Before I begin the blog, here’s a joke: Why are the scenes in season three of STAR TREK: PICARD so dark?
Because there are four lights!
Ahem.
Okay, if you’re one of those fans who’s saying that season three of Picard is some of the best Star Trek presentations in decades—if not ever!—and that you can’t believe that anyone is still refusing to watch the show at this point, then to you, I can only say one thing…
You’re 100% right!!
The third episode of this staggeringly superb season was all but flawless. I have nothing to complain about (other than the dark lighting, which, I will admit, is beginning to bother me just a bit). But aside from that, this show is firing on all thrusters.
So I’ve decided to write about the AWESOME. The episode was titled “Seventeen Seconds,” a reference to the time it took Riker to ride the turbolift from the bridge down to sickbay when Deanna was giving birth to their son Thaddeus and there were nearly fatal complications. For this blog, I am going to call out seventeen “moments” from this episode that I thought were either awesome or at least significant and compelling. Note that these are moments, not full scenes…
This is going to be a different kind of blog, and admittedly a wee bit self-indulgent. If you just come for the fan films and streaming Trek reviews, feel free to skip this blog…although a few fan films have, in fact, been filmed at the iconic VASQUEZ ROCKS—a frequent outdoor shooting location for numerous Star Trek episodes and movies.
Some of you might know that I’m a bit of a photography buff. In the springtime here in southern California, I’ll often drive hundreds of miles to the middle of nowhere to spend my day capturing amazing wildflower vistas on film, leaving home before dawn and returning long after dark. They say that one of the secrets of great nature photography is being in the right place at the right time. And if you’re not in the right place, the timing won’t matter.
That said, you may have seen on the news that the weather here in the Los Angeles area has been a bit ridiculous lately—and I don’t want to make light of it. People living in the mountain communities north of San Bernardino are literally trapped in their homes under 10-15 FEET of snow, with local stores and gas stations empty and closed because delivery trucks can’t make the trip up the winding roads to towns like Running Springs and Big Bear. A state of emergency has been declared, and the national guard has been called in to help.
On the other hand, this much snow in southern California is a once-in-a-generation rarity, and while I literally can’t do anything to help those poor people living above 6,000 feet elevation (I can’t even get up there under current road conditions), I nevertheless wanted to record this event on film in some way—not the emergency, per se, but the beauty and rarity.
A few days ago, a friend e-mailed the chat list of a local Star Trek fan club that I belong to. The group is planning a trip to Vasquez Rocks on Saturday day (sadly, I’ll be in San Diego that day at a robotics tournament for my son and won’t be able to join them), and this member reported that there was snow in the adjacent town of Agua Dulce, and the park might be closed on Sunday.
I imagined those amazing diagonal rocks covered in the white stuff and decided I had to go see for myself1 Of course, this would need to happen between the time I drop off Jayden at school at 8:15am and pick him up at 3:15pm. But since the park is only a hour’s drive away (mostly on freeways), that seemed doable.
The first clear day without rain or heavy wind was Thursday, and so I called up my buddy (and associate producer of my fan film INTERLUDE) David to see if he wanted to play hooky with me, and away we went.
MATTHEW BLACKBURN from Southern California has released six Star Trek fan films in total, although there were seven years between his first production, STAR TREK: SURVIVOR, and his second offering, SURVIVORS. But since then, he’s released five completed fan films in a little over five and a half years, each one EXACTLY fifteen minutes long (take that, Star Trek fan film guidelines!). It takes a lot of editing and discipline to get even one fan film to exactly that time limit, but Matt’s got it down to a science…or maybe an art form!
What I find so intriguing about Matthew’s releases is how much he manages to do with very, very little. His films are cinematic in scope with beautiful locations that utilize the scenic offerings of diverse terrain in the Mojave Desert and surrounding environs. Matthew’s films have also improved consistently, and you can check his subsequent three releases (along with accompanying interviews) on the following blog pages:
Yeah, lots of titles that start with “S” and “L.” And that brings us to Matt’s latest production, which starts with the letter “U” but returns to the survivor theme: ULTIMATE SURVIVAL. And you can check it out below…
Released this past December, this most recent installment again does a lot with only a little…featuring a mix of interior scenes and exterior on-location sequences, some minimal ship VFX and CGI dinosaurs, and a slightly larger cast than usual for a Matthew Blackburn film.
And speaking of Matthew, since it’s been a year since I last interviewed him, it felt like I was reuniting with an old friend as I asked Matthew about his latest release, Ultimate Survival…
One of the biggest challenges in setting up the final season of STAR TREK: PICARD is what to do about all the characters! You’ve obviously got seven very well-known and loved officers from TNG who each need a chance to shine. Plus you’ve got a few characters remaining from the first two seasons of Picard who need decent screen time or else you lose any and all connection to what was established over the past twenty episodes. (And yeah, I know that some of you are saying, “Maybe losing all connection to the previous two seasons isn’t such a bad thing!” And to you I say: “Quiet, I’m trying to write a blog here!”)
And of course, you also need to introduce compelling NEW characters, including a decent villain, in order to keep things fresh and, er, engaging. Oh, and you only have ten episodes to do it!
Now, keep in mind, those main seven characters need for this to be their big “send-off,” something they weren’t really given in the final TNG feature film Star Trek: Nemesis. So that’s going to eat up a lot of screen time.
Also, the season needs to make the new characters and returning Picard characters interesting. Otherwise, we’re simply waiting for the “big seven” to have their scenes and everything else is mostly boring and wasted time and money. So, yes, those new characters must intrigue us and leave us wanting more of their stories…especially if this season spawns a sequel series (something, at this point, that I would wholeheartedly endorse!).
And of course, the villain is oh-so-important. But making a villain interesting, compelling, and intimidating is no easy task! Compare a Khan or a Chang to a Ru’afo or a Shinzon. No contest. So this is where writing, casting, directing, and acting can all come together to either be magic or tragic, perfection or rejection. And as far as this season of Picard is concerned, I believe the creators and their cast members have captured lightning in a bottle—or maybe anti-matter in a magnetic containment chamber.
Let’s take a look at all of these characters, new and old, who have graced our TV or computer screens for these past two weeks…
Oh, man! Things are looking SO amazing for the upcoming movie-era Star Trek fan film FARRAGUT FORWARD, from showrunner JOHN BROUGHTON and director JOHNNY K. Before the launch of their Indiegogo crowd-funding campaign last year, they wowed fans with this awesome trailer for a sequel to the long-running and beloved fan series STARSHIP FARRAGUT…
That campaign managed to take in more than $33K in donations as of last April, and since it exceeded its original stated goal of $30K, the campaign qualified for InDemand status, meaning that more donations could be collected. And so you can still donate a few bucks (or more) yourself by clicking here:
In the ten months since the campaign went into InDemand status, Farragut Forward pulled in an additional $2,810 dollars, bringing the total to nearly $36K! But John and Johnny want to push that number all the way up to $50K, the maximum limit set by the fan film guidelines.
Can they do it?
Well, once thing that will certainly help them is the following behind-the-scenes video that they just released showing some of the jaw-dropping progress they’ve made so far. Take a look…
Now are you ready to donate (possibly donate again)? If so, here’s that link just in case you missed it…
Oh, wait, you probably want to know what all of this extra money is going to pay for, right? After all, they already raised so much. Why do they need even more?
Conveniently for you, I asked Johnny K. that same question! And this was his answer…
All additional money raised will continue to go to things like set construction, making what’s already high-quality even better, and allowing for additional sets/rooms that we’d like to include in our story. It will also help cover travel and logistics costs for our climactic third act, which will be BIG!
In addition to the above video scenes in the corridors and sickbay of the USS Farragut, they’ve also completed filming the brig and lab scenes on board the Klingon bird-of-prey. Here are some screen grabs that were shared on social media showing the quality of those sets and costumes…
Three shoots remain in order to complete principal photography later this year, and one of them will be on the BRIDGE, which is still under construction. The available budget will determine how much of that bridge can be built. Obviously, I ‘d love to see a full 360-degree bridge—or as close to that as possible!—so I just dropped another twenty bucks into the hat.
If you want to do likewise, well, let’s bring that Indiegogo link back for another encore, shall we…?
And as always, even if you can’t afford to support a fan film crowd-funding campaign yourself, word-of-mouth is a priceless gift you can give to spread the Indiegogo hyperlink and the video(s). As you can see, even Captain Marko Ramius of the Red October is promoting this campaign…
Let’s not kid ourselves, the reviews from fans for the premiere of Season 3 of STAR TREK: PICARD have been stratospherically euphoric with a teensy-tiny percentage trying to find something to complain about. In fact, one of the complaints I saw was that yet another Picard season storyline starts with “Help me, Jean-Luc, you’re my/our only hope!” Of course, Star Trek II starts that same way with a message from Carol Marcus; Trek III has McCoy/Spock saying, “Help me, Jim;” Trek V begins with “I need Jim Kirk;” Trek VI has “Only Nixon could go to China” (Kirk is Nxon); and so on. In other words, the criticisms I’ve seen so far are reaching deep, folks, and nearly all of them include, “I liked it, but…”
Yeah, you loved it. You know you did.
But WHY did we love it so much (or at least “like it, but…”)? With so many reviews already out there, I’ve decided that, rather than going through everything or most things that were great about this season premiere, I am going to look at just ONE THING, and it is a very important thing! Do you remember the movie City Slickers with Billy Crystal and Jack Palance? In it, the latter’s character of Curly holds up his index finger and says, “One thing.” Imagine me doing that right now…
Oh, there’s way more than one thing to love in this first episode. But for me, there was one 3.5-minute sequence that encapsulated everything that was oh-so-right about this new season, and what’s been missing from ALL of the other CBS-produced Trek series so far. Literally. It’s one scene that made me confident that writer and showrunner TERRY MATALAS is a fan who gets what Star Trek is and wants to give us other fans what we’ve been clamoring for these past six years.
Ladies and gentlemen, my “one thing”…
Goosebumps, anyone?
Actually, I can already hear the (very few) complainers out there saying, “Yeah, but we’ve seen a ship leave spacedock SOOOOOOO many times before!” And it’s true. Variations of that same launching sequence appeared in Star Trek: The Motion Picture, Star Trek II, Star Trek III, Star Trek VI, and even Star Trek Generations (plus twice in Star Trek: Enterprise). But that’s the point of this sequence. It is, in many ways, the quintessential Star Trek scene. And y’know what?
CBS STUDIOS HAS NEVER GIVEN US A PROPER LAUNCH SCENE!!!
Oh, they’ve included a few launch scenes across their various series, but those sequences—for various reasons that I’ll get to in a bit—didn’t feel quite right. But this one did.
Why? Well, let’s take a look at what characteristics mark a “proper” Star Trek starship launch scene like the ones we saw in those Trek movies I just listed and in the pilot episode and fourth season of Enterprise.
Let’s talk about porn. (I knew that would get your attention!) There is something called Rule 34 which basically states: “If it exists, there is porn of it.” This is especially true for established television and movie franchises. If you don’t believe me, here’s just a few examples of actual porn films that even have their own Wikipedia entries:
And it doesn’t stop with live action. Not even children’s cartoons are safe! This is a rabbit hole that you probably DON’T want to go down (I’m actually kinda sorry I did), but if you absolutely must prove to yourself that Rule 34 is real, lock the door, go to Google, toggle to image search, and type “Disney porn” or even “Bugs Bunny porn.” (On a lark, I typed “Star Trek Lower Decks porn” and…holy crap! It’s everywhere!!!!)
Why don’t studios like Disney or Warner Brothers or Paramount stop all of this smut that is obviously exploiting their intellectual property, cheapening it, and displaying it in ways it was never intended to be seen? There’s a few answers. For one thing, the cost of legally going after so many infringers (even finding them all!) would likely bankrupt the studios. Remember that the AXANAR lawsuit cost CBS and Paramount an estimated $1 million over a year’s time. Multiply that by infinity—which is probably how many pornographic images and videos of copyrighted content there are out there online—and you can probably understand the “see no evil, hear no evil, sue no evil” philosophy that prevails.
But there may also be another factor in play: pornography might legally qualify as PARODY, and parody is protected speech under the doctrine of Fair Use. In other words, can you just slap a XXX-rating on something, show some nudity and sex, call it a “parody,” and go to town with whatever copyrighted content you want? Or is that just a myth? I could easily write a lengthy blog about this very debate, but fortunately, I don’t have to because STEPHEN CARLISLE beat me to it seven years ago…and you’re welcome to read it here.
Of course, Star Trek is well represented in the “porn parody” arena. And while I am certainly not a connoisseur of fine (or not-so-fine) pornography, I checked out a few examples while researching this blog and was quite underwhelmed. I ended up fast-forwarding through the sex scenes looking for plot, and was always left disappointed. If I had to review the few bits of Star Trek porn I saw, the words “stupid,” “awful,” “boring,” “disgusting,” and “a complete waste of time” would appear frequently.
But there is one Star Trek porn parody that not only bucks that trend but is truly worth watching…albeit without the sex scenes. And indeed, that’s pretty easy to do, as there is a special 27-minute cut of the film that has ZERO sex scenes and is actually a really, REALLY good Star Trek: TNG fan film!
Did you ever wonder why we use the term “PAYING a compliment”? After all, compliments have no monetary value. You can’t use a compliment to put gas in you tank or cover your rent. And it certainly doesn’t cost anything to “pay” someone a compliment. Compliments are 100% free! And yet, compliments do have value, especially in today’s world when so many of us often feel unacknowledged and taken for granted.
The Star Trek fan film guidelines state that the people working on fan productions can’t be professional. Since many professionals in the entertainment industry do work on fan films—including JOSHUA IRWIN, the force behind the AVALON UNIVERSE fan series—most showrunners interpret that rule as meaning you can’t pay people to work on your fan film (other than covering gas, lodging, meals, and/or traveling costs). So if you can’t pay your cast and crew in money, how about at least paying them in compliments?
Many showrunners do praise their teams in interviews that I feature here on Fan Film Factor, often calling out individuals by name for their contributions. But recently, Josh Irwin took the concept one step further. After a series of grueling shoots for multiple fan films, including one during the cold-snap in January where the mercury dropped to 25 degrees inside the WARP 66 studio facility(!!!), Josh decided to thank each member of his team one-by-one in personalized Facebook posts accompanied with some very cool images.
Josh wrote a number of very nice things about each one of them, and as I read those posts, I thought that they were special enough to deserve a little “extra” coverage here on the blog. Credit where it’s due, right? Actually, Josh said it best in this quote he asked me to include with the blog: “No one wants to work really hard on a project and feel like what they did wasn’t noticed or appreciated. Films are made by the efforts of A LOT of people, and everyone has an important part to play. To me, it’s personal—they’re helping me make a dream come true, and I’m never not going to express my gratitude.”
In addition to writing all these complimentary posts, Josh also included a selection of still frames from the three upcoming Avalon Universe films plus some behind-the-scenes photos. So while I certainly hope you folks will take the time to read what Josh wrote (as his team really does deserve to have others know more about them and their efforts), at the very least, you’ll have a chance to scan through these amazing images to get a good idea of how awesome these new three episodes will look!
So as not to play favorites, I’ll present Josh’s posts (both text and images) in alphabetical order…
I first discovered STAR REKT back in 2021 when someone posted to Facebook a link to a Star Trek-themed music video parodying the 1975 song by The Four Seasons, “December, 1963 (Oh, What a Night).” But instead of “Night,” the lyric was changed to “Fight” and melodically recounted Kirk’s battle with the Gorn following the attack on Cestus III in the 1967 TOS episode “Arena.”
Now, I’d seen a whole bunch of Star Trek music videos over the years…many of them simply montages of edited clips from episodes and movies played over pop songs. (I even made one myself back in 2002 from Trek home recordings off of VHS tapes!) I’ve also watched a wide variety of Trek music PARODY videos, usually when someone writes new lyrics to an existing song. This playlist from YouTube shows a good selection of what’s out there. What you’ll notice is that these parody videos are usually either edited clips from Trek episodes/movies OR fans doing cosplay singing (or lip synching) to their own song in a series of cuts.
But what struck me about Star Rekt is that this fellow recorded himself in costume in front of a green screen and intercut those shots with clips from TOS (and eventually other TV series and movies) to create a “hybrid” of sorts. This fresh approach really stood out for me—along with his great parody lyrics, good singing, and the quality of the video editing. Take a look first at “Oh, What a Fight…”
By the time I’d found out about this guy and his videos during the summer, he’d already posted two others. The first was “I Kissed a Borg” (based on “I Kissed a Girl” by Katy Perry)…
The other was “Trill All the Klingons Want” (parodying””Girl All the Bad Guys Want” by Bowling For Soup)…
Three awesome parody music videos in four months? This funny guy was SERIOUS! And he had already covered TOS, TNG, and DS9. What else would he come up with? I immediately subscribed to his channel and eagerly waited for his next offering. It came three months later, and we were back to TNG with a dash of DS9 and Voyager thrown in. How did he cover all three? Well, they all have a Holocek (or Holosuite), and thus we were treated to a parody of the song “Photograph” by Nickelback…
At the time I’m writing this blog, Star Rekt has now released NINE parody music videos in total. If you want to see the rest, check out this playlist for parodies that spotlight some of the Star Trek features as well as the Enterprise TV series. This guy also did an off-the-wall video of himself mixing Star Trek-themed drinks and doing trivia for an hour while getting progressively plastered. It’s worth checking out.
Anyway, I tracked down “Star Rekt” and discovered his real name is IAN RAMSEY, and he does everything from here…
Wow, can you believe that it’s been more than 14 MONTHS since my last AXANAR-focused blog? I remember back when I used to publish blogs about Axanar almost weekly! Back in November of 2021, I reported on the first new Axanar shoot since 2019…and the first shoot where new directors TED BRUNETTI and MARK EDWARD LEWIS took over the production.
Of course, the 20-month delay before that blog was due in most part to COVID shutting down not only production on Axanar but across the entire film industry! The next 14-month delay was the result of a move to a smaller (and more affordable) studio space located about five minutes away from the previous ARES STUDIOS location. The move required the dismantling of the USS Ares bridge set and its reassembly inside the new facility. Unfortunately, around this same time, studio manager DANA WAGNER became seriously ill, and his treatment and recovery took more than six months. There is no one else on the planet who could have supervised the reassembly of that complex bridge set…and certainly not for free!
Fortunately, Dana came through his treatment and recovery with flying colors and was able to return to the studio, supervising the reconstruction and even adding a number of improvements like LED lighting under the console panels, better power supply infrastructure, and even a new glowing ship schematic plaque next to the turbolift door. You can see how good the new bridge looks in this video that Dana posted to Facebook…
In addition to all of the construction going on, work had also been progressing on other aspects of pre-production over the previous few months. Mark Edward Lewis, who is handling the technical aspects of directing (while Ted Brunetti works more closely coaching the actors on their performances) has been texting almost daily with cinematographer GEOFF FAGIEN to figure out lighting, camera angles, lenses, and lots of other stuff that is so above my pay grade that I won’t even pretend to understand it!
Indeed, both Mark (traveling from Tennessee) and Geoff (traveling from Florida) arrived in Lawrenceville, GA a few days before the shoot to set up the lighting prior to the two-day shoot, which began last Friday. By getting all of the lights set up on both the bridge and in the green screen area, they saved several hours on the actual shooting days, allowing the actors to get into place and then setting up the cameras properly to give everyone the opportunity to capture all the footage with multiple takes and from multiple angles in the time allotted.
