Keith Hamilton – Fan Film Factor

A very special fan film: SECOND STAR TO THE LEFT from TALES FROM THE NEUTRAL ZONE… (part 2 of a 2-part blog)

Last week, I discussed how I came to be the primary editor of the newest fan film from the “fanthology” series TALES FROM THE NEUTRAL ZONE. Titled SECOND STAR TO THE LEFT, the story begins as most TOS-era fan films do, with a captain and crew on a mission and then a mystery leading to a threat. But in this very special fan film, something unexpected happens halfway through to turn the story into something completely different. And if you haven’t seen it yet, it’s worth watching first without any spoilers…

Assuming you’ve just watched the above video, I can now share that the lead actress who stars as Captain Fairchild/Cathy, SARA McCARTNEY, is herself on the autism spectrum. Indeed, Sara’s mother, RUTH McCARTNEY, wrote the story as a quasi-biographical/autobiographical remembrance of the struggles that both she and her daughter have faced during their respective lifetimes. In both cases, Star Trek became a sanctuary, as it has for numerous fans over the decades. As such, this production has a very wide appeal.

Second Star to the LEFT was one of the final fan films to be shot at the Kingsland, GA location of NEUTRAL ZONE STUDIOS before their amazing TOS set recreations were packed up and moved 900 miles north to a new location in a shopping mall in Sandusky, OH. You can read more about that move here. Ruth, a long-time volunteer at the Kingsland location, asked set owner RAY TESI for permission to shoot Second Star before the sets were disassembled, and Ray happily agreed.

JOSHUA IRWIN of AVALON UNIVERSE Productions, who has directed multiple episodes of Tales from the Neutral Zone, agreed to drive down to Kingsland from his home in northwestern Arkansas (a trip he has made MANY times!) to direct not only Second Star but three different fan films all being shot during the same manic three-day weekend. Later, Josh asked me to help edit my choice of one of the multiple fan films he was working on, and I decided upon Second Star, as I discussed in part of of this blog feature.

I consider this fan film to be particularly important, as Sara’s performance shows what an individual with neurodivergence can accomplish. At a time when autism is being stigmatized by divisive rhetoric and wild theories as to its causes, Second Star to the LEFT humbly reminds us that being on the spectrum isn’t a disability so much a simply a different ability.

When Second Star debuted on the Avalon Universe YouTube channel, Josh hosted a livestream discussion with several people who were involved with the production, including Ruth and Sara, myself, Ray, Tesi, KEITH HAMILTON (who did some of the VFX), and MICHAEL SEAN CARTER, who is one of the volunteers coordinating the studio move to Sandusky. With Josh’s permission, I’m including that video below to finish off this 2-part spotlight on the film.

The first segment of the video deals with the latest news from Avalon Universe. So I’ve queued up the video to begin at the 20-minute mark when the topic shifts to Second Star. Feel free to back it up to the beginning if you’re curious about other current and future Avalon projects…

Four bridge sets, three shooting days, two centuries, and two fan films… (Blog Feature #2: AVALON – GHOST CRYSTAL)

Yesterday in Part 1, we covered the first two days of a three-day shoot on the bridge set of what director JOSHUA IRWIN has dubbed FARRAGUT STUDIO 3 (as Studios 1 and 2 were located in southeastern Georgia…with Studio 2 ultimately becoming NEUTRAL ZONE STUDIOS many years later).

What made this particular three-day shoot so significant is that it was one of the few times in the history of Star Trek fan films that the same sets were used during the same weekend to film scenes for two unrelated fan SERIES. While multiple fan FILMS has been shot in the same studio or location in a single weekend, those are typically associated with a single fan series, using the same actors playing the same characters for separate episodes.

But this weekend featured two separate casts utilizing mostly the same production crew and and set, but with significant changes to flip a series of 23rd century TOS movie-era starship bridges on Friday and Saturday for the upcoming FARRAGUT 2024 into a TNG season 2 era starship bridge for GHOST CRYSTAL, the first of three new AVALON UNIVERSE fan films set in the 24th and 25th centuries.

Josh Irwin is directing both fan films and is the showrunner for Avalon. JOHN BROUGHTON is the showrunner and star of Farragut 2024. And together, the two men ran not just one smooth ship but four over a three-day weekend. The first three ships were the USS Farragut, USS Constitution, and USS Decatur. But Sunday was reserved for a trip to the Avalon Universe and the bridge of the USS Excalibur NCC-1705-B.

The Avalon Universe fan series has been going strong since late 2018, having released more than a dozen fan films ranging in length from short to full-length two-parters. You can view them all here. Each of these takes place in the 23rd century, and that series of fan films will conclude later on this year with THE ONCE AND FUTURE CAPTAIN.

Ghost Crystal feature a number of both set-based and outdoor on-location scenes that will be filmed in Arkansas, Kansas, and Oklahoma. But Josh saw an opportunity to utilize the Farragut Films bridge to create a 24th-style starship. This required some customizing, of course, and included a fourth command chair (in addition to the three constructed for the three Farragut 2024 starships), this one built by RODNEY GARRETT, who was still sanding it down and putting the finishing touches on the set piece outside on Saturday in 90+ degree heat. But the extra effort was worth it, as the chair came out looking awesome…

Four bridge sets, three shooting days, two centuries, and two fan films… (Blog Feature #1: FARRAGUT 2024)

During the second-to-last weekend of June, the town of Frederick, Maryland was the site of a complex and challenging shoot of not just one Star Trek fan film but TWO! The location was a facility that has been dubbed by some FARRAGUT STUDIO 3, and the fan films were FARRAGUT 2024 (a 23rd century TOS movie-era fan film and sequel to last year’s FARRAGUT FORWARD) and GHOST CRYSTAL (the first of three new AVALON UNIVERSE episodes episodes set in the 24th and, eventually, 25th centuries).

But before I continue, let me briefly mention that both productions have active crowd-funding campaigns that, while having met their original goals, are still in stretch goal mode…

To donate click to Farragut 2024, click here.

To donate to Avalon Universe, click here.

And now, let’s talk about this amazing fan film shoot!

Many of you may have seen photos posted online by various members of the cast and crews of both productions. But what you probably don’t know is everything that went into making this 3-day shoot happen and what went on behind-the-scenes to make it all come together.

Let’s start with the two men behind these projects: Farragut showrunner JOHN BROUGHTON and Avalon showrunner JOSHUA IRWIN. Josh serves as director for both of these fan films, and John, in addition to starring in Farragut as Captain (Admiral?) Jack Carter, also specializes in meticulous costume-making and set construction…and he will be moving forward to direct the upcoming FARRAGUT FINALE.

Some fan films require minimal preparation and planning. Farragut 2024 is NOT one of those. Other productions require moderate preparation and planning. Farragut ain’t one of those either! Nope, Team Farragut has been meeting weekly for more than a year and half, with the various department heads gathering virtually via Microsoft Teams to discuss every aspect of this project: make-up, CGI, costumes, sets, direction, line production…everyone was expected to attend these weekly meetings, hosted by John (who runs a pretty tight ship both in the 23rd century and also in the 21st!).

You might be thinking that having weekly meetings for over a year for a Star Trek fan film is overdoing it a bit, but the fact remains that most of these folks have known each other as friends and colleagues for years or even decades, and many of them come from community theater backgrounds where regular production meetings are pretty standard.

Fast forward to this past April, and Farragut had an outdoor location shoot planned. Unfortunately, the weather made other plans, and rain was forecast throughout Washington, DC and the surrounding areas. But that was okay. A studio shoot had already been planned two months later for the weekend of June 20-22 (Friday-Sunday), so the team could simply tack on a short Thursday afternoon shoot and film the two outdoor scenes within walking distance of the studio, as neither scene required recognizable scenery—unlike their previous location scenes, which were shot in and around famous DC landmarks.

But once again, fate and the weather weren’t cooperating…