Jonathan Lane – Fan Film Factor

Where did JONATHAN go?

Don’t look now, but my last published Fan Film Factor blog was on January 9th! And for a guy who prides himself on posting at least one or two new blogs a week, that’s almost an eternity of radio silence! Indeed, it had gotten so noticeable that one fan filmmaker actually IM’d me recently to ask if I’d survived the recent Los Angeles wildfires. (I was tempted to respond, “No, I died in a smoldering inferno last month. I’m writing to you from the Great Beyond…and they have Star Trek reruns!”)

So what did happen?

Well, as I mentioned in my final blog of 2024, I had been spending quite a bit of time finishing the writing of a new book on day trading. (Don’t laugh! I’ve gotten quite good at it, folks. And something has to pay for my next fan film!) But the book came out in late January, so that doesn’t explain my lack of blogger productivity for much of January and all of February.

I could, of course, blame the wildfires that devastates L.A. and left a number of our friends effectively homeless. But fortunately for myself and the Lane family, homes on the west side of Los Angeles were spared from the fiery maelstrom. I did volunteer at an organization called Project Angel Food (mostly chopping vegetables), but that didn’t take away too much blogging time.

No, the two reasons for my lack of new fan film blogs these past two months were twofold: the DIRECTORS CHOICE AWARDS and robots.

Usually, I simply report on the annual Directors Choice fan film awards. But this year, due to my entering of my own fan film, AN ABSENT FRIEND, into the competition, I am also a judge. And as it turns out, there were FIFTY-FIVE different entries this time out!!!! Some of them I’ve already seen, as they are Star Trek fan films. But others are superhero, Alien, Nightmare on Elm Street, Harry Potter, Ghostbusters, The Last of Us, Power Rangers, Narnia, and a host of other sci-fi/fantasy/horror genres. And many of them are truly excellent and worth watching (for example, this one and this one). But while some of them are fairly short, others have run times of thirty minutes to over an hour…and there’s quite a few of those! So I’ve been spending a LOT of time just watching dozens and dozens of different fan films so I can cast an informed ballot before the March voting deadline.

As for the robots…

California wildfires threaten the house where 70 episodes of STAR TREK: HIDDEN FRONTIER and its spin-offs were filmed!

From 1999 through 2010, a humble little house on the border of Pasadena and Altadena, California was one of the hubs of the early Star Trek fan film scene. The house belonged to fan filmmaker and CG artist ROB CAVES, and it served as the “studio” for 50 episodes of STAR TREK: HIDDEN FRONTIER and another 20 episodes of multiple spin-offs fan films and series. I was there for the filming of several episodes, and even appeared in one as an alien guard.

The house had a living room and kitchen in the front where actors and crew would hang out between scenes, a master bedroom off the kitchen where Rob slept, and the rest of the space was dedicated to serving as a studio. One bedroom/office was turned into a make-up room with mirrors, a countertop, and wigs and prosthetics against the opposite wall. Here’s a photo of me getting into makeup in 2008…

Another alcove held costumes, a third was dedicated to the green screen, and a back room was used for equipment like lights and boom mics. And finally, in a small nook in the very back of the house—only large enough for one or two people to sit at a single desk and crammed with digital equipment—Rob would squeeze himself in to composite the green screen footage against virtual backgrounds while scenes were being filmed. (Those were the days when video files were still very large and hard to edit; so it wasn’t practical for a non-professional to capture green screen footage first and then composite it later.)

Rob has since moved on from producing Star Trek fan films and is actually rather passionately involved in model trains these days. But he and I still have some contact every now and then. Last night, I e-mailed him to check if he was safe. I didn’t hear back directly, but this morning on Facebook, I saw him post the following to his feed…

2024 Star Trek Fan Film YEAR IN REVIEW

First, my friends, I must apologize for being a bit less diligent in my coverage of Star Trek fan films this past year. Granted, I’ve still published over 65 blogs since January 1, 2024, but that’s compared with 90 blogs in 2023 and 114 in 2022.

The reason behind my diminished output is that I’ve been spending much of this past year co-authoring a book, which I’ve only just completed (it will be out early next year). It was a paying gig, so it needed to take priority. It’s actually my third co-authored book, my first being Starship Spotter (with ADAM “MOJO” LEBOWITZ, ROB BONCHUNE, and ALEX ROSENZWEIG) and my second, Being Santa Claus, still available for purchase in various formats here on Amazon.

But enough about me!

Let’s get started looking at what’s been happening in world of Star Trek fan films for the last twelve months. As usual, I won’t have enough time or space to get to everything, but here are the biggest stories of the year…

IS CROWD-FUNDING STILL A THING?

Sadly, the year kicked off on a bit of a sour note as a debate began to rage on social media whether Trek fan films should continue crowd-funding. It began when RANDY LANDERS announced that POTEMKIN PICTURES would no longer do any public crowd-funding. But then he added (somewhat forcefully) that he felt that other fan productions shouldn’t crowd-fund either. Things got heated from there. And sadly, in part because I didn’t agree, Randy told me to no longer cover any of his Potemkin releases on Fan Film Factor…and I have, of course, complied with his wishes, albeit regrettably.

Perhaps ironically, not many fan productions chose to crowd-fund this year. In fact, I only counted four during all of 2024 (well, technically five, since FARRAGUT FILMS ended one campaign and began another shortly thereafter), and those were for:

FARRAGUT FORWARD/FARRAGUT 2024
NEUTRAL ZONE STUDIOS (to fund their move from Georgia to Ohio)
TREK SHORTS
STALLED TREK: THE DUMBSDAY MACHINE

In previous years, crowd-funding campaigns were much more prolific. Now, it seems they are diminishing in frequency and, in general, bringing in less money (although FARRAGUT FORWARD did reach $47.5K before wrapping). Will 2025 continue to see this phasing out of crowdfunding? I guess we’ll just have to wait and find out.

Please HELP SANTA CLAUS this Christmas by buying his book…

Ho, ho, ho, everybody! I realize that this blog isn’t Star Trek or fan film related—other than “SANTA” SAL LIZARD having been the president of STARFLEET, The International Star Trek Fan Association from 2008-2011—but I’d still like to take a few moments for a special message to all of you.

In case you ween’t aware, I helped Santa Sal write a book full of his wonderful memoirs of having been a professional, real-bearded Santa Claus for (at the time) more than two decades. BEING SANTA CLAUS was first published in 2012 by Gotham Books, a division of Penguin Publishing. A few years ago, Sal and I reacquired the rights to the book and published a new expanded edition, with additional heartwarming true stories and photos, available in hardcover, paperback, kindle, and even audiobook formats. (I narrated the audio version.)

It was a happy and exciting time for both of us as the world was emerging from lockdown. But then Sal’s wife Linda passed away suddenly from brain cancer around the same time that Sal himself had a trio of mini-strokes that left his left side too weak to support children on his lap. Sal’s days of being Santa Claus were effectively over.

With the passing of Sal’s wife, whose job as a nurse administrator was their primarily source of income beyond Sal’s annual Santa gigs and the occasional Ubering, Sal has been reduced to living solely on social security, barely enough to get by. The one thing he has to look forward to are royalties on book sales…which aren’t much. The books clear about $4-5/purchase (depending on the format sold), with monthly royalties in the dozens of dollars at best. So, sadly, not too much.

But this is the one time of year when the book sells a little bit better—hence, this blog. I’m trying to help my friend-in-need by encouraging my other friends to purchase Being Santa Claus in any format. If you order now, the book will likely arrive by Christmas (or instantaneously if you order the Kindle or Audible version).

It’s a great stocking stuffer or just something to listen to in the car if you want a break from holiday music without losing the feeling of the season. If you’d like to hear a sample what the book sounds like, here is short snippet of one chapter…

Every little bit helps out this wonderful, good-natured, generous, and caring man get something nice for his daughter and granddaughter for Christmas. And even if all you can afford right now is goodwill toward men (and women and others), please consider passing along the following link to the Amazon page on your social media feeds. Merry Christmas to all…!

CLICK HERE TO ORDER YOU COPY AND HELP SANTA SAL

Remember to VOTE for your favorite TREKS IN 90 SECS fan film…and other updates!

Hey there, folks! Jonathan has returned from a very nice (and hot!) summer vacation with extended family, and I’m ready to dive back into Star Trek fan films (instead of diving into the pool)!

First up, I wanted to remind you all to please vote for your favorite (up to three favorites) TREKS IN 90 SECS ultra-short Star Trek fan film(s). Click here to cast your ballot! We have nine entries for our inaugural contest, and since each one is between 90 and 120 seconds, you can watch all nine of them in less than 15 minutes! And there are some real gems in the mix. It looks like about 60 people have voted so far (assuming each person voted for the maximum of three films), but there’s still two weeks left to register your preference(s)—voting closes at midnight Pacific Time on Sunday, August 25.

And speaking of voting, I’m excited to say that ten of the twelve SHOWRUNNER AWARDS judges have now submitted their completed ballots, leaving only two whom I still have to nag. That means that everything is on schedule to announce this year’s winners on September 8.

Meanwhile, it’s a good thing I’m rested, because fan filmmakers have certainly been busy lately! I’m currently setting up interviews with the creators behind the latest PROJECT: RUNABOUT fan film “IT’S ALL DONE WITH MIRRORS,”and I’ll be covering SAM COCKINGS’ latest opus, PRODIGY RECKONING (episode 3 just premiered this weekend with some stellar acting performances along with Sam’s usual awesome CGI effects) once a few more episodes are released.

Also on short-range scanners are a new release, BETWEEN TWO WORLDS, from JOSHUA IRWIN and a brand new fan filmmaker due out in a few weeks, as well as the highly-anticipated FARRAGUT FORWARD, set to debut extremely soon. FARRAGUT FILMS showrunner JOHN BROUGHTON says it will be a “game-changer,” and from what has been shared by him and director JOHNNY K. so far, I truly believe John is making a serious understatement!

And finally, I’m working hard to set up a pair of video interviews with two different groups of German fan filmmakers. The first group, EUDERION – INFINITY, has been releasing Star Trek fan films for more than 16 years! The other group, LORELEY, are relative newcomers who have quickly leapfrogged to doing some of the most advanced fan filmmaking currently in active production.

And of course, I am certain that there will be more…LOTS more! This is truly the golden age of Star Trek fan films, my friends, with so much to watch and enjoy. And I’m here to cover as much of it as I can.

Remember to vote for Treks in 90 Secs, and I’ll be blogging again soon!

An APOLOGY to KASEY SHAFSKY from JOSH IRWIN and MYSELF…

I had been planning to publish part 2 of the interview with JOSHUA IRWIN about the final shoot at NEUTRAL ZONE STUDIOS two weekends ago. However, that will have to wait until tomorrow, as I need to print a retraction and an apology to KASEY SHAFSKY for something that was inadvertently included in the interview that should not have been.

Josh, in commenting about Kasey (who has been hyper-critical of Neutral Zone Studios for quite a while), included the following remark: “Kasey Shafsky was a part of the first two or three STC episodes ten years ago and was not invited back.”

Kasey responded indignantly on social media with the following two posts…

Josh has asked me to publish the following response, verbatim, to Fan Film Factor…

I want to offer a public apology to Kasey Shafsky. While talking on the phone with Jonathan for the interview a few days ago, I made a comment regarding a rumor about Kasey Shafsky’s involvement in the making of Star Trek Continues. It was an offhand remark during a part of the interview that I thought was off the record. I did not believe that what I said at that point would be either printed or connected to a previous answer.

I don’t know Kasey, I’ve never met him. I have nothing against him, nor do I seek conflict with him. I have no idea what his involvement with STC was because I wasn’t there. I was asked questions about the studio, and I answered them. IMDB does in fact list him as a producer for all 11 episodes. My remark was hearsay, and should be treated as such.

I feel it is important to clarify this because I believe strongly that only the confirmed truth should be reported in the public square, not rumor. If I’m going to stick up for others when rumor is thrown out there, I need to hold myself to that same standard.

I likewise need to apologize to Kasey for publishing that portion of Josh’s interview. I listened again, and it wasn’t clear whether Josh meant for that part to be off the record, but I should have double-checked with him. My apologies to both Kasey and Josh for that oversight.

I will say that others have mentioned to me in passing that Kasey was not directly involved with the production of STC episodes nor was he in attendance during shoots beyond the third episode of the series, although he did reportedly visit the sets from time to time. It was for this reason that I felt comfortable in including Josh’s comment in the interview.

However, no one has agreed to go on record in confirming (or denying) any of those above statements, so I cannot officially confirm nor deny them other than to say, “I was told off the record.” If anyone wishes to comment on the record, please feel free to post something in the comments or contact me directly. Otherwise, my apology to Kasey stands.

Part 2 of Josh’s interview will appear tomorrow.

Did MATT MILLER write a SONG about LIL’ OL’ ME? I do believe he DID!

Okay, folks, this was totally NOT on my Bingo card for, like, ever!

It’s been more than two years since I last wrote a blog about Trekzone’s MATT MILLER from Australia. And honestly, I was fine not talking about him ever again (except, of course, when he appears in a fan film that I’m covering, like this one).

But, man! When Matt takes the time to not only write a song about me but to have someone professionally sing and record it and then use it to kick off the latest video for his Matt Miller Fan Film Awards show—well, how can I not return the favor and sincerely thank him for thinking of me (apparently constantly!) enough to put in all of this amazing effort?

Anyway, without further ado, this is the song that opened this year’s Trekzone Awards. It’s only 2 and a half minutes, it’s totally surreal, but it’s definitely worth a listen…

Has a kinda JONI MITCHELL vibe, don’t it?

Frankly, I’d be way too embarrassed to ever do anything like that with the annual SHOWRUNNER AWARDS, as they’re meant to celebrate the achievements of fan filmmakers, not serve to extend some silly vendetta. But Matt’s gotta be Matt, I suppose.

And I personally wouldn’t be all that thrilled to win an award for my fan film knowing that the presentation was tainted by some cringe attack song at the opening. I’d probably think twice before showing the video to friends since I’d have to explain what the darn song actually meant. (And what did it mean, by the way? Which side is the “haters” and what “truth” will they see? I have no earthy idea!)

Matt was, of course, careful not to use my actual name or the name of ALEC PETERS (whom he calls “The Producer”—I am, of course, “Fan Film Blogger Dude”), although he does reference my AXANAR-inspired fan film INTERLUDE at one point. But I’m obviously living rent-free inside of Matt’s head for him to include this weird vendetta-ballad at the start of the video (which you can watch in its entirety here; I don’t mind if Matt gets more views, as he certainly needs them).

By the way, I do not typically cover the Trekzone Awards because one of Matt’s requirements for eligibility is that he doesn’t hate you, and he hates a LOT of people in the fan film community (including at least a couple dozen of my close friends—along with me, of course). So each year, there end up being many very deserving fan films that are capriciously excluded from even being considered for a Trekzone Award, as Matt selects all entrants himself and has only two judges: Matt and one other fellow from Australia.

TALES FROM THE NEUTRAL ZONE releases “LA MORT DE LA GUERRE” (“The Death of War”) featuring AVALON characters in the PRIME universe! (video interview with JOSH IRWIN, CAITLYN BAILEY, and others)

NEUTRAL ZONE STUDIOS in Kingsland, GA (at least for now, the studio will be relocating soon) has provided TOS sets for countless Star Trek fan films and series, including STARSHIP FARRAGUT, STAR TREK CONTINUES, DREADNOUGHT DOMINION, THE AVALON UNIVERSE, and so many more. And not to be outdone, the studio itself has its own fanthology series: TALES FROM THE NEUTRAL ZONE. Beginning in 2019, NZS has released seven fan films:

“THE LOOKING GLASS”
“ENDOSYMBIOSYS”
“DOOMSDAY”
“WHEN DUTY CALLS”
“THE TEST OF TIME”
“THE LOST STARSHIP”

And the seventh, which was premiered on May 23, is titled “LA MORT DE LA GUERRE” (“The Death of War”), written by JOSHUA IRWIN and directed by Josh along with TYLER DUNIVAN. It came out extremely well; take a look…

The film features the crew of the U.S.S. Excalibur, but not the starship in the Avalon Universe that Josh’s films usually spotlight. No, this time it’s the ship and crew from Star Trek‘s Prime Universe, most recently seen in last year’s CRISIS ON INFINITE EXCALIBURS.

This fan film also represents a somewhat unique pairing of resources, as not only was Neutral Zone Studios involved in the production, but so was the other major fan film studio featuring TOS sets, WARP 66 STUDIOS in northern Arkansas. Co-owner of WARP 66, GLEN L. WOLFE, traveled down to Georgia, bringing along a plethora of TOS tunics and uniforms for both actors and extras to wear. Also joining the production team were FRANK PARKER, JR. from CROSSROADS: THE GEMINI PROJECT (this time playing a Romulan) as well as VANCE MAJOR playing Eric Minard from CONSTAR. Even GARY DAVIS from DOMINION MEDIA got into the act by providing a last-minute photo of a “Sulu scope” for a close up shot of the tactical readout at the helm station.

Heck, even I worked on this fan film as a creative consultant. That meant that I provided Josh feedback and suggestions at various points during the months-long post-production and editing process. That might seem like an easy-peasy way to sneak into the credits, but I’ve actually watched through different iterations of this film more than a dozen times(!!!), marking down time-code and making extensive notes. Combined with the 50 to 70 people who worked on this project during the two days of shooting on the sets, this was truly a group effort of the many.

In the spirit of that sense of camaraderie and collaboration, my fellow fan film fanatic, JEFFERSON KELLEY of BEYOND TREK PODCAST, organized a group discussion of this excellent fan film, inviting a number of people from the production as well as myself, as well as CHEETO and ZAM from the NERD TUBE podcast. So rather than just doing one of my typical Fan Film Factor video interviews, Jefferson has offered to make his group podcast available for me to post here. It was a very fun, lively, and enlightening discussion. Enjoy…

How I used A.I. technology to bring the voices of SPOCK AND McCOY back to life in “AN ABSENT FRIEND” (part 3: legal and moral questions)…

In part 1, I discussed how I used Artificial Intelligence (A.I.) to turn a Star Trek inspired fan script that I wrote back in 2010 into an audio drama featuring the voices of Spock and McCoy. I utilized ElevenLabs‘ voice synthesis algorithm to convert sound clips captured from a variety of sources into a series of back-and-forth dialog between the two characters. Ultimately, I wound up with an approximately 15-minute long audio drama.

Part 2 covered how I managed to take the audio drama and turn it into an animated fan film with the help of an amazing illustrator by the name of MATT SLADE, music composer MATT MILNE, and my longtime childhood friend MOJO. Indeed, in the end, I was the only person involved in this production whose named didn’t start with the letter M! The finished product came out looking like this…

And now the moment that I am certain many of you have been waiting for: the legal and moral questions of “Can Jonathan legally do this?” and “Should Jonathan ethically do this?” These are both complex subjects to tackle. But let’s dive in…!

How I used A.I. technology to bring the voices of SPOCK AND McCOY back to life in “AN ABSENT FRIEND” (part 2: the art, animation, and music)…

In part 1, I explained how I had used Artificial Intelligence (A.I.) to synthesize the voices of Spock and McCoy to speak the words of a script I originally wrote as a short story back in 2010. In it, Captain Kirk has just “died” saving the U.S.S. Enterprise-B (in the feature film Star Trek Generations), and Bones is getting angry-drunk mourning the untimely passing of his longtime friend. Spock finds McCoy sitting alone in an unnamed bar and offers to join him. It’s the last thing the doctor wants—a Vulcan with no emotions—but, ironically, the thing he most needs. And Spock needs McCoy, as well, even though the Vulcan would never openly admit it.

The story was always intended to be a sort of a two-actor stage play, simple but poignant, giving a glimpse into how these two longtime friends and colleagues deal with the loss of AN ABSENT FRIEND. But the story/script sat quietly on my hard-drive for more than a decade, unused and mostly unpublished, waiting for its “moment.”

That moment came when I discovered the ElevenLabs website (thank you, RAY MYERS!), which can generate synthesized speech from any decent voice sample of a minute or two. Assembling verbal snippets from LEONARD NIMOY and DeFOREST KELLEY from various sources, I set out to create an audio drama of my script. The project took me a couple of months, and I explained the nuances of how I did it in part 1.

Now in part 2, I’ll explain how I got from that audio drama to this completely animated Star Trek fan film…

As I mentioned in part 1, after I completed the audio drama, I was frustrated by the subtle inconsistencies between sentences (especially for McCoy) due to my generating the voices in short segments. This was a necessary evil due to the limitations of the early A.I. technology, but it still bothered me.

Then I had an idea…