Fan Film Factor – Page 2 – Exploring the world of Star Trek fan films.

SPARE THE FUTURE, SAVE THE PAST moves fan films into the 25th century… (interview with DAVID CHENG)

Jackets are petty awesome. Wanna make your superhero look more snazzy and cutting-edge? Ditch the tights and cape and give them a cool jacket. And in Star Trek? Jackets dated back to the first pilot, “The Cage,” continued into The Motion Picture, and probably reached their pinnacle with those snazzy maroon bomber jackets worn by Admiral Morrow in the Starfleet Lounge, Scotty on board the Excelsior, and Kirk when he comes about the Enterprise in Star Trek V. And of course, there were those cool landing party jackets of the late 23rd century, as well. Picard had a dashing jacket of his own starting in season five of Next Gen. And you could argue that monster maroons, along with the Deep Space Nice and Voyager duty uniforms include jackets as part of their jumpsuits.

Yeah, jackets rock.

But honestly, nothing even comes close to those 25th century jackets from STAR TREK: PICARD season three! And with a number of clothing manufacturers making replicas available at reasonable prices (remember, clothing designs cannot be trademarked or copyrighted), many fans—including yours truly—have purchased one. Indeed, here is a photo of myself and fan filmmaker DAVID CHENG at the recent premiere of the Star Trek: Voyager documentary at Paramount Studios with both of us wearing our Picard jackets…

Speaking of David Cheng, he recently released one of the first fan films to be firmly set in the Picard season three timeframe. Another recent fan film, CONSTAR: THE MOTION PICTURE, also featured scenes with VANCE MAJOR wearing his Picard jacket. (Side note: a couple of TREK SHORTS fan films have featured 25th century Starfleet uniforms, but no Picard season three jackets as yet.)

Anyway, David recently released what I believe is the first Star Trek fan film to feature the snazzy season three jacket, the latest offering from his STAR TREK FAN PRODUCTIONS INTERNATIONAL fanthology series (you can watch all of their completed films on their YouTube channel). SPARE THE FUTURE, SAVE THE PAST introduces two new main characters (one of them played by David himself) who, it would seem, will be returning for future adventures. Take a look…

I had the chance to shoot a few questions David’s way about this new release. Here’s what he has to say…

Has fan LOVE turned 765874: UNIFICATION into an “OPEN SOURCE” fan film?

Sometimes a fan filmmaker produces a fan film that inspires a completely different fan filmmaker to produce something—be it a tribute, continuation, or some other expansion of the original—based in whole or in part on the original work. This has come to be known as “a fan film of a fan film.”

The term was first coined in 2016 with the release of PRELUDE TO AX’D -WE-ARE, the STALLED TREK animated puppet parody of both PRELUDE TO AXANAR and the subsequent copyright infringement lawsuit filed jointly by CBS and Paramount against AXANAR PRODUCTIONS and ALEC PETERS.

Granted, such projects are very rare. Indeed, only INTERLUDE, THE ICARUS MANEUVER, and THE FEDERATION FILES‘ “The Equinox Effect” and “Friends and Foes” come to mind for me. And the former two were more expansions of an existing fan film “universe” of characters and settings, and the latter two were GLEN L. WOLFE’s attempt to complete unfinished fan films so their partial footage could finally be released for fans to see.

All of this is to say that there aren’t many “fan films of fan films” in the Star Trek genre. But over this past weekend, we got our newest entry: PROLOGUE TO UNIFICATION from SAMUEL COCKINGS of Great Britain, the showrunner behind the TREK SHORTS fanthology series of fan films. As the title suggests, this release is meant to lead into the recent 765874: UNIFICATION from OTOY with involvement from WILLIAM SHATNER, the estate of LEONARD NIMOY, and THE RODDENBERRY ARCHIVE. In case you’re one of the four Trek fans on the planet who hasn’t seen this jaw-dropping, cutting-edge love letter to Star Trek yet, watch it now…

And now, take a look at what Sam Cockings was able to put together in the span of just three weeks based on OTOY’s fan film…

Oh! Before I go on, I need to make a disclaimer about my use of the term “fan film.” Technically, 765874: Unification isn’t a standard fan film. It was an approved production, licensed by Paramount Global to OTOY as a way of generating original Star Trek content for the new Apple Vision Pro VR headset. So calling 765874: Unification a “fan film” isn’t entirely accurate. On the other hand, it was not produced by either Paramount or CBS Studios…and it was obviously made by fans with a knowledge of and loyalty to long-established Star Trek canon.

So what is it? Much like the “uncanny valley” in early CG renderings of human faces (like Princess Leia at the end of Star Wars: Rogue One), 765874: Unification walks in two worlds without truly fitting into either. So rather than calling Sam’s latest project a “fan film of a licensed-non-studio-produced-but-still professional-quality-Star-Trek-vignette-CGI-film-made-by-fans-with-fans-in-mind,” I’m going to call it a “fan film of a fan film.” Feel free to argue.

Please HELP SANTA CLAUS this Christmas by buying his book…

Ho, ho, ho, everybody! I realize that this blog isn’t Star Trek or fan film related—other than “SANTA” SAL LIZARD having been the president of STARFLEET, The International Star Trek Fan Association from 2008-2011—but I’d still like to take a few moments for a special message to all of you.

In case you ween’t aware, I helped Santa Sal write a book full of his wonderful memoirs of having been a professional, real-bearded Santa Claus for (at the time) more than two decades. BEING SANTA CLAUS was first published in 2012 by Gotham Books, a division of Penguin Publishing. A few years ago, Sal and I reacquired the rights to the book and published a new expanded edition, with additional heartwarming true stories and photos, available in hardcover, paperback, kindle, and even audiobook formats. (I narrated the audio version.)

It was a happy and exciting time for both of us as the world was emerging from lockdown. But then Sal’s wife Linda passed away suddenly from brain cancer around the same time that Sal himself had a trio of mini-strokes that left his left side too weak to support children on his lap. Sal’s days of being Santa Claus were effectively over.

With the passing of Sal’s wife, whose job as a nurse administrator was their primarily source of income beyond Sal’s annual Santa gigs and the occasional Ubering, Sal has been reduced to living solely on social security, barely enough to get by. The one thing he has to look forward to are royalties on book sales…which aren’t much. The books clear about $4-5/purchase (depending on the format sold), with monthly royalties in the dozens of dollars at best. So, sadly, not too much.

But this is the one time of year when the book sells a little bit better—hence, this blog. I’m trying to help my friend-in-need by encouraging my other friends to purchase Being Santa Claus in any format. If you order now, the book will likely arrive by Christmas (or instantaneously if you order the Kindle or Audible version).

It’s a great stocking stuffer or just something to listen to in the car if you want a break from holiday music without losing the feeling of the season. If you’d like to hear a sample what the book sounds like, here is short snippet of one chapter…

Every little bit helps out this wonderful, good-natured, generous, and caring man get something nice for his daughter and granddaughter for Christmas. And even if all you can afford right now is goodwill toward men (and women and others), please consider passing along the following link to the Amazon page on your social media feeds. Merry Christmas to all…!

CLICK HERE TO ORDER YOU COPY AND HELP SANTA SAL

CONSTAR: THE MOTION PICTURE brings FATHER and SON together for a very special Star Trek fan film! (interview with ROYCE LEONARD MAJOR…and his DAD)

When I was seven years old (waaaaaay back in 1974), I literally used to dream of walking around the U.S.S. Enterprise and serving in Starfleet. But for ROYCE LEONARD MAJOR, son of fan filmmaker VANCE MAJOR of Kansas, my dream is his reality…and has been for as long as Royce can remember. That’s because Royce has appeared in several of Vance’s Star Trek fan films—many of them with scenes shot on TOS sets in Oklahoma, Arkansas, and Georgia—since he was an infant (and repeatedly in the years thereafter).

Vance himself has produced and appeared in well over 160 different Star Trek fan films, including 146 episodes of his various CONSTAR fan series as well as in other productions like STARSHIP VALIANT and THE AVALON UNIVERSE. Back in the summer of 2022, Vance announced his long-planned retirement from producing fan films, intending to focus more on his role as a father and less on playing Star Trek.

But then the two pursuits locked onto a collision course.

“Royce and I were watching STAR TREK: PICARD season 3 and seeing a bit of nostalgia,” Vance told me. “Then I started talking to Royce about filmmaking and showing him more and more. Within a month, he was working on his own films and getting the hang of my studio and how to light a green screen, understanding why we do things the way we do for the editor. After I felt he could follow through, I began reaching out to a few friends to see if they would be interested in doing a special Constar sequel.”

Vance continued, “It had been a long time since I had seen most of the classic Constar characters, and I wondered where they would be in the Picard era. That excited me. And it would be something I could take my time doing and show Royce how to do properly. And it just grew from there.”

The sequel, titled CONSTAR: THE MOTION PICTURE, was shot in part on high-quality fan-made sets at WARP 66 STUDIOS in Arkansas as well as FILK FERRET STUDIOS in North Carolina. But the majority was filmed in what Vance and Royce call MAJOR STUDIOS, which is primarily a green screen that Vance and Royce set up a few years ago in the den of their home. “That’s where Royce learned how to light and set up shots all on his own.” said Vance. “My kid could film an entire movie on his own, and he wasn’t even seven yet! It was very fun.”

Vance began working on Constar: The Motion Picture when Royce was still six, and the project itself took more than a year just to film, uniting three dozen Constar alumni, including such notables from other fan series like JOSH IRWIN, FRANK PARKER, JR., JOSE CEPEDA, SAMUEL COCKINGS, NICK COOK, MIKE LONGO, DAVID CHENG, PAUL JACQUES, LEZLIE SAWYER, RAY MYERS, GLEN WOLFE, and DAN REYNOLDS (just to name a few). It’s quite a full cast!

Check out the finished production here…

FARRAGUT is back for a SEQUEL next year, and it’s CROWD-FUNDING right now! (video interview with JOHN BROUGHTON and MIKE BEDNAR)

Last month, I posted a video interview with JOHNNY K. and PAUL R. SIEBER about the just-released FARRAGUT FORWARD. If you haven’t had a chance to watch it yet, this is about as MUST SEE of a fan film as you are ever likely to find…

The quality of this production is mind-blowing, even considering that they raised more than $45,000 on Indiegogo. The movie-era sets, costumes, props, make-up, direction, cinematography, lighting, editing, music, sound-mixing, etc…all were flawless. And after viewing Farragut Forward, fans only wanted more.

And now, it looks like they are going to get it!

Showrunner JOHN BROUGHTON just launched a new Indiegogo with the same initial $30,000 goal as the previous campaign. The money will go towards building new sets (including, apparently, a movie-era TRANSPORTER!), more amazing costumes, and various other expenses like food for the cast and crew, travel and lodging for those who can’t afford to make the trip to and stay in Washington, DC but are still essential to the production (like director JOSHUA IRWIN, who lives in northwestern Arkansas and will be directing the next Farragut film). The full budget is closer to $50,000, but since even the first film didn’t raise that much, best to start with a more manageable goal and try to attain InDemand status to keep the campaign live in order to raise more.

So what is the plot for this new fan film going to be? According to the following informational video, it will be a time-travel story much like Star Trek IV: The Voyage Home but without any whales. And instead of traveling to San Francisco, the Farragut crew will be taking a trip to America’s capital city….

I just chipped in fifty bucks myself, and after four days, they’re above $2K in donations from 55 backers and are already 6% of the way to their goal. But every little bit helps, and ’tis the season of giving, right? So please consider contributing at least a little something to these extremely talented folks who want to give fans yet another spectacular movie-era film…

https://www.indiegogo.com/projects/farragut-2024-a-star-trek-fan-production

A few weeks ago, I recorded a Zoom interview with John and his longtime friend and fellow Farragut filmmaker MICHAEL BEDNAR. The two men provide even more behind-the-scenes background and stories from the sets of Farragut Forward along with some more information about the sequel, FARRAGUT 2024, and what else is being planned for the future. Check it out…

So you’ve seen 765874: UNIFICATION…but what did it MEAN???

By now, a vast swath of Star Trek fans have viewed the new A.I.-enhanced “fan film” 765874: UNIFICATION released by OTOY, THE RODDENBERRY ARCHIVE, WILLIAM SHATNER, and the LEONARD NIMOY estate. It’s already had half a million views in just two and a half days. If you haven’t seen it yet, take a look…

Timed to coincide with the 30th anniversary of the 1994 release of Star Trek Generations, 765874: Unification premiered at the Star Trek Original Series Set Tour in Ticonderoga, NY with WILLIAM (Kirk) SHATNER and ROBIN (Saavik) CURTIS both in attendance. Also present were LAWRENCE SELLECK, who is the stand-in for the A.I.-generated Spock, and MAHÉ THAISSA, who is the stand-in for J.M. Colt from the first TOS pilot, “The Cage.”

For more information on the making of this ambitious production, there is a wonderful article on TrekMovie.com based on information presented on the OTOY website. So I won’t get too into the weeds today discussing how they did it (although I have reached out to OTOY to try to get an interview with someone involved in the project). Instead, I’m going to look at the content of the film itself.

Fan reaction has generally been extremely positive with a few complainers here and there. If nothing else, the quality of the A.I. on both Kirk and Spock (as well as Gary Mitchell) is pretty spectacular, and the musical score by MICHAEL GIACCHINO (recorded at the famed Abbey Road Studios in London) is flawless and emotionally mesmerizing. The costumes, props, make-up, and green screen compositing are all amazing, and it’s obvious that no expense was spared in creating this content that OTOY will be using to demonstrate what their cutting-edge technology can do.

But amidst all the “I had tears in my eyes!” and “This was so beautiful!” plaudits posted to social media were a fair amount of “What the heck was that???” comments from the head-scratchers…which, admittedly, included myself. With only one piece of dialog (an original re-recording of Kirk’s final log from Star Trek II: The Wrath of Khan) the rest of the presentation was essentially silent but for the music. Indeed, I got a very 2001: A Space Oddessey feeling of déjà vu. And just as sci-fi fans are generally confounded trying to figure out what was going on with Dave Bowman at the end of STANLEY KUBRICK’s 1968 masterpiece (I think he was mirroring the evolution of man himself), Trekkers are being left to their own devices to interpret 765874: Unification.

Having now read a wide range of postings on social media, I think I can clear up at least a few things about this film. Some items I’ll be sharing are straight-up facts and pieces of established Star Trek canon. Others require a little more open-mindedness about things that may or may not be canon. And then, of course, I’ve got some theories that could be right or wrong…and we may just never know for certain.

Okay, you ready…?

Did an Indiana Jones FAN FILM just win an EMMY AWARD??? YES!!! (video interview with KEVIN CROXTON)

An Emmy? A real Emmy?? For a FAN FILM??? Yep! Awarded by the National Association of Television Arts and Sciences (NATAS)…the same folks who give out awards for the best TV series and specials and soap operas and news programs and all the rest just gave an award to an Indiana Jones fan film! And not only that, it was a fan film starring fourth and fifth grader kids playing nearly all of the parts! Take a look…

How the heck did this happen???

The answer is revealed in the video interview at the bottom of this blog, but first, a little background about the fellow I’ll be talking to. I first met KEVIN CROXTON shortly after the premiere of his first fan film, the Star Trek-themed THE BUNNY INCIDENT, back in 2018. Filmed at the now defunct Starbase Studios in Arkansas, this fan film featured 33 of Kevin’s fourth and fifth grade students playing Starfleet and Klingon roles, singing, dancing, and acting. It was adorable.

Kevin, a composer by trade and training, was also an elementary school music teacher in western Arkansas, and the kids in his fan films were all members of his extracurricular music club at his school. Shortly thereafter, I asked Kevin if we would agree to create the score for my own Star Trek fan film INTERLUDE, which he happily agreed to do.

The following year, Kevin and his music club produced and released their second fan film, BATMAN: THE SCHEME IS SOUND. At 12 minutes, it was twice the run-time as their previous effort, this one featuring elaborate costumes for Batman, Robin, Joker, Catwoman, Penguin, and Riddler…along with an actual, drivable BATMOBILE replica! Seriously, how much would you have given to have this guy as your teacher growing up??

Two years later in 2021, Kevin posted his third themed fan film to YouTube. Shot mostly before the lockdown and edited and scored after, the 12-minute IN THE BLINK OF AN EYE was a James Bond adventure with fancy cars, tuxedos, and a cameo appearance by GEORGE LAZENBY, the second actor to portray the character in the single feature film On Her Majesty’s Secret Service in 1969. How on earth does Kevin keep managing to top himself? It’s certainly a mystery!

But top himself he does! As you can see if you watched the film above, INDIANA JONES AND THE TREASURE OF THE AZTECS has a cast of dozens and dozens of kids; very impressive performances; amazing costumes, props, and music; and numerous “exotic” filming locations. It also has an incredible stunt of Indiana Jones (well, a stunt double) jumping from the back of a galloping horse into a speeding jeep. It even has a cameo voice-over from actress KAREN ALLEN, who played Indiana’s girlfriend/wife in three of the franchise films!

The film was definitely worthy of an award, and it has won many. But an EMMY??? There has to be a story behind that, and Kevin explains it all and more in the following fun interview…

HURRY! This is the FINAL WEEKEND to see STALLED TREK: THE DUMBSDAY MACHINE before next October!

MARK LARGENT has a brilliantly warped mind…or is it warpedly brilliant mind? Whichever the case, his hilarious 3D-animated puppet parody Star Trek fan films have been making Trekkers laugh hysterically since 2012 with the release of STALLED TREK: AMUTT TIME. This adorable reimagining of the classic TOS episode “Amok Time” featured Mr Spott, a Vulcanine, going through heat and needing to return to his home planet to, y’know, do da nasty with his betrothed T’Pomeranian. In an ancient ceremony overseen by the Vulcanine high priestess T’Poodle, Spott and Captain Krock must battle to the death…which doesn’t bode well for the one of them who isn’t super-strong and out of his mind with rage. You can watch it here…

Nearly a decade later—after a fun little detour that included the release of a parody of the AXANAR lawsuit, PRELUDE TO AX’D-WE ARE (co-written and co-produced by yours truly) along with the humorous 3-minute Stalled Trek vignette ALL AHEAD FULL—Mark completed his second full-length parody adaptation of a TOS episode, this time “The City on the Edge of Forever” became STALLED TREK: “THE CITY ON THE EDGE OF FORECLOSURE. As the Starship Secondprize investigates mysterious time waves, Dr. McGruff accidentally injects himself with a dozen hypos of the most dangerous drug in the galaxy. You know the story, now watch the puppet parody version…

Although completed in 2021, this uproarious fan film was not posted to YouTube until it had finished touring the film festival circuit for the next two years, winning around 47 million awards during that time.

And now Mark has completed his third and final (yes, folks, he’s exhausted) parody adaptation of a fan-favorite TOS episode, STALLED TREK: THE DUMBSDAY MACHINE. You can watch a trailer for it here…

It premiered at a Star Trek convention in Dallas on Friday night. However, like its predecessor, The Dumbsday Machine will NOT be released immediately onto the Internet. The plan is to post it to YouTube on October 20 of next year, which is the 58th anniversary of the first airing of the original “The Doomsday Machine” episode of Star Trek.

But YOU don’t have to wait till October 2025 to see this labor of lunacy. You can view it on your very own Blu-ray (likely shipped sometime in January). But you must act now!

Now, I say!!

NOW!!!

NOWWWWWWWWW!!!!!!!

By “Now!” I mean before the end of this weekend. Mark has created an Indiegogo page for fans to order copies of all three Stalled Trek releases on a single Blu-Ray disc for $55 (parody is fair use, so yes, he can sell them). Or, if you also want cool retro swag, for a mere $105, you can get the Blu-Ray disc PLUS a printed comic book adaptation of The Dumbsday Machine AND an exclusive View Master reel with seven specially-created 3D renderings of iconic moments from the Stalled Trek series.

So don’t wait! Click on the link below to order your copy while you still can…

www.stalledtrek.com

TO THE JOURNEY – LOOKING BACK AT STAR TREK: VOYAGER premiered Thursday night at PARAMOUNT in Hollywood! (report and review)

Back in early 2021, 455 Films, the folks who brought fans FOR THE LOVE OF SPOCK and DEEP SPACE NINE: WHAT WE LEFT BEHIND, held a new crowd-funding campaign for their third Star Trek-themed documentary film, TO THE JOURNEY – LOOKING BACK AT STAR TREK: VOYAGER. The previous two productions each took in about $650K from donors. But the Voyager documentary blasted past those numbers, doubling total contributions with more than $1.3 million from 12.4K backers—plus an additional $50K from a second Indiegogo in 2022 funding a series of special theatrical premieres when the film was completed.

Three premieres are happening this month, the first of which took place on Thursday night at the Paramount Theater at Paramount Studios in Hollywood. The second will be next Tuesday in New York City on the upper West Side (in the same space that houses The Leonard Nimoy Theater), and the final one will take place in London at the Princess Anne Theatre on November 21.

If you don’t have tickets for these premieres yet, you likely won’t be able to get them (at least, not cheaply!), as they were offered exclusively to donors and were gone pretty quickly! Indeed, I missed my opportunity a few months ago by waiting too long. However, my good friend (and fan film donor-tuned-producer-turned-actor) RAY MYERS had an extra ticket and offered it to me. In exchange, I offered Ray our guest bedroom to save on hotel costs while he’s in Los Angeles (Ray lives near Dallas, TX). And thanks to a series of severe tornadic storms rolling through the central Texas on Friday, all return flights into Dallas were canceled, and I get to host my friend a whole extra day!

Behind us in the distance is Stage 4, one of four soundstages that housed the Deep Space Nine sets. Stage 4 included Ops, corridors, and quarters.

No sooner had Ray and I arrived at Paramount at 6pm Thursday—me in my Picard season 3 jacket and Fan Film Factor shirt; Ray dressed much more casually and debonaire—than I noticed L.A.-based fan filmmaker DAVID CHENG, also wearing a Picard season 3 jacket…

So yeah, we matched. And quite a few attendees came in uniform to the premiere, ranging from TNG to Voyager to First Contact to Picard-era—along with some creative variants. Ray was put to work almost immediately checking in people by a friend of his who was one of the event organizers….

If the interior of the Paramount Theater looks familiar, you probably remember it as the Coalition of Planets’ meeting chamber from the penultimate episode of ST: Enterprise, “Terra Prime.”

That gave David and me a chance to hang out in the lobby, chat, and take a few photos…

R.I.P. – TONY TODD (1954 – 2024)

Star Trek fans have lost another giant far too soon with the passing of actor TONY TODD on Wednesday, November 6, at the age of 69. This follows the death in January of this year of Star Trek actor GARY GRAHAM (Vulcan Ambassador Soval) in January at the age of 73 and Star Trek: Voyager co-creator and showrunner JERI TAYLOR last month.

To most of the general public, Tony Tood was known for being the titular character in the Candyman franchise of horror films—although his IMDb page features literally hundreds of roles in film and television, including The Crow (1994), The Rock (1996), Final Destination (2000) and its sequels, Homicide: Life on the Street, Boston Public, The District, 24, Splatter, Chuck, Transformers Prime, The Young and the Restless, Scream: The TV Series, The Flash, and many others.

But to Star Trek fans, he will forever be remembered for playing the role of Worf’s Klingon brother Commander Kurn in Star Trek: The Next Generation‘s “Sins of The Father,” “Redemption,” “Redemption, Part II,” along with Star Trek: Deep Space Nine‘s “Sons of Mogh.” And perhaps even more impactful, in a single appearance in the fourth season DS9 episode “The Visitor,” Todd portrayed an adult Jake Sisko in a performance that, even having seen the episode dozens of times, still leaves me bawling my eyes out. That level of performance transcends mere acting and takes the craft to a totally higher plane of perfection.

Of course, this isn’t simply a Star Trek blog site; we focus on fan films. And Tony Todd was one of those few Star Trek actors who agreed to appear in a fan production—in his case, it was 2014’s PRELUDE TO AXANAR. Although he showed up for only a single day of green screen shooting, Tony provided fans with a tour de force performance as he brought to life the character of Admiral Marcus Ramirez, Starfleet Commander during the latter portion of the Four Years War with the Klingons.

Back when Star Trek actors were still appearing in fan-made productions, there was no requirement nor even expectation that they must throw themselves wholeheartedly into a small role in a 20-minute amateur film. After all, fans will love the actor for just showing up, so why work any harder than one has to, right? Well, wrong, actually. Trek actors graced fan films with impressively strong performances over years. But perhaps none will be remembered and cherished nearly as much as Tony Todd’s speech as Admiral Ramirez galvanizing a battle-weary Starfleet as the Federation was losing its war with the Klingon Empire. Take a look…

If you don’t get chills watching that speech, I don’t know what else I can say to you.

So on behalf of Star Trek fans everywhere, I would like to thank Todd Tony for his many outstanding performances and especially for bringing his talent, dedication, and professionalism to fan films, as well. You will be missed, Tony…and never, ever forgotten.