Alec Peters – Fan Film Factor

NEUTRAL ZONE STUDIOS holds its final shoot in KINGSLAND, GA…so what’s next? (interview with JOSHUA IRWIN, part 2)

In part one, I reported on the dismantling on the TOS sets at NEUTRAL ZONE STUDIOS in Kingsland, GA, beginning this past weekend. The disassembly is in preparation for a planned move to a new facility, likely somewhere in central Florida (significantly closer to where set owner RAY TEST lives in Baca Raton). A final location has not yet been decided upon, but Ray has narrowed down the choices. Numerous considerations go into the decision, including size of the space, electrical capabilities, A/C and other amenities, safety and accessibility of the new location, etc.

The move was necessitated when the previous next-door tenant at the Kingsland location moved away, leaving half of the building vacant and requiring significant repair costs for the roof on the empty side. The landlord, not wanting to cover the roofing expense while simultaneously being unable to generate half of the rent revenue for the building, has decided to sell it. The landlord is being very kind to Ray, not specifying any particular move-out deadline. Ray is nevertheless expediting the move, taking advantage of the hot summer months when Neutral Zone Studios typically closes for filming anyway.

Two weekends ago, fans and volunteers assembled at the facility for a final two-day shoot for a new episode of TALES FROM THE NEUTRAL ZONE, directed by JOSHUA IRWIN. In the conclusion of our two-part interview with Josh, we’re going to shift our focus to the shoot itself and the people who were there…

THE ICARUS MANEUVER expands the AXANAR saga of THE FOUR YEARS WAR! (video interview with MARK EDWARD LEWIS)

PRELUDE TO AXANAR debuted in 2014 and awed fans with its production quality, acting, costuming, make-up, sound, music, visual FX…the whole shebang. The 20-minute “mockumentary”-style fan film became iconic, a new level of achievement to strive for. And with a cliffhanger ending, fans eagerly awaited the continuation of the saga of the Four Years War between the Federation and the Klingon Empire.

And they awaited…and they awaited…and they awaited some more.

Now, a decade later, all of the live action footage of the 19 actors and actresses who will appear in the two 15-minute AXANAR sequels has been shot and is in the can. The project has officially moved into the post-production phase with completion and release scheduled for later on this year. Yes, 2024 will see the long-awaited conclusion to the cliffhanger from ten years ago.

However, a settled copyright lawsuit with ALEC PETERS from 2017 has unfortunately ensured that Axanar will not be the full-length feature film that it was originally intended to be. And that means that many of the jaw-dropping VFX created back in 2015 and 2016 will never see the light of day because Axanar is now limited to a total runtime of a half hour.

Enter MARK EDWARD LEWIS.

Mark is the co-director of the Axanar sequels, along with being one of the sound effects people on the original Prelude. He was also the sound designer on INTERLUDE, the fan-film-of-a-fan-film from 2021 that took place in the Axanar Universe and told a tale of the Four Years War. Interlude was written and produced by me, although it was filmed on the U.S.S. Ares bridge set in Lawrenceville, GA and featured three of the actors (plus one voice actor) who would also appear in the Axanar sequels.

Even though Alec and AXANAR PRODUCTIONS are constrained to two 15-minute sequels by the legal settlement, CBS and Paramount never had a problem with Interlude because it was produced by a different production company (two, actually): FAN FILM FEATURES and AVALON UNIVERSE.

Following that precedent, Mark Lewis has done something very similar. Utilizing the Ares bridge set, actors, and some of the production crew for Axanar, Mark is also using some of those original VFX (many of them, actually) to tell yet another story that takes place during the Four Years War: THE ICARUS MANEUVER. Although written by and featuring Alec Peters as Garth, Icarus was directed and produced by Mark using his own production company and resources.

Mark is a former Hollywood professional with extensive experience, and what he has put together is a six-minute tour de force with production quality and immersion within the action that is seldom seen in Star Trek fan films. Although taken down from YouTube by CBS/Paramount, the film is viewable on the Axanar website.

AXANAR finally WRAPS principal photography!

It’s a moment that many Star Trek fans thought would ever happen. This past weekend, AXANAR finally wrapped filming for ALL 19 actors set to appear in the two upcoming Axanar sequel fan films!

After a seven-year delay from the originally-scheduled start of principal photography back in February of 2016—interrupted by a year-long copyright lawsuit that ultimately settled, a move across country from California to Georgia, the departure of two directors, the passing of cast members RICHARD HATCH and (very recently) GARY GRAHAM, a pandemic lockdown that prevented filming for over a year, a second move to a smaller and less-expensive studio space, an 8-month cancer treatment and recovery by studio manager DANA WAGNER that delayed reassembly of the bridge set, and simply synching the schedules for more than 50 production crew, cast members, and extras —all the necessary filmed footage of the actors for Axanar is now “in the can,” as they say in the business.

This final shoot was intended primarily to film just two actors, one of whom offered to return to redo their lines while the other had been unable to attend the previous full studio shoot at the end of September 2023. That was an all-hands-on-deck, 3-day production weekend filming scenes involving 7 different actors, a number of whom required significant amounts of prosthetic alien makeup. Compared to that, this final shoot was a much smaller affair, with “only” about 20 people there making up the cast and production crew.

Reports from folks in attendance at ARES STUDIO for this past weekend’s shoot said that it went off without a flaw. MARK EDWARD LEWIS (co-director) and GEOFF FAGIEN (director of photography) oversaw the visual aspects of the shoot—lighting, shot framing, camera motion, etc.—while TED BRUNETTI (co-director) coached the actors through their performances. Alec is keeping the identities of these final two actors confidential for the moment, their names to be revealed at the premiere later this year.

There was also time available for Alec himself to do a few pick-up lines as Captain Garth, lines that were shot previously, but it was felt they could be delivered better (which, reportedly, they were). I actually have some behind-the-scenes footage of some of Alec’s time in the command chair, complements of JEFFERSON KELLEY from BEYOND TREK PODCASTS. The video below doesn’t show either of the two “mystery” actors, but it does give a flavor of how Mark and Geoff collaborated behind the camera while Ted worked with the actors. There’s also a quick 30 seconds at the beginning showing the green screen setup…

RANDY LANDERS tells me to no longer provide coverage of POTEMKIN PICTURES releases on FAN FILM FACTOR… (editorial)

The new year didn’t start off well for Star Trek fan films…or for me.

On the FAN FILM FORUM Facebook group, 2024 began with an early morning post (well, early for me waking up in Palm Desert, California) from RANDY LANDERS of POTEMKIN PICTURES. Over the past eight years, I’ve published a staggering 90-plus blogs on the numerous fan film releases from Potemkin‘s many, many creative groups. And I still wasn’t quite caught up! Their two most recent releases, “EMPYREAN” from STARSHIP CALIBORN and “HONOR AND TREACHERY” from SCOUTSHIP QAB’ELTH were both on deck for early 2024 coverage. In fact, Randy had just given me the names of the team members from Caliborn whom I should reach out to for the blog about “Empyrean.”

Randy’s post to the Fan Film Forum Facebook group started with him proudly announcing that Potemkin Pictures would NOT be crowd-funding in 2024. They had all of their expenses covered. Yay! A year ago, I had helped promote their previous campaign and even tossed in a few bucks myself. Granted, announcing that you’re not going to crowd-fund seemed, to me at least, like announcing that you’re not going to plant tomatoes in your garden this year. I mean, it’s good to know that you’re covered on tomatoes…is that the right reaction?

But then Randy also said something a little odd…and rather controversial, as it turned out. He suggested (somewhat forcefully and resentfully) that other fan productions shouldn’t crowd-fund either. In other words, “I’m not going to plant tomatoes in MY garden, so no one else should plant tomatoes in THEIR garden either!”

This was, to say the least, a bit shocking to some people. And not just people doing crowd-funding campaigns. As the day went on, folks from all over the fan community were IMing with variations of “WTF?” and suggesting/demanding that I remove Randy’s post from the Fan Film Forum Facebook page.

Meet the new year…same as the old year?

AXANAR completes its FINAL full studio shoot…yes, REALLY!

It’s been a looooooooooooooooooong road…getting from there to here. “There” was back in 2014 when the first Kickstarter for the full AXANAR project, ignited by the release of PRELUDE TO AXANAR, managed to generate over 638,000 from 8,548 backers. A subsequent Indiegogo campaign the following summer pushed that total over over $1.2 million. The planned feature-length Axanar movie promised to be one of the most impressive fan film productions ever.

And then they got sued for copyright infringement. The rest of that story would take another 65 blogs to tell (and it did!), so let’s jump ahead to 2023.

Back in January, Team Axanar held the its first shoot in over a year, delayed due to moving the Ares bridge set and all studio materials to a smaller, less expensive facility about five minutes away from the previous location. The shoot prior to that one had been delayed nearly two years due to COVID. It’s always something with these guys…but at least they don’t give up!

Coming into this previous weekend, footage was “in the can” (filmed and completed) for 10 out the 17 actors/characters who will appear in the two settlement-approved Axanar sequels (each limited to 15 minutes as per the guidelines). Actually, one of those 10 actors needed more time to finish up their scenes, bringing the number of remaining actors to 8. Of those, most were going to portray aliens (Andorians, Klingons, etc.), which is why those specific actors were reserved for a final weekend shoot where there could be a make-up/prosthetics team present.

That shoot, three days in total, took place this previous weekend at ARES STUDIOS in Lawrenceville, GA. Seven of the eight remaining actors were filmed. One actor was not able to make it and will need to be rescheduled. Of those seven who were there, three were shot on the bridge set (which had some computer graphics adjusted to turn it into a starship other than the U.S.S. Ares), and the other four were filmed in front of a green screen. Footage captured included both “interview” segments for the mock documentary format of Axanar as well as dramatic sequences.

Approximately 40 actors and production crew were on set during the entire 3-day shoot, although the main actors only showed up for one day each, of course. All of the action was overseen by co-directors TED BRUNETTI and MARK EDWARD LEWIS. Ted is coaching the actors on their performances while Mark is handling the technical aspects of direction. Mark made a video before shooting began on the first day…

AXANAR completes its first film shoot in MORE THAN A YEAR!

Wow, can you believe that it’s been more than 14 MONTHS since my last AXANAR-focused blog? I remember back when I used to publish blogs about Axanar almost weekly! Back in November of 2021, I reported on the first new Axanar shoot since 2019…and the first shoot where new directors TED BRUNETTI and MARK EDWARD LEWIS took over the production.

Of course, the 20-month delay before that blog was due in most part to COVID shutting down not only production on Axanar but across the entire film industry! The next 14-month delay was the result of a move to a smaller (and more affordable) studio space located about five minutes away from the previous ARES STUDIOS location. The move required the dismantling of the USS Ares bridge set and its reassembly inside the new facility. Unfortunately, around this same time, studio manager DANA WAGNER became seriously ill, and his treatment and recovery took more than six months. There is no one else on the planet who could have supervised the reassembly of that complex bridge set…and certainly not for free!

Fortunately, Dana came through his treatment and recovery with flying colors and was able to return to the studio, supervising the reconstruction and even adding a number of improvements like LED lighting under the console panels, better power supply infrastructure, and even a new glowing ship schematic plaque next to the turbolift door. You can see how good the new bridge looks in this video that Dana posted to Facebook…

In addition to all of the construction going on, work had also been progressing on other aspects of pre-production over the previous few months. Mark Edward Lewis, who is handling the technical aspects of directing (while Ted Brunetti works more closely coaching the actors on their performances) has been texting almost daily with cinematographer GEOFF FAGIEN to figure out lighting, camera angles, lenses, and lots of other stuff that is so above my pay grade that I won’t even pretend to understand it!

Indeed, both Mark (traveling from Tennessee) and Geoff (traveling from Florida) arrived in Lawrenceville, GA a few days before the shoot to set up the lighting prior to the two-day shoot, which began last Friday. By getting all of the lights set up on both the bridge and in the green screen area, they saved several hours on the actual shooting days, allowing the actors to get into place and then setting up the cameras properly to give everyone the opportunity to capture all the footage with multiple takes and from multiple angles in the time allotted.

And how much time was allotted?

AVALON Indiegogo surges past its $8K goal to $11.5K and announces stretch goal!

A friend is someone who will lend you his lawnmower. But a GOOD friend is someone who will lend you his 18,000 donor e-mailing list!

Early this past Wednesday morning, ALEC PETERS sent out an e-mail request to all previous Axanar donors to please help JOSHUA IRWIN and TEAM AVALON raise the last 20% of their $8K goal to fund their ambitious multiversal crossover fan film CRISIS ON INFINITE EXCALIBURS that’s scheduled to go into production early next year. Within a few hours, the Avalon Indiegogo had crossed the $8K level thanks to about ten new donors, including one $1,500 executive producer package donor (who has asked to remain anonymous). And then yesterday, another executive producer-level donation came in, bringing the total number of highest-tier supporters to FOUR and a staggering $6K donated just from them!

There’s also been a $1,000 donation for a producer level (they get to do a voice-over of background bridge chatter in the episode), as well as a $700 associate producer donation…all since Wednesday’s e-mail blast. So never underestimate the value of e-mailing potential donors, folks!

As it happens, the e-mail blast couldn’t have come at a better time, as the Avalon campaign had essentially slowed to a trickle over the previous week or so, and some of Josh’s plans to promote the campaign had failed to materialize…including a series of Avalon videos that were supposed to post on the 115K-subscriber Lore Reloaded YouTube channel, as well as an interview with Star Trek podcaster LARRY NEMECEK.

But now that the campaign has surpassed its $8K goal, it is now eligible to enter Indiegogo’s “In Demand” status, meaning this specific crowd0funder can remain active beyond its original deadline. Other fan film campaigns have also gone into “In Demand” status, including THE ROMULAN WAR, which managed to get a couple thousand dollars extra after the initial deadline of the campaign.

For this reason, Josh has announced his intention to set a stretch goal at $14,000. He hasn’t yet revealed what the perk will be—only that it will be a downloadable digital file that every backer will be able to access. He also mentioned that that last sentence contains a hidden clue to what the perk will be.

Josh explained where the extra money would be going…

After nearly a DECADE in the making…we finally have AMBUSH! (video interview with GREG LOCK)

Way back in 2014, there was a Star Trek fan film that held a successful Kickstarter, shot a bunch of footage, and was still not completed as the calendar turned to 2022. Oh, and the title of that fan film started with the letter “A.”

You know from the title of this blog that this fan film’s title was AMBUSH, not AXANAR. But eight years is still eight years. The Kickstarter for this United Kingdom-based Star Trek fan film managed to generate £4,649 in donations, which would be about $7,200 today. Donors were treated to frequent news on the project, with 32 separate crowd-funding and production updates posted in 2014 and 2015. Things slowed down a bit in 2016 with only three additional updates posted, the last of which coming three months after CBS and Paramount announced the new (at the time) fan film guidelines in June.

Then nothing…for over a year. Many of us in the Trek fan film community assumed this was just another case of the guidelines convincing a production to shut down. There weren’t many, but it seemed likely that Ambush might be one.

But at the end of 2017, a quick update to the backers titled “We’re still not dead” assured us that Ambush had not been abandoned. Showrunner GREG LOCK and his co-producer had simply found some paid film production work that had kept them too busy to finish up the project. No other update was provided, but there was a general feeling of optimism.

A few months later (February of 2018), still no release date, but Greg shared a number of “character posters” that showed the unique uniform style and the shuttlecraft interior set that had been constructed…

Unfortunately, nearly another year would go by before the next update in January 2019 that wasn’t so much an update as an apology for taking so long and an explanation why the finished product probably wouldn’t be as ambitious as they’d hoped.

The next update didn’t come until May of 2021, more than two years later, and it was also apologetic. A still-unfilmed scene now looked like it would never be shot, as most of the team had moved on over the previous seven years, COVID was now an issue, and even the technical equipment they’d used had become outdated. But a rough cut had been assembled, and plans were to release a version of Ambush using the footage that was shot, which Greg felt was still pretty decent. Also, perks were going to FINALLY be sent out to donors!

A September 2021 update promised a release soon, as they were close to locking picture on the film…leaving only a final visual grading, a sound mix, and tweaking some VFX. Then two updates in 2022 and finally, on February 15, 2022, this…

So…what took so long? I decided to ask that very question (along with a bunch of others) directly to Greg Lock in this enjoyable video interview across the Atlantic Ocean…

INTERLUDE wins the GRAND PRIZE in the 5th annual IndieBOOM! Awards!

For the third time in the last five years, a Star Trek fan film has won the Grand Prize in the annual IndieBOOM! Film+Music Festival…and this year, the winner was my AXANAR Universe fan film INTERLUDE! The previous two winners were (in 2019) “The Equinox Effect” and (in 2020) “Mask“—both from THE FEDERATION FILES anthology series.

Actually, when I say “my” fan film, I really mean OUR fan film…because this was a labor of love and dedication from more than 50 people. And the two most important individuals in that group were my directors, VICTORIA FOX and JOSHUA IRWIN. Technically, Victoria was listed in the credits as “director” and Josh as “director of photography.” But as far as I’m concerned, they EACH deserve the highest accolades, which is why I submitted the film with both of their names listed—and here’s the official certificate that was just e-mailed to me yesterday…

Although entered in the Fan Film category, Interlude received more views and viewing hours than any other selection in any category. I was told by IndieBOOM! festival co-founder ANTHONY DEVITO that Interlude was viewed more than 2,600 times for a total of 488 viewed hours! As such, it was elevated to Grand Prize winner, allowing another fan film, Stegosaurus: A Jurassic Park Fan Film (directed by BARRY WILKINSON from the UK) to win the Fan Film category.

Another notable winner was the the music video STAR TREK IS REAL, written and performed by ILIA “PIXI NEREID” McNEAL, star and producer of the AVALON UNIVERSE fan series, which took the title of Winning Original Song and scored Pixi a $250 prize…yay, Pixi!

Continuing the Star Trek strength in the festival, Trek anthology series The Federation Files took the award for Best Series.

And finally, my composer for Interlude, KEVIN CROXTON, won in the category for Best Musical with his James Bond-inspired fan film starring the 4th and 5th graders whom he teaches: IN THE BLINK OF AN EYE (which is an amazing film in its own right and something you should definitely take ten minutes out of your day to watch).

You can see all of this year’s winners here.

Now, some folks on Facebook have complained that choosing winners based on views and viewing hours turns IndieBOOM! into little more than a competition to see who has the most followers on social media and who can “turn out the vote” most effectively. Maybe so, but those are the rules. Other film festivals work differently, but IndieBOOM! has decided that this is the best way to let the viewers make their choices known. And so those of us who submit our films do what we can to reach out to friends, family, donors, fans, etc. and ask them to vote for us by viewing. In that way, it’s kind of like crowd-funding: the more interest and support you can generate from people, the more successful you’ll be.

And speaking of crowd-funding, the Grand Prize Winner for the IndieBOOM! festival receives $500. As soon as it arrives, I am going to donate it directly to the Avalon Universe crowd-funder!

INTERLUDE Confidential #22: Presenting INTERLUDE version 3.0!!!

Geez, Lane! How many times are you going to re-do your frickin’ fan film???

Back in April, we premiered a version of my AXANAR Universe fan film INTERLUDE with PAUL JENKINS playing the chief engineer of the ill-fated U.S.S. Artemis. At the time we shot those engineering scenes, Paul was still directing the Axanar sequels and had been a great help behind-the-scenes advising my directors JOSHUA IRWIN and VICTORIA FOX along with myself on ways to work collaboratively on finishing up the production. Giving Paul a small role in Interlude seemed like a fun way to acknowledge his generous help, and Paul was happy to appear in our film.

Then things soured between Paul and Axanar producer ALEC PETERS—Paul was no longer director, lawsuits were filed, fire and brimstone came down from the skies, rivers and seas began boiling, forty years of darkness, earthquakes, volcanoes, the dead rising from the grave, human sacrifice, dogs and cats living together, mass hysteria. (Wait, that was Ghostbusters…who here loved Afterlife?)

Anyway, just as we were about to release our just-completed Interlude fan production on April 5, Paul informed us that he no longer wished to appear in the film and demanded we remove his footage. There wasn’t time to replace his scenes before the big premiere (he contacted us just a couple of days prior), but thanks to some scrambling and about 22 hours of round-trip driving from Arkansas to Georgia and back by Josh and his good friend TYLER DUNIVAN, we were able to get Interlude version 2.0 out just two weeks later, with Tyler replacing Paul as the engineer. You can watch that release here…

A couple of months later, while I was making a video about the editing process of Interlude, Josh asked me if I’d be okay if he created a special version of Interlude just for himself using a different transition between the first portion of the film (the battle sequence) and the epilogue documentary. You can watch the transition that we used at the 6:37 mark in the above video.

But Josh had always wanted to do a different transition using an alternate take of Garth where the camera slowly zooms out from a close-up. Victoria, as director, wanted to go a different way, but now that Interlude had been released, Josh was curious how the other transition would have turned out.

And so was I!

Truth to tell, I was never all that crazy about the transition that we ended up with and never even knew that we had an alternate take available. Josh said the new transition would be closer to what I’d initially had in the original comic book version of Interlude…a direct cut from the younger Garth to the older Garth as though he were emerging from a recollection of a haunting memory.

“Make it so!” I told him. A few hours later, I watched the new alternate transition for the first time.

My friends, it looked amazing! Such a small change, and yet it felt so much more impactful. And then I had a thought…