Fan Film Factor – Page 39 – Exploring the world of Star Trek fan films.

AIR AND DARKNESS from the AVALON Universe will blow you away!

It was on Christmas day that LEGACY, the latest vignette glimpse into the parallel AVALON Star Trek Universe, debuted…generating an average of around 500 YouTube views per day and nearly 97.3% thumbs up. And it’s not surprising that there would be so many likes (in fact, one wonders what those 2.7% thumbs down were thinking!), since the two show-runners of the Avalon Universe, VICTORIA FOX and JOSHUA IRWIN, are both experienced film industry professionals in Arkansas.

Fast forward to New Years Day, and the Legacy “appetizer” made way for the main course: a brand new 20-minute Avalon fan film titled AIR AND DARKNESS. And what a meal it was! This 20-minute fan film has seen an average of nearly 1.5K YouTube views per day and 98.5% thumbs up. This newest release not only follows the introduction from Legacy, but it also picks up on the mysterious plot points left unresolved in the excellent 2-part Avalon release DEMONS from late 2019.

Josh and Victoria weren’t available for an interview this time out (although there is an informative audio interview about their production on Demons available here). However, there are a few things that are worth paying close attention to when you watch this fan film…

Shot during COVID – while most of the recent “fandemic” films tend to have just one character on the screen at a time, that would have been impossible with this production due to the stunts requiring hand-to-hand combat. So Victoria and Josh came up with a very clever way to work masks into the outdoor fight scenes and simultaneously minimize the need for make-up. It’s also worth noting the skill with which many shots on bridge set were composed to have the minimum number of (maskless) actors in front of the camera simultaneously.

Shot at outside night – You don’t usually see Star Trek fan films with exterior evening or night scenes because it’s challenging to light them well enough for most video cameras to pick up the images. But as I said, Director of Photography (and Co-Writer/Co-Director) Josh Irwin does this professionally and knows his craft.

The stunts – Again, you don’t usually see convincing hand-to-hand fight scenes in Star Trek fan films. But when your main star is also an accomplished martial artist and works in the entertainment industry, you’ve got a valuable asset. CHUCK MERÉ, who plays Captain Lance Ramirez, was the fight choreographer and did a fantastic job. He also was one of two FX make-up artists on the production.

Bridge chatter – Last year, I came up with an idea to have folks in the fan film community record “bridge chatter” for use in my fan film INTERLUDE (which Josh and Victoria have both done amazing work on). My goal was always to make those sound clips available for any fan filmmaker, and a number of them were used for Air and Darkness…and they sound AWESOME!

And now you know some of what to look and listen for. So sit back and enjoy…

DISCOVERY’s penultimate episode “There Is a Tide” is the series’ BEST YET! (editorial review)

NEW YEAR, NEW SPOILERS

I know that some of you out there read my editorial reviews either before or instead of watching STAR TREK: DISCOVERY. This time, please take my word for it: don’t. Watch the episode first. And if you don’t usually watch Discovery or gave up on it (and if you have access), just watch this one episode. You don’t need to have watched the rest of the series or even the third season. This episode provides enough exposition along the way that you won’t feel lost.

It’s just a damn fine, exciting, fast-paced, engaging, well-crafted, and most of all highly entertaining piece of television that is loaded with surprises and the unexpected. So just watch it…trust me.

In fact, “unexpected” serves a very appropriate way to begin this blog because, even though I usually try hard to go into each new episode of Discovery open to anything and with no preconceived expectations, this time I was sooooo sure I knew what was coming! This would be Discovery‘s version of the TNG episode “Starship Mine.” Tilly, reeling from her dismal failure during her first command, would need all the help and hugs her bridge crew friends could give her as she proved herself by leading a successful plan to retake the ship. I was even thinking of titling this blog “How Tilly Got Her Groove Back”—that is, until I actually saw the episode.

From the first moment, the episode had me hooked with things I didn’t see coming. Using Discovery as a Trojan Horse to get inside Starfleet’s defense shield by “coming in hot,” being fired on by Osyraa’s dreadnought, communications jammed…brilliantly simple and simply brilliant! But then, as Book and Michael crashed into the hangar bay in the nick of time, I thought: “Wait, what about Discovery‘s shields? They were being fired on, why wouldn’t the shields be up?” So then I thought I’d write another nitpicking blog…those are always popular on Facebook! (Actually, I’m being sarcastic. My Guardian of Forever “Time Error” blog was royally bashed on Facebook.)

But then we came back after the opening credits to see this little nugget…

Award a point to the writers for addressing my gripe so quickly!

Okay, with my nitpicking nullified, I decided to just sit back, enjoy the episode, and write the blog later—and so I did. This was the seventh episode of the series and third this season directed by JONATHAN FRAKES, and I must say, the man knows what he’s doing. The episode was written by co-executive producer KENNETH LIN. Interestingly, Lin wrote and Frakes directed the 8th episode of the season, “Sanctuary,” where the crew goes back to Book’s home planet. Most fans found that episode somewhat mediocre (including me), but this episode was much the opposite, demonstrating that you can’t just an episode simply by the writer and director. Sometimes magic just happens.

Let’s look at how…

PACIFIC 201—Part 2 debuts just hours before the new year!

Happy New Year, everyone! For a little while, it was looking like I was going to have to cover TWO major Star Trek fan film releases on the same day…as both PACIFIC 201, PART 2 and YORKTOWN were both scheduled for release on December 31, 2020. But at the last minute, JOHN ATKIN made the following announcement about Yorktown…

It’s been 36 years, what’s another month?! Yorktown: A Time to Heal will be released in 2021. I regret posting this message, but more important to me is to get this right, and that means a bit more time on the sound design. I am expecting to release it in late January once the sound design is completed. Not the news I wanted to give you all today, but I promise the wait will be worth it. With very best wishes for the new year.

That leaves fan filmmaker ERIC HENRY in sole possession of the New Year’s release of a highly anticipated Star Trek fan film. Pacific 201 has been in production since 2015, and now Eric’s long, five-year mission is finally complete. Part 1 was released in mid-November, and you can read my blog about that premiere along with listening to an audio interview with Eric and his producer/star MARGARET HERBENER.

I asked Eric what elements of Part 2 that he’s been working on for the past month and a half, and how much work it’s been. “Essentially just completing VFX sequences and perfecting the edit,” he answered. “Some last-minute changes we made to part 1 affected certain elements of part 2, requiring some new VFX. Overall, we’ve got a stronger film for it, but it essentially guaranteed an all-hands-on-deck schedule for the entirety of December.”

I also asked Eric how he feels now that the full film is finally completed and posted. “I’m satisfied with the final product. In fact, it’s quite a bit higher-quality than I could have predicted back in 2015, even if the direction changed somewhat over the years. Overall, it’s really just a huge relief to be done. I’ve never undertaken a five-year project before, and it’s hard to even imagine what life after Pacific will be like. But I’m really excited to finally get to work on a huge backlog of projects.”

And of course, WE’RE really excited to see the conclusion of this meticulously crafter fan production. Just in case anyone didn’t see the first part, I’ll include both Part 1 and Part 2 for your viewing pleasure below…

2020 Star Trek Fan Film YEAR IN REVIEW!

On the one hand, 2020 pretty much sucked. Political upheaval, protests and rioting, wildfires burned, rains flooded, hurricanes and tornadoes blew…and some crazy bat virus got loose and started spreading rapidly across the world while scientists tried to find a vaccine at warp speed. Civilization as we knew it seemed to have hit “pause,” and we’re still wondering if things will ever return to the way they used to be.

On the other hand, with most of the world’s outside-of-the-home activities curtailed, we did have ample time to catch up on our binge-watching on TV and YouTube. And for those of us with a predilection for Star Trek, 2020 gave us, for the first time ever, TWO new Star Trek TV series premiering in the same year! STAR TREK: PICARD debuted in January (you remember January, right?) and STAR TREK: LOWER DECKS followed in August.

And no sooner had Lower Decks finished than a new season of STAR TREK: DISCOVERY fired back up…meaning that 2020 will have a total of 32 new episodes of Star Trek in a single year! We haven’t had that much new Star Trek on TV since back in 1999 when Deep Space Nine and Voyager were running concurrently.

And if 32 new episodes of television Star Trek weren’t enough for you, then fan films gave you even MORE to binge-watch during your quarantine! Anyone who had “The guidelines will totally destroy Star Trek fan films” in the office betting pool lost big for a fifth straight year, as not only did Trek fan films live long and prosper, they even did so despite a global pandemic with the release of new “fandemic” films shot carefully with masks and social distancing during production.

This year also saw the debut of multiple long-awaited Star Trek fan films that had been in production for three years, five years, and even 35 years! It’s been an exciting twelve months for our fan film community, and a darn BUSY one for bloggers like me (assuming there are any other bloggers like me!) who spend their time covering the people behind these productions and the seemingly endless parade of of content they bring to us. In fact, back in October, I published my one thousandth blog since starting back in January of 2016!

So let’s take a look at some of the good that came out of 2020 in the form of a wonderful supply of new Star Trek fan films…

The AVALON UNIVERSE’s fourth film, LEGACY, has just been released!

Fans got their first taste of what JOSHUA IRWIN and VICTORIA FOX were capable of producing on Halloween in 2018 with the release of GHOST SHIP, the first of what would become multiple Star Trek fan films set in the “Avalon Universe.” This similar-yet-slightly-different Starfleet features a mix of uniforms from TOS and the Kelvin timeline with starships that look nearly the same as TOS but are a teensy bit different. It’s an intriguingly fresh take on Trek.

The production quality of their first Star Trek fan film, shot on the TOS sets at Neutral Zone Studios in Kingsland, GA, towered over most Trek fan films primarily because Victoria and Josh are themselves both professionals in the filmmaking industry in Arkansas. The following year, Victoria and Josh released two more films in their Avalon Universe: AVALON LOST and DEMONS, each even more impressive than the previous one.

And now in 2020, just five days before the end of the year, they’ve released their fourth Avalon fan film, LEGACY, a short vignette that will lead into their major fifth release, AIR AND DARKNESS. Filming on that project just completed a few weeks ago at WARP 66 STUDIOS in Mountain Home, Arkansas.

And speaking of WARP 66 Studios, Legacy was also shot there on GLEN WOLFE’s TOS bridge set. But as you’ll see from the fan film, the bridge underwent some noticeable modifications to mimic the look of the U.S.S. Ares bridge set in Lawrenceville, GA. And indeed, an Ares-class starship, the U.S.S. Athena, is the setting for this vignette, with visual FX done by his lordship—or is it shiplord?—SAMUEL COCKINGS. The music was composed by ADAM MULLEN, who has been scoring scores of VANCE MAJOR’s many MINARD and CONSTAR fan films and has recently begun scoring for DAVID CHENG’s many cosplay fan films that have come out this year. Adam is a busy guy!

This latest vignette was started back in January. You might not think that 3 minutes worth of fan film (plus another minute or so of credits) with only two VFX shots would take nearly a year to complete. Well, I need to take at least some of the blame for that, as Legacy writer/director Victoria and DP/editor Joshua were often pulled away from their busy lives to work on another little fan project called INTERLUDE for a very demanding executive producer named Jonathan. That fan film is nearly completed, just inches from the finish line. And I truly appreciate them splitting their spare fan filmmaking time between Legacy and Interlude.

But crossing the finish line first (only slightly) is Legacy, and I invite you now to check it out…

DISCOVERY finally airs an episode with a “classic” STAR TREK feel…but was it good? (editorial review)

LET’S END THE YEAR WITH…SPOILERS!

I’ve often (often!) wondered would STAR TREK: DISCOVERY would be like if it were more like the classic Star Trek I grew up with on TOS and even TNG. I’m not talking a total homage like The Orville (where the heck IS that show anyway???) but more simply carrying through on certain story elements, structure, character interplay and development, and just the overall “feel” like they used to have in the “good ol’ days.”

For what seemed like one of the only times in the three seasons of Discovery, this episode FELT like Star Trek to me. But what does that even mean “felt” like Star Trek? It seems like such a subjective and ambiguous thing, possibly different in the mind of each Trek fan watching.

So let me tell you why I personally thought that the 11th episode of season three, “Su’kal,” felt more like real Star Trek than Discovery usually does. And along the way, I’ll try to decide if this was a good or bad episode…or both! (Knowing me, it’ll probably have aspects of both—as I seem to have difficulty committing to either loving or hating the episodes this season.)

Okay, let’s do this thing…

MOVING TO MORE MODERATE AMOUNTS OF MICHAEL

Fans couldn’t help but notice that, for the past nearly-three seasons, Discovery has felt like “The Michael Burnham Show, starring Michael Burnham as Michael Burnham.” Michael seems to be in almost every scene, usually is the center of attention, and she saves the day regularly.

One of the reasons that Star Trek‘s previous iterations worked so well is because they had a variety different characters spotlighted in different episodes. Not every TOS story was about Kirk, not every TNG about Picard nor every DS9 about Sisko nor Voyager about Janeway. There were Spock and McCoy-focused episodes, Data and Worf and Crusher episodes, Kirk and Odo and Bashir episodes, Tuvok and Paris and B’Elanna episodes, T’Pol and Malcolm and Phlox episodes…you get the idea. And just because one character was featured prominently in a story didn’t mean we wouldn’t see the rest of the crew. A Riker episode would also show the rest of the crew. Mix and match! These shows had great casts, and the captain didn’t need to be in every scene.

This episode of Discovery was the first time in a while that Michael wasn’t dead center of the action almost all the time. Excitement was also happening on the ship, and because the landing party beams down and splits up, Michael is only part of the story on the planet. Michael definitely gets some major stuff to do, but so do Saru and Culber…giving each of their characters some breathing space. On the ship, we see some great moments for Stamets, Tilly, and Adira (and one single line from Reno…really?).

After 35 years, fans will need to wait another WEEK for YORKTOWN: A TIME TO HEAL…

Fans had been expecting a special Christmas gift from JOHN ATKIN and STAN WOO, the show-runners behind the long-awaited YORKTOWN: A TIME TO HEAL. A fan production that began filming way back in 1985 and featuring GEORGE TAKEI as Sulu and JAMES SHIGETA as Admiral Nogura, Yorktown spent two decades on hold before being started up again in 2010 when John joined the project to help Stan complete the film.

Another ten years have passed since then, with scores of filmmakers from across our fan film community pitching in to help shoot scenes, build sets and props, lend uniforms, create visual FX, and a ton of other tasks. (You can read the entire behind-the-scenes history here.) Yorktown has continued on a steady path of progress over that time, and a trailer from July promised a release date of December 25…

Throughout the day, in addition to Christmas and holiday wishes, I’ve been texted and IM’d and e-mailed by a whole bunch of people all asking me a variant of the same question: “Has Yorktown been released yet?” I answered each one with “Not yet, as far as I know.”

Finally, after many hours of this, I received word from John that they weren’t gonna make their announced deadline because of sound issues. A few minutes later, he issued the following public statement:

Hi everyone… Unfortunately, I have a bit of bad news tonight. The final edit of Yorktown is finished and looks wonderful, but we haven’t fully completed the sound design. We want the sound to be the best it can be before we post it, so we are going to push the release date back 6 days to December 31 (New Years Eve) at 8:00pm (Pacific Time).

And then he posted this shot video snippet for a quick chuckle…

So fingers crossed for next Thursday, folks!

Funny video: All I Want for Christmas

Merry Christmas! Ho-ho-ho! And what could be a better way to celebrate this joyous holiday than with a rousing rendition of the old favorite All I Want for Christmas performed by Captain Jean-Luc Picard and his jolly crew? But don’t be too confident that you know what’s coming because things can get a teensy bit unpredictable on the ol’ Enterprise-D. Enjoy this expertly-edited fan film—and to all: a good night…

Check out the NEW TRAILER and Indiegogo for STALLED TREK: THE CITY ON THE EDGE OF FORECLOSURE!

Come for the trailer, stay for the crowd-funder!

When it comes to Star Trek puppet parodies, MARK LARGENT is a veritable genius. His first release from 2012, STALLED TREK: AMUTT TIME was a hysterical send-up of the TOS fan-favorite episode “Amok Time.” If you haven’t seen if yet, do yourself a solid and click that link I just provided and watch it. You won’t be sorry.

Four years later in the middle of the AXANAR infringement lawsuit, Mark and I teamed up to write and produce PRELUDE TO AX’D-WE-ARE, an uproarious puppet parody of both PRELUDE TO AXANAR as well as of the lawsuit from CBS and Paramount. And most recently, while trying to test out a new 3D rendering application for his next puppet parody, Mark released yet another hilarious vignette titled ALL AHEAD FULL.

The last of the bunch was intended to help guide Mark learning a new 3D application as he worked on his latest Stalled Trek creation, a parody of the beloved TOS episode “The City on the Edge of Forever” to be titled THE CITY ON THE EDGE OF FORECLOSURE. Mark held a crowd-funding campaign for the project back in 2018, and now he’s asking for a wee bit more. And this new Indiegogo is offering a very unique perk: a full-color, flip-cover COMIC BOOK (just like they used to sell in the 1970s for Star Trek) at the $25 level…

This is in addition to a Blu-ray at the $50 level and a limited number of “Super Backer” perks at $100 containing the comic book, Blu-ray plus three Stalled Trek trading cards. (I grabbed one of those!) There are also stretch goal posters if Mark raises $2500, $5000, and $7500 (he just passed the first stretch goal). And if he reaches $10K, he’ll add a third story to the comic: “Balance of Terrier”!

Now, before anyone says anything about the fan film guidelines not allowing for crowd-funders to offer unlicensed physical perks, remember that this is an obvious parody. And while most fan films can’t be considered parodies, ones that are parodies are protected under the Fair Use doctrine. So the guidelines don’t really apply here.

The reason for the new Indiegogo campaign is that Mark managed to find an actual Hollywood composer to do the music: MAX McGUIRE. Along with composing music for a wide variety of projects including shows airing on FOX, ABC, NBC, E!, CBS and TBS and the hit Syfy/Netflix series 12 Monkeys, Max also wrote the score for RENEGADES: THE REQUIEM. So this campaign is raising money for professional sound quality to go with the professional music. The more money that gets raised, the better the sound will be.

Right now, Mark has taken in $2,525 with 46 days to go. If you’d like to donate (or know someone who might like to donate), here is the link…

https://www.indiegogo.com/projects/stalled-trek-the-city-on-the-edge-of-foreclosure

And here is the first full trailer for Stalled Trek: The City on the Edge of Foreclosure (it looks AWESOME)…

The news is mixed (but pretty bad) for ComicMix as they both lose and win the DR. SEUSS/STAR TREK Mash-Up appeal…

For tribbles-creator DAVID GERROLD, award-winning comic artist TY TEMPLETON, and ComicMix publisher GLENN HAUMAN, last Friday was not a fun day. While there was one tiny piece of good news in their ongoing legal struggle with DR. SEUSS ENTERPRISES (DSE) regarding the Star Trek/Seuss mash-up Oh, The Places You’ll Boldly Go! (“Boldly” for short), the main part of the news was rather unfortunate.

Things looked rosy for ComicMix back in March of 2019. After nearly two years in litigation, Ninth Circuit Federal Judge Hon. JANIS SAMMARTINO ruled before the trial could even begin that Boldly was protected from DSE’s infringement lawsuit because she considered it to be Fair Use. (You can read an in-depth analysis of that ruling here.) She threw out DSE’s complaints for both copyright infringement as well as for trademark infringement (two different things), effectively ending the lawsuit before a jury could even be seated.

Five months later, DSE filed an appeal to the Ninth Circuit, trying to reverse the summary ruling from Judge Sammantino. Last Friday, a three-judge appellate panel came back with a unanimous decision that Boldly did NOT qualify as Fair Use, and so the copyright infringement lawsuit could proceed. The panel also ruled that the summary dismissal of the trademark infringement decision was indeed correct, and so that aspect of the lawsuit is over. (You can read the full appellate opinion here .)

So…good news/bad news, right?

Well, it’s much more bad news than good, I’m afraid. The trademark claim was always the thinnest of arguments, and even DSE didn’t push hard on that point during their appeal (four amicus briefs were filed, and none of them touched at all on the trademark question). What DSE really wanted was the copyright infringement complaint reinstated, and they got it.

SO WHAT DOES THIS MEAN?

DSE hasn’t won yet. But now they haven’t lost either. We are simply back to where we were at the beginning of 2019 before the judge made her summary ruling. The lawsuit is on again, heading back to Judge Sammartino’s courtroom.

If you’re DSE, you’re ecstatic and holding all the cards right now. There will (most likely) still be a trial, but if you can convince three out of four learned judges that Boldly isn’t Fair Use, you should certainly be able to convince twelve ordinary folks of the same thing. And indeed, you might not even need to, since the appellate judges’ ruling might preclude using a Fair Use defense entirely (more on that in a moment).

Now, if you’re ComicMix, you have a decision to make, and you really have only three choices on the menu…