In Part 1 and Part 2, we met STAN WOO, who back in 1985 convinced GEORGE TAKEI to star as Sulu and JAMES SHIGETA to appear as Admiral Nogura in Stan’s Star Trek fan film YORKTOWN: A TIME TO HEAL. If you haven’t seen it yet, here is the completed film (released on April 5, 2022)…
Also working on the project was legendary Star Trek production artist ANDREW PROBERT, who designed both the refit U.S.S. Enterprise from ST:TMP and also the Enterprise-D from ST:TNG. Andrew custom-designed a “hybrid” TOS/TMP U.S.S. Yorktown that could appear in the film to help establish the time-frame as during the Enterprise‘s refit. Also appearing in the movie was Leonard Nimoy’s assistant, TERESA VICTOR, along with a few other notable names from fandom and even from professional Star Trek.
Between April of 1985 and March of 1987, more than a dozen separate film shoots at both outdoor and indoor locations produced about 160 minutes of footage which was now ready to be edited. By that point, Stan estimates that probably north of $10,000 was spent—mainly by his father, JEM ONG WOO, who will be credited as Executive Producer when Yorktown is finally released this Christmas of 2020 (fingers crossed!). “When you include the post production equipment purchased, like the Video Toaster Flyer (NLE), yeah, it was probably around that much,” Stan explains. “I also purchased Super Beta and Super VHS editing systems that didn’t quite pan out, but that was still money spent, as I didn’t need the equipment if not for the film.”
In fact, the editing equipment was purchased after Stan visited Stephen J. Cannell Productions (which produced The Greatest American Hero and The A-Team) and spoke with Post Production Supervisor KEN SWEET. “I was inspired to change our post production workflow after Ken told me that 21 Jump Street was going to be shot on film and cut on video. So we had to scan all of the Super 8 Reversal Film on a Rank Cintel Flying Scanner to ¾-inch Umatic SP.” (I have absolutely no idea what that means, but the short version is they took two large canisters of 400-ft-long film reels and transferred them to a fairly high quality—at the time—Sony video tape format in order to be able to edit the fan film.)
Meanwhile, word had spread about this exciting project through an article in the June 1987 issue of Starlog Magazine (#119)…
But shortly before the article came out, trouble was brewing for young Stan, who was at that time a student at California State University – Los Angeles while trying to complete his dream fan project in his spare time. And the trouble very nearly spelled the end for Yorktown—at least for another 22 years…
Continue reading “YORKTOWN: A TIME TO HEAL (starring GEORGE TAKEI as Sulu) – the 37-year trek… (Part 3)”