Ted Brunetti – Fan Film Factor

AXANAR finally WRAPS principal photography!

It’s a moment that many Star Trek fans thought would ever happen. This past weekend, AXANAR finally wrapped filming for ALL 19 actors set to appear in the two upcoming Axanar sequel fan films!

After a seven-year delay from the originally-scheduled start of principal photography back in February of 2016—interrupted by a year-long copyright lawsuit that ultimately settled, a move across country from California to Georgia, the departure of two directors, the passing of cast members RICHARD HATCH and (very recently) GARY GRAHAM, a pandemic lockdown that prevented filming for over a year, a second move to a smaller and less-expensive studio space, an 8-month cancer treatment and recovery by studio manager DANA WAGNER that delayed reassembly of the bridge set, and simply synching the schedules for more than 50 production crew, cast members, and extras —all the necessary filmed footage of the actors for Axanar is now “in the can,” as they say in the business.

This final shoot was intended primarily to film just two actors, one of whom offered to return to redo their lines while the other had been unable to attend the previous full studio shoot at the end of September 2023. That was an all-hands-on-deck, 3-day production weekend filming scenes involving 7 different actors, a number of whom required significant amounts of prosthetic alien makeup. Compared to that, this final shoot was a much smaller affair, with “only” about 20 people there making up the cast and production crew.

Reports from folks in attendance at ARES STUDIO for this past weekend’s shoot said that it went off without a flaw. MARK EDWARD LEWIS (co-director) and GEOFF FAGIEN (director of photography) oversaw the visual aspects of the shoot—lighting, shot framing, camera motion, etc.—while TED BRUNETTI (co-director) coached the actors through their performances. Alec is keeping the identities of these final two actors confidential for the moment, their names to be revealed at the premiere later this year.

There was also time available for Alec himself to do a few pick-up lines as Captain Garth, lines that were shot previously, but it was felt they could be delivered better (which, reportedly, they were). I actually have some behind-the-scenes footage of some of Alec’s time in the command chair, complements of JEFFERSON KELLEY from BEYOND TREK PODCASTS. The video below doesn’t show either of the two “mystery” actors, but it does give a flavor of how Mark and Geoff collaborated behind the camera while Ted worked with the actors. There’s also a quick 30 seconds at the beginning showing the green screen setup…

AXANAR completes its FINAL full studio shoot…yes, REALLY!

It’s been a looooooooooooooooooong road…getting from there to here. “There” was back in 2014 when the first Kickstarter for the full AXANAR project, ignited by the release of PRELUDE TO AXANAR, managed to generate over 638,000 from 8,548 backers. A subsequent Indiegogo campaign the following summer pushed that total over over $1.2 million. The planned feature-length Axanar movie promised to be one of the most impressive fan film productions ever.

And then they got sued for copyright infringement. The rest of that story would take another 65 blogs to tell (and it did!), so let’s jump ahead to 2023.

Back in January, Team Axanar held the its first shoot in over a year, delayed due to moving the Ares bridge set and all studio materials to a smaller, less expensive facility about five minutes away from the previous location. The shoot prior to that one had been delayed nearly two years due to COVID. It’s always something with these guys…but at least they don’t give up!

Coming into this previous weekend, footage was “in the can” (filmed and completed) for 10 out the 17 actors/characters who will appear in the two settlement-approved Axanar sequels (each limited to 15 minutes as per the guidelines). Actually, one of those 10 actors needed more time to finish up their scenes, bringing the number of remaining actors to 8. Of those, most were going to portray aliens (Andorians, Klingons, etc.), which is why those specific actors were reserved for a final weekend shoot where there could be a make-up/prosthetics team present.

That shoot, three days in total, took place this previous weekend at ARES STUDIOS in Lawrenceville, GA. Seven of the eight remaining actors were filmed. One actor was not able to make it and will need to be rescheduled. Of those seven who were there, three were shot on the bridge set (which had some computer graphics adjusted to turn it into a starship other than the U.S.S. Ares), and the other four were filmed in front of a green screen. Footage captured included both “interview” segments for the mock documentary format of Axanar as well as dramatic sequences.

Approximately 40 actors and production crew were on set during the entire 3-day shoot, although the main actors only showed up for one day each, of course. All of the action was overseen by co-directors TED BRUNETTI and MARK EDWARD LEWIS. Ted is coaching the actors on their performances while Mark is handling the technical aspects of direction. Mark made a video before shooting began on the first day…

AXANAR completes its first film shoot in MORE THAN A YEAR!

Wow, can you believe that it’s been more than 14 MONTHS since my last AXANAR-focused blog? I remember back when I used to publish blogs about Axanar almost weekly! Back in November of 2021, I reported on the first new Axanar shoot since 2019…and the first shoot where new directors TED BRUNETTI and MARK EDWARD LEWIS took over the production.

Of course, the 20-month delay before that blog was due in most part to COVID shutting down not only production on Axanar but across the entire film industry! The next 14-month delay was the result of a move to a smaller (and more affordable) studio space located about five minutes away from the previous ARES STUDIOS location. The move required the dismantling of the USS Ares bridge set and its reassembly inside the new facility. Unfortunately, around this same time, studio manager DANA WAGNER became seriously ill, and his treatment and recovery took more than six months. There is no one else on the planet who could have supervised the reassembly of that complex bridge set…and certainly not for free!

Fortunately, Dana came through his treatment and recovery with flying colors and was able to return to the studio, supervising the reconstruction and even adding a number of improvements like LED lighting under the console panels, better power supply infrastructure, and even a new glowing ship schematic plaque next to the turbolift door. You can see how good the new bridge looks in this video that Dana posted to Facebook…

In addition to all of the construction going on, work had also been progressing on other aspects of pre-production over the previous few months. Mark Edward Lewis, who is handling the technical aspects of directing (while Ted Brunetti works more closely coaching the actors on their performances) has been texting almost daily with cinematographer GEOFF FAGIEN to figure out lighting, camera angles, lenses, and lots of other stuff that is so above my pay grade that I won’t even pretend to understand it!

Indeed, both Mark (traveling from Tennessee) and Geoff (traveling from Florida) arrived in Lawrenceville, GA a few days before the shoot to set up the lighting prior to the two-day shoot, which began last Friday. By getting all of the lights set up on both the bridge and in the green screen area, they saved several hours on the actual shooting days, allowing the actors to get into place and then setting up the cameras properly to give everyone the opportunity to capture all the footage with multiple takes and from multiple angles in the time allotted.

And how much time was allotted?

AXANAR finally has its first film shoot in 20 MONTHS! (video interview with MARK EDWARD LEWIS)

It’s been more than five months since I’ve published a blog regarding AXANAR, ARES STUDIOS, or ALEC PETERS…and that might be some kind of record for Fan Film Factor! The previous blog covered the moving of the U.S.S. Ares bridge set to a new, smaller facility (with lower rent) down the road in Lawrenceville, GA. But since then, there hasn’t been much Axanar news worth covering (I don’t bother with the non-production-related drama anymore).

That said, this past weekend finally featured some Axanar news definitely worth reporting on. For the first time since before the pandemic and lockdown, new footage for the two Axanar sequels was filmed. The shooting location was NOT Ares Studios, however. The bridge set still sits disassembled, awaiting the return of DANA WAGNER (whom I call “the miracle worker” because he’s basically Scotty when it comes to that set and studio) from medical treatment. We all wish Dana the best of outcomes and a speedy recovery…we love you, Dana!

Instead, the shoot took place in a nearby Gwinnett County high school video studio with ample green screen space available. Because Dana’s wife Allison teaches video for the school district and Alec had previously allowed students in the school video program to film on the bridge set at Ares Studios, the school was all too happy to return the favor and allow Axanar to be shot at their campus facility.

Alec reported in a blog on the Axanar website that the shoot was a “HUGE success” (I’m glad my use of ALL CAPS is catching on!). Unlike the first Axanar shoot back in October of 2019 that had 80 people (cast, crew, volunteers) present over three days, last Saturday’s activities were much smaller in scope, lasting for a single day with only about 15-20 people present. The main reason was COVID, which is still a major consideration for all SAG union shoots—so at present, only the most essential personnel are allowed on set…any set.

The scenes being shot this past weekend were of actors J.G. HERTZLER (who flew in from upstate New York), ROBERT HAYES (who recently appeared on The Walking Dead and plays helm officer Deville), and RAJ KALA (an Indian Sikh who plays Commodore Singh). All three of these actors had filmed their lines previously during the first Axanar shoot, but for various reasons, their footage wasn’t usable (which I can personally confirm, having seen it), and in one case, the original footage was completely lost to a damaged memory card.