AXANAR files legal response to CBS/Paramount Lawsuit

Axanar logoOn February 22, 2016, the legal team for Axanar Productions and Alec Peters, the firm of Winston & Strawn LLP, filed a response to the copyright infringement complaint that was brought by Paramount and CBS on December 29, 2015.  The response seeks a dismissal of the complaint on a number of legal grounds.

Here is a link to the text of the original lawsuit.

Here is a link to the text of Axanar‘s response.

Please note: Fan Film Factor is taking a neutral stance regarding this lawsuit and will simply announce developments as they happen.

For a more complete list of media coverage of this story, Axanar has provided this Press Room Page full of links to news reports and editorials regarding the lawsuit.

DIGITAL GHOST (feature)

Digital Ghost-coverIt was the dawn of the Modern Age of Fan Films…

Although fan films date back to the early days of the original Star Trek series, it wasn’t until the mid-1990s that fans were finally able to create something with off-the-shelf consumer products that looked like more than just a crappy home movie.  By the late 90s, fans could record and edit footage using digital cameras, do their own 3D effects and Chroma-keying, and even add music through the use of MIDI.  Many fans were also getting quite good at costuming.  Suddenly, the only limits facing fans who wanted to make their own filmed versions of their favorite genre franchises were their imaginations, creativity, and skills with these new technologies.

Continue reading “DIGITAL GHOST (feature)”

STAR TREK: AURORA (feature)

Aurora-coverIn today’s world of cutting-edge Star Trek fan films, teams of dozens—sometimes hundreds!—work to make these ambitious cinematic endeavors come to life on YouTube, Vimeo, or even a DVD or Blu-ray.

So it’s definitely worth taking notice when a top-tier Trek fan film is produced by only ONE man.  Well, I should qualify that.  His first episode cast was comprised of 17 people (including the creator himself and his wife Jeannette), the original music was composed by John Catney, and a number of CGI 3D meshes and textures were created by other artists.  But everything else – the writing, directing, producing, sets, make-up, wardrobe, lighting, sound, camera angles, editing, and 3D animation – that was all in the hands of one guy: Tim Vining.

And he never even had to get out of his chair!

Continue reading “STAR TREK: AURORA (feature)”

STARSHIP FARRAGUT, Part 3 (2011 to 2016)

Damn the torpedoes, full speed ahead!”

        — Rear Admiral David G. Farragut

Cover 3Last time: Between 2005 when they first started production on their pilot episode and the end of 2010, Starship Farragut managed to produce two full-length fan films of about an hour each, two shorter “Crew Logs” vignettes, two animated episodes, and one online comic book.  They also moved their production from the Washington, DC area to St. Marys, GA where they began construction of their own TOS sets in a 2,500 square foot facility they called Studio 1.

As plans began to solidify to produce their third (and most ambitious!) full-length feature, Starship Farragut creator and star, John Broughton, announced an unexpected decision of his own: he would be giving up his leading role as Captain Jack Carter and would be stepping back from day-to-day production going forward.  Would Starship Farragut be able to continue without its captain?  Let’s find out… Continue reading “STARSHIP FARRAGUT, Part 3 (2011 to 2016)”

STARSHIP FARRAGUT, Part 2 (2008 to 2010)

“Damn the torpedoes, full speed ahead!”

        — Rear Admiral David G. Farragut

Cover 2Last time: we met John Broughton, U.S. Navy veteran turned starship captain.  Broughton played John “Jack” Carter, commanding officer of the USS Farragut NCC-1647, who began his mission during the third year of Captain Kirk’s original five-year mission.

Starting in 2005, John Broughton assembled a dedicated team made up of dozens of family, friends, and family of friends in the Washington, DC area who worked intently on building sets, sewing uniforms, and making props.  With help from NEO f/x to do CGI visual effects and James Cawley, who generously allowed John’s team to film scenes on James’ meticulously-constructed Star Trek: New Voyages TOS bridge sets in upstate New York, Starship Farragut managed to film not just one but two full-length episodes and release both during the 2007 calendar year.  Their second episode even went on to win the award for Best Fan Film at the Wrath of Con film festival in 2008.

It’s fair to say that Starship Farragut successfully navigated a whole slew of torpedoes that might have sunk a lesser fan production, and they were sailing “warp speed ahead!” into 2008.  And that’s where our story picks up… Continue reading “STARSHIP FARRAGUT, Part 2 (2008 to 2010)”

STARSHIP FARRAGUT, Part 1 (2004 to 2007)

Farragut-1
Admiral David Glasgow Farragut.

 

 “Damn the torpedoes, full speed ahead!”

Rear Admiral David G. Farragut issued that order in 1864 at the Battle of Mobile Bay during the American Civil War.  A century and a half later, a group of dedicated Star Trek fans has followed that order with enthusiasm to make a film series that bears his name.

If you think about it, there are a lot of things that can torpedo a fan film production.  From inception to completion, the fan(s) behind it have to have the five Ds: the Dream, Desire, Design, and Determination to get it all Delivered.

Starship Farragut had its fair share of torpedoes to get past, but speed on it did.  And through a full decade of filming and production, Farragut has continued to grow, improve, and evolve into one of Star Trek fandom’s MUST-SEE fan-based series.  Along the way, Farragut boldly went where no fan film had gone before, blazing a successful trail for other fan series to follow.

Cover 1 Continue reading “STARSHIP FARRAGUT, Part 1 (2004 to 2007)”

PROJECT POTEMKIN (interview with Randy Landers), Part 2

Potemkin - Cover 2Last time, we posted the first half of our really FANtastic interview with Randall “Randy” Landers, the creator and driving force behind of Project: Potemkin.  Unlike the more dazzling fan films out there with six-figure budgets, Potemkin has essentially no budget.  And yet they’ve still managed to produce 28 separate episodes in four years… and they’re still going strong.

We’ve already learned some of Randy’s secrets (well, they’re not really secrets!), but he’s got a lot more to talk about.  So let’s pick up where we left off…

Continue reading “PROJECT POTEMKIN (interview with Randy Landers), Part 2”

PROJECT POTEMKIN (interview with Randy Landers), Part 1

Potemkin - Cover 1Without a doubt, we live in a veritable renaissance of Star Trek fan films… one after the other they come, dazzling us with intricate and expansive sets, elaborate green screen backgrounds, meticulously crafted costumes, breathtaking special effects, professional level make-up and lighting, and rich music and sound effects. Production teams in the hundreds often include veteran Star Trek actors and professional screenwriters who have worked in Hollywood. Heck, some of these fan films are even being shot in Los Angeles with crowd-sourced budgets well into the hundreds of thousands of dollars.

But what if your budget is missing four or five zeros at the end? What if you’ve got virtually nothing to spend on your fan film? With all the blazing supernovae of independent Star Trek cinematic achievements out there, is it even worth it to make just a simple “fan film” anymore?

Apparently, the answer is wholeheartedly yes, and Project: Potemkin has more than two dozen episodes online to prove it! Continue reading “PROJECT POTEMKIN (interview with Randy Landers), Part 1”