Minard – Fan Film Factor

Welcome back, Parker! Prodigal fan filmmaker returns with CROSSROADS: THE GEMINI PROJECT (video interview with FRANK PARKER, JR.)

Report two casualties: Commodore Sam Grissom, Actor FRANK PARKER, JR.

Correction: they’re not casualties. They are…list them as “missing.”

That’s the way it seemed back in 2016. Frank Parker, Jr. had become a prominent name in the fan film community. Appearing in THE ROMULAN WARS fan series in 2012, he had gone on to help build sets that were used for both STARSHIP FARRAGUT and STAR TREK CONTINUES. In fact, Frank briefly appeared in the penultimate episode of Farragut, “The Crossing.”

But what Frank was really becoming known for was the debut of a new fan series filmed on the Farragut/STC sets in Kingsland, GA: DREADNOUGHT DOMINION. Frank played Commodore Sam Grissom of the titular starship, as bald as Jean-Luc Picard and plagued by a troubled past. Two episodes, “Haunted” and “Anchors Aweigh,” promised another fine addition to the world of Star Trek fan films with Frank as showrunner. But then, seemingly without any warning, Frank completely disappeared from the fan film community without a trace! POOF!!!

Fortunately, Dreadnought Dominion found a way to carry on without their lead actor and creator. GARY DAVIS and RANDY WRENN took over the series, releasing nearly a dozen follow-up episodes, including a crossover with STARSHIP VALIANT titled “Chain of Command,” which dealt with the aftermath of Commodore Grissom’s sudden departure.

Fast forward five years to early 2021.

As quickly as he disappeared, Frank reappeared in the Star Trek fan film world, almost as if he’d simply beamed down somewhere and beamed back half a decade later. And although Dreadnought Dominion had moved on, Frank appeared in an episode titled “The Passenger with Baggage” to tie up many loose ends and bring closure for most of the characters, including his.

But Frank’s return didn’t stop there. Frank has since formed an alliance, of sorts, with VANCE MAJOR of the MINARD and CONSTAR saga of fan films, partnering Frank’s FILK FERRET PRODUCTIONS with Vance’s NO BUDGET PRODUCTIONS to create multiple fan films. These have included the following for CONSTAR COMPLETED episodes released between March and June of this year:

Sam Grissom also appeared in a flashback during the alternate 24th century timeline fan film WASTELAND, released this past March. Plus, a Kelvin timeline version of Sam Grissom appeared in the 47-minute long MINARD 2: HEMORRHAGE released in June and the recent Dominion/Constar crossover fan film CALM, COOL, & COLLECTED released in July.

Whew!

If you don’t want to watch all of the above, Frank and Vance compiled a “highlight reel” titled THE STORY SO FAR – GRISSOM ADVENTURES. It serves as a user primer…

A primer for what, you ask?

MINARD joins the AVALON UNIVERSE in “NEW ORDERS” (interview with VANCE MAJOR and JOSH IRWIN)

There’s a lot of love and camaraderie in the fan film community. That’s one of the reasons that I enjoy creating and maintaining this blog. Oh, sure, there’s also some trolls and drama and silly “feuds,” but honestly, I don’t really pay much attention to all of that anymore because it’s pretty meaningless.

What is meaningful—with the emphasis on the FULL part—is all the positivity that Star Trek fan films bring…because when it comes right down to it, we’re FANS. It’s what got me involved in the world of Star Trek to begin with, knowing there was this group of people who loved something that I loved, too, that we could share and bond over…no matter our backgrounds or location or anything else that might separate us. Star Trek brought us TOGETHER!

And that’s why I cheered when I saw this new vignette from the AVALON UNIVERSE…

NEW ORDERS might not seem like much. There’s minimal VFX, and only two characters are talking to each other via subspace for most of it, with a third popping up at the very end. But for me, it was so much more—it was a chance for me to watch two dear friends come together to make a fan film.

JOSHUA IRWIN and VANCE MAJOR have worked together before this. Josh (as well as his Avalon Universe collaborator VICTORIA FOX) has appeared in some of Vance’s CONSTAR productions, like “SHAKEDOWN.” And Vance made a very brief cameo in the Avalon Universe episode DEMONS. But this time felt different. New Orders wasn’t simply one of them appearing briefly in the other’s film. It was two fan filmmakers who have become “legends” in our small-but-close-knit community, coming together as equals, and teasing the arrival of an awesome fan-favorite character into a fresh, new universe.

The fun thing about the Avalon Universe is that it’s Star Trek–ish but without five decades of canon weighing it down…kinda like what Star Trek: Discovery coulda/shoulda been had they just told us from the beginning that it was a parallel Trek universe (then most of us would have forgiven the different-looking Klingons and shiny uniforms and super-advanced tech). So characters from “standard” Star Trek fan films can pop up in the Avalon Universe in completely new ways. In fact, Captain Jakande, who died in my AXANAR Universe fan film INTERLUDE, will be making an appearance in an upcoming Avalon fan film, alive and healthy and played by actor WARREN HAWK.

As most of you probably know, Josh and Victoria were my directors on Interlude, and I consider both to be good friends. We often spend hours on the phone. The same is true for Vance, for whom a “short” call between the two of us is defined as anything under an hour!

So when I saw Josh and Vance having their own subspace “call” in New Orders, I decided to ask them both to say a few words about this new project…

The history of STARSHIP VALIANT! (Part 4)

In Part 1, Part 2, and Part 3, we watched how the fan series STARSHIP VALIANT grew from the aborted STARSHIP AJAX fan project, utilizing the 360-degree TOS bridge set at STARBASE STUDIOS in Oklahoma City. The brainchild of local resident MICHAEL L. KING, who would play the main character of Jackson Bishop, Valiant was the first completed fan production to film at Starbase Studios back in late 2013. They released their debut fan film, “LEGACY,” the following summer at SoonerCon 2014. Then in 2015, they released a special edition of “Legacy” with a freshly-added scene that introduced new characters on screen that hadn’t been seen in the original version, including VANCE MAJOR as Chief Engineer Erick Minard and DAVID COX as Chief Medical Officer Dr. Roger Floyd.

The Starship Valiant team headed into 2016 with plans to produce a much more ambitious second project, a 90-minute fan film titled “THE TIES THAT BIND,” and they were able to shoot the first ten minutes during the summer of that year. (You can view that segment here.) But just as they were filming those scenes, CBS announced new fan film guidelines that effectively killed any possibility for a single episode longer than 30 minutes. For a few months, plans for further work on “Ties” were put on hold.

However, at the same time, Vance Major decided to expand upon his character of Erick Minard in a new series of fan films, and some of these projects also featured Michael King as Captain Bishop. This included MINARD, THE VALHALLA STONE, a new fan series called MELBOURNE: “Storm Front”, and a crossover with fan series DREADNOUGHT DOMINION called CHAIN OF COMMAND. Each of those included footage shot at Starbase Studios in 2016 and were released in either 2016 or 2017.

In the meantime, Michael made a decision to move forward with Starship Valiant and continue filming “The Ties that Bind.” But because director BRADY FOSTER had picked up some professional production work outside of the country, shooting had to be scheduled for after he returned in November. But that wasn’t much of a problem—the Starbase Studios sets weren’t going anywhere.

Or were they…?

The history of STARSHIP VALIANT! (Part 3)

In Part 1 and Part 2, we saw the birth of the fan series STARSHIP VALIANT, the brainchild of MICHAEL L. KING from Oklahoma. Utilizing the bridge set rescued from STARSHIP EXETER that was restored and expanded at STARBASE STUDIOS in Oklahoma City, the first episode of Starship Valiant, “Legacy,” began filming in late 2013 and debuted the following June at SoonerCon.

In 2015, Michael, with the help of Valiant director BRADY FOSTER, filmed a brand new scene that was shot on the just-completed sickbay set constructed at Starbase Studios for use by their “sister” fan series, STARSHIP GRISSOM. The 3-minute scene featured, for the first time on camera, VANCE MAJOR as Chief Engineer Erick Minard. It also showed the death of Captain Jeffrey Clark, an event that leads directly into the rest of the episode. The “Legacy – Special Edition” debuted at SoonerCon 2015 and was posted to Facebook shortly thereafter.

Michael sums up the Valiant pilot episode like this: “‘Legacy‘ has always been about the consequences of one’s actions. The story is a cautionary tale that tells us that, for every action we make, there is a reaction, either good or bad. It tells us that, sure, we are going to make mistakes and feel badly about them but to stick to our guns and fix them. It tells us that it’s okay to cry for the ones that we love and that those people’s actions are a result of how we have decided to live our lives. Bottom line: we are responsible for those who look up to us for guidance and love, and if we fail them, it’s never too late to make amends or to make it as right as we can.”

The history of STARSHIP VALIANT! (Part 2)

In Part 1, we met MICHAEL L. KING from Oklahoma, considered by many to be one of the nicest, most agreeable and helpful folks in the fan filmmaking community. Back in 2013, Michael got involved with a group of local fans planning to launch a new fan series called STARSHIP AJAX to be filmed at STARBASE STUDIOS. The folks who ran the facility, originally located in Oklahoma City, had moved the deteriorating remnants of the TOS bridge set that had been used for the second episode of STARSHIP EXETER and then worked to restore and expand them into Trek fandom’s first and only 360-degree TOS bridge set.

Sadly, the Ajax team never really got themselves going, but Michael—who had initially signed up as a volunteer on that project—was able to launch a fan series of his own called STARSHIP VALIANT. His intention was to focus Valiant‘s stories more on the characters than the action. And although the initial script that Michael wrote, “LEGACY,” began with a space battle, the fight quickly ends, leaving the rest of the episode to focus on the aftermath and how some of the main characters try to deal with it.

Joined by director and editor BRADY FOSTER, Michael and his team were able to film “Legacy” in late 2013 and complete the project by the summer of 2014, where it debuted at the central Oklahoma SoonerCon convention before being posted to YouTube just afterwards. This is what was released…

The new fan series was warmly welcomed into the Star Trek fan film community, and the following year in 2015, Michael was contacted by SoonerCon organizer AISLINN BURROWS asking if he’d like to show “Legacy” again during the convention at the end of June. Michael was more than happy to accept the invitation, but then he had a thought. In the almost-year since “Legacy” had debuted, it had gotten many YouTube views, and fans were pretty familiar with it. But imagine their surprise if the version they saw at the convention included brand new footage!

VANCE MAJOR needs uniforms (again) to complete CONSTAR…new GoFundMe campaign launched!

VANCE MAJOR has produced about a billion Star Trek fan films (or it seems like a billion!)…and he’s not finished yet. With a new batch of about 20 episodes of CONSTAR CONTINUES set for release early next year, Vance still has a bunch more fan films in him! So he’s already planning for his NEXT fan series.

The new project will be titled CONSTAR COMPLETED, and Vance needs some new uniforms to put on his actors. If this sounds kinda déjà vuish to you, you’re not imagining things. Vance has sought out the financial assistance of the fan film community for uniform funding a few times before…and he usually gets there within the first day or two…a week tops! In fact, there’s been a couple of instances when I haven’t even had time to get a blog posted announcing the new Constar crowd-funder before Vance reached his goal.

So this time, I’m rushing as fast as I can to get this blog written and published! Indeed, it’s been less than a day already, and Vance is already nearly a third of the way to his $1,100 goal (including a little sumthin’-sumthin’ from yours truly). That’s the way it goes in this community…even during a pandemic with an economic slowdown.

However, it is still a pandemic with an economic slowdown, so it never hurts to spread the word (rather than the virus!) to fellow fans and friends. So here is the link to Vance Major’s new Constar Completed crowd-funding campaign on GoFundMe:

https://www.gofundme.com/f/constar-completed

If you have a little sumthin’-sumthin’ yourself to give, I guarantee you’ll get a fan film out of it—maybe even one or two DOZEN fan films! And even if you can’t afford to donate at the moment, please help get the word out by sharing the above link. And as always, thanks from both Vance and me.

More FANdemic films: CONSTAR’s “MUCH AFRAID” and “SINKING” (audio interview with VANCE MAJOR)!

At least temporarily, most fan film production has entered a new phase following social distancing. New releases have not been quite so prolific, and most that have been produced since the beginning of the global pandemic have reflected the need to keep actors mainly isolated from each and from camera crews. For fan films, the show must go on…even if the show must be produced in careful and creative ways.

I’ve coined the phrase “FANdemic” film to categorize these releases. Some recent examples include:

HORREUR POST ATOMIQUE from France, told the story of three survivors of World War III living in bunkers, just before first contact with the Vulcans.
LOOK FORWARD TO THE DAY showed a socially distancing Kirk, Spock, and McCoy having a futuristic Zoom call.
I AM SPOCK featured JENS DOMBEK, “The German Spock,” doing a somber and introspective one-man (well, one-Vulcan) short fan film.
“THE GREEN MANIFESTO” from THE FEDERATION FILES showed the nefarious Colonel Green from the TOS episode “The Savage Curtain” (still with the rank of major) engineering a global super-virus that threatened to wipe out millions worldwide.

And then there’s CONSTAR CONTINUES…from that fan filmmaking machine VANCE MAJOR! Vance’s many, many, many fan films—which cover the Minard Saga, Constar Chronicles, and the latest Constar Continues series—are actually tailor-made for the pandemic…at least some of them. Although the scores of episodes that he’s done have included scenes with multiple characters on the screen at the same time, Vance has also made a good number of episodes featuring two-person “calls” via subspace. These are easy enough to shoot and edit together during a global quarantine, and so, as one might expect, a fandemic Constar production was bound to show up sooner or later.

My sincere apologies to VANCE MAJOR

I know a lot of people in the fan film community—friends, comrades-in-arms, friendly acquaintances, long-distance buddies—but few of them do I feel closer to than VANCE MAJOR. You might have heard of him…’cause I mention him a lot on this blog!

Last month, I posted an audio interview with Vance when he released 51 new episodes of THE CONSTAR CHRONICLES and 18 special editions of the MINARD saga of fan films. Earlier this month, I posted a blog promoting his new GoFundMe campaign for CONSTAR CONTINUES…which I hope you’ll consider donating to.

Over the coming weeks, I’ll be featuring audio interviews with two guys named Greg—GREG TEFT and GREG MITCHELL—both of whom worked on Constar with Vance in significant production roles. Vance requested that I interview them separately to give each fan filmmaker a chance to shine. And I’m happy to do it!

The reason is that I love Vance…I love him like a brother. In fact, he frequently calls me “brother”—although I think that’s just his word for “dude”—but “brother” just shows what a truly warm and loving heart he has for people.

I’ve literally lost sleep because of Vance—not because I worry about him but because he works an overnight shift and our calls frequently start after midnight my time (2am for him in Kansas) and can usually last an hour or even two! We’ve chatted about everything from fan films and fan filmmakers to Star Trek, superhero movies, politics, weather, triumphs, frustrations, and my favorite subject: our boys. Vance is a dad like me—and a damn awesome one!—and since my son is half a decade older than his, I can give him some “heads up” advice and also look back at those days gone by and silently envy Vance getting to live those wonderful moments himself.

Yesterday, I hurt Vance.

INTREPID crowd-funder proves Jonathan absolutely WRONG!

January is a bad month for crowd-funding…or so I thought.

I usually advise people who ask (and advise them strongly) to avoid scheduling their fan film crowd-funding campaigns in December and January. Both months compete with the holidays. In December, people aren’t really paying much attention to requests to donate to fan projects. And by the time you reach January, many people’s wallets and bank accounts are recovering from holiday expenses like gifts and vacations. So if you can, wait until mid-February to launch your crowd-funder.

A good example of this was VANCE MAJOR, who kicked off his latest GoFundMe for CONSTAR CONTINUES in December. With previous Constar campaigns trying for a $500 goal, Vance had been able to cross the finish line within days. But that was in March. This time, with a goal of $1,175 for costumes and props, Vance took in just a few hundred dollars over the first few weeks, and even now, more than a month later, is only up to $675 from 17 backers (including me). He’s getting there, but it’s definitely slower this time out. Was I right about December and January?

I thought I was…which is why I scratched my head when I saw NICK COOK launch an Indiegogo campaign for STARSHIP INTREPID‘s next fan film, “Echoes.” The long-running fan series out of Dundee, Scotland is trying to raise $2,600 for:

Travel expenses
Room hire (location rental)
Food for the actors
Props and costumes
Make up
Associated consumables (such as batteries)
Post-production expenses

With a goal more than double what Vance was asking for, I contacted Nick Cook and suggested we hold off doing a crowd-funding feature/interview here on Fan Film Factor until February—expecting that he (like Vance) wouldn’t get too far over the next few weeks.

It’s only three days later, and Intrepid‘s campaign is already nearly 40% of the say to their goal with $1,036 from 28 backers (including me). Boy, was I wrong! But why was I wrong?

The YOUNGEST cameraman…er, camera BOY in fan films?

The instant message came in about 7:00 pm a week ago Sunday night. VANCE MAJOR, currently planning an early December release of about FORTY fan films running over ten hours total(!!!), needed a favor from me.

He first asked if I had an early DS9/Voyager-era Starfleet uniform. Of course I do! What kind of a nerdy Trekkie does he think I am??? Then he asked if I had a black turtleneck that I could wear under it instead of the usual blue-gray shirt. A little trickier, of course, but it turns out I also own a TNG 5th season Picard jacket with the shirt he wears under it…and that shirt has a high black turtleneck collar. So yes, I had exactly what Vance wanted.

But why?

Turns out Vance needed a quick scene for one of his upcoming CONSTAR CHRONICLES episodes. A friend of his had offered to film himself for the scene and send it to Vance a few weeks ago, but the friend didn’t come through, and Vance was running out of time. In fact, he asked if I could record the scene in the next day or two.

There wasn’t much dialog. Vance IM’d me the full scene…

(Camera is very shakey cam and in your face)

Captain! Hiding all the quadlithium in the Romulan star had the exact effect you said it would. Multiple spacial rifts opening everywhere.... the chain reaction....This will be a Galactic extinction level event. The shockwaves are destroying everything in their path. Nothing will survive.

(Puts his free hand over heart like mirror universe does)

For the Phantom.

The idea was to have me dressed as a Mirror Universe commander, sending my final message to the evil Erick Minard (in the Mirror Universe, they pronounce it “MY-nard”) about his evil plan. In Vance’s films, the low-budget way to do 24th century Mirror Universe is to wear black turtlenecks under Voyager-era uniforms.

Wait a sec…did Vance say “shakey cam”?