My SON the FAN FILMMAKER!

Two weeks ago I blogged about, among other things, how VANCE MAJOR retired from fan films only to discover that his 7-year-old son ROYCE MAJOR wanted to make fan films! In fact, here’s one of Royce’s first projects.

Over the years, Vance and I have swapped “dad” stories and compared notes, as my 13-year-old son Jayden is very similar to Royce: Star Trek and sci-fi fans, very into computers, very creative, adorable, and way smarter than their dads (both Vance and I both are totally out of our league when it comes to our kids completely lapping us!). And as I was giving Vance some compliments on Royce’s latest efforts and praising his involvement as a father in encouraging Royce’s passions, I told Vance a little about what Jayden was up to these days.

“Y’know, Jonathan, I’d really like to read a blog about that,” Vance said to me. “I mean, it’s great reading about all these other fan filmmakers and their projects, but Jayden is the ‘next generation,’ and finding out what he’s been doing would be really interesting…to me, at least. You really should write a blog about Jayden and his latest projects.”

Okay, Vance, because you asked for it…!

Like many kids, Jayden has a lot of hobbies and interests. He builds competitive robots and takes karate. We watch Star Trek, Stargate, and other sci-fi together. He spends waaaaaaay too much time viewing YouTube videos, but welcome to Generation Alpha (the next one after Gen Z). He hangs out on Discord in a bunch of special interest group servers (he even has a server of his own), he has his own YouTube Channel, and has friends and followers all over the world (he says that people from other countries are nicer than Americans). And yes, Mommy and I feel completely overwhelmed trying to keep track of and monitor all of this online activity…heaven help us!

Fortunately, Jayden is at his core a “good kid”—kind, empathetic to others, and a bit of a prude. We’ve discussed online privacy and safety with him, and he gets it. Like many parents, we’re crossing our fingers that the genie doesn’t get too far out of the bottle, but eventually you just have to trust that you’ve raised your kid right.

One of the things that completely blows our minds—in addition to the robot-building—is Jayden’s ability to code video games. He creates his projects using the Scratch game engine (developed at MIT for kids) at a level that, frankly, most 13-year-olds aren’t even close to being able to do.

You’ve obviously heard of fan films, but did you know there are also fan GAMES? Jayden, along with possibly hundreds of others, has taken to creating video games based on a 2D online game released in 2015 called Undertale (read more about it here).

Here’s a short segment of one of literally dozens of fan games that Jayden was created based on Undertale…

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R.I.P. – ARTHUR H. LANE (1932-2023)

My dad passed away early this morning. He was 91 and had Alzheimer’s. He and my mother were married for 58 wonderful years, having raised two loving sons with three wonderful grandchildren.

I know most eulogies start with a biography, but what I believe is far more important than where Arthur Lane grew up (New York City) and what he did for a living (stock broker) is the impact he had on those around him.

You see, my dad was one of the four “Lane boys” brothers. That term doesn’t mean much to most of you, but to my grandmother, mother, and three aunts, it meant the world. And that was because the “Lane boys” (and their father, my Grandpa Moe Lane), were the sweetest, most honest, loving, decent and dedicated men you could ever hope to meet.

You’ve probably heard some folks described as “absolutely the nicest person in the world.” In the case of my father and his three brothers and their father, that was almost an understatement! These five amazing men were all incredible husbands, loving and supportive fathers, and stand-out role models for their sons and daughters.

I know that some folks on Facebook try very hard to paint Jonathan as somehow nefarious or [insert random insult here]. Welcome to modern life. But those in the fan community who know me even a little are solidly aware that I am generous, supportive, encouraging, courteous, and always willing to help if I can. And let me assure you all: I got that from my father (and Mom, too!). I am a “Lane boy,” too…as is my brother David and all of my cousins, both male and female. We’re equally dedicated to our wives and children (and in a few cases, grandchildren), to helping friends, and just generally being nice and pleasant to people.

I thank my dad (and mom) for making me who I am today—and for making me in the first place! Dad showed me through a beautiful example, day after day of my entire life, how to be a wonderful father and husband…and ultimately a grandfather, too.

There’s an autobiographical song by the late singer/songwriter HARRY CHAPIN titled Shooting Star, and the chorus starts off with these two lines…

“Oh, he was the sun, burning bright and brittle,
And she was the moon, shining back his light a little.”

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“ZERO HOUR” was supposed to be a one-minute PROMO, but it turned into a full seven-minute FAN FILM!

Next week, the eagerly-awaited CRISIS ON INFINITE EXCALIBURS, the latest fan film from THE AVALON UNIVERSE, will finally make its debut. And having seen an early cut, let me assure you that it will be a game-changer of a release, sure to be talked about excitedly by a LOT of fans for a very long time.

Avalon showrunner JOSHUA IRWIN and his team have poured a massive amount of time, effort, financial resources, and emotional commitment into getting this production perfect. And leading into its December premiere, Josh wanted to release a short promo “ad” on YouTube to tease the new film. But not just any ad, Josh had a clever idea.

As some folks know—and most others can very likely guess—Avalon‘s new fan film features a crossover of many different universes (one might say an infinite number!). And yes, one of those is the Star Trek “Mirror” Universe. VANCE MAJOR, who plays the character of Erick Minard across many fan films and series—including CONSTAR, VALIANT, DREADNOUGHT DOMINION, PROJECT GEMINI: CROSSROADS, ANTYLLUS, NATURE’S HUNGER, RAINCROSS, EAGLE, TASK FORCE 78, and of course, Avalon Universe, where that Minard is the chief engineer of the U.S.S. Excalibur.

But Minard also exists in the Mirror Universe as a villainous sociopath known as The Phantom, a character who will be appearing in the upcoming Crisis on Infinite Excaliburs. So Josh thought it might be cool to see The Phantom recording an ominous-sounding log entry for about a minute, hinting at some nefarious plan and ending with “A crisis is coming…” Josh tossed the log entry promo idea over to Vance, offering him complete creative control over whatever he would send back.

Now, technically, Vance officially “retired” from fan filmmaking last year, and this time he actually meant it. Well, mostly. He retired to spend more time with his son Royce, but now Royce wants to make fan films. So Vance is quietly working on CONSTAR: THE MOTION PICTURE, with Royce being the filmmaker in charge. But that’s more of a project done for sheer fun and father/son bonding time.

Vance and Royce Major

However, Vance is also available for friends in the fan film community who’d like his help either in front of or behind the camera. In fact, that’s how the “retired” Vance Major wound up appearing as various Minards in Crisis. So Vance was game to do the promo, as well.

But then, like Josh, Vance had a clever idea…

Continue reading ““ZERO HOUR” was supposed to be a one-minute PROMO, but it turned into a full seven-minute FAN FILM!”

Here’s what ROD RODDENBERRY has planned for the LONG-LOST 3-FOOT MODEL of the U.S.S. ENTERPRISE…

On November 1, I reported on the possible (but likely) discovery of the long-lost original 33-inch (aka the “3-foot”) pre-production model of the U.S.S. Enterprise…for sale on eBay, of all places, for a starting bid of only $1,000!

Designed by the legendary MATT JEFFERIES and constructed in late 1964 by Hollywood model builder RICHARD C. DATIN and a sub-contractor, the model was used for all but one of the visual effects shots for the first Star Trek pilot “The Cage” before being replaced by the larger, lighted 11-foot model that is now restored and on display at the Smithsonian National Air and Space Museum in Washington, D.C.

The model was stored by Paramount after production wrapped on Star Trek TOS in 1969, and in 1973, when GENE RODDENBERRY returned to the the studio to oversee the new animated series, Paramount presented Star Trek‘s now-revered creator with the 3-foot model as a gift. And it remained proudly on Gene’s desk at home in Bel Air Estates for the next five years…

When pre-production began in 1978 on what would become Star Trek: The Motion Picture, Gene was “asked” by the studio to loan out the model to visual effects company Robert Abel & Associates, which used it to help build an early shooting model of the refit Enterprise that was never actually seen in the film because RA&A dropped the ball and was fired from the project a year later.

The model was never returned to Gene, and although he attempted to track it down and recover it, his efforts went nowhere. Eventually Gene moved past the loss and never blamed anyone openly nor showed any bitterness in public. (I’m not sure the same could be said for his wife MAJEL BARRETT.)

And so the final fate of the 3-foot model remained a mystery until an auction item was posted on eBay late at night the evening of Halloween after a seller apparently found a whole slew of Hollywood paraphernalia in an abandoned storage unit that he himself won in an auction. The listing was quickly discovered and first reported via X (formerly Twitter) by Trekcore.com co-owner ALEX PERRY. I wasn’t even clear the lister realized that this wasn’t some prop replica of the starship but rather THE original model!

Fans leapt into action, reached out to Gene’s son ROD RODDENBERRY, and the auction was quickly removed from eBay. The questions now were:

  1. Was this indeed the long-lost 3-foot model? If yes…
  2. Would Rod be able to take possession of it? If yes…
  3. What would happen to the model after that?

Fans had many thoughts on this last question. From photos, the model is obviously in pretty poor shape and would need significant restoration, along the lines of what was done to the 11-foot model…

But assuming those repairs were made, should Rod keep it? Display it at the offices of Roddenberry Entertainment? Auction it himself to the fans? Or donate it to a Star Trek, sci-fi, or Hollywood history museum…or even to the Smithsonian itself?

As of earlier today, many of those questions were answered in an e-mail sent to subscribers to the weekly “Roddenberry Transmitter” newsletter. Here are the relevant portions of Rod’s message to fans…

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The Fan Film DIRECTORS CHOICE Awards are back for a THIRD year…with new categories! (interview with GLEN L. WOLFE and DAN REYNOLDS)

The future of fan film award shows remains in good hands! And right now, those hands belong to GLEN L. WOLFE and DAN REYNOLDS of WARP 66 STUDIOS in northern Arkansas. For the third straight year, submissions are being accepted for the annual Fan Film DIRECTORS CHOICE Awards. The call for entries begins today and continues through January 15, 2024. Fan filmmakers can submit their film(s)—a maximum of three fan films per director—for a cost of $10 per film entered. Here’s the entry form link:

https://thefederationfiles.com/?page_id=1407

This third running of the Fan Film Directors Choice Awards is open to any fan film of any genre (not just Star Trek) released during calendar year 2023. So it’s possible that some fan films that haven’t premiered yet could still make it in. The judges for the show will be the directors of the submitted fan films, who will each have until March 15 to submit their ballots. Each submission can be entered into a maximum of six of the following categories…

Best Actor
Best Actress
Best Director
Best Original Costuming
Best Make-up/Hairstyling
Best Cinematography
Best Original Music
Best Audio Mixing
Best Lighting
Best FX Make-Up
Best CGI FX
Best Green Screen
Best Composite Shot
Best Screenplay
Best Parody/Comedy
Best Portrayal of an Existing Character
Best Animated Fan Film
Best Editing
Most Canon Award
Best Ensemble
Best On-Location Scene
Best Plot Twist
Best Use of Improvised Sets
Best Choreography

Just like last year, there will be a “Best in Fest” $250 cash award for the fan film which receives the greatest number of votes across all categories. Of the above two dozen categories, the last four were newly added as of this year. Dan Reynolds explains…

“We originally started this awards outlet so that those producing fan films could get the recognition they deserve. Going into our third year, we came up with some new categories that focus more on the unseen work and put a spotlight on more specific categories that are always overlooked in many awards offerings. It’s a way to spotlight the many great moments in fan films that are more based on recognizing their accomplishments rather than making it a competition.”

While Best On-Location Scene and Best Plot Twist seem fairly straightforward, I was curious to learn more about Best Use of Improvised Sets and Best Choreography. Dan tackled the former…

Continue reading “The Fan Film DIRECTORS CHOICE Awards are back for a THIRD year…with new categories! (interview with GLEN L. WOLFE and DAN REYNOLDS)”

Four TREK SHORTS in three blogs – Blog #3: PAKLED RESURGENCE and PROTOSTAR SAVED (interview with SAMUEL COCKINGS)

And so we come to the end of my 3-part “catch-up” blog series on the recent releases in the TREK SHORTS fanthology series. Blog #1 covered BROKEN REALITY (premiering back in May), and Blog #2 focused on FIRST MEETING (which debuted in August). Today’s blog will look at the most recent two releases, PAKLED RESURGENCE (September) and PROTOSTAR SAVED (October)…both of which focusing on the U.S.S. Protostar from the recently-canceled and even-more-recently-picked-up-by-Netflix STAR TREK: PRODIGY.

I fell behind because British frenetic fan filmmaker SAMUEL COCKINGS decided that 2023 would be the perfect time to release one new fan film EACH MONTH from February onward (not counting April). I was managing to keep pace for a little while, but…blimey, mate! You’re on a frickin’ tear!!!

If you’re curious to check them out, in addition to the two blog links I provided above, I invite you to read and/or listen to the blogs spotlighting Sam’s other four releases (so far!) from this year…

Before we get to our final chat with Sam (at least for now…as there are still two months left in 2023!), let’s take a look at both of his latest Prodigy-inspired releases. First up, the rather epic 28-minute Pakled Resurgence, starring Sam Cockings himself along with MARIE-LOUISE SVALENG, SEÁN FERRICK, ROY EAPPEN, and Sam’s co-podcaster from TREKYARDS STUART FOLEY…

And then, here’s the quick five-and-a-half-minute vignette (and the last two minutes are the closing credits!), Protostar Saved, again starring Sam and Marie…

And now, ladies and gentleman, returning to our stage for a second encore, Mr. Samuel Cockings…

Continue reading “Four TREK SHORTS in three blogs – Blog #3: PAKLED RESURGENCE and PROTOSTAR SAVED (interview with SAMUEL COCKINGS)”

Four TREK SHORTS in three blogs – Blog #2: FIRST MEETING (interview with SAMUEL COCKINGS)

Last time, in an attempt to catch up with fan films’ answer to The Flash, SAMUEL COCKINGS—who has premiered EIGHT different (and very impressive!) releases of his TREK SHORTS fanthology series already this year—I published the first of three consecutive blogs to cover four of his recent fan film offerings. Here are links to the blogs for Sam’s 2023 releases that I’ve already spotlighted…

The most recent blog covered Broken Reality, the first part of a trilogy of Star Trek/Stargate crossover fan films from Sam. That release (from May) starred EMMA THORNE as Ensign Laura Reed, MATT MILLER as Ensign Stuart, and RHEA KHEEHN as the Starfleet Computer.

Today Sam and I will be discussing First Meeting, which was released in late August and stars, once again, Emma Thorne as Ensign Reed encountering for the first time NIMRAN SAUND as Lieutenant Anna Keeley. Also appearing in the film is Sam’s father, STEVEN COCKINGS, as the TOS-era Lieutenant Lee Galloway (along with some random Romans). Before we continue our interview with Sam, let’s take a look at First Meeting…

And now, here’s Sam…

Continue reading “Four TREK SHORTS in three blogs – Blog #2: FIRST MEETING (interview with SAMUEL COCKINGS)”

Four TREK SHORTS in three blogs – Blog #1: BROKEN REALITY (interview with SAMUEL COCKINGS)

I might be the blogger behind Fan Film Factor, but overachieving British CGI artist and showrunner SAMUEL COCKINGS is a veritable fan film FACTORY! (See what I did there?) Since February of this year, with the single exception of April, Sam has released one fan film PER MONTH…with no end in sight! Each was a chapter in his ongoing TREK SHORTS fanthology of stories, featuring the same main characters at different points in their respective careers…spanning mostly the 24th and 25th centuries (with a dollop of 23rd and 22rd century thrown in for good measure).

Each Trek Short release features Sam’s usual jaw-dropping VFX shots of a plethora of starships and other alien vessels, ships that he and co-Treknologist STUART FOLEY regularly cover on their long-running TREKYARDS podcasts. Trek Shorts also feature actors shot in front of green screen (mostly) and digitally composited against computer-generated backgrounds of starship interiors, virtual “sets” modeled and rendered in 3D that look nearly indistinguishable from the real thing. The quality of Sam’s productions is truly uncanny—and releasing eight such visually stunning fan films within nine months is beyond impressive, in my opinion.

Those eight films, in order, have been the following:

I’ve supplied links to the blogs I’ve published covering half of the above Trek Shorts, but that still leaves four not yet covered…and I’m falling farther and farther behind each month!!! So in an attempt to catch up, I have just interviewed Sam about each of the remaining four fan films and will present those interviews in a 3-part series of blogs, beginning with Broken Reality, starring EMMA THORNE as Ensign Laura Reed, MATT MILLER as Ensign Stuart, and RHEA KHEEHN as the Starfleet Computer. Check it out below…

And now, let’s start chatting with Sam…

Continue reading “Four TREK SHORTS in three blogs – Blog #1: BROKEN REALITY (interview with SAMUEL COCKINGS)”

GENE RODDENBERRY’s long-lost pre-production model of the USS ENTERPRISE found…on eBay…listed for just $1,000!

Way back in 1964, just as GENE RODDENBERRY was beginning to work on pre-production for his new Star Trek TV pilot for Desilu Studios, the first miniature of the U.S.S. Enterprise was built from drawings by MATT JEFFERIES. It was only 4 inches long, but it was enough to work from in order to build a larger, more detailed 33-inch model.

Hollywood model builder RICHARD C. DATIN was hired, and he, in turn, hired a subcontractor with a large metal lathe to work on some of the major subcomponents. Together, during the month of November, the two men put about 110 hours into constructing a mostly pine wood model with Plexiglass and brass detailing. Roddenberry reviewed the model, requested some minor changes from Datin, and the completed model was submitted to Desilu for final approval in December of 1964. Total cost for labor and materials: $600 (about $5,950 in today’s dollars).

Jeffrey Hunter and Leonard Nimoy pose with the 33-inch model in early publicity photos for the new TV series Star Trek.

That 33-inch model (known affectionately as the “3-foot” model) was used for the majority of filming for the rejected first pilot of the series, “The Cage,” while Desilu ordered the construction of a larger 135-inch (11-f00t) model constructed from plaster, sheet metal, and wood…costing $6,000 in 1965. That more detailed, lighted model made it into the opening shot of “The Cage” where the camera zooms into the bridge, but all of the rest of the visual effects used the 3-foot model with shots filmed from farther away, as it was less detailed and had no working lights.

Ultimately (with some modifications), the 11-foot model was used for the rest of the Star Trek series, with a few notable exceptions. The Enterprise that whooshes past during the opening credits is the 3-foot model. Also, the Enterprise that emerges from the galactic barrier in “Where No Man Has Gone Before” and the miniaturized Enterprise in “Requiem for Methuselah” were also both the 3-foot model…

Of course, the iconic 11-foot model now sits in the Smithsonian Air and Space Museum in Washington, D.C., recently restored to its former greatness and more. But whatever happened to that 3-foot model? Well, as it turns out, Gene kept it right there on his desk at home…!

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Tales from the Neutral Zone’s “THE LOST STARSHIP” unites old and new fan film faces! (interview with BRIAN W. PETERSON and JOSH IRWIN, part 2)

In part 1, we looked at the sixth release of TALES FROM THE NEUTRAL ZONE, a really excellent fanthology episode titled “THE LOST STARSHIP.” It was written by newcomer to Star Trek fan films, professional author BRIAN W. PETERSON. And our previous blog featured an awesome interview with Brian.

In this second and concluding blog, we shift to veteran fan filmmaker JOSHUA IRWIN (showrunner of the THE AVALON UNIVERSE series of fan films), who served as director of photography (DP) on the production under the supervision of director VIC MIGNOGNA (showrunner of the celebrated run of STAR TREK CONTINUES). If you haven’t seen “The Lost Starship” yet, please take the time to check it out, as it is amazingly well done…

As many long-time readers know, Josh graduated from film school a couple of decades ago and has worked professionally in the entertainment industry ever since. In fact, in January, his name will be in the credits as cinematographer of a new film being released in theaters across America titled Wildfire: The Legend of The Cherokee Ghost Horse (based on the famous song) starring country music singer CHEVEL SHEPHERD, the late ANNE HECHE, MO BRINGS PLENTY of Yellowstone fame, and the Highlander himself, ADRIAN PAUL. Josh was also cinematographer on three films that can be found on Tubi: Rain, Your Local News, and Uneven Ground: The Melissa Witt Story.

But of course, we’re here to talk about a Star Trek fan film, so let’s dive into our interview with Josh…

Continue reading “Tales from the Neutral Zone’s “THE LOST STARSHIP” unites old and new fan film faces! (interview with BRIAN W. PETERSON and JOSH IRWIN, part 2)”