Fan Film Features – Page 44

Asking MARC SCOTT ZICREE the tough questions about SPACE COMMAND! (audio interview)

I love interviewing MARC ZICREE (“Mr. Sci-Fi”) a.k.a. Marc Zicree of SPACE COMMAND. He always has a LOT of very interesting things to say, and he says it all with such enthusiasm and excitement. In fact, I usually have to listen to Marc’s interviews a second time to fully process everything!

Today’s interview is actually the fourth I’ve done with Marc over the past three years, and the first wasn’t even about his current passion project Space Command. Along with writing more than a thousand television scripts, Marc also wrote, directed and produced the Star Trek: New Voyages episode “World Enough and Time,” which featured GEORGE TAKEI as a guest star and remains one of the finest Star Trek fan films ever made. (Here’s my interview with Marc about that production.)

More recently, Marc has been tackling the incredibly ambitious Space Command, a sprawling, original sci-fi epic with six 2-hour episodes in the first season alone. The pilot episode, “Redemption” features Robert Picardo (Star Trek: Voyager), Doug Jones (Pan’s Labyrinth, Hellboy, and now Star Trek: Discovery’s Saru), Bruce Boxleitner (Babylon 5), Mira Furlan (Babylon 5), Bill Mumy (Babylon 5 and Lost In Space), and others.

Crowd-funding for Redemption began way back in 2012 with $221,000 raised from nearly 3,000 backers. Subsequent crowd-funders and sales of investment shares increased that total to over a million dollars! Last summer, after more than six years, the first half hour of the pilot was finally released. You can view it below…

In February of this year, Marc released the full first hour of the pilot, with improvements to the initial half hour included. It’s actually interesting to compare the two versions, so I’m posting both if you’re interested in watching side-by-side…

With the last hour of “Redemption” currently in post-production and scheduled for release later on this year (hopefully!), Marc just announced a new Kickstarter campaign for the second 2-hour episode, “Forgiveness,” which already has 40 minutes of live action filmed. The campaign quickly exploded past its $35K goal and is currently hovering at around $70K as I write this…with 10 days left to go.

When I first published a blog spotlighting the new campaign two weeks ago, some fans were dubious. If it’s been seven years and episode one isn’t done yet, why start funding episode two? Why not finish one full episode before starting on another?

So for this interview, and with Marc’s permission, I hit him with that tough question…along with a several others. Among the things I wanted to know were what actually happens during all of those meetings he has with executives from Netflix and Amazon and ABC? What if one of those networks wants to give him $50 million but demands he throw out everything he’s done and start over with a decent budget? And finally, with all of these projects Marc is developing and pitching right now, how do donors know he’s spending enough time on Space Command itself?

Listen to his eye-opening answers below…

And of course, there’s still time to donate:

https://www.kickstarter.com/projects/58936338/space-command-forgiveness

My INTERLUDE GoFundMe launches with $1,600 in just 6 hours!

Wow! I launched the GoFundMe campaign for my Axanar Universe fan film INTERLUDE during the rescheduled livecast of this week’s Axanar Confidential. Then I headed out to have dinner with a good friend and watch episodes of Fear the Walking Dead and The Last Kingdom. After dinner but before geeking out in front of the TV, I showed my friend the YouTube “commercial” I posted for Interlude…

He was curious how much we’d raised so far. I joked that it’d only been about two and a half hours, only 70 people had watched the podcast live, and we really hadn’t started the heavy promotion yet. Nevertheless, I pulled out my cell phone and checked: $420. Not bad, I thought…even though $100 of that came from me as the first donation.

But when I returned home three hours later (just a few minutes ago as I write this), I was shocked to see the total had jumped to $1,620! And this included an anonymous $1,000 donation (whoever you are, I love you—thank you so much!). Actually, I want to thank everyone who has donated so far, from a $5 donation from my dear friends ALEX & SARAH ROSENZWEIG to a $100 donation from CLAUDE FRANCIS DOZIERE in Italy (who will be the costume consultant for Axanar) to a $250 donation from a fellow named JT KLAMER, whom I’m not sure I know yet, but I’d sure like to. To you five and the other half dozen donors so far, THANK YOU SO MUCH!

But there’s still a long road to get from here to there…which is my ultimate goal of $19,500. Over the coming weeks, I’m going to be publishing a LOT of blogs about Interlude to keep up interest and excitement in the project. These will include features, interviews, a couple of videos, some editorials, and the seven pages of the short comic book story I wrote that Interlude is based on.

I am also planning to continue to cover the larger world of fan films. After all, that’s what this blog is all about! Already, I have an audio interview with MARC ZICREE of SPACE COMMAND coming on Thursday, another audio interview with the show-runners of DREADNOUGHT DOMINION the following week, a sneak peek at VANCE MAJOR’s upcoming series THE CONSTAR CHRONICLES, and the first new STALLED TREK animated puppet parody in more the three years. Fans of gambling have already noticed that the corresponding gaming industry does not stand still. A huge number of online casinos in the Canada betboys.casino as well as other countries, has taken the gaming industry to a new level. Online casinos are now not only interactivity and accessibility, but also advanced features related to gaming content. Betboys casino constantly monitors current trends, updating the list of games and supplementing them with improved versions. As a result, users can use a unique resource that meets the most relevant player’s needs.

So no, it’s not going to be “all Interlude all the time,” and yes, it is going to be a VERY busy summer for Jonathan!

And I wouldn’t want it any other way.

Please consider making a donation to my crowd-funder for Interlude, or at least please share the link below…

https://www.gofundme.com/interlude

The DOG ate my LIVECAST – INTERLUDE launch rescheduled for TONIGHT at 9PM Eastern Time!

Some of you might be aware that last night I was planning to launch my GoFundMe crowd-funding campaign for my Axanar Universe fan film INTERLUDE. We had it all planned: ALEC PETERS would host me and my directors, VICTORIA FOX and JOSHUA IRWIN, on his Axanar Confidential YouTube Livecast. The start time was supposed to be 9:00 pm Eastern. I posted all over Facebook and to a number of mailing lists.

And then the dog happened…

To be honest, I’d been a feeling little uneasy about the livecast the entire day. Alec was traveling back to Georgia all the way from Oklahoma (where he had been for the weekend)—a 13-hour drive! Could he make it back in time for the livecast?

As the day went on, I checked in with Alec periodically. By lunchtime, he and his girlfriend CRYSSTAL HUBBARD were in Memphis…half-way there. Later in the afternoon, while passing through Birmingham, Alabama, Alec’s GPS showed an arrival time of 8:30 pm. Cutting it close, to be sure…but we should still make it. Whew!

But then Alec texted me that he had to cancel the livecast. The reason: an emergency dog rescue…

DREADNOUGHT DOMINION releases the second trailer for “REDEMPTION AT RED MEDUSA”!

Growing up as a Trekkie in the 1970s (before the word “Trekker” even existed), I owned and cherished my copy of the “STAR TREK Starfleet Technical Manual” by Franz Joseph. It had EVERYTHING a prepubescent Trekkie could want…including drawings of starship classes beyond the familiar heavy cruiser design that was the USS Enterprise. There were destroyers, scouts, tugs and transports, and of course, the mighty dreadnought class!

I don’t know what it was about the dreadnought. The third nacelle? The hangar bay doors on the front? The fact that the bridge was located safely in the center of a reinforced saucer section rather that sitting on top, vulnerable to any Tom, Dick, or Klingon with a photo torpedo and a targeting computer? Whatever it was, I loved that ridiculous starship design and dreamed of seeing a dreadnought flying through space just as I’d watched the Enterprise.

It took forty years, but I finally got my wish…kind of. The fan series DREADNOUGHT DOMINION debuted back 2015 with footage shot on the Farragut Films sets in Georgia two years earlier. The only problem was that those first episodes (“Haunted” and “Anchors Aweigh“) had the USS Dominion sitting in Spacedock the whole time. The only scenes of it flying were in the opening credits. I yearned to see that great bird spread its wings and leave the nest…but I’d have to wait another four years for that!

After a number of shorter vignette episodes and crossovers with Starship Valiant and Vance Major’s Minard films, the dreadnought Dominion finally left Spacedock this past February with the short vignette “Technical Difficulties.” So now that the ship and crew were finally out in space…where would they go first?

The answer to that question arrives this Friday when Dreadnought Dominion releases their first full-length (22-minute) episode in nearly half a decade: “Redemption at Red Medusa.” The first trailer for that long-awaited episode was posted back in March. If you missed it, here it is:

And just this past Friday, they released their second trailer. This one features our first glimpses into some of the incredible CGI effects created by that graphics grandmaster SAMUEL COCKINGS…including a couple of the Romulan ship classes he’ll be using in the upcoming fan film The Romulan War. It’s a really exciting looking trailer. Check it out…

The REVISED BUDGET for my fan film INTERLUDE!

The crowd-funder for my fan film INTERLUDE goes live next week, and this is my last chance to share the details of the budget, explaining the goal of…

$19,500

…(a slight increase over the estimate in my previous blog from three weeks ago because a few things have changed).

Before I begin, let me state for the record that this budget was compiled by me based on input from a number of sources, including my directors VICTORIA FOX and JOSH IRWIN along with several other people whom I trust. But the final numbers and estimates were mine because, as executive producer, I am the guy responsible for raising the money, explaining to you how we are going to utilize it, and ultimately writing the checks from the money we raise.

So is this budget 100% perfect? Probably not. Some things might end up costing less, some will cost more, and probably a bunch of things we haven’t even thought of will suddenly pop up out of nowhere. If we come up short, we’ll need to figure out ways to trim things. For that reason, I’ve “erred on the side of caution” and created my budget to assume costs on the high side. That way, if we don’t make our goal, we’ll hopefully still have enough to make a decent fan film by streamlining and trimming things from the budget.

And what if we go over our goal? Well, if there’s enough left over, perhaps we take the surplus and mail out some extra patches to our donors as a thank you gift. Maybe we can afford something even nicer than a patch. Maybe we can afford something even nicer than a patch. We’ll see. If there’s a lot left over, it goes into a bank account to be reserved for a future Axanar Universe fan film from me or another Axanar fan.

One place the funds do NOT go is to Axanar Productions to help ALEC PETERS in any way to make his Axanar sequels. That would, according to Alec himself, violate his settlement agreement with CBS and Paramount. This includes giving him any of our uniforms to use for his shoot. (Amusingly, he can loan some of his uniforms to us, but not vice-versa. Even though that sounds odd, it’s the legally prudent thing to do.)

And now, let’s take a deep-dive into our budget…

SHOUT! if you want a SPECIAL EDITION BLU-RAY SET of the DS9 documentary WHAT WE LEFT BEHIND…

If you’re a fan of STAR TREK: DEEP SPACE NINE, then the crowd-funded documentary WHAT WE LEFT BEHIND is a MUST SEE! Actually, it’s a MUST SEE even if you never got into DS9 simply because it’s such a well done film. It’s funny, sad, whimsical, self-deprecating, nostalgic, exciting, captivating, and most of all, full of love for Star Trek, for its fans, and for a very special and groundbreaking TV series that was all too often dismissed as “the middle child of Star Trek.” DS9 was so much more than that, and this documentary lets us get intimate with the people who worked tirelessly for seven years to bring this unique Star Trek vision to life.

Have YOU seen it yet?

Probably not…unless you’re one of 9,552 backers who were given a limited-window streaming peek online two months ago or one of the few thousand folks who attended live screenings of the documentary in movie theaters around America on May 13. Oh, and if you’re in Germany, Ireland, or the U.K., you’ll get your chance to see it in theaters on June 26 (just click here to find a theater near you).

But what if you haven’t seen it yet…or you just want to see it again? Where and when will it be available to buy? Glad you asked!

The North American commercial release of the documentary happens on August 6 (not sure about international yet). Of course, backers who donated at eligible levels will receive their special edition DVD/Blu-ray set a month earlier.

However, The SHOUT! Factory (which is distributing the documentary) is offering their own 2-Disc Special Edition Blu-ray set with hours of bonus features:

DISC ONE

“An Intro from Ira & the Gang“
“A Brief History of Deep Space Nine“
“What We Left Out“(over 45 minutes of new stories!)
“Behind the Scenes at the Variety Photoshoot“
“HD Remaster Discussion“ (a roundtable chat with the filmmakers)
“More From the Fans” (YOU!)
Theatrical Trailer

DISC TWO: EXCLUSIVE BONUS DISC

“A Musical Reunion“(an extended conversation with composers Dennis McCarthy and Kevin Kiner)
Indiegogo Campaign Videos & Video Vault
Technical Trivia Track (a special subtitle text track with detailed technical info and listing of our HD Hero sponsors!)

If you want this Special Edition, folks, you need to hurry! Only 1,500 are being produced…and I already ordered mine (leaving 1,499). They’re available in the U.S. and Canada only (really not sure why), and you can pre-order yours for an August 6 ship-date by clicking below:

WHAT WE LEFT BEHIND – Looking Back At
Star Trek: Deep Space Nine [Special Edition]

TREY McELWAIN releases the latest two pages from AXANAR COMICS: “Arcanis IV”!

It’s been nearly four months since AXANAR COMICS fans have seen any new pages of the current story “Arcanis IV.” The plan from writer/publisher TREY McELWAIN was initially to release one new page per month until the current storyline was completed.

So what happened?

Well, actually, I happened. With Trey’s permission, I had “borrowed” Axanar Comics illustrator extraordinaire DANIEL FU to draw my fan comic Axanar story: “Stardate 2245.1” (which will be turned into the fan film INTERLUDE…hopefully!).

My collaboration with Daniel began in mid-2018, and initially, he had time to create page artwork for both Trey’s story and mine. But then fate intervened with a full-time paying gig for Daniel. And while Trey and I were both happy to know Daniel would be able to put food on the table, his available spare time for our projects all but vanished…and production slowed considerably.

Eventually, Daniel felt that he had to choose one project or the other to complete first, and Trey graciously offered the lead spot to me. This wasn’t just generosity on his part (although that played a big part, since Trey’s a very generous guy). It was also a logical decision, as my project was a 7-page one-shot story with just 3 pages left, while Trey had many additional pages for “Arcanis IV” still awaiting illustration.

Daniel finished my story on May 1…and it looks incredible, by the way! You’ll be able to see it, one page per week, beginning later this month. Daniel was then able to complete two additional pages of Trey’s story, and those are being released to the public today, finishing up Act II of “Arcanis IV.”

Daniel is now going to take a well-deserved break from drawing Axanar. Trey isn’t certain when Daniel will be back doing additional artwork, but he’s just pour his heart and soul into a combined SIXTEEN Axanar comic book pages plus two covers for Trey and me in less than a year—in his spare time!—and the guy needs a little down time. So it’ll hopefully be later on this year when you see the concluding Act III of “Arcanis IV,” but probably not later on this summer.

In the meantime, Trey has been keeping himself busy with his new YouTube Channel and regular podcasts about the comic series and Axanar in general. Click here to check out some of the videos (they’re fairly short, and Trey gushes in each one).

And now, since it’s probably been a while since you’ve seen the story, here are all nine of the pages published so far plus the cover…the full Acts I and II of “Arcanis IV.” (Click to enlarge each page.)

Enjoy…!

ALEC PETERS chokes up at a panel from AXACON…

In the TOS episode “Whom Gods Destroy,” Kirk mentions that Garth’s exploits were required reading at Starfleet Academy. Well, if you’re a fan of AXANAR and ALEC PETERS, then the video below should be considered “required viewing.”

AXACON took place last November in Atlanta, and about 30 people attended. However, knowing that there were thousands and thousands more supporters of Axanar who wouldn’t be able to make it, Alec hired a video crew to film every panel—along with several interviews with the guests—through the 3-day weekend event. About ten of these interviews have already been released for early viewing to ARES STUDIOS Patreon donors, with about half of those now posted publicly to YouTube. (You can view all of the public Axacon videos here.)

The latest video to be released to the public debuted on Friday evening as a livecast on YouTube. Since then, it’s been viewed nearly a thousand times…and with good reason. It’s a really FANtastic panel…especially if you love Axanar. And for me, it was probably my favorite panel of the weekend. Why, you ask?

Well, it was an exhausting weekend…three days of non-stop fun mixed with hard work and little sleep (or was it hard work mixed with fun and almost no sleep?) where I conducted countless interviews and led seemingly endless panels. And honestly, I totally don’t know how to lead panels! I’m not sure if there are classes in it, but it there are, I never took any of them. So for most of the weekend I was flying by the seat of my pants and getting terrorized by J.G. HERTZLER and GARY F-ING GRAHAM. (You’ll need to watch my interviews with them to get that joke…and some haven’t been released yet.)

By the time we got to the “Elite of the Fleet” panel—the next-to-last of the weekend—I was totally spent. You can tell it from watching the video below. But now I had to lead STEVE JEPSON and Alec as we discussed Admiral Slater and Garth. I’d already interviewed Steve about Slater a few hours earlier, and Alec had already spoken on another panel about Garth. So I just kinda winged it…as did Steve and Alec.

To my utter surprise, this exhausted trio managed to have a fascinating and lively discussion—just three obsessed Axanerds chatting about their favorite fan film. It’s the kind of geeked-out conversation we fans love to have from time to time, and it was totally engaging and fun. Each of us got ample time to talk, and everything was SO interesting.

And then a very unexpected and special “moment” happened.

STARSHIP DEIMOS goes on location with their 12th episode “CHILDREN OF EBERUS” (field report from RANDY LANDERS)

It’s kinda strange when two months feels like a “long time” between fan film releases. But when it comes to POTEMKIN PICTURES, two months is almost “red alert!” That’s because for the past several years, these folks have been releasing an average of a dozen or more Star Trek fan films per year. Currently, they have six different creative teams working on six parallel fan series—each on their own schedule with their own personnel—creating short fan films on ultra-low budgets.

These folks aren’t trying to bowl anyone over with super-slick sets or elaborate costumes and props. Instead, they simply try to tell interesting stories and hopefully have some fun while doing it. You can view all of their many fan film releases on their website.

I’ve decided to do something a little different than I usually do (which is announce the latest episode, say a few words about Potemkin Pictures, maybe include a short quote from show-runner RANDY LANDERS, and then show the episode). But when I watched “Children of Eberus,” the twelfth episode from the STARSHIP DEIMOS creative team that was released a week ago, I marveled at the amount of outdoor footage. While such scenes might look cheap and easy to shoot, there’s actually a lot more moving parts and careful considerations than you might think.

So this time, I asked Randy to tell us all about the challenges of filming this episode and some of the funny behind-the-scenes stories. But first, let’s check out the episode itself, shall we…?

To perk or not to perk (or percolate) – the BIG RISK for my INTERLUDE crowd-funder!

Among the more annoying and often-ignored fan film guidelines is number 6e: “No unlicensed Star Trek-related or fan production-related merchandise or services can be offered for sale or given away as premiums, perks or rewards or in connection with the fan production fundraising.”

Boo. Hiss. Expletive.

And as I’ve said elsewhere, a number of post-guidelines fan film crowd-funding campaigns have ignored that one…offering posters, patches, and a bunch of other perks. Thus far, CBS hasn’t seemed to mind. In one case, the production even got permission from CBS to offer perks!

However, I’d be naive to believe that CBS won’t have me and my production under a microscope. So I’m taking great pains to keep INTERLUDE completely separate from Alec Perets’ Axanar sequels (other than having Alec play Garth) and to establish very clearly and publicly my intention to follow ALL of the guidelines.

And that means…no perks!

Man, it’s a huge risk. Perks are exciting! Perks are cool! Perks make people think they’re getting something tangible for their donation (which, if you think about, isn’t that different from simply buying that perk…which is probably why CBS doesn’t want fan productions to do it).

But perks also cost money to make and to mail. In addition to the patches or posters or T-shirts or mugs, you’ve got to buy shipping materials and pay for postage. And heaven help you if you’ve got backers from places like Asia or Australia. That $10 donation is likely gonna cost you $25 just to mail them a frickin’ patch!

So I’ve obviously got a pretty good reason NOT to offer perks. I’m already trying to raise about $20K. Add in perks and packaging and postage, and you can increase that number easily to $22K or $23K!

So instead, all I am going to be offering as a “perk” is getting your name in the credits. But are people going to want to donate simply to see their name at the end of my fan film??? Granted I do have some fun categories for listing the names:

Ensign – donate up to $10
Lieutenant – $11-$50
Lieutenant Commander – $51-$100
Commander – $101-$250
Captain – $251-$500
Commodore – $501-$1000
Admiral – $1001-$2500
Associate Producer – $2501 and up
(no Fleet Captain…that rank’s reserved for Garth!)

The idea is that, the larger your donation, the higher your rank and the larger your name in the credits. And for the Associate Producers (assuming I get any), they will also be invited to join us at ARES STUDIOS for filming. They’ll have to pay for their own transportation and lodging—but I figure if they can afford thousands of dollars to donate to a fan film, they shouldn’t have a problem with a plane ticket and a Holiday Inn Express.

And there’s one more fun thing I wanna do…!