Jonathan Lane – Page 12 – Fan Film Factor

INTERLUDE will be filming at WARP 66 STUDIOS instead of NEUTRAL ZONE STUDIOS…

A slight change of plans for my fan film INTERLUDE, which will be set in the Axanar Universe and will be crowd-funding soon!

The majority of the fan film will be shot on the amazing bridge set of the USS ARES in Lawrenceville, GA. Initially, the plan was to film there for two days in late September and then drive down to Kingsland, GA for a third day of filming on the TOS sets at Neutral Zone Studios. There are two scenes that take place in my fan film—one in sickbay and the other in engineering—that are brief but still very important to the story.

The new plan, instead of filming in Kingsland, has the sickbay scene being shot in Arkansas at WARP 66 Studios, which is run by GLEN WOLFE and DAN REYNOLDS. Those TOS sets have been used for episodes of THE FEDERATION FILES as well as recent Avalon Universe productions from my Interlude directors JOSHUA IRWIN and VICTORIA FOX. In fact, Josh and Victoria live relatively close to Glen and Dan, so the change of location actually makes things quite a bit more convenient for them.

It also trims about $1,000 or so from our budget…YAY! Without the need to drive 5 hours across Georgia, I won’t have to rent a car in Atlanta for the weekend. Plus, we won’t need three or four hotel rooms in Kingsland for the night.

Glen is already coming up with ideas for altering his TOS sickbay set into looking more like the earlier sickbay from the second Star Trek pilot “Where No Man Has Gone Before.” If so, that’d be totally AWESOME(!!!), since Interlude takes place during the Four Years War, two decades before Kirk’s 5-year mission. So Glen has my undying appreciation (that’s a subtle Kharn reference for all those Axanerds out there)!

As for the engineering scene, WARP 66 doesn’t have that set as yet. However, the engineering scene in Interlude is so brief (like, maybe, 10 seconds) that we can easily “fake” it with a green screen composite. And there’s a bunch of engineering backgrounds available out there for our VFX guy to use.

In the meantime, I’ve been working hard on a really fun “ask” video for the crowd-funding campaign, which will launch in just a couple of weeks! The opening VFX sequence is being scored right now, and I can’t wait to share it with all of you. My team is excited, I’m REALLY excited, and I hope that soon you’ll be just as excited, too!

How I plan to have a SUCCESSFUL crowd-funder (HOPEFULLY!!!!)

Last week, I revealed that I’m going to need to raise $18,800 (possibly more if I end up getting production insurance) in order to make my fan film INTERLUDE, which takes place in what I’ve decided to call the “Axanar Universe.” Now, $18.8K is pretty ambitious in the post-guidelines fan film world. So how am I going to get there?

Over the years that I’ve published the Fan Film Factor blog, I’ve seen a LOT of crowd-funding campaigns—some more successful than others—and I’ve noticed some things that work and some that don’t. I’ve shared this “acquired wisdom” with many folks along the way, but now it’s time to see if I can practice what I’ve been preaching!

They say that a magician should never reveal how they do their tricks, but today I am going to do just that. I’m gonna tell you all exactly what I’m planning to try to make this a successful crowd-funding campaign. And hey, if you’ve got any additional ideas that I haven’t thought of (and don’t require me to “break bad”), please feel free to share them in the comments.

Okay, let’s pull back the magician’s curtain…

ALEC PETERS announces first shooting date for AXANAR sequels!

It’s the announcement fans have been waiting more than three years to hear!

Production on AXANAR (the sequel to PRELUDE TO AXANAR) had originally been scheduled to begin in early 2016. I had even cleared my schedule to drive to Valencia, CA to visit the set on the morning of February 2 and then drive a contest winner from there for a quick trip to nearby Vasquez Rocks in the afternoon. Fans were so excited to see this highly-anticipated full-length Star Trek fan film finally begin shooting.

You know what happened next.

A copyright infringement lawsuit filed by CBS and Paramount forced ALEC PETERS to suspend production, and a year-long legal battle finally ended in a settlement that allowed Axanar to be made with the same actors and professional crew…but only as two 15-minute short films rather than a full 90-minute feature, and with no public crowd-funding allowed (although private donations are permitted).

The subsequent loss of Industry Studios in mid-2017 resulted in a move from California to Lawrenceville, Georgia, and additional delays…during which time the amazing USS Ares bridge set has been nearly completed.

The delays in the start of production have confounded fans and supporters. Shooting had initially been announced (in an audio interview I did with J.G. Hertzler) to begin late last year, but Alec didn’t officially confirm the dates, and 2018 ended with no cameras rolling and the bridge still unfinished (although very close to completion).

In January of 2019, a new Patreon campaign was started to help fund the monthly rent for Ares Studios in Lawrenceville, renamed after the 18-month sponsorship of the studio by OWC Digital ended. Four months later, the Patreon is 55% of the way to its $4,000/month goal and still growing…currently at an impressive 229 backers contributing $2,184 each month.

For most of 2019 so far, Alec had been hinting at an unnamed fan production, in addition to Axanar, that would be filming on the USS Ares bridge set. Then earlier this month, I announced that the mystery project was my fan film, INTERLUDE, and would take place in the Axanar Universe…separate from Alec’s sequels and intended to fit in between them and Prelude (hence my title). But still no official word on when Axanar itself would begin filming.

This past weekend, the word was finally given. Production on the first of four shoots for Axanar will kick off during the first weekend of October, 2019…one week after I complete my two-day shoot at Ares Studios (plus one day at Neutral Zone Studios in nearby Kingsland, GA). The timing is not entirely coincidental, but I’ll talk more about that in an upcoming blog. Harem hentai https://hentai-moon.com/categories/harem/ there is never much sex.

Right now, however, I turn the spotlight over to Alec Peters himself and a video update from Saturday that’s already garnered several thousand views…

https://www.youtube.com/watch?v=Y51a3Q1154g&feature=youtu.be&fbclid=IwAR0Me7WlDQ4DQFZhH5kP6i3ehNTgmEAGu5fvtrwsC9nLNqOda33l7BWStQU

My STAR TREK fan film is going to cost HOW MUCH???

$18,800. WTF???

It’s kinda mind-blowing, I know, considering that my fan film, INTERLUDE, is shooting on two existing sets (Ares Studios and Neutral Zone Studios), the guidelines don’t allow me to pay people, and we’re only planning to film for three days. On the other hand, my goal is to do a top-quality fan film…a worthy sequel to Prelude to Axanar. And apparently, even keeping things really tight budget-wise, doing this thing right is gonna cost some bucks.

At the risk of invoking 1980s rock-and-roll wisdom, I may ask myself: “Well, how did I get here?” (And more to the point: “My God, what have I done???”) Let me take you through it.

Now, before I get started diving into the nitty gritty, let me warn you that this is going to be a looooooong blog. If you don’t care, then by all means, please skip it. I won’t take it personally. And some people (including one with the initials A.P.) told me not to even bother explaining that high number. “It’s gotta be Axanar quality,” he said. “It costs what it costs. People will accept that.”

Maybe. But if even I was shocked by that high number, then I just know others are gonna wonder if I’m just trying come up with some sushi and tire money…and believe me, nothing could be farther from the truth! So I want to be as forthcoming and up front with all of you as I can be. And when someone says to me later, “Hey, I know you don’t need that much money for such-and-such,” I’ll just answer, “Yes, I do—check out paragraph 27 of my blog!”

Also, as a blogger who devotes his waking moments to bringing fans closer to fan filmmakers and their processes, discussing my budget in detail provides a unique opportunity for a deep-dive into what I consider to be one of the most fascinating aspects of production: figuring out what everything is gonna cost.

So if you haven’t bailed on the blog yet, let’s all boldly go into Jonathan’s budget for Interlude…

I will appear LIVE TONIGHT with ALEC PETERS on a private YOUTUBE Q&A stream exclusively for ARES STUDIO Patrons!

If you haven’t signed up to be a backer of the ARES STUDIOS Patreon campaign yet, to quote Chekov: “Now vould be a good time!”

Patrons at all levels (even as low as $2/month) get access to a monthly PRIVATE livestream YouTube Question & Answer session with ALEC PETERS. The link isn’t posted publicly but rather is emailed directly to anyone who is part of the Patreon.

Tonight (Thursday, May 16) at 9:00 p.m. Eastern Time, I will be joining Alec to discuss BOTH of our upcoming fan films…and there’s a lot of news about each! You can be among the first to learn what the budget will be for my fan film Interlude, who will be working on it, and when we expect to film. As for Axanar, well, I’ll let Alec share his big news himself…and trust me, it’s BIG news!

There’s another perk to being part of the Ares Studios Patreon—which is already over halfway to its $4,000/month goal, having now reached an all-time high of $2,164 from 225 patrons. In addition to the private YouTube chats with Alec, each month backers at the $5 level and above get early access to exclusive videos from last November’s AXACON.

Although only 30-40 people were in attendance at the 3-day event, Alec hired a professional camera crew to record pretty much every panel and guest. So far, seven interviews have been released exclusively to patrons. The general public has only gotten to see two of these videos so far. The first, an interview with ALBERT MARTINEZ—a fan filmmaker guest at the con who created Chasing the Infinite Sky and will be part of the upcoming Axanar VFX team—was released publicly three months ago. It included a special HD remastered version of Albert’s breathtakingly beautiful fan film.

And earlier this week, the second Axacon video was released. It’s a lively discussion I had with STEVE JEPSON, one of my favorite people on the planet and the man who became of the face of Prelude to Axanar‘s ill-fated commander: Admiral Conrad Slater. But was Slater really ineffectual, or was he just a Starfleet scapegoat? And what happened to Slater after he was replaced by Admiral Ramirez? It’s a fascinating conversation that you’re now able to check out for yourself…

And remember that there’s still five other exclusive Axacon videos that the public hasn’t seen yet…with more being added each month. So if you haven’t yet signed up to help fund Ares Studios, now you’ve got two great reasons to do so: exclusive videos plus a chance to ask Alec and me questions LIVE about our two upcoming projects (and get inside info before anyone else in the fan community).

Click below to sign up…

https://www.patreon.com/aresstudios

Who will DIRECT my STAR TREK fan film?

“But I really want to direct…”

That sentence has become a true Hollywood cliche, spoken by actors, writers, producers, editors, gaffers, grips, VFX guys, sound FX guys, accountants, caterers, Uber drivers, and Starbaucks baristas. In this town, it seems like everybody “really wants to direct.”

Not me, though.

I don’t know the first thing about directing—not even when to shout “Action!” and “Cut!” And I don’t pretend to know. Of course, I applaud those countless fan filmmakers who have taught themselves to direct through creating their own fan productions. More power to ’em! But I know my limits…and I don’t want my fan film to suffer just because I haven’t got the slightest idea what the frack I’m doing.

Fortunately, the fan film community is full of folks who DO know what they’re doing…including directors. Now, you might be thinking that I first decided to make my fan film and then went out to find a director. In fact, the exact opposite happened—and not only did I find one director, I found TWO!

Let me tell you what happened…

JONATHAN LANE’s fan film will take place in…the AXANAR UNIVERSE!

What…you didn’t see that coming?

I thought about keeping this little nugget of information secret for a few weeks longer, doing a “big reveal” just before launching my crowd-funding campaign next month. But I just can’t help myself! I want you all to know about INTERLUDE: A Star Trek Fan Film set in the AXANAR Universe.

Wait, Jonathan’s doing what now?

Okay, set your Guardian of Forever or Burnham-built Time-Suit to June of 2017 when ALEC PETERS sent me a script to review and provide him feedback. It was his first attempt to shorten the 90-minute Axanar feature film into two 15-minute episodes of “The Four Years War” (in a similar mockumentary style to PRELUDE TO AXANAR).

I was kind of a “unique” reader for Alec, as I’d purposefully avoided reading his full-length script up until that point. So I had no idea what Alec was taking out and keeping in. But when I finished reading it, I was left feeling a little confused. Despite some very exciting sequences in and around the epic Battle of Axanar, I noticed that there were no scenes that took place on that incredible USS Ares bridge! WTF???

I figured that Alec was worried that he didn’t have enough screen time available with just 30 minutes to include dramatic sequences on the bridge. But I felt that, if handled carefully, a few parts could be trimmed here and there to make room for some cool (albeit short) bridge scenes. To illustrate what I was trying to explain, I wrote out one of these scenes, taking a quick line of Garth’s dialogue that explained why Admiral Ramirez wouldn’t be in these next two movies (actor TONY TODD isn’t returning for the sequels) and turned it into a brief sequence set on the bridges of two Ares-class starships.

I ended up “catching a muse” and just kept writing…and writing…and writing. By 5 a.m., I’d created a full 15-minute Axanar script similar to Alec’s but littered with exciting bridge scenes. After a few hours of sleep, I began working on the other 15-minute script, finishing that one by 3 p.m. With a mixture of excitement and trepidation, I shared my new script versions with Alec…

BIG NEWS: Jonathan Lane is going to make a STAR TREK fan film!

Did you know that I’ve now been involved with Star Trek fan films for TWENTY YEARS??? It seems amazing to me!

Although I’ve only been blogging about fan productions since 2015, I appeared in my first Star Trek fan film way back in 1999 when I made out in the turbolift with my then real-life girlfriend in VOYAGES OF THE USS ANGELES: “The Price of Duty.” That short-lived fan series that grew out of our local Star Trek fan group evolved into STAR TREK: HIDDEN FRONTIER, and I’d drop by the occasional shoot in Pasadena every now and then to help out behind-the-scenes. If you don’t blink, you can see me as an extra (an Elosian guard) in the fifth episode of the HF spin-off series STAR TREK: ODYSSEY, “Keepers of the Wind” (2008).

Since I began blogging about Trek fan films four years ago, I’ve dabbled a bit in a few more of them. In 2016, during the early days of the CBS/Paramount lawsuit against Axanar, I co-wrote and co-produced with MARK LARGENT a hilarious parody of both the AXANAR fan film and the lawsuit called STALLED TREK: PRELUDE TO AX’D-WE ARE. I also provided the voices for four of the animated puppet characters, including the fan-favorite Vulcanine Ambassador Snowball (“My ears are still bleeding…”).

I did voice-over again in the recent ROMULAN WAR: WAR STORIES vignette “Final Flight,” portraying the character of Lt. Geoffrey Christopher, the engineer/test pilot responsible for developing the Warp 7 engine that helped Starfleet defeat the Romulans. I was also featured in a brief cameo during Vance Major‘s Minard saga episode “Change” as one of Erick Minard’s “network” (which also included other prominent members of the real-world fan film community who were friends of Vance).

But in all of this time, the fan films I was involved with were always somebody else’s (even Ax’d-We-Are, which was part of Mark Largent’s Stalled Trek puppet parody series).

Now, however, I’m finally doing a fan film that comes from my head, where I am the show-runner (executive producer), and if it falls off a cliff, I’m the one responsible!

Hopefully, it won’t fall off a cliff…

Did peer pressure make MATTHEW MILLER openly LIE about AXANAR?

During our marathon 3-hour “Blogger Battle of Axanar,” Australian Trekzone.org blogger MATTHEW MILLER and I discussed many things, including telling the truth about Axanar…something that I noted the detractors seldom do. It’s one of the reasons I spend so much time correcting the record here on Fan Film Factor, because if I don’t, and the lies get told over and over without challenge, they can insidiously supplant the truth.

One such example came early in Part One of our podcast debate when Matthew asked me about “most” of the main cast and crew leaving after PRELUDE TO AXANAR when ALEC PETERS decided to build a studio. I challenged Matthew’s choice of the word “most,” as that’s one of those lies that’s been told and retold so many times it’s taken on urban legend status. So I counted the people who left and those who didn’t. The final score: 5 people left and 15 stayed. So “most” actually stayed. Matthew admitted in the discussion that I had “schooled” him. But really, I just stated the truth and backed it up with facts.

Which brings us to this past Wednesday, and the latest Axanar lie…this time directly from the mouth of Matthew Miller himself. It came at the end of an re-edit of our 3-hour discussion, awkwardly trimmed down to 26 minutes of “best of” clips taken mostly out of context. This was followed by a two-minute editorial wrap-up where Matt ended with a massive false statement regarding Axanar and Alec Peters. It was such an obvious lie that I had to rewind and listen a second time to make sure I hadn’t misheard…

“Irrefutable fact,” huh? In what alternate universe? Did Matthew not watch this video tour of Industry Studios…?

Did he not see the Vulcan Scene…?

But according to Matthew, the $1.5 million went towards neither [the studio nor the film]. Really, Matt? None of it??? It was WTF time…!

Continue reading “Did peer pressure make MATTHEW MILLER openly LIE about AXANAR?”

THE ROMULAN WAR: WAR STORIES – new release “FINAL FLIGHT” starring…me!

Hey, guess who developed the Warp Seven engine? Me, that’s who!

Well, that’s not entirely true. I had help (will have help?) from my NX-Zeta project team, and from MARK NACARRATO, the show-runner of the upcoming fan production THE ROMULAN WAR. Oh, and it wasn’t really me; it was Lieutenant Geoffrey Christopher of the United Earth Space Probe Agency. But he looks and sounds a lot like me.

I suppose I should back up a few steps and explain what the heck I’m talking about…

For those of you unfamiliar with The Romulan War, it’s going to be an amazing Trek fan film picking up where Star Trek: Enterprise left off…at the beginning of the war between the Coalition of Planets and the Romulan Empire. Filming on the production is all but completed, and now the finishing touches of post production—editing, VFX, sound, music, etc.—are being applied. Release is planned for 2019.

Of course, with the limitations of the fan film guidelines, it would be nearly impossible to recount the entire war…despite using a “mock” documentary style similar to Prelude to Axanar. So Mark came up with an interesting idea to push the envelope a bit—WAR STORIES. These are short vignettes that are essentially audio dramas…just with a little something “extra” added: images with simple animations. These “enhanced” audio dramas are presented as the logs of various Starfleet officers who served during the war, and the logs are accompanied by computer readouts and archival photos with some short video clips. Less than a full fan film but more than a simple audio drama.

Last August, Mark released the first War Stories, the two-part “Sleep Is Hard to Find.” If you go to that blog page, you’ll see that yours truly provided some of the Photoshop work to get the actors’ faces onto NX-era uniforms. A month later, Mark released the second War Stories, “They Want Us Dead.” That one didn’t require my Photoshop services, but the third release, “Final Flight,” did.

It also required my face…