Jonathan Lane – Fan Film Factor

A very special fan film: SECOND STAR TO THE LEFT from TALES FROM THE NEUTRAL ZONE… (part 2 of a 2-part blog)

Last week, I discussed how I came to be the primary editor of the newest fan film from the “fanthology” series TALES FROM THE NEUTRAL ZONE. Titled SECOND STAR TO THE LEFT, the story begins as most TOS-era fan films do, with a captain and crew on a mission and then a mystery leading to a threat. But in this very special fan film, something unexpected happens halfway through to turn the story into something completely different. And if you haven’t seen it yet, it’s worth watching first without any spoilers…

Assuming you’ve just watched the above video, I can now share that the lead actress who stars as Captain Fairchild/Cathy, SARA McCARTNEY, is herself on the autism spectrum. Indeed, Sara’s mother, RUTH McCARTNEY, wrote the story as a quasi-biographical/autobiographical remembrance of the struggles that both she and her daughter have faced during their respective lifetimes. In both cases, Star Trek became a sanctuary, as it has for numerous fans over the decades. As such, this production has a very wide appeal.

Second Star to the LEFT was one of the final fan films to be shot at the Kingsland, GA location of NEUTRAL ZONE STUDIOS before their amazing TOS set recreations were packed up and moved 900 miles north to a new location in a shopping mall in Sandusky, OH. You can read more about that move here. Ruth, a long-time volunteer at the Kingsland location, asked set owner RAY TESI for permission to shoot Second Star before the sets were disassembled, and Ray happily agreed.

JOSHUA IRWIN of AVALON UNIVERSE Productions, who has directed multiple episodes of Tales from the Neutral Zone, agreed to drive down to Kingsland from his home in northwestern Arkansas (a trip he has made MANY times!) to direct not only Second Star but three different fan films all being shot during the same manic three-day weekend. Later, Josh asked me to help edit my choice of one of the multiple fan films he was working on, and I decided upon Second Star, as I discussed in part of of this blog feature.

I consider this fan film to be particularly important, as Sara’s performance shows what an individual with neurodivergence can accomplish. At a time when autism is being stigmatized by divisive rhetoric and wild theories as to its causes, Second Star to the LEFT humbly reminds us that being on the spectrum isn’t a disability so much a simply a different ability.

When Second Star debuted on the Avalon Universe YouTube channel, Josh hosted a livestream discussion with several people who were involved with the production, including Ruth and Sara, myself, Ray, Tesi, KEITH HAMILTON (who did some of the VFX), and MICHAEL SEAN CARTER, who is one of the volunteers coordinating the studio move to Sandusky. With Josh’s permission, I’m including that video below to finish off this 2-part spotlight on the film.

The first segment of the video deals with the latest news from Avalon Universe. So I’ve queued up the video to begin at the 20-minute mark when the topic shifts to Second Star. Feel free to back it up to the beginning if you’re curious about other current and future Avalon projects…

How I ended up editing SECOND STAR TO THE LEFT from TALES FROM THE NEUTRAL ZONE… (part 1 of a 2-part blog)

This is going to be a different kind of blog today. Usually, I write from the perspective of being on the outside looking in. This time, however, I stepped in as film editor on a very special Star Trek fan film starring a courageous young actress who is on the autism spectrum. And therein lies a tale…a tale from NEUTRAL ZONE STUDIOS.

It was the spring of 2024, and my friend JOSHUA IRWIN was feeling quite overloaded…and no wonder! Ever since branching out beyond producing his series of AVALON UNIVERSE fan films, Josh has been one of the most in-demand filmmakers in the entire community. He gets asked to direct, do lighting, camera, cinematography, special FX, sound, and editing on what seems to be an endless parade of projects ranging from fan films like FARRAGUT 2024 and fan series like DREADNOUGHT DOMINION to fanthologies like THE FEDERATION FILES and TALES FROM THE NEUTRAL ZONE. And as the year began, Josh had no loess than SIX different fan films that he helped shoot, produce, wrote, and/or directed…and he needed to edit each of them.

Some of these were major projects, like the series finale of the 23rd century run of Avalon Universe, an upcoming release to be titled THE ONCE AND FUTURE CAPTAIN. Others were mid-size projects, like a story for Tales from the Neutral Zone called HISTORY NEVER FORGETS (still unreleased) about the crew of the Enterprise-C before its destruction. And then there were three “small” fan films with minimal raw footage that had each been shot in about a day or less with run times of maybe 15 minutes or so. With work life, family life, and fan film life commitments piling up, Josh asked me if I’d be willing to help him edit one of these three shorter fan films.

This request didn’t come out of left field. Josh and I had worked closely on the edit for my AXANAR Universe fan film INTERLUDE, and even though I drove him nuts (and maybe a little vice-versa), we actually worked quite effectively together—finding some compromises when we didn’t agree or else one or the other of us putting our foot down—and wound up with a very nice final cut. Josh understands that I don’t know a hundredth of what he does about the finer points of film editing like levels and color optimization, but he knows I have a good feel of which takes work the best and how to piece together a good rough edit.

“If you can just assemble the cuts in the timeline, Jonathan, I can do all of the rest,” Josh told me. “And even if you edit only one of these shorter films, it’ll really help lighten my workload.” And I was happy to do it. I actually enjoy editing a film, at least on a basic putting-the-pieces-together level. Now the only decision I had to make was which of the three fan films to tackle.

Time to VOTE for your favorite TREKS IN 90 SECS fan film!

We have a total of TEN entries for our second annual TREKS IN 90 SECS contest—one is a returning entry from last year—and since each fan film runs between 90 and 120 seconds, you can watch all of them in less than 20 minutes!

You can vote for up to three of your favorite videos, and once you make your selections and click the “VOTE” button at the bottom, that’s it and your ballot is locked. So choose wisely!

Voting ends at 11:59 p.m. Pacific Time on Sunday, August 24. Then the three ultra-short films with the highest number of votes will be declared the winners, and results will be posted at the end of this month.

Click here to cast your ballot!

Where did JONATHAN go?

Don’t look now, but my last published Fan Film Factor blog was on January 9th! And for a guy who prides himself on posting at least one or two new blogs a week, that’s almost an eternity of radio silence! Indeed, it had gotten so noticeable that one fan filmmaker actually IM’d me recently to ask if I’d survived the recent Los Angeles wildfires. (I was tempted to respond, “No, I died in a smoldering inferno last month. I’m writing to you from the Great Beyond…and they have Star Trek reruns!”)

So what did happen?

Well, as I mentioned in my final blog of 2024, I had been spending quite a bit of time finishing the writing of a new book on day trading. (Don’t laugh! I’ve gotten quite good at it, folks. And something has to pay for my next fan film!) But the book came out in late January, so that doesn’t explain my lack of blogger productivity for much of January and all of February.

I could, of course, blame the wildfires that devastates L.A. and left a number of our friends effectively homeless. But fortunately for myself and the Lane family, homes on the west side of Los Angeles were spared from the fiery maelstrom. I did volunteer at an organization called Project Angel Food (mostly chopping vegetables), but that didn’t take away too much blogging time.

No, the two reasons for my lack of new fan film blogs these past two months were twofold: the DIRECTORS CHOICE AWARDS and robots.

Usually, I simply report on the annual Directors Choice fan film awards. But this year, due to my entering of my own fan film, AN ABSENT FRIEND, into the competition, I am also a judge. And as it turns out, there were FIFTY-FIVE different entries this time out!!!! Some of them I’ve already seen, as they are Star Trek fan films. But others are superhero, Alien, Nightmare on Elm Street, Harry Potter, Ghostbusters, The Last of Us, Power Rangers, Narnia, and a host of other sci-fi/fantasy/horror genres. And many of them are truly excellent and worth watching (for example, this one and this one). But while some of them are fairly short, others have run times of thirty minutes to over an hour…and there’s quite a few of those! So I’ve been spending a LOT of time just watching dozens and dozens of different fan films so I can cast an informed ballot before the March voting deadline.

As for the robots…

California wildfires threaten the house where 70 episodes of STAR TREK: HIDDEN FRONTIER and its spin-offs were filmed!

From 1999 through 2010, a humble little house on the border of Pasadena and Altadena, California was one of the hubs of the early Star Trek fan film scene. The house belonged to fan filmmaker and CG artist ROB CAVES, and it served as the “studio” for 50 episodes of STAR TREK: HIDDEN FRONTIER and another 20 episodes of multiple spin-offs fan films and series. I was there for the filming of several episodes, and even appeared in one as an alien guard.

The house had a living room and kitchen in the front where actors and crew would hang out between scenes, a master bedroom off the kitchen where Rob slept, and the rest of the space was dedicated to serving as a studio. One bedroom/office was turned into a make-up room with mirrors, a countertop, and wigs and prosthetics against the opposite wall. Here’s a photo of me getting into makeup in 2008…

Another alcove held costumes, a third was dedicated to the green screen, and a back room was used for equipment like lights and boom mics. And finally, in a small nook in the very back of the house—only large enough for one or two people to sit at a single desk and crammed with digital equipment—Rob would squeeze himself in to composite the green screen footage against virtual backgrounds while scenes were being filmed. (Those were the days when video files were still very large and hard to edit; so it wasn’t practical for a non-professional to capture green screen footage first and then composite it later.)

Rob has since moved on from producing Star Trek fan films and is actually rather passionately involved in model trains these days. But he and I still have some contact every now and then. Last night, I e-mailed him to check if he was safe. I didn’t hear back directly, but this morning on Facebook, I saw him post the following to his feed…

2024 Star Trek Fan Film YEAR IN REVIEW

First, my friends, I must apologize for being a bit less diligent in my coverage of Star Trek fan films this past year. Granted, I’ve still published over 65 blogs since January 1, 2024, but that’s compared with 90 blogs in 2023 and 114 in 2022.

The reason behind my diminished output is that I’ve been spending much of this past year co-authoring a book, which I’ve only just completed (it will be out early next year). It was a paying gig, so it needed to take priority. It’s actually my third co-authored book, my first being Starship Spotter (with ADAM “MOJO” LEBOWITZ, ROB BONCHUNE, and ALEX ROSENZWEIG) and my second, Being Santa Claus, still available for purchase in various formats here on Amazon.

But enough about me!

Let’s get started looking at what’s been happening in world of Star Trek fan films for the last twelve months. As usual, I won’t have enough time or space to get to everything, but here are the biggest stories of the year…

IS CROWD-FUNDING STILL A THING?

Sadly, the year kicked off on a bit of a sour note as a debate began to rage on social media whether Trek fan films should continue crowd-funding. It began when RANDY LANDERS announced that POTEMKIN PICTURES would no longer do any public crowd-funding. But then he added (somewhat forcefully) that he felt that other fan productions shouldn’t crowd-fund either. Things got heated from there. And sadly, in part because I didn’t agree, Randy told me to no longer cover any of his Potemkin releases on Fan Film Factor…and I have, of course, complied with his wishes, albeit regrettably.

Perhaps ironically, not many fan productions chose to crowd-fund this year. In fact, I only counted four during all of 2024 (well, technically five, since FARRAGUT FILMS ended one campaign and began another shortly thereafter), and those were for:

FARRAGUT FORWARD/FARRAGUT 2024
NEUTRAL ZONE STUDIOS (to fund their move from Georgia to Ohio)
TREK SHORTS
STALLED TREK: THE DUMBSDAY MACHINE

In previous years, crowd-funding campaigns were much more prolific. Now, it seems they are diminishing in frequency and, in general, bringing in less money (although FARRAGUT FORWARD did reach $47.5K before wrapping). Will 2025 continue to see this phasing out of crowdfunding? I guess we’ll just have to wait and find out.

Please HELP SANTA CLAUS this Christmas by buying his book…

Ho, ho, ho, everybody! I realize that this blog isn’t Star Trek or fan film related—other than “SANTA” SAL LIZARD having been the president of STARFLEET, The International Star Trek Fan Association from 2008-2011—but I’d still like to take a few moments for a special message to all of you.

In case you ween’t aware, I helped Santa Sal write a book full of his wonderful memoirs of having been a professional, real-bearded Santa Claus for (at the time) more than two decades. BEING SANTA CLAUS was first published in 2012 by Gotham Books, a division of Penguin Publishing. A few years ago, Sal and I reacquired the rights to the book and published a new expanded edition, with additional heartwarming true stories and photos, available in hardcover, paperback, kindle, and even audiobook formats. (I narrated the audio version.)

It was a happy and exciting time for both of us as the world was emerging from lockdown. But then Sal’s wife Linda passed away suddenly from brain cancer around the same time that Sal himself had a trio of mini-strokes that left his left side too weak to support children on his lap. Sal’s days of being Santa Claus were effectively over.

With the passing of Sal’s wife, whose job as a nurse administrator was their primarily source of income beyond Sal’s annual Santa gigs and the occasional Ubering, Sal has been reduced to living solely on social security, barely enough to get by. The one thing he has to look forward to are royalties on book sales…which aren’t much. The books clear about $4-5/purchase (depending on the format sold), with monthly royalties in the dozens of dollars at best. So, sadly, not too much.

But this is the one time of year when the book sells a little bit better—hence, this blog. I’m trying to help my friend-in-need by encouraging my other friends to purchase Being Santa Claus in any format. If you order now, the book will likely arrive by Christmas (or instantaneously if you order the Kindle or Audible version).

It’s a great stocking stuffer or just something to listen to in the car if you want a break from holiday music without losing the feeling of the season. If you’d like to hear a sample what the book sounds like, here is short snippet of one chapter…

Every little bit helps out this wonderful, good-natured, generous, and caring man get something nice for his daughter and granddaughter for Christmas. And even if all you can afford right now is goodwill toward men (and women and others), please consider passing along the following link to the Amazon page on your social media feeds. Merry Christmas to all…!

CLICK HERE TO ORDER YOU COPY AND HELP SANTA SAL

Remember to VOTE for your favorite TREKS IN 90 SECS fan film…and other updates!

Hey there, folks! Jonathan has returned from a very nice (and hot!) summer vacation with extended family, and I’m ready to dive back into Star Trek fan films (instead of diving into the pool)!

First up, I wanted to remind you all to please vote for your favorite (up to three favorites) TREKS IN 90 SECS ultra-short Star Trek fan film(s). Click here to cast your ballot! We have nine entries for our inaugural contest, and since each one is between 90 and 120 seconds, you can watch all nine of them in less than 15 minutes! And there are some real gems in the mix. It looks like about 60 people have voted so far (assuming each person voted for the maximum of three films), but there’s still two weeks left to register your preference(s)—voting closes at midnight Pacific Time on Sunday, August 25.

And speaking of voting, I’m excited to say that ten of the twelve SHOWRUNNER AWARDS judges have now submitted their completed ballots, leaving only two whom I still have to nag. That means that everything is on schedule to announce this year’s winners on September 8.

Meanwhile, it’s a good thing I’m rested, because fan filmmakers have certainly been busy lately! I’m currently setting up interviews with the creators behind the latest PROJECT: RUNABOUT fan film “IT’S ALL DONE WITH MIRRORS,”and I’ll be covering SAM COCKINGS’ latest opus, PRODIGY RECKONING (episode 3 just premiered this weekend with some stellar acting performances along with Sam’s usual awesome CGI effects) once a few more episodes are released.

Also on short-range scanners are a new release, BETWEEN TWO WORLDS, from JOSHUA IRWIN and a brand new fan filmmaker due out in a few weeks, as well as the highly-anticipated FARRAGUT FORWARD, set to debut extremely soon. FARRAGUT FILMS showrunner JOHN BROUGHTON says it will be a “game-changer,” and from what has been shared by him and director JOHNNY K. so far, I truly believe John is making a serious understatement!

And finally, I’m working hard to set up a pair of video interviews with two different groups of German fan filmmakers. The first group, EUDERION – INFINITY, has been releasing Star Trek fan films for more than 16 years! The other group, LORELEY, are relative newcomers who have quickly leapfrogged to doing some of the most advanced fan filmmaking currently in active production.

And of course, I am certain that there will be more…LOTS more! This is truly the golden age of Star Trek fan films, my friends, with so much to watch and enjoy. And I’m here to cover as much of it as I can.

Remember to vote for Treks in 90 Secs, and I’ll be blogging again soon!

An APOLOGY to KASEY SHAFSKY from JOSH IRWIN and MYSELF…

I had been planning to publish part 2 of the interview with JOSHUA IRWIN about the final shoot at NEUTRAL ZONE STUDIOS two weekends ago. However, that will have to wait until tomorrow, as I need to print a retraction and an apology to KASEY SHAFSKY for something that was inadvertently included in the interview that should not have been.

Josh, in commenting about Kasey (who has been hyper-critical of Neutral Zone Studios for quite a while), included the following remark: “Kasey Shafsky was a part of the first two or three STC episodes ten years ago and was not invited back.”

Kasey responded indignantly on social media with the following two posts…

Josh has asked me to publish the following response, verbatim, to Fan Film Factor…

I want to offer a public apology to Kasey Shafsky. While talking on the phone with Jonathan for the interview a few days ago, I made a comment regarding a rumor about Kasey Shafsky’s involvement in the making of Star Trek Continues. It was an offhand remark during a part of the interview that I thought was off the record. I did not believe that what I said at that point would be either printed or connected to a previous answer.

I don’t know Kasey, I’ve never met him. I have nothing against him, nor do I seek conflict with him. I have no idea what his involvement with STC was because I wasn’t there. I was asked questions about the studio, and I answered them. IMDB does in fact list him as a producer for all 11 episodes. My remark was hearsay, and should be treated as such.

I feel it is important to clarify this because I believe strongly that only the confirmed truth should be reported in the public square, not rumor. If I’m going to stick up for others when rumor is thrown out there, I need to hold myself to that same standard.

I likewise need to apologize to Kasey for publishing that portion of Josh’s interview. I listened again, and it wasn’t clear whether Josh meant for that part to be off the record, but I should have double-checked with him. My apologies to both Kasey and Josh for that oversight.

I will say that others have mentioned to me in passing that Kasey was not directly involved with the production of STC episodes nor was he in attendance during shoots beyond the third episode of the series, although he did reportedly visit the sets from time to time. It was for this reason that I felt comfortable in including Josh’s comment in the interview.

However, no one has agreed to go on record in confirming (or denying) any of those above statements, so I cannot officially confirm nor deny them other than to say, “I was told off the record.” If anyone wishes to comment on the record, please feel free to post something in the comments or contact me directly. Otherwise, my apology to Kasey stands.

Part 2 of Josh’s interview will appear tomorrow.

Did MATT MILLER write a SONG about LIL’ OL’ ME? I do believe he DID!

Okay, folks, this was totally NOT on my Bingo card for, like, ever!

It’s been more than two years since I last wrote a blog about Trekzone’s MATT MILLER from Australia. And honestly, I was fine not talking about him ever again (except, of course, when he appears in a fan film that I’m covering, like this one).

But, man! When Matt takes the time to not only write a song about me but to have someone professionally sing and record it and then use it to kick off the latest video for his Matt Miller Fan Film Awards show—well, how can I not return the favor and sincerely thank him for thinking of me (apparently constantly!) enough to put in all of this amazing effort?

Anyway, without further ado, this is the song that opened this year’s Trekzone Awards. It’s only 2 and a half minutes, it’s totally surreal, but it’s definitely worth a listen…

Has a kinda JONI MITCHELL vibe, don’t it?

Frankly, I’d be way too embarrassed to ever do anything like that with the annual SHOWRUNNER AWARDS, as they’re meant to celebrate the achievements of fan filmmakers, not serve to extend some silly vendetta. But Matt’s gotta be Matt, I suppose.

And I personally wouldn’t be all that thrilled to win an award for my fan film knowing that the presentation was tainted by some cringe attack song at the opening. I’d probably think twice before showing the video to friends since I’d have to explain what the darn song actually meant. (And what did it mean, by the way? Which side is the “haters” and what “truth” will they see? I have no earthy idea!)

Matt was, of course, careful not to use my actual name or the name of ALEC PETERS (whom he calls “The Producer”—I am, of course, “Fan Film Blogger Dude”), although he does reference my AXANAR-inspired fan film INTERLUDE at one point. But I’m obviously living rent-free inside of Matt’s head for him to include this weird vendetta-ballad at the start of the video (which you can watch in its entirety here; I don’t mind if Matt gets more views, as he certainly needs them).

By the way, I do not typically cover the Trekzone Awards because one of Matt’s requirements for eligibility is that he doesn’t hate you, and he hates a LOT of people in the fan film community (including at least a couple dozen of my close friends—along with me, of course). So each year, there end up being many very deserving fan films that are capriciously excluded from even being considered for a Trekzone Award, as Matt selects all entrants himself and has only two judges: Matt and one other fellow from Australia.