Fan Film Factor

The STARSHIP FARRAGUT finale “HOMECOMING” is still being actively worked on!

While AXANAR usually hogs the comments on social media asking, “Why isn’t it finished yet?” there’s been another crowd-funded Star Trek fan project from 2015 also still lingering in post production. No, not PACIFIC 201. And not FIRST FRONTIER either (it wasn’t crowd-funded). And not EQUINOX or PIKE (although successfully crowd-funded, neither project was ever filmed).

No, I am talking about the long-awaited finale to the venerable fan series STARSHIP FARRAGUT, an episode titled “Homecoming.”

Starship Farragut got its start way back in 2005 when they began shooting their pilot episode “The Captaincy.” Over the course of the next decade, the folks at Farragut Films would release nearly a dozen more full-length episodes, vignettes, and even two animated episodes (featuring voice-overs by TIM RUSS (not playing Tuvok from Voyager) and CHASE MASTERSON (not playing Leeta from Deep Space 9). Along the way, they expanded their filming space and constructed an extensive TOS set recreation that was eventually shared with and later sold to VIC MIGNOGNA of STAR TREK CONTINUES. (Read the full and fascinating history of Starship Farragut here.)

At the end of 2014, Farragut Films made a decision to transition themselves to become the first full-budget, set-based regular fan series to be set in the Trek movie era. The actors had aged a decade since the earliest episodes of Starship Farragut, so jumping the series forward seemed logical. In fact, the new series was to be called Farragut Forward. But it never came to be. Instead, at the end of 2015, they crowd-funded a series finale episode called “Homecoming,” and raised $15,787 from 207 donors on Kickstarter.

Things seemed to be going smoothly on “Homecoming.” Filming took place in early 2016 with some outdoor reshoots being completed in June of that year, according to donor updates. In early 2017, donors were treated to a two-minute teaser-trailer with an unexpected cameo by Marvel Comics legend STAN LEE (who passed away in November 2018). The trailer looked promising…

An October 2017 update by show-runner JOHN BROUGHTON reported decent progress:

Our video editor Jay Pennington is doing an outstanding job with the edit. I’d say that we’re 1/2 way done based on the cuts that have been reviewed and critiqued for edits. Although he is on track to deliver as promised an edited film before year’s end, the CGI and FX shots still need to be done. In addition, there is also color correction and ADR work to do given the acoustical and lighting challenges we had filming outdoors.

And then, silence…

With just SIX DAYS left to crowd-fund, SQUADRON releases an exciting NEW TRAILER!

Here’s the link to donate to SQUADRON’s Indiegogo (if you can afford to right now):

https://www.indiegogo.com/projects/squadron-a-star-trek-fan-production

It’s coming down to the wire for the Dominion War-era fan film SQUADRON from the Czech Republic and their crowd-funding campaign. Last week, I reported how the show-runners had sadly acknowledged that there was little-to-no chance that they would make it to their $15K goal. However, if they could reach about $7K, they would have enough to afford all of the CGI visual effects that they need to complete their fan film (since the live action footage has already been shot).

Last week when I published that blog, they were at about $3.5K. As of today, they’re at $4.6K. Pretty good! With just SIX days left, our Czech friends have just released an exciting new 30-second trailer. Take a look…

Executive Producer (and co-star) JAKUB HOLÝ had this to say…

Jonathan, I can’t tell you how grateful we all feel for the 18 new donations that bring us more than a thousand dollars closer to the money we need to finish our VFX. You see, our story is very visual, and the CGI sequences are terrifically important to conveying the action that happens. If we can’t make it close to $7,000, VFX scenes will have to be cut or the models pared down to lower quality. We wish we didn’t have to do that, but there would be no other choice.

So that’s why every dollar or euro people give means so much. They can literally save a visual effect by donating even a small amount. And those FX are going to look so amazing. I told you last week that we managed to get SAMUEL COCKINGS to come on board to make about half of our CGI sequences—possibly more if we raise enough—and the rest are being done by someone here in the Czech Republic. But as you can see from the trailer, the VFX are going to be top-notch to go along with our Hollywood-quality uniforms, prosthetics, make-up, and props. Our lighting, camera, sound, music…everything is among the best you’ll see in any fan film. We’re so excited, but we just need to get a little more in donations.

So please, Fan Film Factor readers, if you can afford it (and we realize that right now, not everyone can), we’ve got just six days left to raise only another $2,400. With your help, I know we can make it! And remember that we’re offering some great perks, even at smaller levels.

And whether you donate or not, please help to spread the link and tell your friends about us. You have our big thanks…

And again, here’s the link to donate to SQUADRON’s Indiegogo:

https://www.indiegogo.com/projects/squadron-a-star-trek-fan-production

Meet the professional writer of the latest episode of MARIE CURIE: “Under Fire” (interview with BOBBY NASH)

The Star Trek fan film guidelines are seldom, if ever, enforced by ViacomCBS, but were they ever to be, I often wonder how guideline #5 would be interpreted. That’s the guideline which specifies, in part, “creators, actors and all other participants must be amateurs.” Amateur what, exactly? The show-runner of THE BUNNY INCIDENT, KEVIN CROXTON, is an Emmy Award winning composer…surely a professional. SAMUEL COCKINGS, the Wolfgang Puck of CGI, makes his own fan films like TEMPORAL ANOMALY and the upcoming CONVERGENCE, and yet he creates VFX professionally for a number of different clients. JOSH IRWIN and VICTORIA FOX produce the Avalon Universe fan series (and are also directing my fan film INTERLUDE), and they each work in the film production industry professionally. And the list goes on and on.

The latest addition to this growing list is BOBBY NASH, a professional author who has written novels, comic books, short fiction, and screenplays. And a few weeks ago, he added a new Star Trek fan film to his achievements with the release of “Under Fire,” the third offering from POTEMKIN PICTURES’ HOSPITAL SHIP MARIE CURIE creative group. And this isn’t the only Star Trek fan film Bobby has written. Back in 2014, the fan series STARSHIP FARRAGUT released “Conspiracy of Innocence,” which Bobby also wrote.

Six years is a rather long gap between writing Star Trek fan films, and I was curious to learn a little more about this fellow. But before I present my interview with him, take a look at his latest work, “Under Fire”…

And now, let’s meet Bobby Nash…

It’s BATTLESTATIONS for the SQUADRON Indiegogo! (interview with JAKUB HOLÝ)

Here’s the link to donate to SQUADRON’s Indiegogo (if you can afford to right now):

https://www.indiegogo.com/projects/squadron-a-star-trek-fan-production

With just under two weeks left, it’s highly doubtful that the Indiegogo campaign for the Czech fan film SQUADRON will reach its $15,000 goal. That didn’t seem to be the case back in February when the campaign was launched. Of course, way back then (seven seeks ago), the world was a VERY different place, and crowd-funders for a quality fan production like this one had a decent chance of making it.

And Squadron really IS a very high quality fan film. Along with fantastic looking uniforms, Hollywood-level props, and eye-popping prosthetics and makeup, these folks actually have a full 360-degree 24th century bridge set! Just check (or Czech) out their amazing trailer…

A Star Trek fan film set during the Dominion War is a rare thing in our community. And almost unheard of is a fan film that features a Vorta and two Jem’Hadar because the make-up demands are so far beyond the capacities of most fan productions. But just take a look at this trio…!

And that’s not all. They’ll also be featuring an Andorian, a Vulcan, and an Orion. All the live action footage has already been shot, but the Squadron team needs money to complete post production…including visual FX. Unfortunately, the campaign is less than a quarter of the the way to its goal with only 13 days left.

But these folks are NOT giving up!

Once or twice each week, they release a new video in one of four categories: Behind the Scenes (including an awesome look at how they did their make-up), Movie Clips, Trailers, and Trek Talk. The latter playlist includes a really interesting close-up examination of a screen-used Voyager uniform (purchased at auction) and the following tour of their humble studio in Prague that includes the amazing bridge and ready room sets…

In other words, they’re trying really, really hard to keep folks interested and excited. Their Facebook page has new posts and photos and videos almost daily. Just yesterday, they revealed new test footage of the CGI model for their main Federation starship…

But it’s now crunch time! The Indiegogo deadline is April 20, leaving little time to reach their goal—or even just inch a little closer to it. So I was curious: what does a Central European fan production do when the world economy is collapsing around our ears, and crowd-funding dollars are harder and harder to come by? Is Squadron in jeopardy of not being able to be completed if they don’t reach their goal? Or is there a lower threshold that still makes this eagerly-anticipated fan film possible?

For answers, I reached out to Squadron executive producer JAKUB HOLÝ…

NICHELLE NICHOLS and other Trek/sci-fi celebs sign onto the virus-safe SPACE COMMAND: “RIPPLE EFFECT”!

First of all, a big congratulations to MARC ZICREE of SPACE COMMAND for raising more than $57K from nearly 700 backers in his latest Kickstarter. It’s a challenging time to be crowd-funding, and the latest campaign did struggle over the past few weeks. But for a project with a goal of $48K, surpassing that by nearly 20% is quite impressive.

This latest campaign will fund the shoot for the fourth hour of Space Command, part 2 of “Forgiveness.” Hour one (part 1 of “Redemption”) is completed and can be viewed here. Hours two and three are in post production, and hour four will go into production just as soon as society is allowed to leave our homes and come into contact with each other again…which could be weeks or it could be months.

In the meantime, actors still like to hone their craft, even if they can’t leave their homes…and Space Command creator Marc Zicree is giving them a chance to do just that! As I mentioned last week, Marc is writing a special episode of Space Command titled “Ripple Effect.” It will take place in the continuity of the Space Command universe, featuring characters from the two episodes that are being produced so far plus introducing a bunch of new ones.

The actors themselves won’t have to leave their homes. Instead, each one will be able to film themselves using their own camera. The footage will be uploaded, and Marc and his post production team will edit the pieces, add VFX, adjust sound and color balance, and turn it all into a special “free” episode (no crowd-funding) that will be posted publicly to YouTube.

Even more exciting is that Marc is planning to allow fans to watch the post production process every step of the way through completion.

When first I mentioned this last week, only a few of the actors had signed up for the project. But Marc was in the process of talking to more of them, and this past weekend he announced a growing cast confirmed to appear. These include:

NICHELLE NICHOLS (Star Trek)
ROBERT PICARDO (Star Trek: Voyager)
ETHAN PHILLIPS (Star Trek: Voyager)
MIRA FURLAN (Babylon 5, Lost)
BILL MUMY (Babylon 5, Lost in Space)
MICHAEL HARNEY (Orange is the New Black, Project Blue Book)
BRYAN McCLURE (Atlanta, Doom Patrol)
BARBARA BRAGG (Carol’s Acting Class, American Horror Story)

The full cast of Space Command is even more extensive than that, so I suspect we’ll see yet more names added to the above list. It sounds like a fun project, and I’d imagine actors are itching to act during this stay-at-home crisis (or at least read Shakespearean sonnets). So we’ll see what happens.

And of course, once Marc starts offering fans a look at how the project is progressing, I’ll be sure to keep you all in the loop!

My final verdict on SEASON ONE of STAR TREK: PICARD…good, bad, both, neither? (editorial review)

Star Trek unites us. It binds us. It holds our universe together. No wait…that’s the Force. But like the Force, Star Trek fandom is fractured into a light side filled with positivity, patience, and tolerance…and a dark side of anger, resentment, and even hatred—at least when it comes to the newest Star Trek TV series.

I remember when The Next Generation premiered in 1987. While I wasn’t one of those who boycotted the show because it dared NOT feature Kirk, Spock, and the rest, I still wasn’t all that thrilled about what I saw at first. Here’s a few actual snippets of an early review I wrote partway through the first season for my fan club’s newsletter (yeah, I was even reviewing Trek 33 years ago!)…

So there’s this unknown British actor playing a French captain with a British accent? But even harder to accept: he’s bald! Starship captains need to have toupees!
Wait, the blind guy is steering the ship?
They’re all wearing pajamas. I mean, the uniforms look all science-fictiony, but going to the bathroom must be a ridiculous experience! Hey, where is the bathroom?
Why is the ship’s counselor on the bridge all the time instead of seeing patients?
If that kid Wesley saves the ship one more time, I amm going to throw something at the TV!
I do NOT like that starship design at all. The top is a clam, the bottom is a duck, and when they separate, it sticks its tongue out at you.
Pick a chief engineer already!
“Captain, the ship is going to blow up in ten seconds, what do we do?” “Conference!”
If I never see Lwaxana Troi again, it’ll be too soon…same with Q!
Stop surrendering, dammit!

I still watched the show every week. I even recorded them all on the highest quality SP speed on my VCR (two episodes per VHS tape, with commercials paused out!). I didn’t love the show, but I didn’t hate it either. It wasn’t “my” original Star Trek, but I was willing to give it a chance—even if it was oh-so-easy to make fun of. Part of me hoped I’d get used to it, or it would get better…and eventually, that’s exactly what happened.

Similar things happened with the launch of Deep Space Nine (“how can you “boldly go” anywhere if you’re stuck on a space station?”), Voyager (“shouldn’t the ship be trying to get home rather that stopping every episode to be attacked by the Kazon?”), and don’t even get me started on Enterprise and Discovery!

Each time, however, I made certain to give the shows a chance to grow on me—even Discovery—and find their way. It’s not easy to create and produce any regular TV show, and even more so if that show is the latest iteration of a multi-decade billion dollar franchise!

So with that preamble-ramble out of that way, let’s take a look at the first season of STAR TREK: PICARD…

The future of AXANAR! (audio interview with ALEC PETERS & PAUL JENKINS)

A lot was happening in the world of AXANAR just three short weeks ago. After raising $50K to cover 2/3 of the cost of the first two shoots at Ares Studios (ALEC PETERS covered the rest personally), an additional $5K was raised in a new private crowdfunding campaign in February. That allowed a third one-day shoot to happen on March 15, just as fears of the pandemic were beginning to take hold in many states.

This led Alec to announce via Axanar Confidential that the fourth shoot, a major two-day green screen excursion to Los Angeles to film nearly half a dozen aliens in full prosthetics and makeup, would be delayed and no longer happen in April as planned. And the premiere of Axanar itself would likely no longer occur at San Diego Comic Con, as it was possible that the huge gathering of hundreds of thousands of dedicated fans might itself be canceled.

This didn’t stop Axanar completely, however. The first full trailer was released online the night of March 15, and you can see it here if you haven’t already…

This followed the release a few weeks earlier of some rough cut footage of actor JAMIE RENELL doing some background ad-lib for his on-screen interview as USS Ares Chief Engineer Alexei Leonov…

And of course, on March 15 Axanar also launched its third private fundraiser on Ares Digital, this one with a goal of $30K to cover the major “alien shoot” in L.A. Some people asked if this was an appropriate time to raise money for a Star Trek fan film with people being furloughed and losing their jobs and the economy in a tailspin. Alec answered that question in a blog on the Axanar.com website. At the time, the campaign had already taken in about 25% of its goal in less than a week. In the two weeks since then, donations have slowed considerably, although they’re still trickling in steadily…

If you’re interested in donating (and are able to), you can do so by clicking here:

https://aresdigital.axanar.com

SPACE COMMAND is filming a special VIRUS-SAFE episode: “Ripple Effect”!

The global coronavirus pandemic has shut down most, if not all, television and movie production nationwide. Many TV news anchors are broadcasting from their homes and basements, self-quarantining because they want to keep themselves and others safe. And while a number of fan films that have already been shot are still being worked on in post production—where folks can work individually at home (including my own fan film INTERLUDE)—projects that were either in, or soon to be entering, production have had to put their plans on hold for the time being.

All but one, it seems.

Publicly launched back in 2012, SPACE COMMAND has already raised over a million dollars from crowd-funding and from selling shares in the production. The brainchild of TNG and DS9 episode writer MARC SCOTT SICREE, Space Command will ultimately span twelve 1-hour episodes for its first season, featuring such notable sci-fi actors as DOUG JONES (from Discovery); ROBERT PICARDO (from Voyager) ; MIRA FURLAN, BRUCE BOXLEITNER, and BILL MUMY (from Babylon 5); FARAN TAHIR (the captain of the USS Kelvin from Star Trek 2009); JAMES HONG (from Big Trouble in Little China and Kung Fu Panda); and a host of others.

Already, work has been completed on the first full hour episode, which you can watch here. (Mira Furlan, Doug Jones, and Robert Picardo give especially poignant performances…definitely worth checking out!) Post production is being completed on the second half-hour, which will form a single two-part episode titled “Redemption.”

The second two-parter, “Forgiveness,” is currently in production. Part 1 has been fully crowd-funded and filmed, and Part 2 is being crowd-funded right now. In fact, their Kickstarter ends on April 4. Although they’ve crossed their $48K goal, it’s only just barely. So a little “cushion” would certainly help. If you’d like, you can donate to “Forgiveness – Part Two” by clicking here:

https://www.kickstarter.com/projects/spacecommand/space-command-forgiveness-part-two

Obviously, actual production won’t be starting on that episode until the COVID coast is clear.

BUT!!!

Marc Zicree just announced that he’s writing a special standalone episode of Space Command called “Ripple Effect”—and it will be filmed now…during the pandemic while everyone is self-quarantining. How is this possible while not being irresponsible? Simple: everyone will be working from home!

Many of the main actors from the series have agreed to film scenes in their own homes with their own equipment. No camera crews or lighting or sound or make-up or wardrobe people…just actors and their cameras. Some might have green screens, others might not. Then their footage will be edited, scored, VFX added, sound-mixed, etc. And everyone will be working completely apart from each other.

Will it work?

Too soon to say, but it certainly sounds intriguing and exciting! And to make it even more so, Mark is planning to make the magic right in front of us, showing fans the project AS it takes shape every step along the way. No crowd-funding necessary, and the finished film will be posted for free.

Here’s Marc to tell us more…

JOHN SIMS makes an impression as [Q]uincy in DREADNOUGHT DOMINION’s latest vignette! (interview with GARY DAVIS)

Let face it, most (not all) Star Trek fan films take themselves seriously. And why not? Many are crowd-funded, and most require weeks or months or even years of planning and hard work to complete successfully. So Star Trek fan films have every right to take themselves seriously.

But one fan series in particular, DREADNOUGHT DOMINION, has bucked that trend. Granted, over the past half-decade of releasing fan films, not everything from Dominion has been a light-hearted, tongue-in-cheek romp. In fact, their first couple of episodes were completely serious, as was the recent “Redemption at Red Medusa.” But mixed in with those offerings were a series of humorous vignettes like “Reality Check” (which broke the 4th wall) and “Technical Difficulties.” Both of these short fan films featured actor JOHN SIMS playing a crewman named Quincy…who turned out to be a member of the Q Continuum. The character is mysterious and compelling—and quite a bit mischievous—all at the same time.

Quincy makes is third and most significant appearance in the latest Dominion vignette, “A Barrel Full of Quincys,” and it’s quite a hoot! John Sims gets to show off his range of celebrity impersonations in a short film with rather impressive production values. Check it out…

I asked John what his impression of the episode was (get it?), and he typed back in a very British accent (he’s actually from Worcester, Massachusetts and currently lives in Florida, but he’s a self-declared Anglophile):

I enjoyed the opportunity that Gary and Randy gave me. They are alright blokes with great sense of humour!

Indeed they are! GARY DAVIS and RANDY WRENN are the show-runners for the Dominion fan series, and I spoke to Gary recently about what went into creating this latest vignette. Turns out a LOT more work went into crafting this little short film than you’d suspect…!

Why I loved…and hated…the finale of STAR TREK: PICARD! (editorial review)

SPOILERS…SHINING ON ME—
NOTHING BUT SPOILERS…DO I SEE!

As usual, I’m probably going to piss off the folks who love STAR TREK: PICARD if I say anything negative about the season finale…and piss off the folks who hate the series if I gush about the last episode.

So let’s just piss off everyone this time, shall we?

To properly convey my reaction(s) to “Et in Arcadia Ego, Part 2,” I need to walk you though the following sequence of events that affected the way I thought about this episode…

It began last week when I was underwhelmed (for the first time this season) with the ninth episode, which I detailed in my previous editorial review. I realized that, being a part one, the penultimate episode was setting things up for the ultimate episode. But I wasn’t certain that I liked everything that was being set up. The tail was beginning to wag the dog as the writing was getting somewhat sloppy and lazy, trying to check boxes in order to move the pieces where they needed to be for the “big finish.”

Then, a day before the finale aired, I read this really great interview from Variety with Picard co-creator and show-runner MICHAEL CHABON (a MUST read, folks!). It provides some fascinating insight into what sculpted the writing of this series, but one passage stood out for me in particular:

I think a useful metaphor for thinking about it is an Etch A Sketch. If you remember, there are two dials on the Etch A Sketch, one is plot and one is character. What you’re trying to do, and it’s really hard, is to turn them exactly the same amount so that you’re getting a perfect 45 degree angle. But as soon as you commit to a plotted story, which we committed to from the opening scene of Episode 1, you’ve strapped yourself to a plot-driven engine that you’re going to have to push back against really hard to try to hold it into that 45 degree angle.

I realized as I read that part of the interview that the first eight episodes were much more front-loaded with character development. There might not always be enough time to develop every character as much as we (or the writers) might want, but what the show lacked in action and speed of storytelling was more than made up for in series after series of deep, character-defining scenes. And I was getting kinda used to that.

But eventually, you have to not only get on with the plot but you actually have to finish the darn story already. And that’s when I felt the show had finally delivered a mediocre episode. Would the trend continue into the finale? Would finally giving us some action “ruin” the last episode for me, as well?

And so Thursday came and a finally hit play…

SPOILERS…SHINING ON ME—NOTHING BUT SPOILERS…DO I SEE!

SPOILERS…SHINING ON ME—
NOTHING BUT SPOILERS…DO I SEE!