Tag: Dana Wagner

INTERLUDE Confidential #21: watch the ENTIRE Saturday shoot at ARES STUDIOS!

A few months ago, I posted a fun video showing ARES STUDIOS “coming to life” just before we began the first day of a two-day shoot for my AXANAR Universe fan film INTERLUDE back in November of 2019. But that was only SOME of the footage that I shot!

The great thing about being the producer on a film project is that you’re the boss. While the director runs things on the set during filming, the producer is still the person ultimately in charge of everything from the earliest budgeting and pre-production meetings through post-production and the release of the finished project.

My goal in making Interlude wasn’t simply to produce a Star Trek fan film or to shoot something on the bridge set at ARES STUDIOS—although that was certainly part of the goal. But what I really wanted to do was to document the entire experience of creating a fan film, start to finish, for my readers. And certainly the most exciting aspect of that experience was the two-day shoot in Lawrenceville, GA on the U.S.S. Ares (and Artemis) bridge set!

My director, VICTORIA FOX, and my director of photography, JOSHUA IRWIN, were okay with me filming the shoot as long as I kept quiet, kept still, and didn’t interfere in any way with the cast and crew. So I got to record nearly the entire shoot from start to finish. As such, this is a pretty long video…but that’s a good thing!

Why not edit the footage down to something shorter, you ask? Because I wanted you folks to experience exactly what it was like on that set, even when things weren’t moving at wrap speed. In fact, on TV and movie sets, there’s a lot of time that goes by with seemingly little to nothing happening (or at least, that’s the way it might look to someone on the outside).

And as it happens, I didn’t film “everything.” In fact, the Saturday shoot lasted nearly TEN HOURS once things finally got going, and the video I’ve posted below is only two hours long. Part of the reason is I didn’t spend much time filming when lights and cameras were being moved around—that gets boring really quickly! Instead, I concentrated on moments when the cameras were either rolling or about to roll. I also paused every so often to switch over from video mode on my camera to picture mode so I could also take behind-the-scenes production photos. That’s why you’ll see many spots in the video where one clip unexpectedly ends and another begins.

Do you have to watch the WHOLE video…?

Continue reading “INTERLUDE Confidential #21: watch the ENTIRE Saturday shoot at ARES STUDIOS!”

Finishing touches – ALEC PETERS updates AXANAR supporters on the ARES BRIDGE set!

Remember that bridge set that the AXANAR detractors said would never be finished? Well, I’m sorry to disappoint the detractors (no, I’m not), but it’s almost finished, folks! I’d estimate we’re more than 95% of the way there at this point, but that’s just a subjective opinion. The important point is that things have now moved from the “big” stuff to the final little details.

In an update published last week on the Axanar.com website, ALEC PETERS provided a list of things that still need to get done:

  1. Replace two broken upper monitors.
  2. Install rubber matting in section of bridge that needs it.
  3. The edges of the plexis need to all be painted black so light does not bleed around the edges.
  4. Rout out and finish Tactical, Fleet Ops and Pilot consoles and install plexis.
  5. Plexis for Tactical and Fleet Ops upper monitors.
  6. Plexis for controls on Captains Chair.
  7. Replace computers for eye-level monitors with Rasberry Pis to reduce power needs.
  8. Install Plexis for 10 eye-level monitors.
  9. Install lighting above and below consoles.
  10. Green screen or 84? TV for the main viewer.
  11. Get chairs in place for all stations.

The biggest challenge at this point involves power consumption. The studio can supply 200 amps. Obviously, there’s the lights and A/C for the building and whatever is plugged in at the moment. But the real energy drain comes from the various electrical elements of the bridge set itself.

Now, Alec could opt for a solution similar to the one used recently for the TOS sets formerly known as Starbase Studios that were moved to Dogpatch, Arkansas. That facility didn’t have enough capacity to power all the bridge stations simultaneously, so folks filming there would meed to light one station at a time for close-ups and then try to minimize wide shots showing multiple stations at the same time.

This option was not acceptable for Alec. He hadn’t put four years and hundreds of thousands of dollars of both donor money and his own money into completing this incredible set only to be limited to filming it from only tight close-up angles…even though the level of detail provided will make those “hero” shots look pretty awesome!

No, Alec needed a solution where, if he flicks a switch or three, the whole bridge set lights up for filming whatever scene from whatever angle the director needs. But how…?

Continue reading “Finishing touches – ALEC PETERS updates AXANAR supporters on the ARES BRIDGE set!”