILM just beat AXANAR in the Berlin Sci-Fi Film Festival! (Yay!)

Now, this is pretty crazy! Back in April of 2016, while the CBS/Paramount v. Axanar lawsuit was still going strong, MARK LARGENT and I decided to create a parody of the whole mess with a short animated spoof called PRELUDE TO AX’D-WE-ARE. We wrote the script together in about five days, and I provided the voices for half of the characters. Mark did the lion’s share of the work, animating the entire seven-minutes in just 31 days! (For more background on how this all came together, check out this blog.)

When I first heard about the Berlin Sci-Fi Filmfest back in June, I posted about it because, for the first time that I was aware of, an international film festival was featuring a category specifically for FAN FILMS! I suggested to Mark Largent that he might want to enter Prelude to Ax’d-We-Are. After all, it was just 15 bucks. Other Trek fan films were also entered—including the excellent Chance Encounter, Starship Republic – “Serpent of Yesterday”, and Survivors—and we figured we might have a shot…maybe. There were also three Star Wars fan films (one from the UK and another from France), a Blade Runner fan film out of South Africa, and a horror movie spoof.

And then we saw that Prelude to Axanar had been entered. Oh well, we thought, there goes our chance to win. (Prelude is pretty much a juggernaut.) But at least audiences would be able to watch both the parody and the original it was based on.

We actually made it to the semi-final round, along with Tears in the Rain (the South African Blade Runner fan film with some great acting), The Secret of Tatooine (all in French with awesome visual effects), and of course, Prelude to Axanar. With competition like that, we figured that “semi-finalist” was as far as we’d get. We were wrong.

We won BEST FAN FILM!!!!

Mark and I thought it was a typo! But no, there is was up on their website with our poster image. “I feel like there’s all these guys in my class who studied for months to pass the exam and all I did was cram at the last minute and ace it!” Mark told me over the phone.

I joked to ALEC PETERS of Axanar, writing, “I hope you’re not pissed at us.”

“Why would I be pissed?” he wrote back. “It’s awesome. Its all in the family. We have won 47 awards. Nice for you guys to win one.”

So Mark and I, co-writers and co-producers, can now also call ourselves winners of an international sci-fi film festival competition. And that is totally cool! Thanks for letting me share that news with you.

And in case you missed it, here’s Prelude to Ax’d-We-Are in all of its 7 minutes of glory…

PRELUDE TO AX’D-WE-ARE (feature)

How’s this for a first? A parody fan film of another fan film! And not just any fan film…it’s a parody of Prelude to Axanar!

Prelude to Ax’d-We-Are is a love letter to the amazing fan production that has become so popular… and it also doubles as a bit of light-hearted satire on this whole copyright infringement controversy. Oh, and it’s pretty darn funny, too!

So how did this Axanar parody come about? Who can we blame?

Continue reading “PRELUDE TO AX’D-WE-ARE (feature)”