STAR TREK: DISCOVERY vs. THE ORVILLE – Should CBS be worried? (Part 1)

Before I begin, please note that the title of this blog is the question “Should CBS be worried?” and not the statement  “CBS should be worried.”  I’m pondering, not preaching.

Also, I want to mention up front that I personally enjoyed the new trailer for Star: Trek Discovery and am looking forward to at least checking out the new series.  People seem to think I’m just another Discovery hater/detractor.  Not so!  I am very much keeping an open mind.  But I’m not blind to the reality of the situation either, and that’s what this blog is about.

(And yes, I know that this is a site about fan films.  But it’s also a site about Star Trek…and it’s my blog, so I can editorialize whatever I want to.)


Last week, all of the major networks unveiled trailers for shows that will premiere during their upcoming 2017 season.  Naturally, Star Trek fans were eagerly expecting to see their first extended glimpse of the new STAR TREK: DISCOVERY series…coming to the subscription-based CBS All Access.

What fans weren’t expecting, however, was a new Star Trek-ish series from FOX starring and produced by Seth MacFarlane (Family Guy, Ted) and directed by Iron Man‘s John Favreau.  Titled THE ORVILLE, this new hour-long series looked more like the Star Trek of yore: bright sets, colorful uniforms, chest emblems with division insignia, sleek and over-lit starships (some filmed from actual physical models!), and a token alien species or two with big bumpy foreheads.  The Orville is obviously meant to be a campy tongue-in-cheek comedy, but the production values, sets, costuming, make-up, and visual FX looked like…well…WOW!

For two days, fans were aflutter with comments about this surprise new sci-fi series.  And the comments were nearly all positive, with many Trekkers suggesting that THIS was the Star Trek we’d wanted all along (minus the implied parody, of course), and wondering why CBS just didn’t get it.

Then, last Wednesday, CBS had their turn to say, “Hey, we DO get it…and here’s what OUR new Star Trek will look like.”  But did they really get it?

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FAN FILM GUIDELINES: Reality Check (Part 8) – Size DOES matter!

I started the SMALL ACCESS protest campaign on Facebook last July, shortly after CBS and Paramount released the new guidelines that seemed to spell certain doom for Star Trek fan films.  I’d hoped we could start a “movement” that would make the studios take notice and convince them to revisit and revise the guidelines.

It’s now almost a year later, and the guidelines remain in place…unchanged.  We tried to get bunch of the guidelines changed all at once, but that didn’t work.  And I realized instead that, if we tried to “eat the elephant” in smaller bites (try to change one guideline at a time), then we might have more luck in convincing the studios to listen to us and maybe even work with us.

And our offer would be simple: revise just one guideline, and our members will subscribe to CBS All Access for a month (to check it out, see if we like it).  Revise two guidelines, two months.  And so on.  The first guideline we wanted to target was the “no ongoing fan series” rule (we voted on that), suggesting that Guideline #1 could be rewritten with a revised second part:

The fan production must be less than 15 minutes for a single self-contained story, or no more than 2 segments, episodes or parts, not to exceed 30 minutes total. The production can continue featuring the same title, characters, and settings for additional episodes as long as no single story extends beyond two consecutive segments, episodes or parts.

The big question was: would the members of SMALL ACCESS agree to subscribe for a month if the studios made his first revision to Guideline #1?  I published the results of a survey last week in Part 7, but here they are for you again…

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STAR TREK CONTINUES becomes a CBS All Access AFFILIATE!

Things got very interesting on Sunday morning after STAR TREK CONTINUES posted this message on their Facebook page overnight:

Got CBS All Access yet? STC has been invited to join the affiliate program, so you can sign up through our website now. Sign up today!

Almost immediately, fans started conjecturing what this meant for STC.  Were they suddenly being accepted by CBS?  Would they now be allowed to complete their cancelled 12th and 13th episodes?  Were they getting a kickback from CBS?  Would STC be shown on All Access?

The answers to all of these questions appear to be “no.”  Apparently, STC was simply contacted by a division of CBS (likely CBS Interactive or else someone in marketing) and offered the option of becoming a CBS All Access Affiliate, promoting subscriptions to the network’s streaming service through online banners on their startrekcontinues.com website.  (Note to CBS Interactive: the hyperlinks aren’t working from Mac browsers.)

It’s unclear whether or not STC will be receiving a commission for any fans who sign up for CBS All Access.  STC posted on their Facebook pages that they are not being compensated.  However, I just signed up Fan Film Factor for the same program and was required to agree to terms that included the following (which I screen capped)…

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FAN FILM GUIDELINES: Reality Check (Part 6) – The CARROT and the STICK

First I should mention (in a follow-up to our previous post) that the survey results are in.  I invited members of the SMALL ACCESS protest campaign to vote in an online Facebook poll: which ONE if the new fan film guidelines feels like it is the most problematic for fan filmmakers?  This would be the guideline that Project: SMALL ACCESS will focus on convincing CBS and Paramount to revisit and revise.  And there was a clear winner: Guideline #1.

However, Guideline #1 is actually a two-part guideline made up of the following:

#1a – The fan production must be less than 15 minutes for a single self-contained story, or no more than 2 segments, episodes or parts, not to exceed 30 minutes total…

and

#1b – …with no additional seasons, episodes, parts, sequels or remakes.

It’s possible for us to request a revision by CBS to one part of this guideline without necessarily changing the other part.  And so I divided Guideline #1 into two options, and together these were, by far, the highest vote-getters, taking more than 95% of the nearly 140 submitted responses.  So which one got the most votes?

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FAN FILM GUIDELINES – Have you voted yet?

Last week, I invited folks to vote on just one of the fan film guidelines that they thought the SMALL ACCESS group should focus our energies on trying to convince the studios to revise.

Initially, we set out to encourage multiple changes simultaneously from CBS and Paramount and pretty much got nowhere.  And while we still have a veeeerrrrry steep mountain to climb, we might end up with a better chance of success asking for just one change rather than many.

And so we set up a survey over on the Small Access Facebook Group, and so far, we’ve had just under a hundred votes.  Two-thirds favor a focus on the second half of the first guideline: “…With no additional seasons, episodes, parts, sequels or remakes.”  And with about a quarter of the vote, the notorious 15-minute limit is currently in second place.

But there’s still time to vote because, to be honest, I haven’t had a chance to work on the next entry of my “FAN FILM GUIDELINES: Reality Check” blog series yet.  And since I’m on vacation next week (heading up the California coast with the family and my camera), there might be a solid two weeks left to vote.

Here’s the link for the poll if you haven’t voted yet or want to encourage others to:

https://www.facebook.com/groups/smallaccess/permalink/465593603781344/

And in the meantime, if you want to help me write the next entry in the blog series, how do YOU think we should proceed from here?  We’ve got 1,300 in the Small Access group…92 of which are bothering to vote.  We’re not exactly a “movement,” but we’re not entirely invisible either.  A full-on boycott with just 1,300 people is pretty meaningless, though.  And I doubt we’re going to convince every fan filmmaker out there to simply ignore the guidelines and risk getting sued.  So what else is there?

I have a few ideas, but I’m curious first to see what other people think.  Feel free to comment on this page or, if you’re a member of SMALL ACCESS (and if you aren’t–why not???) on that Facebook group page.

FAN FILM GUIDELINES: Reality Check (Part 5) – Betcha can’t choose just ONE…continued!

Last time, we began looking at all of the fan film guidelines one at a time, wondering if we could choose just one to present to the studios with a request for reconsideration.

Why choose just one?  Don’t we hate all of the guidelines?  Don’t we want everything to go back to what it was when the only rules were “Don’t charge to see your fan film” and “Don’t make any profit”?

Well, actually, no…at least I don’t feel that way anymore.  Actually, I never wanted to get rid of all of the guidelines, and I only ever thought that maybe four of them were truly problematic for fan films.  As I discussed in Part 2, the guidelines didn’t kill Star Trek fan films.  In fact, since the guidelines were announced last June, more than SIXTY Trek fan films have been released…some of which did not follow the new guidelines but many did.

And then in Part 3, I discussed how the guidelines weren’t a completely bad deal for fan producers.  By providing a safe harbor, much of the guesswork, uncertainty, and outright fear could be avoided by fans wanting to ensure they would not answer the door one day to a person holding a subpoena.  Of course, the guidelines are still very restrictive, but they are far from impossible to follow.

However, I still believe there is room left to improve the guidelines to make them less constraining for fans while still protecting the interests of the studios.  But the reality is that the more changes we fans try to get made to their guidelines, the less likely the studios will be to cooperate.  So last week and this week, I’m looking at all the guidelines in an attempt to choose just one to focus on—one little compromise.  If we can adjust just a single guideline, it’s still a win for fans…and we go from there.

But which one?

Last week, we quickly eliminated nearly half of the guidelines because they weren’t really problematic.  Then we began looking at the second group of guidelines, a category I called…

Continue reading “FAN FILM GUIDELINES: Reality Check (Part 5) – Betcha can’t choose just ONE…continued!”

FAN FILM GUIDELINES: Reality Check (Part 4) – Betcha can’t choose just ONE!

In Part 3, I acknowledged a very  inconvenient truth for many fans: CBS owns STAR TREK.  This is the reality we live in, and if we want to continue in our quest to change the Star Trek fan film guidelines, we need to accept that fact and strategically move forward from there.

Project: SMALL ACCESS began as a protest campaign to convince CBS and Paramount to revisit and revise their new guidelines for Star Trek fan films.  And we had a plan.  After several weeks of discussion and debate about all of the guidelines, employing surveys and gathering suggestions for possible changes/improvements, we came to (mostly) a consensus that only about a quarter of the new guidelines were really troublesome to the 1,200 members of our Facebook group who were involved in the discussion.  Another quarter only needed minor tweaking to make them less ambiguous, and nearly half were fine as is.

Our plan involved creating and then sending out copies of our Focus Group Report to CBS and Paramount executives as a sort of “letter-writing campaign” to begin a conversation with the studios in an attempt to create a better compromise of rules that still protected the studios but allowed fans more flexibility in creating their films than the guidelines were permitting.

The plan didn’t work.  Although we know the studios received and were aware of the 115 copies of the 38-page report that was sent (they acknowledged receiving them during questioning in the Axanar lawsuit depositions–so we know the printouts weren’t just thrown out unread), there has been no mention by the studios of revisiting or revising the guidelines at all.

Over the past few months, I’ve done some deep soul searching about what to do for “Plan B” (assuming there even is a “Plan B”…which I would still like there to be).  And then I realized something, and again, a number of you aren’t gonna like hearing it:

The more guidelines we try to convince the studios to revise, the less chance there is that they’ll want to change any.

Here’s why…

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FAN FILM GUIDELINES: Reality Check (Part 3) – THE INCONVENIENT TRUTH

At the end of Part 2, I said that, in order to move forward with our goal of getting CBS and Paramount to revisit and revise the fan film guidelines, some of us more–shall we say–passionate fans are going to have to face a very unpleasant, inconvenient truth.  And here it is:

CBS owns Star Trek.

I’m sorry, they just do.  And yes, I’ve heard all the arguments that it was the FANS who saved Star Trek and supported it all these years.  It was the FANS who spent billions of dollars keeping the franchise commercially viable, watching it on TV and in movie theaters, and buying an endless parade of licensed merchandise.  We fans MADE Star Trek what it is today!

You know who else made Star Trek what it is today?

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FAN FILM GUIDELINES: Reality Check (Part 2) – The DEATH of TREK FAN FILMS?

If you read Part 1, you know that I want to keep fighting for a change to the fan film guidelines issued last June by CBS and Paramount.  I’m not ready to give up.

You might remember that when those guidelines were first announced, they were met with cries of panic that the world of Star Trek fan films was doomed.  These guidelines would eliminate, destroy, even obliterate fan films.  (Yep, I used all of those words.)

And you know what?  I was wrong.

Rather than killing the medium of Star Trek fan films, the guidelines didn’t seem to have had much of a curtailing effect at all.  In fact, do you know how many Star Trek fan films have been released in the eight months SINCE the guidelines were announced last June?

Take a guess.

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FAN FILM GUIDELINES: Reality Check (Part 1) – DO WE FIGHT ON?

When CBS and Paramount jointly announced their new fan film guidelines last June, most of us in the fan production community (both filmmakers and viewers) were horrified, furious, indignant, grief-stricken, and depressingly convinced that these ten Draconian rules would spell the end of world for Star Trek fan films as we knew them.

And few out there felt more strongly about this than yours truly!  I used words like “carnage,” “eliminate,” and “destroy.”  I proclaimed in a blog I posted on June 23, 2016:

In short, these new guidelines would obliterate the majority of fan films…

And I quickly moved to set up a new protest campaign, Project: SMALL ACCESS, endeavoring to use the threat of fewer subscriptions to CBS’s new All Access paid video streaming service to try to encourage the studio(s) to revise and revisit these overly-restrictive guidelines.

SMALL ACCESS quickly grew to over a thousand members in a group on Facebook, and we examined the guidelines one-by-one.  Through polling and discussions, we determined that about half of the guidelines were actually just fine as they were and didn’t cause much angst.  Another quarter of them could benefit from a little tweaking of the phrasing to explain them better.  And the final quarter of them, well, they pretty much pissed most of us off completely.

Eventually, we created a 38-page Focus Group Report, and members mailed 115 copies to various executives at both studios.  Yes, it was a stunt, and no, it didn’t work.  Eight months later, the guidelines are still in place, and the studios don’t seem to be inclined to make any changes.

So what in the name of James Tiberius Kirk do we do now?

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