The future of AXANAR! (audio interview with ALEC PETERS & PAUL JENKINS)

A lot was happening in the world of AXANAR just three short weeks ago. After raising $50K to cover 2/3 of the cost of the first two shoots at Ares Studios (ALEC PETERS covered the rest personally), an additional $5K was raised in a new private crowdfunding campaign in February. That allowed a third one-day shoot to happen on March 15, just as fears of the pandemic were beginning to take hold in many states.

This led Alec to announce via Axanar Confidential that the fourth shoot, a major two-day green screen excursion to Los Angeles to film nearly half a dozen aliens in full prosthetics and makeup, would be delayed and no longer happen in April as planned. And the premiere of Axanar itself would likely no longer occur at San Diego Comic Con, as it was possible that the huge gathering of hundreds of thousands of dedicated fans might itself be canceled.

This didn’t stop Axanar completely, however. The first full trailer was released online the night of March 15, and you can see it here if you haven’t already…

This followed the release a few weeks earlier of some rough cut footage of actor JAMIE RENELL doing some background ad-lib for his on-screen interview as USS Ares Chief Engineer Alexei Leonov

https://youtu.be/YO4Po2yyTqU

And of course, on March 15 Axanar also launched its third private fundraiser on Ares Digital, this one with a goal of $30K to cover the major “alien shoot” in L.A. Some people asked if this was an appropriate time to raise money for a Star Trek fan film with people being furloughed and losing their jobs and the economy in a tailspin. Alec answered that question in a blog on the Axanar.com website. At the time, the campaign had already taken in about 25% of its goal in less than a week. In the two weeks since then, donations have slowed considerably, although they’re still trickling in steadily…

If you’re interested in donating (and are able to), you can do so by clicking here:

https://aresdigital.axanar.com

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The first panel from AXACON 2019 is now available for viewing!

Say what you will about AXANAR. But the one inescapable fact is that, perhaps more than any other Star Trek fan film (maybe any fan film period), Axanar is teaching fans a LOT about the process filmmaking. Sure, some cynics will say, “Yeah, it taught us all not to piss off the copyright owners!” But it’s also provided fans, fan filmmakers, and those wishing to become fan filmmakers an unparalleled up-front view into the entire production process.

Granted, most fan projects aren’t nearly as elaborate or ambitious as Axanar. The majority of fan producers just make their film and put the finished product up on YouTube. A few take behind-the-scenes photos or videos while they build sets or do make-up or have their shoots, but Axanar takes all that to an entirely other level.

Through countless Axanar Podcasts and updates on Axanar Confidential, we’ve watched this production walk through the fire of the lawsuit, emerge on the other side, pick itself up, dust itself off, and get back up to speed again with a move across country, a completed bridge set, and two shoots so far (soon to be three!). Along the way, there’s been a parade of features on countless aspects of filmmaking—from VFX to set-building, make-up, costume design, budgeting, writing, pre-production, production, and post-production…and just about everything in between.

But the one thing Axanar hasn’t really done a deep-dive into yet is directing. There was some commentary from PRELUDE TO AXANAR director CHRISTIAN GOSSETT on one of the behind-the-scenes features on the Prelude Blu-ray, but not much in-depth coverage of the full process. And ROBERT MEYER BURNETT left the project before getting the chance to sink his teeth into directing actual production.

However, now that Axanar has started shooting, director and co-writer PAUL JENKINS had some very, very interesting insights to share during AXACON 2019. Unlike the first Axacon in 2018, the second Axacon didn’t take place in a hotel with convention rooms and dealers tables and membership badges. This time, “attendance” was FREE to anyone on YouTube and included four panels broadcast live from the bridge set at Ares Studios in Lawrenceville, GA.

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