Editorials – Page 2 – Fan Film Factor

Star Trek is NOT dead, but it IS evolving! (STRANGE NEW WORLDS editorial review)

CAN YOU HEAR ME SPOILING?

Five of my friends were in the audience at San Diego ComicCon on Thursday watching he panel of the Inglorious Treksperts. Apparently, ROBERT MEYER BURNETT, one of the panelists, had already watched the sixth episode of STRANGE NEW WORLDS and commented, “Trek is dead after last night.”

So I sat down to watch “Lost in Translation,” this past week’s episode, expecting the first real clunker of the season. I braced myself and warned my family about Rob’s comment (as I watch this series with both my wife and my almost 13-year-old son Jayden.) And let’s face it, the series was probably due for a stumble after five very strong, very enjoyable episodes in a row so far this season. Maybe this would indeed be my first negative review of the season?

Spoiler alert: this is NOT going to be a negative review, folks.

In fact, Rob’s comment left not only me scratching my head but also my friends at ComicCon (who watched the episode later on that night) scratching their heads. And when the episode ended, my son Jayden jumped up and shouted, “How could that guy in San Diego not have liked this episode??? It was so good!” And even my wife, who has never been a Trekkie, said she enjoyed it and is generally enjoying the series…although she liked last week’s human Spock better than “normal” Spock.

I wasn’t at the ComicCon panel, so I don’t know the specifics behind Rob’s statement. But I’ve noticed other fans—albeit an observable minority on social media—espousing similar lamentations about the demise of Star Trek as they complain about the shortcomings of this show (and often the other new-era streaming Trek series from CBS Studios). I’ve read and heard many of their complaints. And it got me wondering…

Why aren’t I complaining, too?

For those of you who’ve read my many, many editorial reviews over the past half-decade, I’ve been both positive AND negative about the various new series, depending on the quality of the episode. I’ve certainly had my issues with the writing and continuity breaches on STAR TREK: DISCOVERY. But there are continuity breaches on SNW, as well, and yet they aren’t bothering me nearly as much. Why?

And while I’ve certainly been more positive about PICARD than Discovery, I’ve had my issues with that series, as well…mainly the first two seasons. SHORT TREKS didn’t thrill me at all. I’ve pretty much loved LOWER DECKS since it debuted, and although it took me four or five episodes to get into PRODIGY, I grew to really like that series, too. But I do complain when I feel it’s merited.

And I certainly thought that the revamping of the Gorn on SNW is problematic, and killing off Hemmer pissed me off. But aside from that, it’s steady as she goes when it comes to SNW.

But again…why? Why are others complaining and I’m not?

STRANGE NEW WORLDS’ “CHARADES” could have sucked…but it was a surprisingly STRONG episode! (editorial review)

OH, JONNY-BOY, THE SPOILERS! THE SPOILERS ARE CALLING!

It’s hard to believe that we’re already half-way through season two of STAR TREK: STRANGE NEW WORLDS. However, when you have only ten episodes budgeted per season…

That said, we’ve now had five straight episodes without a clunker in the bunch (at least, in my opinion)! And to be honest, my hopes weren’t all that high for “Charades,” the fifth and latest episode. When I saw that the plot involved Spock being turned into a human at the most inopportune moment—just in time for his engagement dinner—I remembered how the last time we saw T’Pring, the two switched bodies, and hilarity ensued. And I cringed to think that, once again, a T’Pring episode (and there seem to be so many!) was going to go the way of slapstick comedy. Doesn’t anyone take Vulcans seriously anymore???

So yeah, I was totally expecting to hate this week’s episode. And I mean REALLY hate it. After talking last week about how Spock is being treated by the writers like the character of Sheldon Cooper from The Big Bang Theory, I was hoping that we’d get a serious Spock episode sooner or later…and this one obviously wasn’t going to be it! And as the episode started, I had my shields raised and my phasers energized to write a scathing review.

And then something funny happened, or rather, something not-so-funny happened. Oh, sure, this episode had a lot of comedic moments, including ending the teaser Spock saying “What the f—” (and I don’t think the last word was going to be “fascinating”). But it was also surprisingly serious in places, introspective, character-driven, and very, very human. In many ways, an episode like this represents some of the best qualities Star Trek has to offer viewers who watch for the characters and to feel what they feel. Normally, Spock is the exception to that rule, but not this time.

All right, let’s unpack this episode, shall we…?

STRANGE NEW WORLDS’ “Among the Lotus Eaters” hit me pretty close to home… (editorial review)

I’ve seen some complaints about the fourth episode of STAR TREK: STRANGE NEW WORLDS season two, “Among the Lotus Eaters,” that have left me scratching my head. Several people are focusing on Spock becoming Sheldon Cooper from The Big Bang Theory or that the episode bent over backwards to make Ortegas be the only one able to save the day. One person even complained to me that, in order to make Ortegas (a woman) seem more heroic and strong, the only other male left in the chain of command (Spock) has to be treated like a complete idiot.

And I’m, like, what the hell are you talking about???

I thought this was actually a fairly decent episode with a very TOS flavor. It wasn’t their best of the series or even of the season, but in my personal opinion, this episode held its own pretty well. And for me, this episode WAS personal—very personal. Two weeks ago, I discussed the struggles and challenges that a transgendered friend of mine faced both before and during her transition. This week, however, the theme of episode hit much closer to home for me. You see, my 90-year-old father has Alzheimer’s.

In case anyone didn’t notice, that was the likely “metaphor” of this latest episode, named for a short passage from Homer’s The Odyssey where Odysseus and his men encounter the island of the Lotus Eaters. During their long and arduous journey home, Odysseus and his men had just barely survived a grueling battle where several soldiers were lost. After nine days in rough seas, they stop briefly on an island to rest and replenish supplies.

Odysseus sends two of his men to explore the island, and they encounter the Lotus Eaters, peaceful natives who live on the fruit of the lotus tree. As soon as the two men take a bite of the fruit, they forget everything—all of their struggles on their long journey home, the gods’ curse, even their very identities. All they want to do is stay on the island eating more lotus fruit. But Odysseus needs them, forces them back onto the boats, straps them to their oars (nice guy, huh), and makes everyone hightail it out of there.

Homer was probably comparing the Lotus Eaters to drug addicts who would forget who they were, their families, their jobs, everything, and just want to spend each day getting high. (Yes, there were drug addicts 27 centuries ago. In fact, archaeological records show drug use of psychotropic plants in ancient civilizations, dating as far back as early hominid species about 200 million years ago!)

However, the writers of this latest episode of SNW didn’t seem to be telling the story of drug addiction so much as the loss of memory and identity and what makes someone who they truly are. And that’s my it made me think of my father…

What IS it with JAMES T. KIRK and TIME TRAVEL??? (STRANGE NEW WORLDS editorial review)

TIME FOR SPOILERS!

“James T. Kirk: seventeen separate temporal violations…the biggest on record.” “The man was a menace.” You might remember those lines from the fifth season DS9 episode “Trials and Tribble-ations.” And just to show off my geekiness, here from memory is a list of all the times in TOS and the movies that James T. Kirk traveled in time…

Does that add up to seventeen? Nope. However, one would assume that “Tomorrow Is Yesterday,” “Assignment: Earth,” and Star Trek IV each contain multiple violations by Kirk and his crew. So I’m fine with seventeen.

What does this have to do with the third episode of STAR TREK: STRANGE NEW WORLDS‘ second season, “Tomorrow and Tomorrow and Tomorrow”? Well, quite a lot, actually! Y’see, there have now been a total of thirteen SNW episodes…and two of them (a whopping 15%) have involved some kind of time travel! The other was the season one finale, “A Quality of Mercy.” Indeed, within the span of the last four SNW episodes, HALF have involved time travel!!! And as fate would have it, both of those time travel episodes have included a significant presence of Captain James T. Kirk—coincidentally from alternate timelines each, uh, time.

Is that necessarily a bad thing? Well, yes and no.

First, let’s deal with the “yes” part, as I invoke this iconic scene from The Simpsons…

Just replace “Klingons” with “time travel” and you can quickly see where my head is at.

Of course, it’s not just SNW that’s doing time travel (and will again in four more episodes when Ensigns Mariner and Boimler arrive from the U.S.S. Cerritos in the future for a crossover with LOWER DECKS). It’s also DISCOVERY and PICARD. Both had second seasons steeped in time travel elements. And indeed, Picard‘s second season spent 8 out of 10 episodes in “our time” here on earth. Just like this latest episode of SNW.

In fact, the plot of Picard season two and “Tomorrow and Tomorrow and Tomorrow” were so similar that, well, I kinda HAVE to point out the obvious parallels…

In the best traditions of Star Trek, STRANGE NEW WORLDS uses metaphor to spotlight TRANSGENDER phobias and prejudices in OUR society… (editorial review)

SPOILERS AND POLITICS – A WARNING COMBINATION!

Star Trek has never shied away from holding a mirror up to the more controversial aspects of modern (20th and 21st century) culture through the “safe lens” of viewing a future, or an alien society, with surprisingly similar challenges. In fact, this was one of the main goals that GENE RODDENBERRY had in mind when he was first pitching his “Wagon Train to the Stars” concept to the networks.

Indeed, as most of us know, the original Star Trek series tackled some of the biggest issues of the 1960s: prejudice and discrimination (“Let That Be Your Last Battlefield“), the Vietnam War (“A Private Little War“), overpopulation (“The Mark of Gideon“, women’s struggles for equality with men (“Turnabout Intruder“), and a growing paranoia that computers could replace people (“The Ultimate Computer“)…to name just a few!

In the 1980s and 1990s, Star Trek continued to advance a mostly left-leaning political message with movies and episodes spotlighting homophobia (TNG‘s “The Outcast“), environmentalism (TNG‘s “Force of Nature” and of course, Star Trek IV: The Voyage Home), labor rights (Voyager‘s “Workforce“), government-sponsored torture (TNG‘s “Chain of Command“), homelessness (DS9’s “Past Tense“), white supremacism (Enterprise‘s “Terra Prime“/”Demons“), and even the prophetic dangers of overreaction to a foreign terrorist attack on our own soil (DS9‘s “Homefront” and “Paradise Lost,” which eerily predicted the September 11 attacks and subsequent curtailment of freedoms half a decade before 2001!). And again, the list could go on and on.

Star Trek has also charted its course by embracing all variety of dramatic presentation: action/adventure, mystery, romance, suspense, comedy, tragedy, etc. And one of those many genres was the legal procedural, usually with the message being delivered most effectively and dramatically within some kind of courtroom. In TOS’ “Court Martial,” the message was to beware of computers presenting false-but-believable information (a concern rearing its head right now in 2023 rather than 2267!). In TNG‘s “The Drumhead,” a trial quickly turned into a witch hunt, demonstrating how paranoia could quickly spread fear in the name of righteousness. TNG‘s “The Measure of a Man” and Voyager‘s “Author, Author” deal with rights being taken away from certain individuals for very arbitrary reasons. Lest you think this applies only to androids and holograms, consider that several states permanently remove the right to vote from any convicted felon, even after they have served their time in prison. And DS9‘s “Tribunal” showed how the government can turn a trial into political theater in order to advance state propaganda.

And so we finally come to the second episode of STAR TREK: STRANGE NEW WORLDS season 2: “Ad Astra per Aspera” (“To the Stars Through Hardship”), a courtroom drama with a definite message. And it’s that message that I plan to discuss in today’s blog. So if you have fear and hatred in your heart for transgender people, you probably want to stop reading now—although I really hope you won’t…

STRANGE NEW WORLDS avoids nearly every OUTDATED COMPLAINT in its SEASON 2 debut! (editorial review)

Pick a complaint…any complaint! A complaint about what? About any of the new CBS Studios-produced Star Treks. Goodness knows, there have been many—complaints that is, although there have been five series. Granted, LOWER DECKS and PRODIGY have been generally well-received, but DISCOVERY and PICARD have certainly struggled.

And while most fans would argue that Picard’s third and final season was the best and strongest Trek effort thus far of the “new era” (I will forgo using the term “Nu-Trek,” as it has taken on a negative connotation in certain circles), even Picard‘s latest masterpiece drew a few complaints along the way (cough, too dark).

So pick a complaint. And let’s see how the season two debut of STRANGE NEW WORLDS, “The Broken Circle,” measured up…

TOO DARK? NOPE!

Oh, why not give me something harder to start with! While SNW isn’t as brightly lit as TNG was, it’s by far brighter than either Discovery or Picard. The amount of care and detail that went into building those beautiful SNW sets and wonderfully colorful costumes is never hidden from view. And honestly, Star Trek has always had very strong lighting—perhaps a little too strong on TNG from time to time—and even the later “darker” series like DS9, Voyager, and Enterprise still showed wonderful detail and vibrance….harkening back to the days of TOS when color television was just emerging and bright lights and color saturation the cinematographers’ prime directive.

Discovery was too dark from the moment we first saw that bridge, and Picard certainly didn’t help alleviate the problem. But SNW checks (or Treks) the light box perfectly. Next!

Oh, yeah? Well, who asked YOU…?!?! (editorial)

I don’t usually write blogs about trolls, but I’m not entirely certain that “CHUCK IN TEXAS” knows he’s a troll. It’s possible that he actually believes he’s being helpful in some way. So in an attempt to be “helpful” to this fellow myself—in the same way he was—I am writing this blog with the hope that somehow, some way, Chuck will read it.

Wait, who the heck is Chuck???

Last week, “Chuck in Texas” posted a separate criticizing comment on nearly every fan film on the AVALON UNIVERSE YouTube Channel. I have a screen cap of one of them…

The other comments were of a similar tone, critiquing everything from the quality of the wig worn by the Vulcan nurse T’Prin to the type of lenses that JOSHUA IRWIN was using to the shoot those films. After a few of these comments, Josh responded that he felt that Chuck was being rude. Chuck ignored Josh’s responses and kept right on posting.

“He was addressing me like I was a teenager who had never made a film before,” Josh told me, “saying obvious things like ‘Choreograph your fight scenes!!’ and ‘Invest in a real makeup crew!!’ and telling me to shoot more than one take….like I’m not already doing that.”

Eventually, after being ignored and just seeing more and more belittling posts popping up like mushrooms, Josh blocked “Chuck from Texas”—which effectively removed all of Chuck’s comments from the videos. “I don’t mind constructive criticism,” ” says Josh, “and in fact, if you look at the comments on my fan films, you’ll see a lot of that. But if someone is being rude or nasty, that’s just uncalled for.”

Normally, I’d completely ignore a story like this because such condescending criticism is a fact of life on social media, and Josh dispatched this guy quickly and without incident. But then I thought about it a bit more and realized that this could become a “teachable moment”…possibly for Chuck in Texas if he reads this but at least for others who watch Star Trek fan films and decide to be armchair filmmakers themselves.

Am I saying that no one should ever be allowed to express negative feedback of a fan film? Of course not! The world is full of people, and people have opinions. My issue is with the sanctimonious approach to telling someone how to “fix” their fan film. In short, unless you’ve made a better fan film yourself, you really don’t have a right to tell others how they should have made theirs. And you wanna know something funny? People who have made fan films do NOT offer unsolicited and condescending advice like that. They just don’t.

People who manage to produce fan films of their own realize what it takes to complete a project, and they (typically) offer their respect to other filmmakers. The anonymous “Chuck in Texas” offered no such respect, which leads me to conjecture that he has never completed a film production of his own. And perhaps that’s why he wanted to “help” with advice rather than doing any real work or having to make hard choices.

What kind of hard choices, you ask…?

Could the WGA WRITERS STRIKE spell TROUBLE for the future of live-action STAR TREK??? (editorial)

Two things happened last week that could potentially affect the future of live-action Star Trek…and not in a good way. The first is that, at 12:01am on May 2, the Writers Guild of America (WGA) labor union, representing 11,500 writers, went on strike against the Alliance of Motion Picture and Television Producers (AMPTP). The last such strike happened in 2007-2008 and lasted 100 days.

Remember that number, because it’s important, and I will discuss it shortly.

The following morning, Paramount Global—which owns CBS, Nickelodeon, and the Paramount movie studio…and holds the rights to Star Trek—announced its earnings to shareholders for the first quarter of 2023. The news wasn’t good. By the close of the NASDAQ on that same Wednesday afternoon, Paramount share prices had dropped more than $6 (or upwards of 28%) from the previous day…which is a huge loss for investors and in market capitalization for the company.

Now, before anyone jumps up and starts blaming ALEX KURTZMAN for this, the bad earnings statement is not his fault. In fact, Paramount+ added 4.1 million new streaming subscribers during the first quarter, reaching a total of 60 million worldwide. While that’s certainly less than the 160 million subscribers internationally for Disney+, the latter has just experienced a slight drop in the most recent quarter while Paramount+‘s subscriber base has continued a steady growth. The issue for Paramount isn’t viewership. Instead, there’s what CEO BOB BAKISH called a perfect storm of “peak streaming investment intersect(ing) with fiscal ad softness.” In other words, there’s a scramble at the moment to load up on content for Paramount+ (spending a LOT of money to produce new streaming shows), while at the same time, advertisers aren’t exactly diving in yet to purchase ad time on the streaming service (less revenue).

There are also other systemic problems that Paramount had long before Alex Kurtzman ever got involved with Star Trek, and the movie studio along with CBS have both struggled financially for decades. Most recently, Paramount had only one major theatrical blockbuster hit in 2022 (Top Gun: Maverick) with $718 million gross ticket sales, three movies in the $100 million range, and the rest only in the the tens of millions. (See the full list here.) Granted, all of the Hollywood film studios are struggling at the moment as movie box office revenue is declining worldwide with the rise of streaming services—which is why so many studios like Paramount have been throwing money into launching new projects.

Indeed, that is the main reason that ViacomCBS (now Paramount Global) inked a jaw-dropping $160 million 5-year contract extension with Alex Kurtzman and his Secret Hideout production company. The idea was that Kurtzman would continue bringing out new Star Trek shows through at least 2026. Other streaming services like Disney+, Netflix, AmazonPrime, Apple+, and HBOMax were likewise spending like drunken sailors on content development, and announcements of new series and new seasons of returning series seemed to come almost weekly!

Then a harsh reality set in…

A FAN FOURSOME of friends discuss and debate STAR TREK:PICARD’s pros and cons… (video)

Remember the days when friends would get together and talk about Star Trek for hours WITHOUT hating on it…or each other? It’s not like we gushed over everything. We could discuss good episodes and bad ones, awesome movies and clunkers. And we were always nice to each other because…well…that’s the way the world used to be!

These days, it’s all about the echo-chambers, and the “if you’re not with us, you’re against us” approach to critical thinking. Even with sci-fi (maybe especially with sci-fi), you either love a show or hate it…with almost no middle ground allowed. You see the vitriol all over social media, blogs, vlogs, podcasts, etc. and you know what? I miss those friendly disagreements, dammit!

About halfway through the run of the final season of STAR TREK: PICARD, I was texting with my longtime friend, DAVID KEKST, about the show. I think “The Bounty” has just aired, and I was so stroked about that total fan service episode with the Starfleet museum, all those starships, Geordi, Moriarty, and the discovery of Data. I assumed that David, a lifelong Trekkie like myself, would be just as stoked at all the nostalgia and was probably loving the series as much as I was.

Apparently not.

David had a lot of critical things to say about the final season, complaining about most of the things I was praising. But this wasn’t the first time he and I disagreed on something. He’s a conservative, and I’m a liberal. He’s very religious while I don’t actively practice any traditional theology. We’re best friends, but we oh-so-often don’t agree with each other…often passionately! The e-mail exchanges and late-into-the-night debates and even frenetic back-and-forth texts frequently seem to stretch on and on—often with little ground gained by either side despite massive amounts of research and what each of us feels are valid and logical arguments.

But it’s never once hurt our friendship.

In a world where families are being torn apart over political disagreements, David and I have continued to be friends despite sitting on opposite side of the aisle. We’re always respectful of each other and usually “agree to disagree.” And hey, sometimes we actually DO agree…but not terribly often. But it’s kinda fun to debate in a safe environment like that.

And so, as David and I traded dueling analyses of the pros and cons of Picard, I had a thought: wouldn’t it be fun and interesting to have two fans passionately disagreeing about Star Trek WITHOUT being nasty to each other? It would be just like the old days!

A look back at the final season of PICARD…and proof that it was WELL-WRITTEN! (editorial review)

ONE LAST TIME…INTO THE SPOILER ZONE!

It leaves me scratching my head that people are still complaining about STAR TREK:PICARD…even after an extremely satisfying conclusion. Did the season have some shortcomings? A few here and there. But on the whole, this was a solid piece of television entertainment aimed squarely at longtime fans of Star Trek: The Next Generation.

My friend ADAM “MOJO” LEBOWITZ (who worked on DS9, Voyager, and Enterprise…along with Babylon 5 and the Battlestar Galactica reboot)), summed up his feelings about Picard’s final season in this way…

My point is the overall story and plot were just not that great. After ep 9, pretty much everything that happened prior was meaningless. If the show didn’t feature the TNG cast and had every easter egg you can think of, no one would be raving about the show. In fact, the ONLY thing anyone talks about is seeing the old cast, the old ship, and all the easter eggs.

That doesn’t make a it a good show.

I told Mojo that I thought he was totally missing the point. The whole reason for doing this final season was to celebrate the seven seasons and four feature films of Star Trek‘s longest-running television series (in terms of number of episodes produced)…and to honor the actors and actresses who portrayed the seven main characters (as well as a few unexpected guest appearances) with one final, heroic adventure together.

Mojo and I went back-and-forth, as people on Facebook do (I wish I could provide a link to the discussion, but it’s not accessible publicly), but it got me thinking enough that I decided to dedicate my final review to this question:

ARE SOME FANS SETTING THE BAR TOO HIGH FOR STAR TREK: PICARD ?

I mean, what were people’s expectations for this final season? I think those who found things to complain about were coming in already primed for disappointment. In Mojo’s case, he went on to say this…

From my point of view, the writing just wasn’t that good. If the words had been spoken by a different cast, no one would care. NO ONE is talking about the story or amazing new characters – just the nostalgia factor. That’s not a sign of a great show.

Personally, I’ve seen people talking about the story and new characters. Heck, I was lobbying for STAR TREK: SHAW until they killed TODD STASHWICK’s incredible character. I loved AMANDA PLUMMER’s portrayal of Vadic. And I certainly had a lot of things to say about the story (more than 30,000 words as of this blog!).

But putting all of that aside, in my opinion, this finale season was written specifically to be about the nostalgia factor! Picard never needed to be Hamlet (SIR PATRICK has done that to death anyway, as has Star Trek) nor even “the best Star Trek ever.” It needed to tell a decent story that allowed our seven characters to be the heroes and have an uplifting send-off, saving the Federation/Galaxy/Universe one last time. It needed to be Star Trek…pure and simple. And gosh darn it, it was!