THE FEDERATION FILES “rescues” another uncompleted fan film in “FRIENDS AND FOES” (interview with MICHAEL DEMPSEY, CAMREN BURTON, and GLEN WOLFE, part 1)

One of the most unique and intriguing aspects of the fan series THE FEDERATION FILES is that it is a true anthology series. Each new episode features entirely different characters and settings and even eras. We’ve seen Star Trek episodes in the present, the not-too-distant future, the 23rd century, the 24th century, and even a long time ago in a galaxy far, far away. Essentially, these folks can tell any Star Trek or Star Trekkish story that they want to.

And by “these folks,” I mean GLEN WOLFE and his partner DAN REYNOLDS, the co-owners of WARP 66 STUDIOS in northeastern Arkansas. They have a growing collection of TOS set recreations, allowing them to create fan films from that era, but they’ve gone far beyond that both in terms of space and time.

Recently, Glen Wolfe “rescued” (my word) a fan film from several years ago that was partially filmed at Retro Studios in Ticonderoga, NY (before it became the official TOS Set Tour) but never completed. That fan film was STAR TREK: EQUINOX, written by CAMREN T. BURTON and starring GARY LOCKWOOD reprising his role of Gary Mitchell from the TOS episode “Where No Man Has Gone Before” and JOHN SAVAGE reprising his role of Captain Rudy Ransom from the Star Trek: Voyager “Equinox” two-parter. Glen came in, created a new 24th framing sequence, and finished the ill-fated fan film half a decade later. You can read more about that project here.

Late last year, Glen decided to do an encore with another uncompleted fan film from 2006-2007 called STAR TREK: ORIGINS – “The Wounds of War.” Once again, Glen produced a framing sequence and incorporated filmed elements of the the original footage to create an entirely original production—a new episode of the The Federation Files that he chose to call “FRIENDS AND FOES.” Let’s take a look…

This two-part blog interview was actually a somewhat challenging to put together. Obviously, I had some questions for Glen, as The Federation Files‘ show-runner as well as writer/director of this latest episode. But there was also the writer of the original uncompleted episode (again, the aforementioned Camren T. Burton) plus the executive producer and star of the original fan film, MICHAEL DEMPSEY.

What’s so difficult about interviewing three people? Well, I usually try to interview people together, but this time, it was three separate interviews that I’ve needed to merge into one that flows smoothly. (In other words, I need to make you guys think they were all in the same room or zoom call or email chain together when they really weren’t.) But the other challenge was that Michael’s portion of the interview needed to wait several months because he actually contracted a rather serious case of COVID-19 before I could interview him!

So with that as an intro, let’s get into it…

Continue reading “THE FEDERATION FILES “rescues” another uncompleted fan film in “FRIENDS AND FOES” (interview with MICHAEL DEMPSEY, CAMREN BURTON, and GLEN WOLFE, part 1)”

Presenting INTERLUDE – a Star Trek fan film in the AXANAR Universe!

(I know you wanna see INTERLUDE! Feel free to scroll down to the bottom of this web page, then come back to read the full blog entry.)


I was a fan of AXANAR even before the launch of their first Kickstarter campaign back in early 2014. And when PRELUDE TO AXANAR was released that summer, I was ecstatic. There had never been any fan film like this one, and it FELT like the Star Trek I had grown up with…something I couldn’t say about the newest Trek movie releases from Paramount and (later) television releases from CBS.

Later that summer, I jumped at the chance to volunteer to help pack and ship perks to donors (of which I was one, of course), and I got to know ALEC PETERS, DIANA KINGSBURY, ROBERT MEYER BURNETT, and a bunch of other folks involved with the production. Heck, I even joined the gang along with RICHARD HATCH (may he rest in peace) at a P.F. Chang’s in Long Beach after a convention for an awesome dinner experience.

By 2015, I was writing weekly “Fan Film Friday” blogs for the Axanar website about other Trek fan films…something that led to the creation of Fan Film Factor half a year later. Fan films in general, and Axanar in particular, had quickly become a major part of my life as a Trek fan.

Interlude was born in stages, but I can trace its initial origin back to June of 2017 when I was reading Alec’s new 2-part Axanar script. The legal settlement with CBS and Paramount forced him to trim the full-length movie script down to two 15-minute segments that would be filmed in the same mock documentary style as Prelude.

By this point, the amazing half-completed bridge set was being packed up and moved cross-country from southern California to Georgia, and I was looking forward to seeing how bridge scenes would be incorporated into the “mockumentary” format. But to my shock and horror, there were NO bridge scenes in Alec’s new script…only the same “talking heads” dialog and VFX as there was in Prelude. Huh?

What I didn’t know at the time was that Alec had purposefully left out any bridge scenes because he wasn’t certain whether he’d be able to raise the funds to complete the set. However, not knowing why there weren’t any bridge scenes, I mistakenly assumed Alec just felt like he couldn’t squeeze them in and still tell the story properly. So as a way of demonstrating that it was possible to have bridge scenes, I wrote a new version of the script…what I call my “alt-Axanar” script. Alec won’t be using it (he’s fine with his own version), but someday after the two Axanar sequels are released, I’ll publish it here on the blog just for fun.

Continue reading “Presenting INTERLUDE – a Star Trek fan film in the AXANAR Universe!”

The AVALON UNIVERSE’s fourth film, LEGACY, has just been released!

Fans got their first taste of what JOSHUA IRWIN and VICTORIA FOX were capable of producing on Halloween in 2018 with the release of GHOST SHIP, the first of what would become multiple Star Trek fan films set in the “Avalon Universe.” This similar-yet-slightly-different Starfleet features a mix of uniforms from TOS and the Kelvin timeline with starships that look nearly the same as TOS but are a teensy bit different. It’s an intriguingly fresh take on Trek.

The production quality of their first Star Trek fan film, shot on the TOS sets at Neutral Zone Studios in Kingsland, GA, towered over most Trek fan films primarily because Victoria and Josh are themselves both professionals in the filmmaking industry in Arkansas. The following year, Victoria and Josh released two more films in their Avalon Universe: AVALON LOST and DEMONS, each even more impressive than the previous one.

And now in 2020, just five days before the end of the year, they’ve released their fourth Avalon fan film, LEGACY, a short vignette that will lead into their major fifth release, AIR AND DARKNESS. Filming on that project just completed a few weeks ago at WARP 66 STUDIOS in Mountain Home, Arkansas.

And speaking of WARP 66 Studios, Legacy was also shot there on GLEN WOLFE’s TOS bridge set. But as you’ll see from the fan film, the bridge underwent some noticeable modifications to mimic the look of the U.S.S. Ares bridge set in Lawrenceville, GA. And indeed, an Ares-class starship, the U.S.S. Athena, is the setting for this vignette, with visual FX done by his lordship—or is it shiplord?—SAMUEL COCKINGS. The music was composed by ADAM MULLEN, who has been scoring scores of VANCE MAJOR’s many MINARD and CONSTAR fan films and has recently begun scoring for DAVID CHENG’s many cosplay fan films that have come out this year. Adam is a busy guy!

This latest vignette was started back in January. You might not think that 3 minutes worth of fan film (plus another minute or so of credits) with only two VFX shots would take nearly a year to complete. Well, I need to take at least some of the blame for that, as Legacy writer/director Victoria and DP/editor Joshua were often pulled away from their busy lives to work on another little fan project called INTERLUDE for a very demanding executive producer named Jonathan. That fan film is nearly completed, just inches from the finish line. And I truly appreciate them splitting their spare fan filmmaking time between Legacy and Interlude.

But crossing the finish line first (only slightly) is Legacy, and I invite you now to check it out…

The latest in FANdemic Star Trek – THE FEDERATION FILES: “The Green Manifesto”…

Okay, I’ve decided to coin a new term: “FANdemic Star Trek film.” Because let’s face it, the global COVID-19 crisis isn’t going away anytime soon, and we’re gonna need to wear masks and social distance at least until a safe vaccine is developed and disseminated (and people actually take it!).

But Star Trek fan filmmakers are a dedicated and tenacious bunch! And just because most of Hollywood has shut down doesn’t mean fan films have to. We simply need to do things a little more creatively and carefully. Already, we’ve seen several pandemic-produced fan film releases from all over the world. One of the first, HORREUR POST ATOMIQUE from France, told the story of three survivors of World War III living in bunkers, just before first contact with the Vulcans. Then LOOK FORWARD TO THE DAY showed a socially distancing Kirk, Spock, and McCoy having a futuristic Zoom call. Two weeks later, JENS DOMBEK, “The German Spock,” released a one-man (well, one-Vulcan) fan film called I AM SPOCK. And even VANCE MAJOR has released two CONSTAR CONTINUES films post-pandemic (and I’ll be featuring an audio interview with him soon).

So for lack of a better word, I’m going with “FANdemic” film. And the latest example of one was written only three and a half weeks ago, filmed shortly thereafter in Mountain Home, Arkansas, and released this past weekend from WARP 66 STUDIOS and WOLF/REYNOLDS PRODUCTIONS. It’s the seventh overall fan film from the fan series THE FEDERATION FILES (you can view all of their releases on this YouTube playlist). Because their anthology format covers the entire history of the Star Trek universe, stories have ranged from the 20th and 21st centuries to the 23rd and 24th centuries.

Their latest production is set solidly in the 21st century during the time of World War III and focusing on Colonel Green from the TOS episode “The Savage Curtain” (although in this fan film, Green is still a Major). His genocidal campaign in the 21st century resulted in the deaths of 37 million people. Green believed he was cleansing the gene pool—a hero in his own mind and to scores of followers…an evil homicidal monster to others and to the annals of future history.

But how did he kill so many people so quickly? This fan film seeks to shine a light on this dark question with a little help from today’s headlines. Producer and director of photography DAN REYNOLDS (who also appears in the film as the scientist who engineers a deadly virus) suggested to writer GLEN WOLFE the idea of creating a story about a pandemic. Glen then researched the character of Colonel Phillip Green.

Continue reading “The latest in FANdemic Star Trek – THE FEDERATION FILES: “The Green Manifesto”…”

INTERLUDE Confidential #3: neither RAIN nor SNOW nor TORNADOES will stop these filmmakers!

VICTORIA FOX and JOSHUA IRWIN didn’t think it was necessary that I write this blog. “We do this sort of thing all the time,” they told me. “It’s part of our job.” Well, maybe for work where they’re being paid professionally, but this is a FLIPPIN’ FAN FILM. And what they did this weekend meant a lot to me personally, and I want to tell you folks about it.

First though, I need to ask: what is it about INTERLUDE that invites acts of God, fate, or just Murphy? Do you remember last May when the Arkansas River flooded and trapped my composer KEVIN CROXTON on one side for days? Or the stray dog that delayed my GoFundMe rollout? Or the woodpecker trapped in the chimney? If you’ve forgotten, here’s the blog that listed everything that went wrong leading up to the launch of the Interlude crowd-funder.

Knowing our track record, I had a Star Wars-like “bad feeling” in the pit of my stomach when we scheduled the Sickbay shoot at WARP 66 Studios for the second weekend in January. It wasn’t that I was worried about bad weather in Arkansas. It’s a southern state, and at most, it’ll get four or five inches of snow over an entire winter season. And as for tornadoes, while there have been some during the winter months, those mostly come in the springtime there.

No, I was worried about Cleveland.

The fellow who is playing the wounded Admiral Ramirez in Interlude, DAVID BUTLER-AGRINSONIS (read more about him here), lives in Cleveland, OH. And when I booked his flight to Fayetteville, I had visions of a huge Noreaster or Polar Vortex hitting the northeast and upper midwest and grounding his plane. I purposefully looked for connecting flights to Fayetteville through Raleigh, NC rather than Chicago just to try to minimize the risk of winter storms screwing up our January shoot.

DAVID BUTLER-AGRINSONIS will be playing a wounded Admiral Ramirez in INTERLUDE.

Turns out that I should have been more worried about snow and tornadoes in Arkansas…

Continue reading “INTERLUDE Confidential #3: neither RAIN nor SNOW nor TORNADOES will stop these filmmakers!”

VOTE NOW as 3 STAR TREK FAN FILMS are selections for this year’s IndieBOOM! Awards for a $500 CASH prize…

Christmas is over, New Years is still a few days away, and you’ve got some extra time. So what do you do now?

How about helping your favorite Star Trek fan filmmaker win $500 cash?

The IndieBOOM! Film Festival was among the first to offer a category exclusively for FAN FILMS…along with many other categories (comedy, drama, documentary, animation, scifi/thriller, music video…you can view the entire list here). It’s a real film festival, now in its third year of presenting awards to both aspiring and accomplished independent filmmakers…including fan filmmakers!

In the first year of IndieBOOM!, Star Wars fan film from Mexico won in the category. And last year, a Star Trek fan film, THE FEDERATION FILES: “Walking Bear, Running Wolf” took first place as best fan film against two Star Wars, one Blade, one Superman, and one Stranger Things fan film competitor finalists.

A panel of judges choose the films that make it as finalists. Those, in turn, get posted online and to IndieBOOM!‘s ROKU channel for viewing. The film that gets the most views on their website and ROKU app in each category receives “Winning Laurels” (first prize) in that category. Also, the panel of judges will choose their favorite selection among all finalists, which will receive the Jury Prize Laurels. And finally, the overall most-viewed film of the festival will receive Fan Favorite Laurels and a cash prize of $500!

This year, THREE Star Trek fan films have been selected as finalists. In order to “vote” for them, you have to actually watch them through (no loading and reloading the page). Viewing is free and can be done at the following links. Here’s the Star Trek finalists from the Fan Film category (in the order released). Scroll down the linked page to view…

Continue reading “VOTE NOW as 3 STAR TREK FAN FILMS are selections for this year’s IndieBOOM! Awards for a $500 CASH prize…”

INTERLUDE update: How do you solve a problem like Ramirez?

The whole reason INTERLUDE exists (will exist) is because ALEC PETERS wanted to explain why Admiral Ramirez won’t be appearing in the Axanar sequels. In reality, actor TONY TODD left the production and declined to play Ramirez again. Actors J.G. HERTZLER, GARY GRAHAM, and the late RICHARD HATCH, on the other hand, decided to stick with Alec and see it through.

And while the loss of Richard hit us all very hard, it turned out that losing Tony Todd, even though he is an amazing actor, wasn’t as devastating a set-back for the Axanar script as was the loss of Kharn. In other words, it was fairly easy to write out Ramirez and replace him with a different Starfleet commanding admiral. In Alec’s original draft, Ramirez gets wounded while being escorted back on a convoy from a secret meeting. His injuries are serious enough that he has to sit out the rest of the war, turning over his duties to Admiral Threl of Androria.

My Interlude script took that quick “oh, by the way…” bit of exposition and expanded it into a 10-12 minute fan film (or so I hope!). The only problem is: now I need to show Ramirez!

Granted, he only needs to be wounded, so he won’t have any spoken lines. In the comic book version, it was easy to show him—as the artwork in the panel above illustrates him lying in the Ares sickbay covered in blood. But what about the fan film?

Of course, I could simply take the easy way out and just not show Ramirez in Sickbay at all…and instead have the doctor call up to the bridge, “Captain, Admiral Ramirez is in critical condition down here!” But that would have been such a cop out.

Also, I was kinda looking forward to filming a scene somewhere other than on the Ares Studios bridge set. Granted, it’s a AWESOME set, but I really wanted one or two other locations for the action, as well. Initially, that Sickbay scene was going to be filmed at Neutral Zone Studios in Kingsland, GA on the TOS sets previously used for Star Trek Continues and Starship Farragut. But that offer was rescinded. Fortunately, GLEN WOLFE stepped up and volunteered his WARP 66 Studios in Arkansas for the Sickbay scene.

Now we just needed to find someone to play Admiral Ramirez…!

Continue reading “INTERLUDE update: How do you solve a problem like Ramirez?”

INTERLUDE’s not-so-phantom menace: SCHEDULING!

Before I dive into the slings and arrows of outrageous scheduling, I’d like to thank INTERLUDE supporter and donor STEPHEN HUGHES for creating the stunning image above (along with several others). This is the kind of love and enthusiasm that’s the cherry on top of the sundae that is fan filmmaking.

I’d also like to thank all of the donors who have helped bring the Interlude GoFundMe to a staggering $18,808!!! This included an amazingly generous $300 donation this past weekend from a member of the Axamonitor Facebook group—CLARENCE THOMPSON—who had previously donated $100…bringing his total to $400 and giving him the honored rank of “Captain” in my credits.

Clarence is one of a small few of that group who have donates, but I want to acknowledge this support from some of those whom I’ve historically called “detractors.” Many of them still detract and deride and demonize, but obviously not all…and that says and means a lot to me. So a big THANK YOU to everyone who has stepped forward to support Interlude.

And of course, there’s still time to donate (we’re less than $700 from our $19,500 goal):

https://www.gofundme.com/interlude

Okay, let’s get onto the update as I shine the spotlight on…scheduling!

Y’know how starships have short-range and long-range sensors (and if the script calls for it, medium-range sensors)? Well, it turns out that fan films have the same thing—or at least mine does. You might remember from back in June a blog I wrote about all of the things that went wrong and threatened to delay the launch of my GoFundMe campaign: epic floods, stray dogs, trapped woodpeckers, etc.

Well, it turns out that Murphy and his law about things going wrong isn’t quite finished with me yet. Read on, my friends…

Continue reading “INTERLUDE’s not-so-phantom menace: SCHEDULING!”

Set Cancellations, Scheduling Conflicts, Costume Conundrums, Stray Dogs, Trapped Woodpeckers, and Acts of God…what I DIDN’T expect when I decided to make a fan film!

Before we begin, quick crowd-funding update! After ten days, 88 backers have already donated $7,621 to INTERLUDE (nearly 40% of the way to $19,500!). That’s amazing! If you haven’t donated yet, or if you’d just be willing to help spread the word, here’s the link:

https://www.gofundme.com/interlude

And now, today’s blog…


“Whatever can go wrong, will go wrong.” Man, am I learning that lesson with Interlude!

Over the years, I’ve interviewed countless fan filmmakers, and the one thing that nearly all of them have in common are stories of unexpected crises that pop up out of nowhere…demanding to be dealt with quickly lest the project get partially or completely derailed.

I never truly appreciated what these show-runners go through until I became an executive producer myself. My fan film hasn’t even started shooting yet, and already I’ve had to deal with some of the weirdest occurrences that I could have ever imagined—including emergency dog rescues, woodpeckers in chimneys, and an honest-to-goodness flood—all of which have conspired to try to delay the launch of my crowd-funder!

The dog actually DID delay it. You all probably remember how a stray canine in Alabama crossed the highway in front of ALEC PETERS and CRYSSTAL HUBBARD, and how they spent the next two hours trying to keep the dog safe (keep it from trying to cross back) until help could arrive. And those two hours ate up the window for livecasting Axanar Confidential that Monday night, forcing us to delay the roll-out of the GoFundMe campaign for INTERLUDE until the following night.

But wait till you hear about some of the other Murphy’s Law moments I’ve had over the past month and a half…

Continue reading “Set Cancellations, Scheduling Conflicts, Costume Conundrums, Stray Dogs, Trapped Woodpeckers, and Acts of God…what I DIDN’T expect when I decided to make a fan film!”

INTERLUDE will be filming at WARP 66 STUDIOS instead of NEUTRAL ZONE STUDIOS…

A slight change of plans for my fan film INTERLUDE, which will be set in the Axanar Universe and will be crowd-funding soon!

The majority of the fan film will be shot on the amazing bridge set of the USS ARES in Lawrenceville, GA. Initially, the plan was to film there for two days in late September and then drive down to Kingsland, GA for a third day of filming on the TOS sets at Neutral Zone Studios. There are two scenes that take place in my fan film—one in sickbay and the other in engineering—that are brief but still very important to the story.

The new plan, instead of filming in Kingsland, has the sickbay scene being shot in Arkansas at WARP 66 Studios, which is run by GLEN WOLFE and DAN REYNOLDS. Those TOS sets have been used for episodes of THE FEDERATION FILES as well as recent Avalon Universe productions from my Interlude directors JOSHUA IRWIN and VICTORIA FOX. In fact, Josh and Victoria live relatively close to Glen and Dan, so the change of location actually makes things quite a bit more convenient for them.

It also trims about $1,000 or so from our budget…YAY! Without the need to drive 5 hours across Georgia, I won’t have to rent a car in Atlanta for the weekend. Plus, we won’t need three or four hotel rooms in Kingsland for the night.

Glen is already coming up with ideas for altering his TOS sickbay set into looking more like the earlier sickbay from the second Star Trek pilot “Where No Man Has Gone Before.” If so, that’d be totally AWESOME(!!!), since Interlude takes place during the Four Years War, two decades before Kirk’s 5-year mission. So Glen has my undying appreciation (that’s a subtle Kharn reference for all those Axanerds out there)!

As for the engineering scene, WARP 66 doesn’t have that set as yet. However, the engineering scene in Interlude is so brief (like, maybe, 10 seconds) that we can easily “fake” it with a green screen composite. And there’s a bunch of engineering backgrounds available out there for our VFX guy to use.

In the meantime, I’ve been working hard on a really fun “ask” video for the crowd-funding campaign, which will launch in just a couple of weeks! The opening VFX sequence is being scored right now, and I can’t wait to share it with all of you. My team is excited, I’m REALLY excited, and I hope that soon you’ll be just as excited, too!