News – Page 6 – Fan Film Factor

Let’s get a taste of NATURE’S HUNGER… (video interview with JOSE CEPEDA and his crew)

Back in 2015 when I first began covering Star Trek fan films, there were quite a few fan series that had already been churning out new releases for over a half a decade. Now, only a handful of those productions are still around, although new ones have sprung up to take their place, and the world of Star Trek fan films is currently thriving.

One of those fan series that was around back in 2015 actually got its start way back in 2010, and it’s STILL churning out new fan films thirteen years later! I am referring, of course, to NATURE’S HUNGER, which was originally STAR TREK: NATURES HUNGER (and no, the lack of apostrophe in the original title is not a typo on my part). Showrunner JOSE “JOE” CEPEDA lives just south of Atlanta, GA and writes, directs, edits, does many of the VFX, supplies costumes and props, and stars as Captain Ramses of the U.S.S. Crusader.

When I launched Fan Film Factor in 2016, Nature’s Hunger remained on my list of fan series to cover. But as I do with all the fan productions that I feature, I wanted to first watch every film that they had released. This was easier said than done, however!

As you can see from their YouTube video page, even as early as 2016, they had already posted nearly a HUNDRED separate fan films and videos. Many were quite short and experimental—sometimes only a minute to a few minutes in length. But a small number were 15 and even 20 minutes long, and their most recent offerings are 45 minutes and over an hour long!

I began watching through each one, noticing the this series was the purest form of fan film where the love of the genre and desire to create their own Star Trek far surpassed their budget and resources. In other words, these weren’t slick and polished “top tier” fan films but rather very grass-roots, guerrilla-level green screen productions with lots of heart and whimsy.

Oh, and speaking of gorillas, Nature’s Hunger often threw caution and canon to the wind as they crossed over with such other “realities” as Planet of the Apes, The Silence of the Lambs, and even The Wizard of Oz. Indeed, young Dorothy Gale, after being rescued from Oz by the crew, decides to join Starfleet! So, yeah, this is a very unique fan series and perhaps not for everyone. But if you can appreciate sincere effort and respect the obvious adoration they have for Star Trek, there is a LOT to enjoy about this fan series.

Granted, it took me quite a while to make it through everything that they had released. Along the way, I saw multiple versions of the crew finding and rescuing Dorothy, along with seeing the starship shift (without explanation) from everyone serving on board the U.S.S. Enterprise to being on the U.S.S. Crusader. (Hey, it’s a fan series, folks!) I also learned what the title Nature’s Hunger refers to…

STARSHIP TRISTAN relaunches as a green screen production with “SEEING IN THE DARK” (guest blog by RANDY LANDERS)

A quick introductory note from Jonathan…

Usually, I write the blog entries ’round these parts. But every so often, a fan filmmaker writes something up that essentially does my work for me! This time, it was POTEMKIN PICTURES showrunner RANDY LANDERS, who just posted the latest release from the STARSHIP TRISTAN creative group: “Seeing in the Dark.”

Although this was the 22nd Tristan fan film (you can view them all here on the Potemkin website), I’d begun to wonder if they were still active. It had been more than two years since their previous release, “36 Hours,” and a full year since the one before that, “Reclamation.” And unlike their sister production team, STARSHIP DEIMOS, the Tristan folks didn’t seem willing to make the long drive from Birmingham, Alabama up to Lexington, Kentucky to use the Potemkin sets that Randy took with him (and expended) when he and his wife relocated to the bluegrass state in late 2019.

Three new creative groups sprang up in Lexington—STARSHIPS WEBSTER and CALIBORN and SCOUTSHIP QAB’ELTH—and as I said, Deimos cast members were making the drive up to shoot there. But what of Tristan?

In a comment posted on the new video release on YouTube, Randy explained everything that was going on with Tristan both then and now. So with his permission, I’m just going to let Randy tell his own tale this time. But first, let’s watch the latest Starship Tristan release…

And now, here’s Randy…

LIGHT-YEARS BEYOND “just” a fan film, FARRAGUT FORWARD still needs YOUR help to hit $50K!

You’d think $37,745 would be enough money to make a single Star Trek fan film, right? And in most cases, you’d be 100% correct. But when it comes to FARRAGUT FORWARD, well, there’s Star Trek fan films and then there’s BLOW-YOUR-FRIGGIN’-MIND Star Trek fan films!!! And Farragut Forward certainly falls into the latter category.

With one shoot still to go scheduled for this fall, the team just wrapped filming on one of the most ambitious bridge sets ever constructed for a Star Trek fan film. This followed other major shoots in starship corridors, sickbay, and a Klingon bird-of-prey…each with equally amazing sets and costumes of the highest caliber. Beyond just impeccable monster maroons and Klingon outfits, they also recreated the most detailed cadet jumpsuits, command jackets, white medical uniforms, and even the engineering radiation suits from the 80s and 90s Star Trek feature films!

Back in February of 2022, showrunner JOHN BROUGHTON and director JOHNNY K. launched an Indiegogo campaign with a goal of $30K. They ultimately exceeded that goal, meaning the campaign shifted to “InDemand” status and could continue raising donations indefinitely. And since then, they’ve added a few thousand dollars more. But they’re currently trying to take their total up to the $50K level…the maximum allowed by the fan film guidelines.

With all of the sets built, costumes created, and 80% of the footage shot, why are they looking for even MORE money now? The short answer is that they’ve spent way more of their own money than they ever expected to…well into the many thousands of dollars. And it shows! Don’t worry, if they don’t hit their $50K stretch goal, Farragut Forward will still be completed and released. But with this kind of quality, I’m hopeful that fans can help pitch in just a little bit more to ease the burden on the Farragut Films team’s wallets.

If you’d like to donate (or donate again), here is the link:

https://www.indiegogo.com/projects/farragut-forward-a-star-trek-fan-production

And remember, even if you can’t afford to give anything more yourself, simply posting, sharing, and helping to spread the link to your friends and fellow fans can go a long way.

If you haven’t had a chance yet to see some of the indescribable footage they’ve shot so far, here are their three latest behind-the-scenes videos that will make your jaw drop…

JOSH IRWIN discusses THE TEST OF TIME…and just about everything else, too! (interview, part 2)

Yesterday in Part 1, I began talking to JOSHUA IRWIN about the latest release from TALES FROM THE NEUTRAL ZONE, an ambitious fan film titled THE TEST OF TIME.

Or rather, we almost talked about it!

Y’see, Josh burst onto the Star Trek fan film stage back in late 2018 with the first of his high quality AVALON UNIVERSE fan films, GHOST SHIP. And the reason for the professional look and feel of Avalon releases is that Josh is himself a professional in the film industry, having graduated from film school and worked on countless projects from short commercials to full-length feature films cast with major celebrities. In other words, Josh knows what he’s doing, and you can watch all nearly-dozen Avalon releases here on this YouTube playlist.

But this blog isn’t about Avalon. It’s about Tales from the Neutral Zone, which Josh is also now working on regularly. In fact, beginning with their next release, Josh will be taking over as director, after having worked as cinematographer on both this latest fan film as well as the previous one, DOOMSDAY, which he also ended up co-directing with RAY TESI, the showrunner and owner of the TOS sets down in Kingsland, GA. But it’s not just NEUTRAL ZONE STUDIOS that Josh is helping out. He’s begun working in various capacities on numerous other fan films and series, as well.

And that ended up becoming the focus of most of the first half of our interview, conducted via phone as Josh was driving from Arkansas to Maryland to help shoot some stuff for FARRAGUT FORWARD. We discussed the growing cooperation among various fan filmmakers in the community, sharing talents and resources. We also chatted about what exactly Josh does on all of these other non-Avalon projects and how he deals with so much driving and getting time off from work for this hobby that he loves so much.

Anyway, the moment has finally come to discuss The Test of Time. And if you haven’t seen it yet, give it a viewing first…

And now, the conclusion of my interview with Josh Irwin…

JOSH IRWIN discusses THE TEST OF TIME…and just about everything else, too! (interview, part 1)

A funny thing happened on the way to a discussion of THE TEST OF TIME, the latest TALES FROM THE NEUTRAL ZONE fan film release from NEUTRAL ZONE STUDIOS in Kingsland, GA. Those are the Star Trek TOS sets that were originally used for STARSHIP FARRAGUT and STAR TREK CONTINUES. Now owned by super-fan RAY TESI (who pays thousands of dollars of his own money each month to rent the location that houses the sets), Neutral Zone Studios is available to any fan production wanting to film there. Among the fan series that shoot at the studio regularly are DREADNOUGHT DOMINION, AVALON UNIVERSE, and of course the aforementioned Tales from the Neutral Zone. And even more fan projects are slated to shoot there in the coming months.

Typically, I interview Ray Tesi about new Neutral Zone episodes, although for the previous release, the wildly popular DOOMSDAY, Ray tag-teamed with JOSHUA IRWIN on the interview , as Josh had stepped up to co-direct, along with being director of photography as well as editor. And with their latest release, Josh was once again director of photography…with VIC MIGNOGNA returning to Star Trek fan films for the first time since the end of STC to direct. With Ray’s approval, this time I reached out to Josh to field the questions, and so we began our interview.

Now, Josh is one of the busiest filmmakers in our community, serving not only as showrunner for the Avalon Universe fan series but also helping out on a whole slew of other productions in all sorts of different capacities. As such, it was probably appropriate that I ended up interviewing Josh via a recorded phone conversation while he was driving more than 1,000 miles from his home in Bentonville, Arkansas to Frederick, Maryland to help shoot some videos for FARRAGUT FORWARD!

So naturally, I began the interview asking Josh about all of these other projects he’s been working on, and…well…sometimes interviews just go in unexpected directions. So please accept my apologies that Josh and I don’t start discussing The Test of Time until PART 2 of this interview! But trust me, the stuff in PART 1 is just as fascinating, and I really do recommend that you read the whole interview. You won’t be disappointed.

And speaking of not being disappointed, take a look at The Test of Time, as it turned out REALLY well…

And now, here’s Josh Irwin…

Fandemic film “359”was MUCH more challenging to make than you might think! (feature, part 2)

In Part 1, I introduced you to DAVE ELLIS, a video game writer and director for more than two decades. A couple of visits to watch STAR TREK CONTINUES and Dave was bitten by the fan film bug. He wrote a Star Trek fan film script to shoot at NEUTRAL ZONE STUDIOS in Kingsland, GA, but before he could assemble a cast a film crew, the Covid pandemic hit, and Dave had to shelve the idea.

But then he had the idea to create a “Starfleet Zoom call” fan film (what I like to call a fandemic film) where all of the actors could be on screen one at a time, shooting their lines separately at their homes. Titled simply “359,” the story would deal with survivors from the devastating battle with the Borg from TNG‘s “The Best of Both Worlds,” each person in a separate escape pod. But in the time it took to write and finalize the script, the lockdown had begun to lift. So instead, Dave set up a green screen “studio” inside of his garage . Roles were cast, and two shooting weekends were held in September 2021 and again in May 2022, with over a hundred takes recorded for the four actors combined.

Dave Ellis (right) with actors Sarah Johnson and Doug Baldwin in Dave’s “studio”/garage

Dave has created a full “359” website with behind-the-scenes background info, blog entries, and even outtakes and and bonus features. Indeed, most of the information in both parts of this blog feature is sourced from the blogs and photos on Dave’s website, which I strongly recommend that you check out for a much fuller story. I will be covering just the highlights here. Pre-production and shooting were the subject of Part 1. Now we move onto post-production and how something that seems like it was so simple and straightforward to create was actually very, VERY challenging.

First, take a look at the completed fan film…

Now let’s find out all of the steps that went into turning that raw footage into what you just saw above. As they say on Star Trek: “And now, the conclusion…”

Fandemic film “359”was MUCH more challenging to make than you might think! (feature, part 1)

What I like to call “fandemic” films—fan films where characters are speaking to each other via subspace communications, alternating with one person on the screen at a time—actually predate the global COVID lockdown of 2020. Years earlier, VANCE MAJOR would feature these interstellar “Zoom calls” in his MINARD and CONSTAR saga fan films. In Vance’s case, this was an easy way to have friends and fellow fans (including me!) be able to record segments in our homes and still appear in one of his fan films. It was a lot of fun and relatively easy to do.

But one newbie fan filmmaker, DAVE ELLIS, has taken the fandemic film to a whole other level with “359,” the story of four survivors of the Borg attack from TNG‘s “The Best of Both Worlds,” trapped in escape pods, trying to find other survivors and also just trying to stay alive. Two years in the making, this fan film is very impressive, surprisingly engaging for a story limited simply to “talking heads,” and includes a full website with behind-the-scenes background info, blog entries, and even outtakes and and bonus features. Indeed, most of the information in this blog feature is sourced from the blogs and photos on Dave’s website, which I strongly recommend that you check out for a much fuller story.

But before I go into the background of “359,” take a few minutes to give it a viewing. You’ll be glad you did…

Writer/director Dave Ellis spent over 20 years as a video game writer and director. And indeed, his first assignment was as a lead writer, co-writing the story and writing the script for the 1998 CD-ROM game Star Trek: The Next Generation Klingon Honor Guard from MicroProse. (An an amusing coincidence, my brother’s and my Internet marketing company at the time, 2-Lane Media, had MicroProse as a client and created the marketing website for Klingon Honor Guard—although I’ve never met Dave.

*A page from the website that my company built to market Klingon Honor Guard back in 1998*

Along with fellow designer ADAM COGAN, Dave actually won the very first Writer’s Guild of America award for video game writing in 2008 for their work on Dead Head Fred. Dave continued working in the video game industry until 2015, writing scripts and directing voice-over sessions. Nowadays, Dave works as a marketing writer, but he also remains a huge Star Trek fan, and therein begins the origin tale of 359…

With PRODIGY abruptly canceled, a fan rushes to release the first LIVE-ACTION Prodigy fan film: FLIGHT OF THE PROTOSTAR! (interview with SAM COCKINGS)

Star Trek fans were shocked this past week when Paramount unexpectedly announced the immediate cancelation of the animated STAR TREK: PRODIGY series prior to the release of any episodes of season 2…and then quickly removed the show entirely from its Paramount+ streaming service.

The announcement included additional details that production of the second season of Prodigy was nearly complete, and that the property would be shopped around by CBS Studios as a 2-season package to other streaming services and networks. And so the reason for taking down the 20 completed episodes from Paramount+ was to make Prodigy a more attractive and valuable commodity for purchase.

And if my grandmother had wheels, she’d be a wagon…

Anyway, Prodigy was always the “great experiment” at Paramount. One of the first and only series to simultaneously debut on a regular broadcast network (Paramount-owned Nickelodeon) as well as streaming on Paramount+, the idea behind Prodigy was to attract a new generation of young Star Trek fans, introducing them to the five-decade-old franchise a little at a time through the eyes of a crew of kids who, themselves, slowly discover what Starfleet is and the fascinating history of the United Federation of Planets.

The plan (hope?) was that these young viewers would get so curious about Star Trek that they would beg their parents to subscribe to Paramount+ so the kids could watch more of the shows. (Someone might have wanted to explain that strategy to everyone who inserted F-bombs into DISCOVERY and PICARD…just sayin’.)

Perhaps ironically, in trying to present a window into Star Trek‘s long history for new viewers, the creators of Prodigy inadvertently created a fan-favorite series that, more than any of the other CBS-produced new series, hewed much more closely to established canon. Older fans (lime me!) loved the new show.

Apparently, however, the numbers weren’t quite as strong when it came to the kids (or else the show wouldn’t have been canceled). And can you blame the younglings for not jumping on board after an airing schedule of five weekly episodes, followed by 2 months of nothing, then another five weekly episodes, then 9 months of nothing, followed by ten weekly episodes? Kids tend to have short attention spans to begin with!

Many fans were frustrated and angry—furious actually!—and moved quickly to set up #SaveStarTrekProdigy. Petitions are circulating, memes are meming, and one fan filmmaker rushed to produce the first-ever Star Trek: Prodigy live-action fan film!

SAMUEL COCKINGS, the Brit with Grit and co-host of the TREKYARDS podcast, has been passionately producing a parade of phenomenal fan films with eye-raisingly accurate CGI-generated digital backgrounds and jaw-dropping VFX animations under the banner TREK SHORTS. (You can view those fan films here on this playlist.) This past Friday, after a week of sleepless nights, Sam released FLIGHT OF THE PROTOSTAR, a love-letter to the show and (hopefully) a salient message to the suits at Paramount that there is more support for this series then they might suspect…

STARSHIP CALIBORN releases their third fan film: “RECIPROCITY” (interview with BILLY SWANSON)

Certain states have become nexuses of fan film production: Arkansas, Georgia, and now Kentucky. Of course, it helps when those states contain studios with permanent sets like WARP 66 STUDIOS (Arkansas), NEUTRAL ZONE STUDIOS (Georgia), and POTEMKIN PICTURES (Kentucky). In the case of the latter, three different creative groups are now in active production of Star Trek fan films: STARSHIP WEBSTER, KLINGON SCOUT SHIP QAB’ELTH, and STARSHIP CALIBORN. All three rely on the talents and hard work of fans and friends mostly living in the areas in and around Lexington, KY, coordinated by the efforts of Potemkin Pictures Poobah RANDY LANDERS. (You can view all of Potemkin‘s many dozens of releases from a dozen different creative groups on their website.)

So when I saw a new release from the Caliborn folks, “RECIPROCITY,” I reached out to Randy, as I typically do, for some background on this latest effort. And that’s when Randy recommended that I speak with episode writer and lead actor BILLY SWANSON, as he is the “voice” of Caliborn.

Well, far be it from me not to speak directly with the “voice”! So I reached out to Billy for a quick interview, which appears below. But first, let’s take a look at “Reciprocity”…

And now, here’s Billy…

JONATHAN – Randy said that you are now the “voice” of Caliborn. Does that mean you are officially the showrunner?

BILLY – Yeah, I saw that! I am indeed the showrunner for Caliborn.

JONATHAN – So what does being a showrunner entail for you specifically, Billy?

BILLY – As showrunner, I work with Randy to arrange the chapters (films) accordingly and set up the space to shoot (ha!). Being the showrunner puts me in the position to guide the tone of the overall “volume” (of chapters) that the various films fit into.

When Randy and I decide on a script, I then run it past ROBIN KUNKEL and ANDREW ORTWEIN for their ideas regarding shot composition and what other unique ways we can film. Andrew has a great mind for storyboarding and lighting, as well as ways to accomplish more unique shots! Robin is also a hell of a photographer and broaches the script with a different perspective I enjoy in terms of reasonably scheduling the order of the shots we need, the shots we would like, and the nice-to-have-but-not-a-priority shots, so that we can fit all of that into a reasonable day’s shoot for the actors.

The feedback from this team also helps with initial rewrites to help with narrative and vocal flow for us to present to the actor, to mitigate day-of troubleshooting. It is a lot like Randy’s shot lists, but with more technology and fun pictures! I also facilitate the shoot crew and work with the production team to prepare for the next chapter (storyboarding, lighting, costume, and directing).

JONATHAN – Are you writing all of the scripts entirely by yourself, or is that task shared among several writers?

Here are the 2023 Star Trek Fan Film SHOWRUNNER AWARD entries for BEST SHORT SCENE…

While all of the fan film award competitions feature categories that are common to every contest—like best fan film, best director, best actor, best music, etc.—what makes life extra interesting are categories that are unique to each competition. For example, the DIRECTORS CHOICE AWARDS have categories for Best Ensemble Cast and Best Portrayal of an Existing Character…categories that other fan film contests don’t offer.

In the case of the SHOWRUNNER AWARDS, we just added four new categories this year for Best Props, Best Original Set Design, Funniest Fan Film, and Most Clever Easter Egg. But returning from last year is one of our most unique categories—and one of my personal favorites!—Best Short Scene. This award is for a single sequence from a fan film that is two minutes or shorter, a sequence that is particularly exciting or gripping or dramatic or memorable. The standout elements can be the acting, writing, directing, editing, VFX, music, or any combination. The question is: which short scene does a judge find to be most impactful?

Last year, we had ten fan films that entered submissions into this category. This year, only five submissions came in for Best Scene, but they are each excellent! And best of all, each has a 60% chance of winning an award because we present an Admiral Award, Captain Award, and Commander Award in each category. (Remember that for next year, fan filmmakers: enter a short scene for a good chance at winning!)

I’ve just started creating the online ballot for the judges to record their votes in each of our 22 categories (that is a lot of work for both me to make the form and them to watch everything and fill it out!). And I need a convenient place for them to access all the short scenes in one place. What could be more convenient than a blog page, right?

If you’d like to view all of this year’s 23 fan film entries in their entirety, click here. But now net’s take a look at the five submissions for this year’s Best Short Scene, in alphabetical order by fan film…

From DOOMSDAY…

From THE NEEDS OF THE ONE…

From OUTBREAK…

From RESISTANCE…

From YORKTOWN: A TIME TO HEAL…