When it comes to everyone’s favorite walking Starfleet targets, there’s been a lot of fan film attention paid to the humble and ill-fated “Red Shirt.” Of course, Starfleet security only wore red for a few short years during the TOS-era, but that was long enough for Trekkers and even some non-Trekkers to accept that, when it came time to beam down—unless you were Scotty or Uhura or Rand—you did NOT want to be wearing the color red!
One of the very first parody fan films of this sub-genre of a sub-genre of a sub-genre was posted to YouTube back in 2013—the brainchild of two show-runners who, at the time, were both studying Multimedia at California State University Northridge. ANTOINE BANDELE and his friend RICARDO ELLIOTT II decided in early 2013 to start up a YouTube channel called “Akimbros”—a hybrid of the word “akimbo” (when you stand with your hands on your hips) and “bros.”
Antoine Bandele and Ricardo Elliott II…the Akimbros!
At the time (and even now) African-American showrunners on Star Trek fan films were a rarity. So despite its light-hearted nature and the fact that this was the only Star Trek fan film that the Akimbros would ever release, RED SHIRTS still holds an important place in fan film history.
Antoine and Ricardo initially set out to release one new film every two weeks on their Akimbros channel, and Red Shirts was their first offering. It debuted on May 17, 2013. Their second release, an epic light saber battle on the roof of a garage next to the 405 Freeway in West Los Angeles, followed just over two weeks later. However, their third film, an action short titled Tower 46, took another six weeks to post, and their fourth release, an ultra-short but ultra-clever “real life” video game between Pirates and Ninjas, wouldn’t see release for another six months. Their final offering, a brief teaser-trailer for an Oblivion fan film, came out a year later…and then that was that for the Akimbros.
But right now, let’s take a look at their hilarious first project, Red Shirts…
For the third time in the last five years, a Star Trek fan film has won the Grand Prize in the annual IndieBOOM! Film+Music Festival…and this year, the winner was my AXANAR Universe fan film INTERLUDE! The previous two winners were (in 2019) “The Equinox Effect” and (in 2020) “Mask“—both from THE FEDERATION FILES anthology series.
Actually, when I say “my” fan film, I really mean OUR fan film…because this was a labor of love and dedication from more than 50 people. And the two most important individuals in that group were my directors, VICTORIA FOX and JOSHUA IRWIN. Technically, Victoria was listed in the credits as “director” and Josh as “director of photography.” But as far as I’m concerned, they EACH deserve the highest accolades, which is why I submitted the film with both of their names listed—and here’s the official certificate that was just e-mailed to me yesterday…
Although entered in the Fan Film category, Interlude received more views and viewing hours than any other selection in any category. I was told by IndieBOOM! festival co-founder ANTHONY DEVITO that Interlude was viewed more than 2,600 times for a total of 488 viewed hours! As such, it was elevated to Grand Prize winner, allowing another fan film, Stegosaurus: A Jurassic Park Fan Film (directed by BARRY WILKINSON from the UK) to win the Fan Film category.
Another notable winner was the the music video STAR TREK IS REAL, written and performed by ILIA “PIXI NEREID” McNEAL, star and producer of the AVALON UNIVERSE fan series, which took the title of Winning Original Song and scored Pixi a $250 prize…yay, Pixi!
Continuing the Star Trek strength in the festival, Trek anthology series The Federation Files took the award for Best Series.
And finally, my composer for Interlude, KEVIN CROXTON, won in the category for Best Musical with his James Bond-inspired fan film starring the 4th and 5th graders whom he teaches: IN THE BLINK OF AN EYE (which is an amazing film in its own right and something you should definitely take ten minutes out of your day to watch).
Now, some folks on Facebook have complained that choosing winners based on views and viewing hours turns IndieBOOM! into little more than a competition to see who has the most followers on social media and who can “turn out the vote” most effectively. Maybe so, but those are the rules. Other film festivals work differently, but IndieBOOM! has decided that this is the best way to let the viewers make their choices known. And so those of us who submit our films do what we can to reach out to friends, family, donors, fans, etc. and ask them to vote for us by viewing. In that way, it’s kind of like crowd-funding: the more interest and support you can generate from people, the more successful you’ll be.
And speaking of crowd-funding, the Grand Prize Winner for the IndieBOOM! festival receives $500. As soon as it arrives, I am going to donate it directly to the Avalon Universe crowd-funder!
In a video interview that we did during the end of December, JOSHUA IRWIN of the AVALON UNIVERSE fan series was excited for a film shoot they had scheduled for early January. That shoot was supposed to be this weekend, but three significant members of the cast and crew have each, separately, been diagnosed with COVID-19 this past week, necessitating the delay of the shoot at least until February.
This was a major shoot for their next fan project, “The Needs of the One.” The story deals with a Vulcan crew member going through pon farr, similar to the beginning of the TOS episode episode “Amok Time.” But the similarities end there, as this crew member doesn’t simply accept the ancient traditions of the Vulcan culture where Vulcan females are “promised” to males as children. This episode turns all of that on its ear…or so I’m told.
This isn’t the first time a fan film has needed to delay a shoot due to COVID. Indeed, an earlier release from Avalon, AIR AND DARKNESS, had a COVID delay in late 2020, just as the pandemic seemed to potentially be receding a little (yeah, that didn’t happen).
Interestingly, it isn’t just Avalon that had to cancel a Star Trek-related film shoot this week. On Thursday, production on STAR TREK: PICARD season three had to be suspendedwhen more than 50 members of the production crew (out of a total of 450) returned from the holiday break testing positive for COVID. SIR PATRICK STEWART was, thankfully, not among those reported to be sick. Filming restarted on Friday with COVID-negative replacements.
And it’s not just here in America where COVID is interfering with production. British Earl of CGI, SAMUEL COCKINGS, has already lost three shooting days for TREK SHORTS due to last-minute COVID infections. Sam has tried to make lemons from lemonade, though. During shoots when a single actor has had to cancel because of a positive COVID test or exposure to someone with COVID, Sam used the opportunity to either shoot scenes for alternate films or else write entirely new shorts with the actor or actors who did show up. You can read about one of those incidents in this blog about the origin of the bonus fan film HOURS AT WARP.
Three additional shooting days for Sam were affected by non-COVID illnesses (bloke can’t catch a break!) But because of costs to bring the actors in, travel and lodging, plus having to set up new shoots to replace the impacted ones, Sam no longer has the funds remaining to complete everything he promised donors. So Sam plans to launch an additional crowd-funding campaign. “There will be a LOT of new stuff to show,” Sam told me, “both to reveal what we actually did in 2021 but also all the new things we need help with finishing in 2022 and 2023!”
File this under: “Great minds think alike…” or perhaps under, “This is what you get for missing staff meetings, Doctor.” Either way, GLEN WOLFE and DAN REYNOLDS of THE FEDERATION FILES and I had the same idea at the same time, and now there are going to be TWO new fan film awards shows coming your way in 2022!
In my case, the idea of hosting an annual awards show for Star Trek fan films has been percolating in the back of my mind for a few years…not as a way of competing with the annual BJO AWARDS but as simply an additional opportunity for Star Trek fan filmmakers and their productions to shine.
As the new year dawned a few days ago, I was able to finally enjoy a break from the blogging “sprint” that took up much of my December. And I decided that, if I was really serious about creating some Fan Film Factor awards show, now might be a good time to do some thinkin’…
At first, I tried to come up with a name—and you know how much I like things that abbreviate to “FFF.” The Fan Film Festival Awards? Nah. Fan Film Faves? Cheesy. Fan Film Friends? Family? Flamingos? Jeez, I had nothing decent!
Okay, time to try a different approach vector…
So I shifted to thinking about judging. I mean, I suppose it could just be me deciding the winners and losers, but no one fan should possess such power! And, sheesh, what a way to completely piss off almost all of my friends, right? Nope, I needed a panel, but whom? When I finally answered that question, the name for the awards show fell easily into place: THE SHOWRUNNER AWARDS.
I’ve always felt there should be a fan film awards competition where members of the community judge each other’s work…and who knows more about what it takes to make a fan film than a showrunner? But I didn’t want too many judges, so I decided to limit my invitations to showrunners who had successfully released at least four or five completed Star Trek fan films.
Of course, the next concern was making sure there weren’t too many entries. Goodness knows that VANCE MAJOR alone (one of the judges) could enter dozens—maybe hundreds!—of fan films all by himself! So I decided that, unlike the Bjo Awards, the Showrunner Awards will feature a nominal entry fee (maybe $10) plus an additional $1 for each special category like Best VFX, Best Music, Best Film Editing, etc. As I’m learning from entering my fan film INTERLUDE in various film festivals, this is how most of them work with application fees.
Speaking of Vance, or any of the judges, how do we make certain that all of them don’t simply vote for their own fan film, and we wind up with a 6-way or 10-way tie each year? Glad you asked…
It was late 2017 when the IndieBOOM! Film Festival debuted with a category exclusively for “FAN FILMS”—one of the first major film competitions to do so. Created by the team at the award-winning Art of Brooklyn Film Festival, IndieBOOM! offers categories for filmmakers, musicians, and screenwriters working in all short-form formats and genres. In addition to Fan Films, their other categories include Comedy, Drama, Documentary, Horror/Sci-Fi, Experimental, Eusic Videos and Musicals, Animation, Series, Commercials, Dance, and Songs.
In 2019, the winner in the Fan Film category (and also the Sci-Fi category) was “Walking Bear, Running Wolf” from THE FEDERATION FILES. In 2020, the winning fan film was BATMAN: THE SCHEME IS SOUND, which (even though it wasn’t Star Trek) was written, directed, and produced by the man who composed the music for my fan film INTERLUDE: KEVIN CROXTON. And at the beginning of 2021, the announced winner in the category was a Star Wars fan film from Mexico titled JUNDLAND: NO MAN’S LAND.
Now, that we’re in 2022, I think it might be time for a Star Trek fan film to win again. What do you think?
This year’s official selections in the IndieBOOM! Fan Film category include two live-action Star Wars films (one from Australia and one from the USA), an animated Ghostbusters short from the USA, a live-action Jurassic Park fan film from the UK, a James Bond fan film from the USA with kids playing all the role, and two live-action Star Trek fan films from the USA. One of those is my fan film Interlude, and the other is an amalgamation of two fan films from The Federation Files (USA) released over the past two years.
Obviously, I’d like you to please vote for Interlude, although the choice is certainly up to you!
Voting is done by watching on Vimeo, and every view counts as one vote. So watch early, watch often! (Actually, if Vimeo works like YouTube, then each computer browser can log only one vote…so no cheating, I guess!)
Voting runs continuously from today through January 16. Here is the link to view and vote for Interlude…
And maybe give it a like while you’re there, just so I know there’s someone out there watching Interlude.
The first prize for the most viewed film over all of the various categories wins $500. If Interlude wins (fingers crossed!), I intend to donate the prize money to the AVALON UNIVERSE GoFundMe so my DP and Film Editor on Interlude, JOSHUA IRWIN, can produce even more awesome Star Trek fan films. I fully expect to see him winning IndieBOOM! next year!
I encourage you all to check out each of the wonderful films selected as finalists. And if you do choose to vote for Interlude, I thank you.
Well, it’s been another year, and the CBS guidelines still haven’t killed Star Trek fan films! In fact, even focusing on just the highlights, this is still gonna be a loooooong blog. But that’s a GOOD thing…unless you’re the guy who has to write it up. But I don’t mind. In fact, I’ve actually written 108 blogs this year…94 of them about Star Trek fan films and the others a mix of editorials, reviews of new CBS Star Trek episodes and series, tracking the now-settled Star Trek/Dr. Seuss mash-up lawsuit, and sadly a few eulogies).
It’s always a challenge how to organize these year in review blogs, but this time, I think I’ll just go chronologically, highlighting the biggest releases for each month. However, before I do that, I’d like to acknowledge a few key people who go beyond simply making fan films and actually give of themselves to the greater fan film community in significant ways…
VANCE MAJOR – The creator of the fan-favorite character of Erick Minard, Vance has produced nearly 150 Star Trek fan films in total…including 30 this year alone covering both the CONSTAR series as well as other fan films released under the NO BUDGET PRODUCTIONS banner. (Because he’s released so many, I’ll be leaving most of Vance’s films off of this year’s highlight list…lest this blog becomes longer than War and Peace!) Vance has also been helping some of his actors make the transition to producers. In previous years, this included GREG TEFT and GREG MITCHELL. This year, PAUL JACQUES and SEAN REIMER joined that expanding group. And in addition to providing these wonderful opportunities, Vance is also spotlighting fan filmmakers regularly on his PIZZA ROLL DIARIES and CRITICAL, NOT CYNICAL video podcasts.
DAN REYNOLDS and GLEN WOLF – In addition to producing the Star Trek anthology series THE FEDERATION FILES, Glen and Dan also maintain TOS set replicas in their WARP 66 STUDIOS facilities, allowing those sets in northern Arkansas to be used by other fan filmmakers, as well.
RAY TESI – Another fan who owns TOS set replicas, Ray bought the STAR TREK CONTINUES/STARSHIP FARRAGUT sets from VIC MIGNOGNA and now allows them to be used by fan filmmakers at NEUTRAL ZONE STUDIOS in Kingsland,GA.
SAMUEL COCKINGS – If you see amazing CGI visual effects in a Star Trek fan film, there’s a good chance that the British “Royal of Rendering” created them. Indeed, at this point, it’s almost shorter to list the fan films that Sam Cockings hasn’t done the VFX for! While top-level CGI isn’t a requirement for a good fan film, it can add a professionally polished look. Sam spends an unbelievable amount of his time doing this for his fellow fan filmmakers, and it makes such a big difference for so many.
On Halloween, JOSHUA IRWIN, showrunner of the the AVALON UNIVERSE fan series, released the team’s latest full-length fan film, AGENTT OF NEW WORLDS. It marked the beginning of a new era for their fan series, introducing multiple new characters and jumping the story forward in time to the next captain and crew of the U.S.S. Excalibur, following the departure of former stars VICTORIA FOX and CHUCK MERÉ from the series earlier this past year.
The new release was a labor of love for all involved…in more ways than one. For some on Team Avalon, it meant dozens of hours of round-trip driving to remote outdoor filling locations…along with trips to the TOS sets at WARP 66 STUDIOS in Avalon‘s home state of Arkansas. For Josh himself, the total distance driven surpassed 5,500 miles!!! For an explanation of how that happened, along with a description of one of their most dangerous shoots, take a read through this blog from back in August.
Fast forward to Christmas Day (because, apparently, Josh really likes holiday releases), and Josh surprised the fan film community with a NEW cut of Agent of New Worlds. Apparently, “really good” wasn’t good enough for Josh, as he made about a dozen tweaks and improvements to the film. Take a look at version 2.0…
Amusingly, this wasn’t Josh’s only update of a previously-released fan film. A couple of weeks earlier, after working with me and composer KEVIN CROXTON for about four months, Josh released a third version of INTERLUDE. You can read all about that new edit, what was changed and why, and watch the new version on this blog page.
After watching the new version of Interlude, one of my readers commented that it might be fun to post the previous version and the newest version side-by-side so that fans could compare the two. Perhaps someday. But when it comes to Agent of New Worlds, I can do you one better right now!
Josh and I just finished a special interview that’s a bit different than my usual fare. This video chat focuses on each of the changes that Josh made—showing the “before” and “after” of each shot—followed by Josh explaining how and why he made the adjustment(s).
It’s a really fun and informative interview, especially if you’re interested in film editing. Josh is great at explaining both the philosophical side as well as the technical side without making your eyes glaze over. Also, there’s just a lot of enjoyable banter back and forth between us. I think you’ll really like watching this one…
Oh, and remember that the Avalon GoFundMe campaign is still active, and donations go directly into making really awesome fan films…
MATTHEW BLACKBURN isn’t as well known as many fan filmmakers. He doesn’t hang out on the various fan film Facebook groups, he doesn’t release dozens of fan films each year, he doesn’t do crowd-funders or shoot his films on elaborate sets or feature jaw-dropping VFX. He doesn’t cross over with other productions or do a lot of interviews (except with me). And he only ever posts something to Facebook when he’s completed a new fan film.
That said, Matthew has just released his fourth full-length (15-minute) Star Trek fan film in five years and his fifth overall. Matthews’s first fan film, STAR TREK: SURVIVOR, came out back in 2010 and featured the story of a marooned Starfleet officer (played by Matthew) who is nearly dead before being found by a marooned Vulcan agent on a secret mission for the Vulcan High Command. The film was produced by a total of four people, one of them being Matthew’s wife.
Matthew’s second fan film, SURVIVORS, came out seven years later (after the guidelines) and again featured a human and a Vulcan—played by the same actors—but this time they were the captain and his first officer. The production team had grown to six people for this 15-minute film, and I did a 2-part audio interview with Matthew, which you can listen to here if you’d like.
At the very end of 2018, Matthew released a third fan film titled LAST SURVIVOR, again made by just six people but this time featuring an initial landing party of four. The villain in this film was truly terrifying, and this final installment of the Survivor “trilogy” was unquestionably Matthew’s strongest effort yet. I did a two-part text interview with him that you can read here.
Late last year, Matthew released the first of his fan films NOT to have the word “Survivor” in the title. LEFT BEHIND was an action-packed fan film with fights and stunts amid an almost tongue-in-cheek plotline—a very unique offering! That one got a two-part text interview, too.
Although each film stands alone, they can also be watched as a longer storyline. Interestingly, each release is a different TYPE of film: pscho-thriller, buddy adventure, terrifying physical and mental struggle against a more powerful being, and comedic action/adventure survival story.
Matthew’s latest offering once again stands out—both alone and together with the others—as a truly unique genre film. This time, the theme is “mind trip” in a big way, as you never really know which way is up or down, who is who, and what exactly is going on until the very end. Although some fans weren’t crazy about such an odd format, it’s actually a very challenging story structure to edit together and make work. Personally, I think it’s a very strong effort, very ambitious, and definitely worth checking out…
Like Matthew, I decided to switch things up a bit, since we’ve already done text and audio interviews. So this time, we went for a video interview…
If you strip away the opening and closing credits, the 18th fan film from the STARSHIP DEIMOSCreative Group has a runtime of barely more than three minutes. But really, if you think about it, how long does it take to say “Merry Christmas”?
Interestingly, Christmas is rarely seen in Star Trek fan films, despite having been established in Star Trek Generations as still a part of 24th century culture, at least on Earth. So why not do a Christmas-themed fan film? Oh, they’re not unheard of, to be sure. In fact, one year ago, the cosplayers over at STAR TREK FAN PRODUCTIONS INTERNATIONAL released their holiday-themed “fandemic” film (recorded by each actor remotely) titled PEACE AND GOODWILL.
This year, it was Starship Deimos‘ turn. Let’s take a look at their Christmas card…
I reached out to showrunner RANDY LANDERS with some questions. He, in turn, reached out to episode writer and lead actress VICTORIA AVALON as well as producer LEE DREW. So let’s dive into a good ol’ fashioned yuletide fan film fireside chat (on the Internet)…
JONATHAN – What inspired you folks to create a Christmas-themed episode for Deimos?
VICTORIA – Deimos’ viewership is fairly small, and most seem to be very traditional Trek fans. I write largely from TOS and TNG inspiration, and that appeals to them. I’ve had feedback very positive for spiritual references in other stories. Similar to my character of Siân Gabriel, I’m Episcopalian in upbringing, and I often draw on Anglican Christian mythology in writing. My husband and I co-wrote and self-published a high fantasy novel in 2009 that explicitly drew on those themes.
I originally intended an old fashioned Christmas message that would have included shots from all the crews in our various productions. During the holiday season, you see those sorts of things all over local television; I suppose it comes with having grown up in the southern U.S. It’s traditional in the Southern culture I grew up in.
RANDY – I saw it as a chance to send a Christmas card out to the POTEMKIN PICTURES fans. But not all the casts and crews wanted to do it. We respected that, so I made the decision that this would be Deimos‘ Christmas card. And I think it works, especially in the light of IDIC (Infinite Diversity in Infinite Combinations).
JONATHAN – It looks like “Together in the Night” was pretty quick to shoot. In a recent interview for DREADNOUGHT DOMINION (another fan series that Victoria appears in), she mentioned that she drives 15 hours from central Florida to Kentucky for Deimos shoots. I’m assuming Victoria didn’t drive all that way just to record 3 minutes of dialog. Did “Together in the Night” piggyback on any other shoots?
VICTORIA – The vignette was shot at the same time we shot “Leviathan,” and it also was motivated by our desire to do more with RENDA CARR’s character of Maura Drake, who didn’t have a significant part in “Leviathan.” It also brought in more character backstory both for Gabriel and Drake, and our viewership have suggested repeatedly in comments I’ve seen that they enjoy those personal references and building characters.
RANDY – I had just finished directing and running camera for “Leviathan.” It was a six-hour shoot, and my blood sugar was all out of whack. I excused myself, went upstairs, took my 4pm shot of Victoza, and sat down for an hour. I left the directing and camera in Victoria and Lee’s capable hands. I think they did a good job with it.
JONATHAN – That they did! Now, I know you were searching for somebody new to help out with your CGI. The last two episodes have VFX credited to DAN REYNOLDS of THE FEDERATION FILES. Is he your new ongoing VFX guy?
RANDY – We have three VFX folks. Dan stepped up to the plate with “Leviathan,” and we’re delighted with his work. He also did the VFX work for “Together in the Night,” and I intend to ask him to do the VFX work for our upcoming fan film “Prime Directive.”
JONATHAN – Well, that’s a perfect segue to my final question: what’s coming next from Deimos and from Potemkin Pictures?
LEE – As Randy just mentioned, Deimos has another new script from Victoria called “Prime Directive.” We have already shot principal scenes with the Deimos crew, and now we are waiting for additional scenes to be shot with our Klingon crew to finish the shoot. I think that this will be our best production ever thanks to a wonderful story from Victoria.
RANDY – As to what’s in the works for Potemkin Pictures, we’ve got “Opportunity” in late post-production (music from TONY LUNN and sound from RICK FOXX) from STARSHIP WEBSTER coming soon. We also worked a lot with pickup shots and edits for PROJECT: POTEMKIN‘s “Castaway.” I’m also continuing to work on Webster‘s “Snowbound” with special effects from RICHARD SVENNSSON.
Beyond that, we’re filming with a new creative group, STARSHIP CALIBORN, coming up in January. It will be unlike anything we’ve done before, and BILLY SWANSON is its showrunner.
We also will have a number of KLINGON SCOUT SHIP QAB’ELTH (created by Victoria Avalon) films coming in 2022. We have scheduled a Klingon shoot in February with LAWRENCE “Larry” FLEMING reprising his role from “The Solomon Gambit” as Klingon captain Le-Kat, in fact. It won’t take long to edit, and we should have it out sometime in the Spring of 2022.
JONATHAN – As always, lots of exciting things on the horizon from Potemkin Pictures! Thanks, everybody, and have a very Merry Christmas.
It’s been a week since we debuted the newest release of INTERLUDE, our third version, and the response has been phenomenal. Already, there are more than 25K views on YouTube, 1.7K likes, and more than 200 comments. Here’s a small sample:
Real Star Trek again! Love it!
This is how you make a pre-Kirk Prequel. I rest my case.
So amazing. Great music too
this is incredible
MORE, MORE, MORE!!!
Outstanding!
This is real STAR TREK , Bless You All !
Ok, that rocked!! Nice appetizer as we await the main course.
Awsome! Your deflector shields are better than the TV shows.
I think Roddenberry would be proud!
This is terrible
Oops, that last one just kinda snuck in there. Actually, I included it because, for the first six days, it was literally the ONLY negative comment out of the hundreds we’ve received so far. We’re now up to two negative comments.
What JOSHUA IRWIN and I have found most shocking is how quickly the views have gone up considering that the previous versions already have over 200K views between the releases to the AVALON UNIVERSE YouTube Channel plus the releases to the AXANAR YouTube Channel. Obviously, 25K views in the first week would be understandable on the Axanar channel, as they have 108K subscribers. But version 3.0 is only up on the Avalon channel at the moment…and that one has only 13.7K subscribers.
So right now, Interlude v3.0 has TWICE as many views as Avalon has subscribers!
One of those views came from an Interlude donor who posted the following comment: “I just watched Interlude for the first time. Terrific work all around! It’ll definitely be something that I come back for repeat viewing.”
Wait, for the FIRST time??? But he donated! I asked why he hadn’t watched Interlude when it first came out back in April. Turns out he just never got around to it, and when I sent an e-mail update to my donors about the release of v3.0, he decided to watch it on his lunch break right then and there.
Anyway, I just wanted to share a few bits of news with you all. The first is that I’ve finally started entering Interlude into film festivals. I just made the cut-off deadline for the annual IndieBOOM! festival, which was one of the first and only competitions to include a category exclusively for Fan Films. And as of yesterday, Interlude is an OFFICIAL SELECTION for IndieBOOM! (More on that news in January!) And then I decided to take a crack at the L.A. Sci-Fi and Horror Festival because they also have a Fan Film category.
