Tag: Fan Films

The submission window for the 2025 Star Trek Fan Film SHOWRUNNER AWARDS is now open and will remain so until midnight Pacific Time on May 31, 2025. Any Star Trek fan film released publicly between January 1, 2022 and December 31, 2024 is eligible for entry regardless of the person or team producing it. Note that this time we are trimming our eligibility window from our previous 5 years down to just 3 years. Few if any entries were typically submitted from fan films over 3-years old, so the reduction seemed like a reasonable decision.

The online entry form is located here…

https://www.cognitoforms.com/JonathanLane1/_2025StarTrekFanFilmSHOWRUNNERAWARDS

As usual, our judging panel remains at twelve, made up of people who have, themselves, served as showrunners on one or more fan films or series. This provides each judge a unique and personal perspective on what goes into making a fan production in our nearly two-dozen categories. In other words, our judges are knowledgeable and experienced in filmmaking which, I truly believe, brings a high level of expertise to our competition—along with our sister contest, the DIRECTORS CHOICE AWARDS, which just wrapped up earlier this month.

And it is for this reason that, each year, I publish a blog spotlighting our judging panel and what they have accomplished in the world of Star Trek fan films specifically. Ten of our twelve judges are returning from last year, so their write-ups (see below) will probably look familiar to you. The two judges who decided to leave the panel this year both departed on good terms. GREG LOCK, who began working on STAR TREK: AMBUSH back in 2014 and finally released it in 2022, felt that he should have a more recent fan film project under his belt before returning as a showrunner judge. The other judge to leave us is more of a “swap.” GLEN L. WOLFE and DAN REYNOLDS are the co-owners of WARP 66 STUDIOS in northern Arkansas and the co-showrunners of THE FEDERATION FILES fanthology series. Each year, one of the two of them “tags out” to give the other a turn. So in 2025, Dan will be taking over Glen’s spot, who in turn took over Dan’s spot in last year’s competition.

Our one brand new judge this year brings an international perspective, joining SAMUEL COCKINGS as one of two non-U.S.-based judges. I am referring to German wunderkind BENJAMIN SCHULZ of the fan series LORELEY. More on Benjamin (and everybody else) below…

There’s less than two and a half weeks left to enter you fan film into this year’s Star Trek Fan Film SHOWRUNNER AWARDS. We’ve already had more than a baker’s dozen submissions covering the eligibility period of January 1, 2019 – December 31, 2023. Next year, the 5-year window of eligibility will decrease to 3 years, so if there’s an older Star Trek fan film you’d still like to enter, now is your chance. And hey, if there’s a more recent Trek fan film you want to enter, now is also your chance! Here’s a link to the submission form…

https://www.cognitoforms.com/JonathanLane1/_2024StarTrekFanFilmSHOWRUNNERAWARDS

Three weeks ago, I posted a blog spotlighting the twelve judges for this year’s awards. Today, I’d like to discuss our newest category (just added for 2024): BEST GREEN SCREEN COMPOSITING. The name pretty much speaks for itself, but I personally feel that compositing actors who were filmed in front of green screens against sci-fi backgrounds has become much more of a fine art form in recent years.

I’ve recently begun watching a long-running fan series that began in 2008 that has always presented a majority of its scenes as green-screen composites. And comparing those early releases to their later work really illustrates how far both the technical and artistic aspects of chroma-keying have come over the years.

Today’s fan filmmakers are currently doing some truly impressive and in some cases groundbreaking (at least for fan films) things with compositing—from generating realistic 3D backgrounds that move and pan with the actors, to getting actors to interact with animated elements of their backgrounds, to matching the lighting on the actor perfectly to the lighting of the background…and quite a bit more than even that! I’m very excited to see which of this year’s films the judges select as the best three in this category.

And for anyone with is curious, here are the other 22 categories for this year’s Showrunner Awards…

• Best Fan Film
• Best Director
• Best Writer
• Best Lead Actor (submitter may enter up to three actors)
• Best Lead Actress (submitter may enter up to three actresses)
• Best Supporting Actor (submitter may enter up to three actors)
• Best Supporting Actress (submitter may enter up to three actresses)
• Best Cinematography
• Best Film Editing
• Best Sound Design/Mixing
• Best Visual Effects (CGI)
• Best Special Effects (non-CGI)
• Best Musical Score
• Best Costuming
• Best Hair & Makeup
• Best Original Set Design
• Best Props
• Best Original Character
• Best Scene (up to 2 minutes)
• Best Micro-Budget Fan Film (total production cost $1,000 or less, not including set construction)
• Funniest Fan Film
• Most Clever Easter Egg

And remember that the deadline to enter for this year is May 31 at midnight Pacific Time. Here’s the submission form link once again…

https://www.cognitoforms.com/JonathanLane1/_2024StarTrekFanFilmSHOWRUNNERAWARDS

The submission window for the 2024 Star Trek Fan Film SHOWRUNNER AWARDS is now open and will remain so until midnight Pacific Time on May 31, 2024. Any Star Trek fan film released publicly between January 1, 2019 and December 31, 2023 is eligible for entry regardless of the person or team producing it. (Why would anyone do it differently, right?)

The online entry form is located here…

https://www.cognitoforms.com/JonathanLane1/_2024StarTrekFanFilmSHOWRUNNERAWARDS

They say that two heads are better than one, and if so, then our judging panel is six times better than that, as we once again have a panel of twelve judges, each one a showrunner of either a Star Trek fan film or series. We have seven judges returning from last year, two returning from the year before, and three “rookies” whom we welcome to the Council of the Twelve. (That’s not the official name, but it does sound pretty cool in a Battlestar Galactica kinda way. That said, we’re still exclusively Star Trek, although we do all love a wide variety of sci-fi.)

The departing judges all left amicably for different reasons usually involving time commitments. One of them is actually writing a book! I would like to take a moment to sincerely thank all of them and remind them that their chairs at the table will be kept open for them should they ever wish to return. (There’s no rule against the Council of the Twelve becoming the Council of the Fifteen or some other number!)

Anyway, as I did last year, I’d like to dedicate a blog to introducing this year’s panel of judges and what they’ve done in the world of Star Trek fan films…

If you haven’t entered your Star Trek fan film(s) yet, the deadline is coming up in just over two weeks! Click here for the submission form page…

https://www.cognitoforms.com/JonathanLane1/_2023StarTrekFanFilmSHOWRUNNERAWARDS

Last year, the Star Trek Fan Film SHOWRUNNER AWARDS had a FANtastic panel of twelve judges (including yours truly) who reviewed and voted on 38 submitted fan films. They all did a spectacular job!

Unfortunately, not everyone was available for a second year, and a few had to step down. But as they say, whenever a captain closes a hangar bay door, somewhere he/she/they open a viewport—or something like that. As such, I was able to replace the departing judges with new judges, some of them new to the world of fan filmmaking, others experienced veterans. And all of them, of course, remain showrunners of either a Star Trek fan film or series.

A showrunner plays a special role in the production. Sometimes they are also the writer and/or director and/or producer and/or a whole slew of other positions. But the most important thing about a showrunner is that they are where the buck stops. They are the central force that inspires, manages, coordinates, and motivates the team to finish the project. Yes, others involved in the project can also make sure that things get worked on and completed, but most often, the showrunner is the main person that a production cannot live without.

As such, showrunners tend to know about all aspects of filmmaking (or, like me, they were forced to learn fast!). So even if they don’t have enough skills or expertise to tackle every task themselves, they work closely enough with those who do to make sure they have the resources they need to get their specific job(s) done. And that’s why they make such great judges for fan films.

It’s no small commitment to agree to be a judge in a film competition. One needs to watch perhaps a dozen or more hours of the work of others—and watch carefully enough to remember (or take notes on) specific strengths and weaknesses in performance, technical production, and a host of other items in what will be, this year, a total of 22 separate categories! As a reminder, each judge submits their top five choices in descending order for each category, and they cannot vote for any of their own fan films as their top three slots.

And so, in appreciation and acknowledgement of their invaluable assistance in making these awards both effective and successful, I would like to take a blog moment to spotlight these talented fans who have each worked so hard to bring the labors or themselves and their teams to your computer screen.

In alphabetical order…

First off, a very happy 56th anniversary of Star Trek to all of you!

And now, I am very excited (and somewhat relieved!) to announce the winners of the inaugural 2022 Star Trek Fan Film SHOWRUNNER AWARDS. I say relieved because 1) it was waaaaay more work than I ever expected it would be, and 2) everything went more smoothly than I could have possibly imagined.

And for the latter, I have to give my sincere thanks to my panel of judges, each a showrunner of at least one fan film or series. These eleven judges (plus me) each watched just about 13 HOURS of Star Trek fan films! Many of them took notes as they watched, and all of them submitted their ballots in 18 categories prior to my deadline for them of August 15—giving me enough time to record and tally the vote totals, check them twice (like Santa Claus does), and get the certificates ready.

I would like to, once again, thank all of the judges and list them here by name…

• SAMUEL COCKINGS (Trek Shorts)
• GARY DAVIS (Dreadnought Dominion)
• JOSHUA IRWIN (Avalon Universe)
• PAUL JACQUES (Raincross)
• MARK LARGENT (Stalled Trek)
• MIKE LONGO (Star Trek Fan Productions International)
• VANCE MAJOR (Constar)
• FRANK PARKER, JR. (Project: Gemini)
• DAN REYNOLDS (The Federation Files)
• GLEN L. WOLFE (The Federation Files)
• RANDY WRENN (Dreadnought Dominion)

Most of these judges unavoidably had fan films of their own entered, and so the rule was this: each judge had to select their top five choices in each category—their choices being worth 10 points for #1, 7 points for #2, 5 points for #3, 3 points for #4, and 1 point for #5. No judge was allowed to rank a fan film that they worked on among their top three choices. This kept them from “playing favorites” while also not penalizing them completely for agreeing to be a judge.

In the end, this process seemed to work out very well, and we had a very nice variety in winners. In other words, the same two or three fan films didn’t sweep all of the categories. In fact, out of 38 total entries, nearly half of them (16 films) won in at least one category. Granted, strong fan films would rack up high scores with lots of 7’s and 10’s, but lower scores of 5’s, 3’s, and even some 1’s often made the difference between coming in first, second, or third place…or just barely missing the cut.

Speaking of which, remember that each category will have THREE winners: Admiral Award, Captain Award, and Commander Award, for the aforementioned first, second, and third places, respectfully. (Note, there is also a special Cadet Award at the bottom of this blog.)