Blog Entries – Page 108 – Fan Film Factor

AXANAR FINANCIALS and FUTURE PLANS…plus YOUR chance to ASK ALEC PETERS!

And now the moment you’ve all been waiting for! (Well, at least some of you were probably waiting for it.) AXANAR PRODUCTIONS is finally answering that oft-asked question: what the heck did you spend $1.4 million on??? Obviously, it wasn’t all tires and sushi! But did it really all go to turning a warehouse into a studio, building some sets, fulfilling a few (thousand) perks, and filming a 4-minute Vulcan scene plus 15 minutes of other visual effects? Well, now you can finally find out for yourself.

Axanar has also released an update on its plans for the future–what the now 30-minute Axanar movie will look like, how the full Axanar story will manage to get told, what’s going to happen to Industry Studios, and whether Axanar Productions will be producing other Star Trek fan films after Axanar (and will they be following the guidelines…well, of course they will!).

There’s a full DONOR MEMO that’s been published on the Axanar website with the headline “Lay in a course for the future.” I encourage you to read it in its entirety. Here on Fan Film Factor, I am just going to present some of my own insights on those announcement plus a screen cap of the financials themselves at the end.

I have also been approved by ALEC PETERS to open up the blog comments section to collecting QUESTIONS FOR ALEC for him to answer. But there are a few ground rules before you start feverishly typing:

Questions must pertain to the contents of the donor memo: the Axanar financials and the plans for the future. Questions about the lawsuit and what happened in the past just aren’t relevant to the topic(s) at hand.
Not every question will be selected to give to Alec. Rest assured that I’m not just going to cherry pick the “easy” ones, but I am going to pick the best ones that I think will give us all the most important information and clarifications.
Don’t be a jerk. Your question has a MUCH better chance of making it into the “finals” if you’re polite and don’t treat Alec like a swindler, con-man, liar, and rogue.

Post your question(s) in the comments section below, and in a few weeks, I’ll publish Alec’s answers to the questions that I select.

And now, here’s my take on the plans for Axanar Productions (from the memo) and the financial report…

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FAN FILM GUIDELINES: Reality Check (Part 3) – THE INCONVENIENT TRUTH

At the end of Part 2, I said that, in order to move forward with our goal of getting CBS and Paramount to revisit and revise the fan film guidelines, some of us more–shall we say–passionate fans are going to have to face a very unpleasant, inconvenient truth. And here it is:

CBS owns Star Trek.

I’m sorry, they just do. And yes, I’ve heard all the arguments that it was the FANS who saved Star Trek and supported it all these years. It was the FANS who spent billions of dollars keeping the franchise commercially viable, watching it on TV and in movie theaters, and buying an endless parade of licensed merchandise. We fans MADE Star Trek what it is today!

You know who else made Star Trek what it is today?

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STAR TREK: HORIZON creator TOMMY KRAFT releases his short film RUNAWAY!

TOMMY KRAFT became the first Star Trek fan filmmaker to be “shut down” in the period after CBS and Paramount filed their lawsuit against Axanar. In February of 2016, Tommy released the amazing STAR TREK: HORIZON, a 104-minute Star Trek fan film produced quite literally in Tommy’s parents’ basement for a production budget of only $28,000. The film was set in the era of Star Trek: Enterprise during the Romulan War and featured the crew of the USS Discovery NX-04.

Although Tommy initially said there would be no Horizon sequel, the exuberant fan response led him to reconsider, and by April, Tommy was planning to launch a new Kickstarter to fund Federation Rising, once again featuring the crew of the USS Discovery NX-04. In hindsight, we now know that Tommy had unknowingly chosen a Starfleet vessel with the same name as the upcoming new Star Trek television series. But all we knew back then was that Tommy was contacted by CBS days before the launch of his Kickstarter campaign and told in no uncertain terms that they would strongly advise him against moving forward in any way with his project. They weren’t belligerent or threatening; they were simply reaching out proactively…in much the same way they did NOT do with Axanar. Hoping to avoid the same fate as that other fan film project that he had worked on (yep, Tommy was on the production team for Prelude to Axanar), Tommy opted to shut down his project before it could even get to the launch pad. You can read Tommy’s statement here.

Instead, Tommy and his production partner, Ryan Webber, decided to create an original non-Star Trek production titled PROJECT DISCOVERY, examining mankind’s earliest forays into manned interplanetary spaceflight in the mid-21st century. Tommy and Ryan launched a Kickstarter campaign in late April with a 2-month time frame and an ambitious goal of $250,000. Although they got off to a strong start, just short of a month into the campaign, pledges had stalled in the $17,000 range. Reluctantly, Tommy and Ryan canceled the Kickstarter and decided to pursue other projects.

Tommy moved onto a new non-Trek film production called RUNAWAY. And this time, not only was he successful with his Kickstarter, he has knocked the project out of the ballpark!

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STARSHIP REPUBLIC contacts CBS DIRECTLY about their INDIEGOGO CAMPAIGN! (Interview, Part 2)

Last time, we chatted with Ray Tesi about one of the newest fan projects, Starship Republic. Filmed at Starbase Studios before it recently moved from Oklahoma City to Arkansas, the fan production just released a short vignette and launched an Indiegogo campaign with a $16,000 goal.

One of the most intriguing things about Starship Republic is the fact that show-runner Ray Tesi actually reached out to John Van Citters of CBS Licensing to review their crowd-funding campaign and give feedback on whether or not there was any problem with them distributing unlicensed perks…both physical and digital. And so far, CBS sees no issues with Republic doing just that.

We also learned a little about what will make Starship Republic unique…specifically aiming for a look and feel that reflects more modern cinematic techniques rather than trying to faithfully recreate the style of the 1960’s era original series episodes.

And now it’s time to conclude our interview with Ray as we learn more about how the production came to be, how they found their cast, what it was like to actually produce the project, and what’s in store for the future…

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FAN FILM GUIDELINES: Reality Check (Part 2) – The DEATH of TREK FAN FILMS?

If you read Part 1, you know that I want to keep fighting for a change to the fan film guidelines issued last June by CBS and Paramount. I’m not ready to give up.

You might remember that when those guidelines were first announced, they were met with cries of panic that the world of Star Trek fan films was doomed. These guidelines would eliminate, destroy, even obliterate fan films. (Yep, I used all of those words.)

And you know what? I was wrong.

Rather than killing the medium of Star Trek fan films, the guidelines didn’t seem to have had much of a curtailing effect at all. In fact, do you know how many Star Trek fan films have been released in the eight months SINCE the guidelines were announced last June?

Take a guess.

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STARSHIP REPUBLIC contacts CBS DIRECTLY about their INDIEGOGO CAMPAIGN! (Interview, Part 1)

Now, this is intriguing! If you look about half-way down the fan film guidelines to the second-to-last point under #6, you find the following:

No unlicensed Star Trek-related or fan production-related merchandise or services can be offered for sale or given away as premiums, perks or rewards or in connection with the fan production fundraising.

That seems pretty straightforward. If you want to give away any perks, they have to be licensed Star Trek merchandise. You can’t give any patches or T-shirts or signed scripts or posters or anything related to your fan production in exchange for donations…at least if you want to make sure you aren’t sued or sent a cease and desist letter by CBS and Paramount.

So how was it that STARSHIP REPUBLIC, the newest fan film to launch a crowd-funding campaign (and the first to do so since the Axanar settlement), was offering a whole set of perks? Sure, most perks were digital, but there were also physical posters in the mix (like the two images shown above).

Well, it turns out that they simply asked CBS for permission–and they got it! Well, kinda…

FAN FILM GUIDELINES: Reality Check (Part 1) – DO WE FIGHT ON?

When CBS and Paramount jointly announced their new fan film guidelines last June, most of us in the fan production community (both filmmakers and viewers) were horrified, furious, indignant, grief-stricken, and depressingly convinced that these ten Draconian rules would spell the end of world for Star Trek fan films as we knew them.

And few out there felt more strongly about this than yours truly! I used words like “carnage,” “eliminate,” and “destroy.” I proclaimed in a blog I posted on June 23, 2016:

In short, these new guidelines would obliterate the majority of fan films…

And I quickly moved to set up a new protest campaign, Project: SMALL ACCESS, endeavoring to use the threat of fewer subscriptions to CBS’s new All Access paid video streaming service to try to encourage the studio(s) to revise and revisit these overly-restrictive guidelines.

SMALL ACCESS quickly grew to over a thousand members in a group on Facebook, and we examined the guidelines one-by-one. Through polling and discussions, we determined that about half of the guidelines were actually just fine as they were and didn’t cause much angst. Another quarter of them could benefit from a little tweaking of the phrasing to explain them better. And the final quarter of them, well, they pretty much pissed most of us off completely.

Eventually, we created a 38-page Focus Group Report, and members mailed 115 copies to various executives at both studios. Yes, it was a stunt, and no, it didn’t work. Eight months later, the guidelines are still in place, and the studios don’t seem to be inclined to make any changes.

So what in the name of James Tiberius Kirk do we do now?

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CORRECTION! — It was NOT CHEAPER (as far as I can tell) for AXANAR PRODUCTIONS to BUILD a studio than to RENT one

One little mistake…

On September 23, 1999, the Mars Surveyor Orbiter crashed into the red planet because of a very simple (some say “stupid”) error. According to the NASA.gov website:

…one team used English units (e.g., inches, feet and pounds) while the other used metric units for a key spacecraft operation.

One little mistake…

The result was the loss of a $125 million satellite.

In early February 2017, I was IM’ing with one of my local producer friends, asking how much it costs to rent a decent studio/sound stage here in Los Angeles. He IM’d me back: “About $15-$30K per day.”

That number intrigued and excited me. It wasn’t long before I’d done the math and determined that–lordy lordy!–it was actually CHEAPER for Alec Peters to have built out Ares/Industry studios than to have RENTED an existing sound stage! And the savings difference was in the six-figures!!!!

This was HUGE! Or so I thought…

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It was actually CHEAPER for AXANAR PRODUCTIONS to BUILD a studio than to RENT one!

NOTICE: THERE IS AN IMPORTANT PIECE OF INCORRECT INFORMATION CONTAINED IN THIS EDITORIAL. SOUND STAGE RENTAL IS NOT $15K-$30K/DAY BUT RATHER PER MONTH.

A FOLLOW-UP BLOG CORRECTING THIS ERROR APPEARS HERE.

One of the most controversial decisions made during the three-year saga (so far) of AXANAR was the choice to build Ares Studios (now Industry Studios) rather than to just rent a local sound stage in Los Angeles. They had planned to get a rent to own storage building however later decided to build a studio themselves.

In a recent Fan Film Factor interview, ALEC PETERS said that the original plan was NOT to shoot Axanar in Los Angeles but rather to film in upstate New York on James Cawley’s Star Trek: New Voyages sets:

I certainly wish we had done what I had originally planned on and shot Axanar at the Star Trek: New Voyages sets. Instead, Christian Gossett–our former director–felt he couldn’t shoot at those sets because of the limited space and the volunteer crew. Ironically, Rob Burnett did a beautiful job when we shot the “Heroes” vignette there. You’ll see his work as an “extra” when we release Axanar.

If we’d done that, we would be finished with Axanar by now and probably avoided the lawsuit.

Now, I don’t claim to know the details of whether the decision not to film on the New Voyages sets was made solely by Christian Gossett or solely by Alec Peters based on Christian’s reservations or as a team decision. But I do know that it changed everything about Axanar and immediately turned it from a fan film that could be made for potentially a couple of a hundred thousand dollars into a fan film that would cost between a half million and a million dollars (or more)…

…even if they’d rented a sound stage. In fact, BUILDING a studio instead of RENTING one actually saved them money! Let me ‘splain…

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An interview with AXANAR attorney ERIN RANAHAN

Right after the settlement in the AXANAR lawsuit was announced, rumors were flying that the reason for this unexpected development was because the Court had lifted the confidentiality designation on Alec Peters’ financials. According to some detractors (well, most of them), Alec suddenly panicked that the jig was up and hastily rushed to settle so as not to let those financials become public.

You know me and rumors, right?

So I e-mailed Axanar lead defense attorney, Erin Ranahan, to see if these rumors were true or not. And she gave me a surprising answer. And then I asked her a few other quick questions, and she answered those, too. “Geez, if only I could get an official interview with you!” I e-mailed back to her.

A few seconds later, she responded: “Send me a list of questions and I’ll let you know which I can answer.”

Whoa! Did Erin just agree to do an interview with Fan Film Factor??? I didn’t even know that lawyers in big cases like these were allowed to give full interviews. Usually, all I see are quick sound bytes that don’t really say much.

And so I put together a list of questions, and Erin actually answered most of them. The couple that she didn’t dealt with items like the specific terms of the settlement, which are confidential.

So, is that rumor about Alec’s financials true? Read on…

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