Welcome back, Parker! Prodigal fan filmmaker returns with CROSSROADS: THE GEMINI PROJECT (video interview with FRANK PARKER, JR.)

Report two casualties: Commodore Sam Grissom, Actor FRANK PARKER, JR.

Correction: they’re not casualties. They are…list them as “missing.”

That’s the way it seemed back in 2016. Frank Parker, Jr. had become a prominent name in the fan film community. Appearing in THE ROMULAN WARS fan series in 2012, he had gone on to help build sets that were used for both STARSHIP FARRAGUT and STAR TREK CONTINUES. In fact, Frank briefly appeared in the penultimate episode of Farragut, “The Crossing.”

But what Frank was really becoming known for was the debut of a new fan series filmed on the Farragut/STC sets in Kingsland, GA: DREADNOUGHT DOMINION. Frank played Commodore Sam Grissom of the titular starship, as bald as Jean-Luc Picard and plagued by a troubled past. Two episodes, “Haunted” and “Anchors Aweigh,” promised another fine addition to the world of Star Trek fan films with Frank as showrunner. But then, seemingly without any warning, Frank completely disappeared from the fan film community without a trace! POOF!!!

Fortunately, Dreadnought Dominion found a way to carry on without their lead actor and creator. GARY DAVIS and RANDY WRENN took over the series, releasing nearly a dozen follow-up episodes, including a crossover with STARSHIP VALIANT titled “Chain of Command,” which dealt with the aftermath of Commodore Grissom’s sudden departure.

Fast forward five years to early 2021.

As quickly as he disappeared, Frank reappeared in the Star Trek fan film world, almost as if he’d simply beamed down somewhere and beamed back half a decade later. And although Dreadnought Dominion had moved on, Frank appeared in an episode titled “The Passenger with Baggage” to tie up many loose ends and bring closure for most of the characters, including his.

But Frank’s return didn’t stop there. Frank has since formed an alliance, of sorts, with VANCE MAJOR of the MINARD and CONSTAR saga of fan films, partnering Frank’s FILK FERRET PRODUCTIONS with Vance’s NO BUDGET PRODUCTIONS to create multiple fan films. These have included the following for CONSTAR COMPLETED episodes released between March and June of this year:

Sam Grissom also appeared in a flashback during the alternate 24th century timeline fan film WASTELAND, released this past March. Plus, a Kelvin timeline version of Sam Grissom appeared in the 47-minute long MINARD 2: HEMORRHAGE released in June and the recent Dominion/Constar crossover fan film CALM, COOL, & COLLECTED released in July.

Whew!

If you don’t want to watch all of the above, Frank and Vance compiled a “highlight reel” titled THE STORY SO FAR GRISSOM ADVENTURES. It serves as a user primer…

A primer for what, you ask?

Continue reading “Welcome back, Parker! Prodigal fan filmmaker returns with CROSSROADS: THE GEMINI PROJECT (video interview with FRANK PARKER, JR.)”

From fan film “commercial” to actual fan film: WORD’S WOMEN – THE ESCAPE (video interview with KENT “WORDS” EDWARDS)

I first heard about a fan film called WORD’S WOMEN a few years ago. At the time, I knew KENT “WORDS” EDWARDS as a fellow involved in the now-defunct STARBASE STUDIOS, a group of TOS sets originally located in Oklahoma City, OK.

For over half a decade, those wonderful sets—which included a 360-degree TOS bridge rescued from decay from the fan series STARSHIP EXETER, a transporter room, partial sickbay, corridor, and part of a briefing room—lived rent-free in a “no frills” metal building…without heat, air conditioning, or even a bathroom. But with free rent, who cared??? Countless Star Trek fan films were shot there, including STARSHIP VALIANT, STARSHIP GRISSOM, THE RED SHIRT DIARIES, the FEDERATION FILES, and a whole bunch of MINARD and early CONSTAR CHRONICLES (to name a few!).

But then the generous owner of the building sold it, and the new landlord wasn’t interested in having a bunch of Trekkies use 50% of his new space rent-free. So the TOS sets were forced to be moved…well…somewhere.

Ultimately rushed to find them a new home, the owner of an abandoned amusement park called Dogpatch in northern Arkansas offered some temporary storage space. The sets were safe (at least from the elements), and a few additional fan films were shot at the new location, although electricity issues allowed only one monitor station to be lit at a time.

Meanwhile, there were multiple “owners” of the TOS sets. I put the word in quotation marks because so many people had a hand in rebuilding those sets, supplying labor and materials, and helping to care for them, that the Starbase Studios TOS sets arguably belonged to everyone involved. But four people were ultimately playing a bit of tug-o-war, and “Words” was one of them. Eventually, Words let go of the rope, stepping aside to manage a business that would serve to simply book fan productions on the sets, leaving the other three fellows—GLEN WOLFE, SCOTT, JOHNSON, and GLENN MILLER (now deceased) to argue ownership.

VANCE MAJOR and I tried to help negotiate an agreement by the various parties to figure out how to share the sets, but that ended up being surprisingly more complicated and challenging than either of us ever imagined it would be. However, while those discussions were going on, “Words” decided that Starbase Studios needed a “commercial” to show fans how easy it could be to create a Star Trek fan film using those sets, and he assembled a “who’s who” group of folks who had made frequent use of the sets in the past…including MICHAEL L. KING playing his character of Bishop from Starship Valiant and Vance Major playing (of course) Minard…three Minards, in fact!

But then everything fell apart. The parties went their separate ways, the sets were eventually auctioned off (what was left of them, as they’d been unattended and in need of repair), and it seemed the commercial was now all for naught.

Continue reading “From fan film “commercial” to actual fan film: WORD’S WOMEN – THE ESCAPE (video interview with KENT “WORDS” EDWARDS)”

How to be a SHOWRUNNER in the AVALON UNIVERSE…

We are now exactly one week out from the announced premiere of the latest fan film from THE AVALON UNIVERSE: AGENT OF NEW WORLDS. Fans are really looking forward to this one, for a number of reasons…

  1. The showrunner, writer, and director, JOSHUA IRWIN, is a film industry professional in Arkansas and a skilled craftsman. Avalon releases are among the best-looking, best-sounding, and best-edited Star Trek fan films being produced right now.
  2. This is a brand new era for Avalon. With the departure of director/writer/actor VICTORIA FOX from the series as well as lead actor CHUCK MERÉ (along with the characters they played: first officer Amanda Beck and Captain Lance Ramirez, respectively), a new cast and crew is coming aboard the U.S.S. Excalibur. This includes the ever-perky PIXI NEREID, who has already captured the hearts of fan film aficionados with a music video and interviews like this one. It also includes actor WARREN HAWK from my AXANAR Universe fan film INTERLUDE (now with 118K views!) who played fan-favorite character Captain Imari Jakande of the U.S.S. Artemis. Although Jakande died in the Axanar Universe, he’s alive and well in the Avalon Universe and is the new commanding officer of the U.S.S. Excalibur.
  3. The film looks like it’ll be visually stunning. This is because Josh and members of his team traveled all the way from Arkansas to Arizona to film parts of this on location in a desert outside of Phoenix along with driving and hiking to two different scenic locations in western Oklahoma…all to create the feeling of being stranded on an alien world.
An overhead drone shot from the upcoming AGENT OF NEW WORLDS

And of course, I’ve been talking up this latest fan film for the past few months as I’ve endeavored to help Team Avalon raise crowd-funding for this production—as well as other upcoming projects. Speaking of which, they’re currently 60% of the way to their $20,000 goal, and if you haven’t tossed a few pennies (or preferably dollars) into the collection plate yet, this would be a great time to do so at this link…

https://www.gofundme.com/f/zdn4p-AvalonUniverse2021

Have you ever wondered what goes on a week before the release of a fan film? Of course, there’s all sorts of different scenarios. Sometimes a film is finished weeks or months early, pretty much ready to go, and maybe there’s a few minor tweaks as things head for an announced deadline. Sometimes there’s no announced deadline and a fan filmmaker just releases the finished product whenever it’s ready. And sometimes a deadline is announced and then has to be extended because things aren’t ready yet. I’ve seen ’em all.

But then there’s Josh Irwin. Josh doesn’t miss deadlines, no matter how many hours he has to work or go without sleep. It’s a matter of professional pride. And in the case of Agent of New Worlds, the announced release date of October 31 is significant because it marks exactly three years from the 2018 premiere of Avalon’s debut fan film GHOST SHIP.

So with the clock ticking down, what is life like for Josh right now…?

Continue reading “How to be a SHOWRUNNER in the AVALON UNIVERSE…”

A first look at FARRAGUT FORWARD…and it looks AMAZING!!!

Two months ago, I published a blog interviewing JOHNNY K., the producer and director of the new fan series FARRAGUT FORWARD. It’s a “sequel” series to the long-running STARSHIP FARRAGUT, which recently released its own series finale, “HOMECOMING” on October 1…after five years in post-production! (And if you’re wondering why I haven’t covered that release yet, please help me nag showrunner JOHN BROUGHTON, writer PAUL SIEBER, and post-production supervisor/composer STEVEN SEMMEL to finish writing up their answers to my interview questions.)

For the past several months, Johnny K., John B., and the Farragut Forward team have been hard at work building sets and props, polishing the script for the debut episode, and even creating physical ship models in order to film their visual FX the “old fashioned way”—none of this new-fangled CGI nonsense!

On October 16, cameras began rolling for the first time on the new series, shooting footage for what will be an initial 3-minute “teaser” prologue to the debut episode. The first look fans got came earlier this week with three photos posted on the KAOTICA STUDIOS Facebook page

Talk about firing an actor!

The post included the following caption:

Fun fact: it takes the Farragut Forward costuming team weeks of painstaking work to recreate accurate uniforms for our production. The attention to detail is extraordinary. It takes costume assistant Belle Bredehoft just a few seconds to light those items ON FIRE! 🔥🔥🔥

The next day, Kaotica released two new images from the actual footage shot in 6K on the set. You can see John B. below as Captain Jack Carter of the U.S.S. Farragut in the Wrath of Khan movie era (wearing a gorgeous and properly-fitting “monster maroon” uniform)…

From the NEWS section of the Kaotica Studios website, John Broughton had this to say (reprinted with permission):

A lot of preparation and hard work went into last weekend’s shoot which paid off in being well-organized, professional, and successful in best capturing our story. More importantly, the film shoot was FUN, which at the end of the day, is what this is all about, right?

It was surreal playing Captain Carter again and wearing a Starfleet uniform, but like an old worn glove, it fell right into place, and this time, it was a bit more natural. It’s great working with Johnny K., Kaotica Studios, and all the talented cast and crew in bringing the next chapter of Farragut to life and in in the best ‘light’ (or perhaps ‘low-light’). Thanks again to everyone involved!

The other still image posted was this shot of actor WILLIAM JAY in full Klingon makeup and armor…

William had this to say:

Continue reading “A first look at FARRAGUT FORWARD…and it looks AMAZING!!!”

The real significance of sending WILLIAM SHATNER into space…

It all started in the summer of 1983 with the flight of the first female astronaut, SALLY RIDE, orbiting the earth on board the space shuttle Challenger. And it ended on January 26, 1986 with the death of civilian teacher CHRISTA McAULIFFE and six other crew members on board that same spacecraft as it exploded and broke apart just 73 seconds after liftoff from Cape Canaveral, Florida.

What ended? The hope of sending a poet into space.

“We need people other than MIT physicists to tell us what it’s like up there,” said novelist JAMES MICHENER in the early 1980s. A space enthusiast, Michener served at the time as a member of a special NASA task force. In 1983, after Sally Ride had reinvigorated Americans’ enthusiasm for the multi-billion dollar-a-year NASA space program, the task force issued a report that called for sending professional communicators, such as writers and educators, on future space missions. “It is desirable for NASA,” the report explained, “to fly observers on the shuttle for the purpose of adding to the public’s understanding of space flight.”

And so began the search for the perfect candidate out of literally millions of Americans. A NASA spokesman said they were looking for “…someone who can make an eloquent contribution to the literature…a broadcast journalist, a newspaper reporter, an artist, a song writer, or even a poet.”

I remember at the time (I was just starting college) learning that singer/songwriter JOHN DENVER was lobbying hard to be considered for this program. I imagined the man who wrote one of my all-time favorite songs, Looking for Space, actually traveling TO space and coming back to share that experience with the world through music and lyric. It could have been glorious because most people (nearly all) who were alive in the 1980s would have no chance to ever go into space.

And as lovely as the words of NEIL ARMSTRONG (“One small step for (a) man, one giant leap for mankind…”) and BUZZ ALDRIN (“Magnificent desolation…”) were when they stepped onto the moon’s surface in 1969, they really weren’t trained to be communicators. They were military men, pilots, engineers, and scientists of a sort. Their training and skillsets never included inspiring others with words and evoking visceral feelings and emotions. Writers and artists know how to do that, but they weren’t the ones leaving the planet.

Christa McAuliffe

In 1984, the decision was made to send a teacher into space to kick off the program. Thousands of applicants were whittled down to 114 semifinalists from all fifty states, and then to 10 finalists—six women and four men—with Christa McAuliffe of Concord, New Hampshire being the final selection.

Phase two of this civilian-in-space program would have sent a journalist into orbit the year following the teacher. More than 1,700 candidates were under consideration, including former CBS anchor WALTER CRRONKITE (who was 69-years-old at the time), WILLIAM F. BUCKLEY, JR., GERALDO RIVERA, TOM WOLFE (author of the widely-acclaimed book The Right Stuff) and NORMAN MAILER. Phase three would launch some kind of artist.

And then the Challenger disaster happened.

Continue reading “The real significance of sending WILLIAM SHATNER into space…”

DR. SEUSS/STAR TREK Mash-up case unexpectedly SETTLES because of cancer…

Do you remember those children’s stories/books/movies/after-school specials where two rival groups are fighting, and suddenly one of the combatants is seriously hurt and everyone comes to their senses? These “simplistic” stories usually climax in the two battling groups putting aside their differences long enough to work together to help the injured person, ultimately realizing that what they were fighting about wasn’t nearly as important as a person’s life.

Believe it or not, the same thing essentially just happened in the copyright infringement lawsuit filed by DR. SEUSS ENTERPRISES (DSE) against Star Trek author DAVID GERROLD, award-winning comic book artist TY TEMPLETON, and ComicMix LLC editor GLENN HAUMAN. Back in late 2016, DSE sued the aforementioned trio over their attempts to crowd-fund and publish a “mash-up” book mixing Dr. Seuss style drawings with Star Trek inspired characters. It was to be titled Oh, the Places You’ll Boldly Go! and here’s some sample artwork of the mash-up alongside the Dr. Seuss originals…

Click to enlarge.

After nearly five years, countless legal motions, judicial rulings, appeals, appellate opinions, and a ridiculous number of blogs that made me feel like I was writing endless research reports in law school(!!!), this potentially precedent-setting case officially settled last Friday, October 8. (You can read a summary of the roller coaster ride at the beginning of this previous blog.)

So what happened to suddenly bring about this seemingly last-minute settlement after five years of legal struggles?

Sadly, cancer happened—specifically colorectal cancer, stage three. Ty Templeton got the diagnosis back in May of this year, and it was serious news. In June, he posted this blog, with Ty’s cartoon bunny “alter ego” explaining that his cancer would be inoperable until he went through months of chemotherapy and radiation treatments. He was still “on the winning side of the odds,” but it wasn’t going to be an easy time for him.

He actually went in for surgery last Wednesday, and I am told that it went well. Let’s all please keep Ty in our thoughts and prayers.

Eisner Award winning artist Ty Templeton

In the meantime, things were heating up in the lawsuit. Back in May, ComicMix filed a Writ Of Certiorari to the Supreme Court asking them to review the case and overturn a devastating appellate opinion by a 3-judge Ninth Circuit panel ruling that Boldly was not considered to be fair use. On June 21, the Supreme Court declined to hear the case, leaving the most recent appellate ruling in place and sending the case back to the original judge.

Then in August, with the case once again in the Ninth Circuit courtroom of Judge Hon. JANIS L. SAMMARTINO, she denied both the Plaintiff’s motion for summary judgement of the case (refusing to simply rule that Team Mash-up was liable for damages and ending the lawsuit with a pre-trial win for DSE) as well as the Defendant’s motion to consult with the U.S. Registrar of Copyrights because ComicMix believed that DSE’s copyright registrations for the Sneeches and the Zacks may not have been properly filed and might have fallen into the public domain. Obviously, it’s hard to infringe on something that is no longer copyrighted, but alas, that motion wasn’t granted either.

Continue reading “DR. SEUSS/STAR TREK Mash-up case unexpectedly SETTLES because of cancer…”

Tragedy strikes one of the showrunners of YORKTOWN: A TIME TO HEAL…

JOHN ATKIN has just lost the love of his life and the mother of his three-year-old son EDWARD, his beautiful wife of three-and-a-half years, MIRANDA GERMANI. She died on Saturday, October 2, from complications caused by Crohn’s disease, a condition involving inflammation of the digestive tract which can become potentially very serious in certain circumstances, as it did for Miranda.

I am reporting on this for two reasons. The first is that both John and Miranda should be considered part of the fan film community, John as co-showrunner (along with STAN WOO) of the long-awaited YORKTOWN: A TIME TO HEAL, featuring footage filmed back in 1985 of GEORGE TAKEI playing Sulu and actor JAMES SHIGETA as Admiral Nogura. John helped Stan restart the production in 2010 after a nearly two-decade “pause,” providing resources to create new scenes that would never have been possible back in the 1980s. Some of those scenes were filmed at JAMES CAWLEY’s Retro Studios in upstate New York, and Miranda had a small cameo as Dr. Amanda Cruz.

Miranda Germani as Dr. Amanda Cruz in the upcoming YORKTOWN: A TIME TO HEAL

The other reason that I am reporting on this is because I consider John Atkin to be a friend, and as a now-single father of a three-year-old who will, tragically, barely be able to remember his wonderful mother, John needs our help.

John’s sister-in-law, ELENA GERMANI, along with friends from Humbler College in Toronto—where Miranda did post graduate work—has set up a GoFundMe to help pay for Edward’s post-secondary (college) education when he graduates high school in 15 years.

Elena’s comments on the GoFundMe page explain the reason for the campaign:

Miranda deeply valued education. After obtaining her degree from McMaster University, she carried on her studies at Humber College, York University, and the London School of Economics and Political Science, where she graduated with a MSc in Health Economics, Policy and Management.

We know she would want her son Edward, now three years old, to have access to opportunities provided by post-secondary education. We set up this GoFundMe for Edward so that his dad John has a little less to worry about during this incredibly difficult time.

Miranda offered so much to the people and causes she loved — and there were many. In fact, she received the Sovereign’s Medal for Volunteers, presented by the Governor General of Canada, in recognition of her commitment to community.

This is an obviously painful time for John, coming just as he was putting the finishing touches on Yorktown—“polishing up the music and sound design,” as he posted on the Yorktown Facebook page back in August. But now, John has other thoughts and feelings to deal with, and perhaps we can help ease his grief with just a little financial help. As I type this 84 people have already donated $9,130 in just three days, including $50 from me.

If you’d like to give something for young Edward, here is the link…

https://www.gofundme.com/f/In-memory-of-miranda-edwards-education-fund

Continue reading “Tragedy strikes one of the showrunners of YORKTOWN: A TIME TO HEAL…”

Starship Deimos’ 17th release: “LEVIATHAN” (interview with RANDY LANDERS)

The STARSHIP DEIMOS has been flying around the fan film sector for more than five and a half years now…ever since their first release on March 9, 2016. It came on the heels of the new fan series STARSHIP TRISTAN, which had debuted just four months earlier. Both productions sprang from the venerable POTEMKIN PICTURES, which had already, by that time, released thirty episodes of their debut fan series, PROJECT: POTEMKIN.

Since that time, Potemkin Pictures has spawned an additional SIX series of Star Trek fan production teams with nearly two dozen episodes of their own. (You can access all of the nearly-100 Potemkin fan films from their website.) But by far, the most prolific productions came come from the teams making Tristan and Deimos. Tristan released their most recent fan film (their 21st overall) this past March, but Deimos had been running silent for nearly a year…since last Halloween, in fact.

That changed on September 24, 2021 with the release of Deimos‘s 17th fan production, LEVIATHAN. It’s a good ol’ fashioned ship-in-peril-from-a-spatial-anomaly story, and it’s very well-acted. It was filmed on the new Potemkin Pictures sets in Lexington, KY. Check it out…

Time to ask showrunner RANDY LANDERS some questions…!

Continue reading “Starship Deimos’ 17th release: “LEVIATHAN” (interview with RANDY LANDERS)”

SATURDAY NIGHT LIVE spoofs Star Trek (again!) AND billionaire astronauts…

Saturday Night Live has never shied away from parodying Star Trek…starting way back in their first season (1976) when JOHN BELUSHI, CHEVY CHASE, DAN AKROYD, and ELLIOTT GOULD brought viewers the unforgettably hilarious “Last Voyage of the Starship Enterprise.” Since then, their parodies have been somewhat hit-and-miss, with mixed reviews on such sketches as “The Restaurant Enterprise,” Love Boat: The Next Generation,” “Emergency Room/Worf, M.D.” and the recent “Lost Episode” featuring CHRIS PINE as Captain Kirk and BOBBY MOYNIHAN as Spock’s vulgar half-brother from Queens, Spocko. Now THAT’S a Star Trek!

The last one was also the latest parody of Star Trek until this past Saturday night when SNL kicked off its 47th season (c’mon, you’ve GOT to have a Star Trek sketch when the season is 47!), with host OWEN WILSON. Take a look:

As Homer Simpson would say, “It’s funny because it’s true.”

Now, if you’ll indulge me for a moment, I’d like to make two editorial observations…

First off, billionaires have been getting MUCH more interesting lately! Granted, none of them are dressing up like a bat at night and fighting crime in Gotham City or designing suits of flying armor and leading a team of superheroes. But even still, building rockets to take civilians and other payloads into space is pretty darn cool. I mean, a century ago, a “typical” billionaire looked like this:

John D. Rockerfeller, Henry Ford, and Andrew Mellon

These guys were certainly impressive and all—successful businessmen, entrepreneurs, philanthropists, patrons of art and science, and even one a secretary of the treasury. But were they fun? I mean, no complaints about making automobiles affordable to the masses or starting a top notch university…but fun?

Billionaires became more fun with this fellow:

That’s WILLIAM RANDOPH HEAST…the man built a frickin’ CASTLE on the central California coast, fer gosh sakes!!! And then he would invite famous celebrities, political leaders, and brilliant minds from all over the world to come and stay there, asking only that they attend communal dinners and certain other gatherings to share their thoughts, ideas, and perspectives with each other and with him. Seriously, if you ever have a chance to visit Hearst Castle in San Simeon, California, and learn its history, it’s totally worth the visit. It’s fascinating!

And who could forget this guy…?

Continue reading “SATURDAY NIGHT LIVE spoofs Star Trek (again!) AND billionaire astronauts…”

The BJOs are BACK, baby!

Beginning in 2015, the world of Star Trek fan films has had its own, exclusive annual awards show…thanks entirely to the exhaustive efforts of ERIC L. WATTS and the panels of judges whom he has assembled each year. It’s a daunting task: keeping track of, viewing, and scoring so many Star Trek fan films. A typical judge might have to devote as many as 10 or 20 hours to what is essentially a volunteer task. And of course, that effort increases exponentially when you get to Eric Watts himself!

The name of this annual competition was changed to the BJO AWARDS in 2018, in honor of BJO TRIMBLE, credited with saving Star Trek from early cancellation in the 1960s by organizing the “great letter-writing campaign.” Bjo was a guest of honor that year and graciously agreed to the name change. And they have been the Bjo Awards each year since.

Well, ALMOST each year since…

Last year, 2020, was—if you can remember that far back—just a little f’d up. (Yeah, I said “f’d”!) The world transformed into an alternate reality of shutting down and shutting in, and like nearly all social gatherings, the annual TREKLANTA convention, where the Bjo Awards are announced, could not safely take place in person. The event went virtual, but without a physical venue to present at and hand out plaques, Eric elected not to hold the Bjo Awards last year.

Bjo Award plaques are always presented in person.

This year, however, even though Treklanta is still not taking place, Eric has decided to once again resume the Bjos. But what to do about the “missed” year? Traditionally, each year’s Bjo Award nominees are Star Trek fan films released during the previous calendar year. Fan filmmakers don’t actively “enter” the competition. Instead they automatically qualify if they meet the following requirements…

1) Be a live-action dramatic presentation set in the Star Trek universe, not animated or CGI, or a satire or parody of Star Trek.
2) Have “Based upon Star Trek, Created by Gene Roddenberry” (or similar) in the title sequence, opening credits or closing credits. (This requirement may be waived under certain circumstances and at the sole discretion of Treklanta.)
3) Have been released to the Internet (YouTube, Vimeo, etc.) during the previous calendar year.
4) Have an entry on IMDb.com with full cast and crew credits listed.

It’s #3 in the above list that’s the problematic one…

Continue reading “The BJOs are BACK, baby!”