Fan Film Features – Page 9

With PRODIGY abruptly canceled, a fan rushes to release the first LIVE-ACTION Prodigy fan film: FLIGHT OF THE PROTOSTAR! (interview with SAM COCKINGS)

Star Trek fans were shocked this past week when Paramount unexpectedly announced the immediate cancelation of the animated STAR TREK: PRODIGY series prior to the release of any episodes of season 2…and then quickly removed the show entirely from its Paramount+ streaming service.

The announcement included additional details that production of the second season of Prodigy was nearly complete, and that the property would be shopped around by CBS Studios as a 2-season package to other streaming services and networks. And so the reason for taking down the 20 completed episodes from Paramount+ was to make Prodigy a more attractive and valuable commodity for purchase.

And if my grandmother had wheels, she’d be a wagon…

Anyway, Prodigy was always the “great experiment” at Paramount. One of the first and only series to simultaneously debut on a regular broadcast network (Paramount-owned Nickelodeon) as well as streaming on Paramount+, the idea behind Prodigy was to attract a new generation of young Star Trek fans, introducing them to the five-decade-old franchise a little at a time through the eyes of a crew of kids who, themselves, slowly discover what Starfleet is and the fascinating history of the United Federation of Planets.

The plan (hope?) was that these young viewers would get so curious about Star Trek that they would beg their parents to subscribe to Paramount+ so the kids could watch more of the shows. (Someone might have wanted to explain that strategy to everyone who inserted F-bombs into DISCOVERY and PICARD…just sayin’.)

Perhaps ironically, in trying to present a window into Star Trek‘s long history for new viewers, the creators of Prodigy inadvertently created a fan-favorite series that, more than any of the other CBS-produced new series, hewed much more closely to established canon. Older fans (lime me!) loved the new show.

Apparently, however, the numbers weren’t quite as strong when it came to the kids (or else the show wouldn’t have been canceled). And can you blame the younglings for not jumping on board after an airing schedule of five weekly episodes, followed by 2 months of nothing, then another five weekly episodes, then 9 months of nothing, followed by ten weekly episodes? Kids tend to have short attention spans to begin with!

Many fans were frustrated and angry—furious actually!—and moved quickly to set up #SaveStarTrekProdigy. Petitions are circulating, memes are meming, and one fan filmmaker rushed to produce the first-ever Star Trek: Prodigy live-action fan film!

SAMUEL COCKINGS, the Brit with Grit and co-host of the TREKYARDS podcast, has been passionately producing a parade of phenomenal fan films with eye-raisingly accurate CGI-generated digital backgrounds and jaw-dropping VFX animations under the banner TREK SHORTS. (You can view those fan films here on this playlist.) This past Friday, after a week of sleepless nights, Sam released FLIGHT OF THE PROTOSTAR, a love-letter to the show and (hopefully) a salient message to the suits at Paramount that there is more support for this series then they might suspect…

STARSHIP CALIBORN releases their third fan film: “RECIPROCITY” (interview with BILLY SWANSON)

Certain states have become nexuses of fan film production: Arkansas, Georgia, and now Kentucky. Of course, it helps when those states contain studios with permanent sets like WARP 66 STUDIOS (Arkansas), NEUTRAL ZONE STUDIOS (Georgia), and POTEMKIN PICTURES (Kentucky). In the case of the latter, three different creative groups are now in active production of Star Trek fan films: STARSHIP WEBSTER, KLINGON SCOUT SHIP QAB’ELTH, and STARSHIP CALIBORN. All three rely on the talents and hard work of fans and friends mostly living in the areas in and around Lexington, KY, coordinated by the efforts of Potemkin Pictures Poobah RANDY LANDERS. (You can view all of Potemkin‘s many dozens of releases from a dozen different creative groups on their website.)

So when I saw a new release from the Caliborn folks, “RECIPROCITY,” I reached out to Randy, as I typically do, for some background on this latest effort. And that’s when Randy recommended that I speak with episode writer and lead actor BILLY SWANSON, as he is the “voice” of Caliborn.

Well, far be it from me not to speak directly with the “voice”! So I reached out to Billy for a quick interview, which appears below. But first, let’s take a look at “Reciprocity”…

And now, here’s Billy…

JONATHAN – Randy said that you are now the “voice” of Caliborn. Does that mean you are officially the showrunner?

BILLY – Yeah, I saw that! I am indeed the showrunner for Caliborn.

JONATHAN – So what does being a showrunner entail for you specifically, Billy?

BILLY – As showrunner, I work with Randy to arrange the chapters (films) accordingly and set up the space to shoot (ha!). Being the showrunner puts me in the position to guide the tone of the overall “volume” (of chapters) that the various films fit into.

When Randy and I decide on a script, I then run it past ROBIN KUNKEL and ANDREW ORTWEIN for their ideas regarding shot composition and what other unique ways we can film. Andrew has a great mind for storyboarding and lighting, as well as ways to accomplish more unique shots! Robin is also a hell of a photographer and broaches the script with a different perspective I enjoy in terms of reasonably scheduling the order of the shots we need, the shots we would like, and the nice-to-have-but-not-a-priority shots, so that we can fit all of that into a reasonable day’s shoot for the actors.

The feedback from this team also helps with initial rewrites to help with narrative and vocal flow for us to present to the actor, to mitigate day-of troubleshooting. It is a lot like Randy’s shot lists, but with more technology and fun pictures! I also facilitate the shoot crew and work with the production team to prepare for the next chapter (storyboarding, lighting, costume, and directing).

JONATHAN – Are you writing all of the scripts entirely by yourself, or is that task shared among several writers?

Here are the 2023 Star Trek Fan Film SHOWRUNNER AWARD entries for BEST SHORT SCENE…

While all of the fan film award competitions feature categories that are common to every contest—like best fan film, best director, best actor, best music, etc.—what makes life extra interesting are categories that are unique to each competition. For example, the DIRECTORS CHOICE AWARDS have categories for Best Ensemble Cast and Best Portrayal of an Existing Character…categories that other fan film contests don’t offer.

In the case of the SHOWRUNNER AWARDS, we just added four new categories this year for Best Props, Best Original Set Design, Funniest Fan Film, and Most Clever Easter Egg. But returning from last year is one of our most unique categories—and one of my personal favorites!—Best Short Scene. This award is for a single sequence from a fan film that is two minutes or shorter, a sequence that is particularly exciting or gripping or dramatic or memorable. The standout elements can be the acting, writing, directing, editing, VFX, music, or any combination. The question is: which short scene does a judge find to be most impactful?

Last year, we had ten fan films that entered submissions into this category. This year, only five submissions came in for Best Scene, but they are each excellent! And best of all, each has a 60% chance of winning an award because we present an Admiral Award, Captain Award, and Commander Award in each category. (Remember that for next year, fan filmmakers: enter a short scene for a good chance at winning!)

I’ve just started creating the online ballot for the judges to record their votes in each of our 22 categories (that is a lot of work for both me to make the form and them to watch everything and fill it out!). And I need a convenient place for them to access all the short scenes in one place. What could be more convenient than a blog page, right?

If you’d like to view all of this year’s 23 fan film entries in their entirety, click here. But now net’s take a look at the five submissions for this year’s Best Short Scene, in alphabetical order by fan film…

From DOOMSDAY…

From THE NEEDS OF THE ONE…

From OUTBREAK…

From RESISTANCE…

From YORKTOWN: A TIME TO HEAL…

At long last, STALLED TREK: “THE CITY ON THE EDGE OF FORECLOSURE” is released onto YouTube!

Putting the “stall” into STALLED TREK, showrunner/writer/animator/voice-actor/comedic genius MARK LARGENT finished creating his second puppet parody adaptation of a classic TOS episode, “THE CITY ON THE EDGE OF FORECLOSURE” way back in June of 2021. But with the exception of those hundred-plus donors who contributed to his Kickstarter in mid-2018 and his follow-up Indiegogo campaign in early 2021 and received DVD/Blu-ray versions of the new fan film, no other fan(s) saw it…unless they attended one of 28 film festivals where “City” was an official selection.

And indeed, that is why Mark has held out releasing the film onto YouTube for so long. Many of those film festivals required submissions to NOT be available on YouTube. And so, Mark kept “COTEF” (his abbreviation) off of the Internet for nearly two years! The restraint and self-control paid off, however, as COTEF has gone on to earn a total of FIFTEEN awards. Take a look…

Wow, right?

Anyway, with one last hurrah as COTEF won BEST ANIMATED COMEDY SHORT at the MIAMI INTERNATIONAL SCIENCE FICTION FILM FESTIVAL, Mark finally decided to, without much fanfare, to post the hilarious puppet parody with the time-displacing rock donut onto the Internet. And you can watch it here…

Mark’s first foray into the 3D animation odyssey that is Star Trek puppet parodies came back in 2012 with the release of the first Stalled Trek, an adaptation of fan favorite TOS episode “Amok Time” titled “AMUTT TIME” (read my interview with Mark about that fan film here.) The gag in the title was that Mr. Spott was a Vulcanine and was going into heat, needing to return home to his betrothed T’Pomerian. If you loved what you just saw above, you’ll love what’s below just as much…

But wait, that’s not all!

After doing the aforementioned interview with Mark back in early 2016, we began talking about AXANAR and the CBS/Paramount lawsuit. This led to an idea for a parody of both PRELUDE TO AXANAR and the lawsuit itself. Mark and I quickly came up with a script, I supplied a few of the voices, and Mark did his usual lion’s share of the 3D modeling, animating, and render to create a Stalled Trek parody not of a TOS episode but of a fan film being sued for copyright infringement! You can check that one out here…

But wait, there’s even more Stalled Trek!

After raising over $4K in the 2018 Kickstarter, Mark learned that his go-to 3D application, Animation:Master, would no longer be supported for Macintosh, and Mark didn’t have the funds nor desire to purchase and transition to a Windows PC. Instead, Mark switched over to the open-source (i.e. free!) Blender 3D allowing him to remain on a Mac AND, as it happened, render his animated footage about 30 times faster!

The only problem was that he now needed to learn the new software as well as to import and/or recreate all of his characters and settings into the new 3D platform…

The 2023 SHOWRUNNER AWARDS now have their final 21 entries!

Submissions for this year’s Star Trek Fan Film SHOWRUNNER AWARDS are now complete. It feels like only yesterday when I announced the entrants for last year’s inaugural competition! (Well, maybe not yesterday…but certainly not a full year ago!!!) For our previous running, we had a whopping 38 Star Trek fan films submitted, totaling just a smidge under 13 hours of viewing time for our twelve judges.

This year, our number of entrants is a smidge below two-thirds of that: 21 fan films. That lower total isn’t too surprising to me. Last year, a quarter of our submissions came from one person, VANVE MAJOR, who decided to enter TEN of his CONSTAR saga fan films! Vance, who announced his final retirement from Star Trek fan filmmaking last year, has decided to sit it out this time, which is fine.

Other fan films like SQUADRON, THE HOLY CORE, BEYOND THE SUN, AGENT OF NEW WORLDS, PACIFIC 201, INTERLUDE, STAR TREK: FIRST FRONTIER, and CHANCE ENCOUNTER won enough awards last year that their creators didn’t feel the need to enter again, as a fan film is only allowed to win once in any specific category. One fan films has returned this year for a second chance at the winners’ circle, but most haven’t, resulting in fewer entries.

And speaking of entering the same film multiple times, I’m considering shortening the window of eligibility from 5 years to something less, like only 2 or 3 years. I still feel strongly that fan films should get at least one extra chance to compete, rather than being eligible in only a single year. But while the first year’s submissions spanned the full five years of eligibility (2017-2021), all but 3 of our 21 submissions for this year were for fan films released during the previous calendar year of 2022. It’s certainly something for the judges and me to discuss going into 2024’s contest, but feel free to chime in with a blog comment or e-mail to me your thoughts.

In the meantime, I am very excited about this year’s entrants because there will be ample more widely-competitive categories this time. Last year cleared out many of the “giants” (from a whole bunch of years) that were, admittedly, extremely hard to compete against. But that leaves this year with a significantly more level playing field.

So while the judges have only about 60% as many films to watch and judge this year (and only 5 and 2/3 hours needed to view them all), I suspect that judging those submissions is going to be MUCH harder. We shall see.

Like last year, the winners will be announced on Star Trek‘s anniversary of September 8, 2023. There are 22 categories this year, with three winners in each category: Admiral, Captain, and Commander level. I salute all of our 21 entrants for 2023, and I wish each of them the best of luck and encourage you, the reader, to watch as many as you can…

R.I.P. – STEVE “KORATH” ATWELL (1967-2023)

It is always a sad moment for the Star Trek fan film community when one of our own embarks on a final journey to what Shakespeare called “…the undiscovered country from whose bourn no traveler returns.” Earlier this week, cosplayer STEVE ATWELL, who played the role of the Klingon Korath in multiple episodes of VANCE MAJOR’s CONSTAR CHRONICLES saga, passed away at the too-young age of 56 after battling an illness that he could not defeat.

Vance contacted me yesterday to ask if I would write a blog about Steve and noting his passing. Unfortunately, I did not know Steve and never even met him, and aside from watching his performances as Korath and occasional appearances on the CRITICAL NOT CYNICAL video podcast, I knew nothing about this unique man. So I suggested that Vance, who was quite close to Steve as both director and friend, write Steve’s eulogy, and I would publish it here.

I now turn the blog over to Vance Major…

My loyalty is to my house, as your loyalty is….

– Krorath (“Much Afraid”)

How do you sum up the life of one man into a few paragraphs? You can’t. Something is going to be overlooked. All I can tell you is what Steve Atwell meant to me and his impact on this community. He is known by so many of us as “Fan Films’ Greatest Klingon” for a reason: he lived the part so much.

I met Steve a few years ago at TOPCON when STARBASE STUDIOS had been part of the event, and I was asked to help out with the bridge there. As people from every fanbase walked by, I noticed this cosplay of a Klingon that was so detailed that I had to know who guy was.

I followed Steve around for a while before approaching him, as he is a pretty intimidating guy…especially in Klingon garb! But he was so warm and receptive to me and my questions. We discussed what I was doing in fan films and his involvement in cosplay and exchanged information.

It was a little over a year before I actually was able to get him into a film, as I was still new to creating my films at the time. But he took to it really well, and we became fast friends. I trusted him to change dialog if it didn’t fit what a Klingon would say, as he was not just an actor, he was a guy with experience with Klingon culture. It stemmed from cosplaying for years as the character of Krorath. He lived this. When I brought Steve on, it was not me making the character of Krorath for him, it was more like we were bringing his character of Krorath from cosplay into the fan films, and it worked. We had a trust that I began to put on screen that was very much behind our characters…a bond, if you will.

MEET THE JUDGES for the 2023 Star Trek Fan Film SHOWRUNNER AWARDS!

If you haven’t entered your Star Trek fan film(s) yet, the deadline is coming up in just over two weeks! Click here for the submission form page…

https://www.cognitoforms.com/JonathanLane1/_2023StarTrekFanFilmSHOWRUNNERAWARDS

Last year, the Star Trek Fan Film SHOWRUNNER AWARDS had a FANtastic panel of twelve judges (including yours truly) who reviewed and voted on 38 submitted fan films. They all did a spectacular job!

Unfortunately, not everyone was available for a second year, and a few had to step down. But as they say, whenever a captain closes a hangar bay door, somewhere he/she/they open a viewport—or something like that. As such, I was able to replace the departing judges with new judges, some of them new to the world of fan filmmaking, others experienced veterans. And all of them, of course, remain showrunners of either a Star Trek fan film or series.

A showrunner plays a special role in the production. Sometimes they are also the writer and/or director and/or producer and/or a whole slew of other positions. But the most important thing about a showrunner is that they are where the buck stops. They are the central force that inspires, manages, coordinates, and motivates the team to finish the project. Yes, others involved in the project can also make sure that things get worked on and completed, but most often, the showrunner is the main person that a production cannot live without.

As such, showrunners tend to know about all aspects of filmmaking (or, like me, they were forced to learn fast!). So even if they don’t have enough skills or expertise to tackle every task themselves, they work closely enough with those who do to make sure they have the resources they need to get their specific job(s) done. And that’s why they make such great judges for fan films.

It’s no small commitment to agree to be a judge in a film competition. One needs to watch perhaps a dozen or more hours of the work of others—and watch carefully enough to remember (or take notes on) specific strengths and weaknesses in performance, technical production, and a host of other items in what will be, this year, a total of 22 separate categories! As a reminder, each judge submits their top five choices in descending order for each category, and they cannot vote for any of their own fan films as their top three slots.

And so, in appreciation and acknowledgement of their invaluable assistance in making these awards both effective and successful, I would like to take a blog moment to spotlight these talented fans who have each worked so hard to bring the labors or themselves and their teams to your computer screen.

In alphabetical order…

Unexpected fan filmmaking happens among the California wildflower SUPERBLOOM!

Wildflower season in Southern California usually peaks during a short window from mid-March through late-April, but it isn’t always a dazzling display. Many factors can affect the bloom, the amount of winter rain being the most obvious, but there’s also temperature (too much heat will dry up the flowers quickly), highs winds (too much blows away the petals), ongoing drought conditions, too many little critters chowing down, and even whether the previous year “used up” most of the dormant seeds under the ground.

This past winter, as you probably saw on the news, was a record-breaker for most of the West Coast and especially California…and MUCH needed! And despite the flooding and mudslides and people in the mountains having to climb out their their second story windows just to escape their homes under 25 feet of snow, all that water is precious after half a decade of way-below-average rainfall and severe drought.

And obviously, the wildflowers LOVE all that water!

As such, many folks in and around Southern California were crossing our fingers, hoping for a decent bloom and perhaps even one of those rare treats: a SUPERbloom. The last one of those we had was back in 2019, and it was a doozy! I myself got photos that year that looked like this…

Oh, did I mention I’m a nature photographer in addition to being a Trekkie? And I’m just as obsessed with both! During some superbloom years, I’ve driven literally thousands of miles in a matter of a few weeks, criss-crossing the map of Southern California going to all sorts of secret and not-so-secret places to photograph these beauties. All of the above images were taken in the Antelope Valley, part of the Mojave Desert near the town of Lancaster.

As it happens, a fan filmmaker named MATTHEW BLACKBURN, the creator the SURVIVOR series of Trek fan films, lives in the Antelope Valley. And back in 2019 while I was taking the above photos, he and his wife Katie were driving along Highway 138 when they saw the most magnificent field of orange poppies and another field of yellow coreopsis carpeting a grove of Joshua trees. Always thinking like a filmmaker, Matt stopped the car and changed into a Deep Space Nine jacket and tunic that was in his trunk (’cause we all have a Starfleet uniform in our trunk, right?). Katie was used to being Matt’s camera person, and they shot footage of him walking through the two fields, looking around, and falling backwards into the wildflowers. At the time, Matt had no idea what the footage would be used for, but at least he’d have it.

Ultimately, those clips made their way into LOST AND FOUND, a Star Trek fan film that Matt released two and a half years later in late 2021. The wildflower scenes appear during a hallucinogenic mind-scape sequence as Matt’s captain character battles a psychic entity trying to take control of him. You can see those shots beginning at 5:33 in the video below…

Two ST: DISCOVERY cosplayers get “drafted” into the NEUTRAL ZONE STUDIOS fan film “WHEN DUTY CALLS” (interview with LISA LAKE and RACHEL KAYS)

“Your revered Admiral Nogura invoked a little-known, seldom-used ‘reserve activation clause.’ In simpler language, Captain, they DRAFTED me!” Dr. McCoy uttered that line back in 1979’s Star Trek: The Motion Picture. And in 2023, it happened again…this time at NEUTRAL ZONE STUDIOS in Kingsland, Georgia.

As most of you know, NZS is the location of the gorgeous TOS sets that were originally constructed for the fan series STARSHIP FARRAGUT and later for STAR TREK CONTINUES. In 2019, after STC wrapped filming and Farragut Films had long since departed the studio, set owner and STC show-runner VIC MIGNOGNA sold the now-unused sets to Florida resident RAY TESI, who used a portion of his retirement savings to not only purchase the sets but to pay the lion’s share of the four-figure monthly rent with some help from fan donors on Patreon.

Ray decided to open the sets up to fan filmmakers who wanted TOS sets to shoot on, and the list is now quite impressive—including such fan series as AVALON UNIVERSE, DREADNOUGHT DOMINION, and CONSTAR CHRONICLES, along with individual fan films like LET OLD WRINKLES COME and TO HAVE BOLDLY GONE. In addition, NZS has its own fan series that has released a number of one-off fan films including THE LOOKING GLASS, ENDOSYMBIOSIS, and the very popular recent release DOOMSDAY. That’s one busy studio!

But it doesn’t end there.

Ray periodically opens the sets up to the general public for what he calls Fan Appreciation Weekends where people can visit Neutral Zone Studios, walk around those amazing sets, and take photos to their hearts’ content. Fan visitors often attend in costume, and that brings us to today’s blog. Ray Tesi tells the story…

One of the things that The Neutral Zone likes to offer fans is the opportunity to work on a fan film, either in front of or behind the camera. In November 2021, two women came to our Fan Appreciation Weekend in cosplay and were doppelgängers for Michael Burnham and Sylvia Tilly from STAR TREK: DISCOVERY!

My first reaction upon seeing them was: “I have to put you in a fan film!” Within four weeks, I had written the story (a TOS/Discovery crossover), and we filmed in March 2022. These women had never acted before, but they knew their lines and hit every mark as if they were seasoned professionals.

We premiered WHEN DUTY CALLS as an online event with an interactive Zoom call that followed. Whether you’re a fan of ST:Disco or not, these women deserve your undivided attention…

And now that you’ve seen this fan film, let’s chat with “Michael Burnham” and “Sylvia Tilly” themselves, LISA LAKE and RACHEL KAYS…

“SIREN’S SONG” is VICTORIA AVALON’s swan song from STARSHIP DEIMOS… (interview with VICTORIA AVALON)

There are certain people in fan films who are, for want of a better word, prolific. They seem to pop up nearly everywhere in multiple fan productions. Sometimes they play a minor role or background character. And occasionally, they play major characters in one or more fan films or series.

VICTORIA AVALON is definitely one of these prolific people!

About a year and a half ago, I featured a Zoom interview with Victoria along with GARY DAVIS and RAANDY WRENN of the fan series DREADNOUGHT DOMINION, where Victoria has played their Chief Medical Officer Maurine Farrell for many years. Later this year, she will take over as the commanding officer of that starship, replacing Gary’s character of Captain Jason Brusseau, as Gary transitions to more behind-the-scenes tasks on Dominion.

But for the longest time, I had been wanting to interview Victoria about her OTHER gig as a commanding officer: portraying Captain Siân Gabriel of the STARSHIP DEIMOS, one of the multiple ongoing fan projects produced by one of POTEMKIN PICTURES‘ many creative groups. (You can view all of their hundred-plus releases here.).

Unfortunately, as they say: “every time God opens a window, He closes a door…” (or something like that). And so it came to pass that Victoria is departing Deimos with the release of their latest release “Siren’s Song”…

I asked both Victoria and Potemkin showrunner RANDY LANDERS what led to Victoria and her character leaving Starship Deimos, but neither wished to discuss the matter, and I didn’t want to pry.

According to Randy, Victoria’s Captain Gabriel will be replaced in the center seat by TUCK STEVENS, who previously played the chief engineer, Commander Timothy Harper. I’ll have more information from Randy about the cast changes when Deimos releases its next episode later this year.

But right now, since this is my final opportunity to interview Victoria about her time with Potemkin Pictures and Starship Deimos, let’s do just that…