It’s hard to introduce DOUG DREXLER…not because there’s nothing to say about him but because there’s way too much to say about him! He and I both grew up as Trekkies in New York City, but the main difference between us was that I shopped at The Federation Trading Post in midtown Manhattan and read the unauthorized U.S.S. Enterprise Officer’s Manual while Doug managed the store and wrote that book (among several others).
And then, of course, Doug went on to move out to Hollywood, win an Oscar for make-up for Dick Tracy, and then work pretty much continuously on Star Trek from the third season of TNG through the end of Enterprise (and later, on STAR TREK PICARD). I moved to L.A. and worked for the Star Trek licensing department from 1996-2003, but seriously, no comparison there…Doug wins hands down!
Doug began as a make-up artist on TNG (being nominated for two Emmy Awards along the way). He then became scenic artist and production illustrator on DS9, working under MIKE OKUDA on graphics but also designing props. Then, when Voyager and, later, Enterprise debuted, Doug went on to work on the digital VFX at Foundation Imaging. (Years later, Doug would become CGI VFX Supervisor on the Battlestar Galactica reboot, for which he won two “Outstanding Special Visual Effects” Emmy Awards plus three additional nominations.
Doug also contributed to the four TNG feature films and the remaster of the director’s cut of Star Trek: The Motion Picture, as well as working on the Borg Invasion 4D ride at Star Trek: The Experience in Las Vegas (which I worked on, too, although again, Doug had a much more awesome Trek career than I ever did!)
And there’s one more thing that Doug and I have in common (aside from some of the people we know): we’ve both worked on Star Trek fan films!
It’s generally accepted that the “golden age” of Star Trek fan films was ushered in just after the turn of the millennium with series like STAR TREK: HIDDEN FRONTIER from ROB CAVES and STAR TREK: NEW VOYAGES from JAMES CAWLEY. What is not so widely known is that Doug Drexler worked extensively on the first two episodes of the latter series…while still working professionally on Star Trek at Paramount! Operating under the pseudonym “MAX REM,” Doug did VFX, make-up, casting, editing, and served as executive producer on “Come What May.” Doug also was the cowriter (along with Star Trek scenic artist—and my friend—JIM VAN OVER, writing under the pen name “ERIC KORNGOLD”) on the second episode “In Harm’s Way.” Both fan films debuted in 2004 (before there even was such a thing as YouTube!). You can watch those two episodes below…
Continue reading “How DOUG DREXLER was almost fired from STAR TREK for working on a FAN FILM for NEW VOYAGES!”
