The first panel from AXACON 2019 is now available for viewing!

Say what you will about AXANAR. But the one inescapable fact is that, perhaps more than any other Star Trek fan film (maybe any fan film period), Axanar is teaching fans a LOT about the process filmmaking. Sure, some cynics will say, “Yeah, it taught us all not to piss off the copyright owners!” But it’s also provided fans, fan filmmakers, and those wishing to become fan filmmakers an unparalleled up-front view into the entire production process.

Granted, most fan projects aren’t nearly as elaborate or ambitious as Axanar. The majority of fan producers just make their film and put the finished product up on YouTube. A few take behind-the-scenes photos or videos while they build sets or do make-up or have their shoots, but Axanar takes all that to an entirely other level.

Through countless Axanar Podcasts and updates on Axanar Confidential, we’ve watched this production walk through the fire of the lawsuit, emerge on the other side, pick itself up, dust itself off, and get back up to speed again with a move across country, a completed bridge set, and two shoots so far (soon to be three!). Along the way, there’s been a parade of features on countless aspects of filmmaking—from VFX to set-building, make-up, costume design, budgeting, writing, pre-production, production, and post-production…and just about everything in between.

But the one thing Axanar hasn’t really done a deep-dive into yet is directing. There was some commentary from PRELUDE TO AXANAR director CHRISTIAN GOSSETT on one of the behind-the-scenes features on the Prelude Blu-ray, but not much in-depth coverage of the full process. And ROBERT MEYER BURNETT left the project before getting the chance to sink his teeth into directing actual production.

However, now that Axanar has started shooting, director and co-writer PAUL JENKINS had some very, very interesting insights to share during AXACON 2019. Unlike the first Axacon in 2018, the second Axacon didn’t take place in a hotel with convention rooms and dealers tables and membership badges. This time, “attendance” was FREE to anyone on YouTube and included four panels broadcast live from the bridge set at Ares Studios in Lawrenceville, GA.

Continue reading “The first panel from AXACON 2019 is now available for viewing!”

Follow-up: A GREEN SCREEN Christmas miracle!

Wow…with a capital WOW!

This, my friends, is what Star Trek fandom is all about.  Yesterday, I published a blog asking for fans’ assistance in replacing PAUL JENKINS’ custom green screen (at a cost of $4,700), which had accidentally been damaged beyond repair during the INTERLUDE shoot at Ares Studios in November.

I ended the blog with a reference to the TOS episode “The City on the Edge of Forever” when Kirk tells Edith Keeler how a famous author in the future will write a classic recommending the three words “Let me help…” even over “I love you…”

“Let me help…” brings people together.  “Let me help…” can accomplish the most amazing things.  And yesterday, “Let me help…” resulted in 85 donations and a total raised so far of $3,900 (including the $2,000 from three of our biggest donors and myself plus many, many donations of just $10 or $15 or $20).  This leaves us, after only a single day, within $800 of being able to replace Paul’s ruined green screen.

I can’t thank everyone enough for coming through this quickly.  I was deeply touched by this amazing fan response, especially after the emotional punch in the gut last Friday when Paul first told me how much this accident would cost to fix. $4,700 is a lot of money!

But what was most uplifting to me were the literally dozens and dozens of message full of support, understanding, and inspiration that I received on Facebook and from donors themselves.  Here’s just a small sample…

I donated because all Star Trek fans should support each other.
- Judy Reed
In today's world, it is becoming increasingly rare to see someone take responsibility for their own actions let alone for the actions of their crew. That type of integrity and honor deserves acknowledgement. Merry Christmas and Happy Holidays!
- Lawrence Wagner
Jonathan, I'm happy to help with your Christmas miracle.  Hey, accidents happen, and it is the mark of a true gentleman when you suck it up and say, 'The buck stops with me.'  You're right, no one intended to ruin the fabric.  They didn't even realize that what they were doing would mess it up.  However, I admire how you handled it.  THAT is the kind of character that people respect, and you sir, have my respect.  So Merry Christmas...and keep on Trekkin'.
- Troy Light
I wasn't able to donate during the original fundraising effort, so I'm happy to be able to help a little now.
- David Goldsberry
Everyone messes up sometimes (and I've certainly replaced school equipment that the kids have ruined in the past!).
-  Catherine McClarey
Sorry to hear this and I'm happy to help. The only people who never make mistakes are those who never actually do anything. So never mind,  that's life, we'll sort it.
- Alastair Miles

As far as I’m concerned, this is what makes the Star Trek fan film community so AWESOME.  I thank everyone who donated…from the bottom of my heart.

We’re nearly there, folks. If you’d like to help us get to the finish line, please click on the link below to donate a little something…

https://www.gofundme.com/interlude

INTERLUDE Confidential #2: This is really, really BAD…and I’m going to need some MAJOR HELP!

I need a Christmas miracle.

My heart sank last Friday morning when I got the call from Axanar director PAUL JENKINS. I immediately wished I could shift the blame to someone else and cover my ass in some way.

But no, that’s not what Star Trek taught me. Kirk always took responsibility for the actions of his crew, whether or not the captain himself had personally been the one at fault And as executive producer on INTERLUDE, the buck stops with me…or rather, the 4,700 bucks stop with me.

That’s what it’s going to cost to replace Paul’s 100 ft. x 20 ft. professional-quality, custom-made green screen that was accidentally ruined during the November INTERLUDE film shoot at Ares Studios.

Paul owns a production company, META Studios, and the giant portable green screen belongs to him (not to Alec Peters or Ares Studios). Paul brought the green screen to Ares Studios to use for the October AXAANR shoot and left it there to use again in December for last weekend’s shoot.

In November when we filmed the scenes for Interlude on the Ares bridge, we wanted to be able to shoot toward the view screen and composite in shots later using a green screen. It would (and probably still will) look really cool. But we needed a green screen to do it.

Fortunately, there was one on site, and we assumed it was okay to use it (Paul wasn’t there at the time; he visited the following day). And by “we,” I mean my Interlude team. And as a team, I am not singling anyone out for having screwed up. It was my team, and as such, I’m responsible for what happened next…

Continue reading “INTERLUDE Confidential #2: This is really, really BAD…and I’m going to need some MAJOR HELP!”

AXACON 2019 happens THIS SUNDAY at NOON eastern time…online!

The first AXACON took place during at the beginning of November in 2018 and “piggybacked” an existing mini-convention in Atlanta called SphinxCon. Fans got to walk around the newly-unveiled USS Ares bridge set on Friday and then attend a series of live convention panels on Saturday and Sunday with folks like GARY GRAHAM, J.G. HERTZLER, DAVID GERROLD, PAUL JENKINS, and of course, ALEC PETERS. Most of those panels are now available for viewing online.

The Axacon 2018 weekend of events and panels ended up costing Alec about $5,000 out of his own pocket. But the goal was always to launch a new wave of crowd-funding…first to cover the monthly rent and expenses to house the bridge set in Ares Studios (through a Patreon campaign), and later to generate excitement and enthusiasm to encourage private donations to help fund the two AXANAR sequels (click here and then follow the instructions if you’d like to contribute…they’ve raised more than $41,000 so far!).

This year, Alec has already fronted the $75,000 cost of the first Axanar shoot at the beginning of October and the second shoot going on this weekend. So funds are tight, all monies are going into production, and holding another Axacon this year would be out of the question, right?

Well, as it turns out…

Axacon 2019 won’t be the same as Axacon 2018. There won’t be a public tour of the studio or a physical convention. But there will be live panels with guests…AND it’ll be free to attend! How is Alec Peters managing this? Simple: it’ll all be live-streaming on YouTube!

Axacon 2019 will take place beginning at noon Eastern Time on Sunday, December 8, lasting for four hours. All of the panels will be hosted live on the Ares Studios bridge set and available for viewing on the Axanar Youtube Channel.

The four-hour online event is capping off a weekend that will also feature the second Axanar film shoot. Significantly smaller in scope than the first 3-day shoot in October, this one will feature two Garth scenes: one a short clip of Garth on the bridge and one in his quarters looking at casualty reports. Sunday will include multiple behind-the-scenes interviews in the morning, leaving ample time for the panels during the afternoon.

The following is a schedule of the panels, their topics, and the guests…

Continue reading “AXACON 2019 happens THIS SUNDAY at NOON eastern time…online!”

The latest AXANAR news! (audio interview with ALEC PETERS)

Despite all of the major AXANAR-related events lately—including the exciting October film shoot at Ares Studios in Lawrenceville, GA and the launch of the Ares Digital fundraiser—I haven’t actually sat down for an ALEC PETERS interview for more than two months. This week, I decided to remedy that…and fortunately, this time, no dogs needed to be rescued, so the call happened right on time.

Before we jump into the interview itself, just a quick reminder that Axanar IS currently crowd-funding…it’s just not doing so publicly using Kickstarter or Indiegogo. But if you want to donate, you can! Just click here, sign into your Ares Digital account (or create one if you don’t already have one), and then click “Donate Now!” to log in again.

Wait a second…you have to log in AGAIN???

Yeah, it’s kind of a feature, not a bug. Ares Digital is behind a firewall, but the donation widget requires logging into WordPress, as well. But in this way, donors’ payment information is processed without anyone at Axanar ever seeing it…an extra layer of identity protection. And it’s a pretty easy extra strep, as you can log in the second time with one click using your Facebook or Google account…or your e-mail you you’d prefer.

And then, once you’re in, you’ll see this…

Axanar is currently knocking on the door of $40,000—two-thirds of the way to the $60,000 goal to fund the first two film shoots.

But hasn’t the first shoot already happened? And isn’t the second shoot coming up in a couple of weeks? What if Alec doesn’t make the $60K goal in time? Does the second shoot have to be canceled or postponed? And what about the third shoot and beyond (aren’t there supposed to be five total)? When is that shoot getting funded…and what happens if Alec can’t raise enough in time? Will Axanar itself have to be delayed and the summer 2020 deadline missed?

So many questions!

Looks like Alec and I have a LOT to talk about this time out. Take a listen…

AXANAR video update posted…with ALEC PETERS and PAUL JENKINS!

I’m sure some folks are thinking, “For the love of Spock, Lane! ANOTHER update on AXANAR??? Just make the damn movie already!”

Actually, one of my readers posted a comment last week during the previous Axanar update, asking the following question: “Isn’t the finished product the important thing?” Well, yes and no…

Obviously, we all want a really awesome Axanar fan film—so the finished product is certainly an important thing. But so is the JOURNEY in getting there.

It’s been a long road, getting from there to here with Axanar. A lot of time, money (!!!), and patience has gone into this project…along with copious amounts of hard work, support, team effort, and faith in the dream against all odds. Axafans and Axanerds have been waiting years for the moment when production finally begins again…ever since the lawsuit shut everything down six weeks before cameras were set to start rolling in February of 2016.

But now all the hard work, patience, and planning is coming together. This is where the fun begins, Saavik.

So please indulge me if I get caught up in the excitement. And for anyone wondering why I don’t give this sort of coverage to other fan productions—I actually do…when they have it. I’ve covered pre-release updates on Temporal Anomaly, First Frontier, The Romulan War, The Holy Core, The Constar Chronicles, and other fan projects, each using information, interviews, photos and footage they supplied to me. It just so happens that ALEC PETERS is posting a LOT of content and updates these past few weeks…so I cover it!

(I’ll also be features Interlude updates over the coming weeks and months, as I can supply myself with lots of content, too.)

Anyway, this week’s Axanar Production Update is a quick and energetic 10-minute video that features Alec talking with Axanar director PAUL JENKINS. Some folks wondered if Paul had walked away from the project because his name wasn’t included in the recent Axanar press coverage that made it to some news outlets in the Atlanta area. But that was only a small oversight. Paul is still very much involved, and his enthusiasm for the project and his camaraderie with Alec are very evident in the video.

See for yourself…

Even more AXANAR news!

It’s a FANtastic time to be an AXANAR supporter…with big news and updates coming fast and furiously now. It’s creating a feeling of excitement and electricity throughout the community. Meanwhile, the detractors are rapidly running out of things to complain about! (Seriously. After perk packets began arriving in mailboxes this week, the folks on the Axamonitor Facebook group were reduced to making fun of a single typo in the perk letter from ALEC PETERS and suggesting that they should all burn their perk patches. So yeah, lots to be proud of over there.)

Meanwhile, back on the side of goodness and light…

With only two weeks until filming begins on the first Axanar shoot in Lawrenceville, GA on the bridge of the USS Ares (plus recording of the audio version of the full Axanar script), all the pieces are rapidly coming together. In the last few months, a LOT has been happening behind the scenes, and now fans are beginning to see what’s been taking so long.

A fair amount of Axanar news was revealed in my audio interview with Alec Peters last week. But already there’s even MORE news to share! Most of that news came out last night during the first new Axanar Confidential podcast in three and a half weeks. I’ll include that video at the end of this article.

But for those of you who want the highlights, here’s what we now know that we didn’t before…

Continue reading “Even more AXANAR news!”

AXANAR locks in START DATE for filming: October 4-6, 2019!

Yes, my friends, AXANAR is really (finally!) happening. And before some of you say, “Ha! I’ll believe it when I see it!” ALEC PETERS has now put out a call for volunteers the weekend of October 4-6, 2019. J.G. HERTZLER is confirmed to be in Lawrenceville, GA for that weekend, the bridge set is 99% complete, costumes are being made, and actors and extras are being cast. This is for real, folks.

The last time that Axanar was scheduled to start filming with actors and crew and volunteers confirmed, it was supposed to be the first week of February, 2016. I had blocked off time to be at the Valencia, CA studio the morning of the second day of shooting. Unfortunately, a few “minor” snags came up (like a hundred and fifty million dollar lawsuit!), and no footage for Axanar beyond “The Vulcan Scene” was ever shot.

Well, it’s been a long road…getting from there to here. The studio moved across country from California to Georgia in 2017; Axacon happened last November; Ares Digital 1, 2, and 3 were all started (and version 3.0 is about to launch…finally!); and most recently, the first fan film of a fan film, my Axanar Universe project INTERLUDE, was announced and began crowd-funding (donate here…we’re nearly 38% of the way to our goal!).

But now, shooting on Axanar is officially set to begin in just 15 more weeks! Amusingly, Alec had scheduled his shoot to happen the weekend right after my shoot for Interlude. That would potentially allow us to utilize the same actors and extras on the USS Ares bridge (and also lower my costume manufacturing costs if I could use those same tunics for my production). But a scheduling conflict for one of my directors popped up unexpectedly for September, and so I rescheduled my shoot to the first weekend of November…four weeks after Alec’s shoot. With luck, his actors and extras will still be available for Interlude, as well. Fingers crossed!

On Wednesday, Alec published a blog outlining the three locations where filming and sound recording would be happening: Ares Studios, a nearby professional studio for green screen interviews, and a sound studio for the audio drama version of the full Axanar script. He also went on to list the various people who are already assigned to tasks (like PAUL JENKINS as director) as well as volunteer positions that are open for supporters (local and non-local) who wish to participate and help. These jobs include production and personal assistants; staffing, location, and transportation coordinators; drivers and security personnel.

The full text of the blog appears below…

Continue reading “AXANAR locks in START DATE for filming: October 4-6, 2019!”

Major AXANAR news! (interview with ALEC PETERS, part 2)

Click here to read Part 1.

ALEC PETERS is pretty much a man who needs no introduction…at least in the fan community.  But if you’ve only just landed on this planet, here’s a quick run-down.  Alec has been the driving force behind the fan production AXANAR for half a decade, writing, producing, and appearing in the widely popular Prelude to Axanar fan film.  He worked ceaselessly over three crowd-funding campaigns to raise more than $1.3 million in fan donations to build out a studio and sets and begin filming a 90-minute Star Trek fan film detailing the final battle of the Four Years War with the Klingons at the planet Axanar.

And then Alec got sued by CBS and Paramount for copyright infringement.  He fought back, and after a year of legal proceedings, the lawsuit was settled just days before a trial was set to begin.  While the specifics of Alec’s settlement with the studios aren’t public, we do know that Alec is now allowed to make two 15-minute Axanar fan films with his original cast (if they choose to return) as well as other entertainment industry professionals.

That settlement came nearly a year and a half ago, and still there is no completed follow-up Axanar fan film or films.  With that in mind, let’s pick up where we left off yesterday as I ask Alec a question that both Axanar supporters AND detractors have certainly been wondering about… Continue reading “Major AXANAR news! (interview with ALEC PETERS, part 2)”

The latest AXANAR NEWS!

Last October, it was announced that Marvel Comics writer PAUL JENKINS would be joining ALEC PETERS as co-writer of the 2-part Axanar fan film allowed by the settlement with CBS and Paramount.  I interviewed Paul shortly thereafter, and you’re welcome to read what he had to say here.

But then Axanar went pretty quiet over the holiday season and through the entire month of January.  But last week, Alec posted a flurry of updates, and suddenly I’ve got LOTS to report on!

If you regularly visit the AxanarProductions.com website, chances are you already know most of what I’m about to tell you.  In fact, I’ll be taking a lot of the updates verbatim from there.  But since not all my readers go there, I’ll be providing all of the updates here in one convenient blog post.

So let’s jump right in…

Continue reading “The latest AXANAR NEWS!”