Ares Studios – Page 4 – Fan Film Factor

AXANAR releases the FULL TRAILER…kicks off fund-raiser for SHOOT #4!

The full trailer for AXANAR is finally here! Four months ago, after the first October shoot at Ares Studios, a brief teaser was released with about 30 seconds of actual footage—a combination of a couple of brief VFX sequences and a bunch of quick-cut live-action shots filmed on the USS Ares bridge set. Since then, however, fans and donors have been patiently (and not-so-patiently) waiting to see more.

And now that time has come. Over a thousand people watched the live premiere of the trailer live on Sunday evening. So many people wanted to donate to the Axanar fundraiser that it temporarily crashed Ares Digital and the Axanar.com websites! Both problems were fixed within the hour, but in the meantime, over $1,000 was donated to Ares Studios through superchats during the live podcast.

Here’s the new Axanar trailer…

Pretty impressive huh?

The just-launched fundraiser is attempting to raise $30K to pay the costs for a fourth and final shoot in a green screen studio in Los Angeles, travel and lodging, equipment rental, and most of all for the make-up and prosthetics for two Vulcans (including GARY GRAHAM as Soval), two Andorians, one Klingon plus two humans. (Will one of them be KATE VERNON as Sonya Alexander? No confirmation yet!)

The trailer does have a few visual glitches, so the plan is to re-edit it, possibly adding in some additional footage, and then re-release a new version in a week or so. And when that happens, I’ll be sure to let you all know.

Of course, the question on many people’s minds is why did it take until now (March 15) for the trailer to be released? After all, the first shoot was back in October and the second shoot in December. It’s now the middle of March. I spoke to ALEC PETERS and asked about the apparent delay. Here was his answer…

INTERLUDE Confidential #6 – meet WARREN HAWK, Captain Jakande of the USS Artemis…

Post-production work on INTERLUDE is continuing, with our third rough cut edit currently being worked on. I love seeing it all take shape, and I adore watching actor WARREN HAWK playing USS Artemis Captain Imari Jakande. I can’t wait for you all to see him on screen!

Warren was the final actor we cast, and it happened only four days before before our November shoot! I was biting my fingernails down to the nubs, but VICTORIA FOX and JOSHUA IRWIN assured me that everything would work out. Sometimes actors are cast very late in the process; it’s just the nature of the industry. Turns out they were right.

Casting the rest of Interlude, by comparison, was relatively simple. Our other main character, Fleet Captain Kelvar Garth, would be played by ALEC PETERS (of course!). The rest of the speaking parts were pretty minor. Two of the actors who played bridge officers on the USS Ares for the AXANAR shoot in October—AARON ROMANO as Comm Officer Caine and ROBERT HAYES as Pilot Deville—returned to play those same roles for Interlude‘s November shoot. Also on the Ares bridge was Science Officer Franklin, and Joshua got one of his friends, JAY PLYBURN (who lives in the area) for that part. Jay is also a trained actor, and Josh has directed him in the past.

Admiral Slater will appear at the end of Interlude, and STEVEN JEPSON agreed to play him. The two remaining on-camera speaking roles are the Ares doctor, a role which Victoria is filling, and the Artemis chief engineer, being played by an actor whose name we’re keeping secret for the moment (but it’s a person with some fan film experience). Then there’s two voice-over roles, plus all of the background actors who won’t be speaking.

And that left Jakande…

AXANAR launches new “tiny” fundraiser for SHOOT #3 with test footage of Chief Engineer LEONOV!

After raising more than $50,000 to cover the costs for the first two AXANAR shoots back in October and December, ALEC PETERS just reached out to donors on the Axanar mailing list with a request for $3,400 for the third shoot.

Initially, Alec had announced that “Phase 2” of the private crowd-funding would try to raise another $30,000 to cover BOTH the upcoming third shoot at Ares Studios in mid-March as well as the planned fourth shoot in Los Angeles, which would include GARY GRAHAM as Soval along with other aliens requiring a skilled make-up team.

So why separate the fundraisers for the two campaigns?

I’ve been told that there are some specific expenses for the third shoot that need to be paid immediately up front. Alec, along with director PAUL JENKINS and producer SCOTT CONLEY, have streamlined the budget for the March shoot. They’re not doing all the bells and whistles that they did during the first two shoots. But they still have to do things like feed people on set, pay for transportation and lodging for key people traveling from out of state, rent equipment, pay for production insurance, etc.

Last time, Alec paid most of those outlays personally before raising the $50K. This time, Alec doesn’t have the funds to do that again, and there are expenses that need to be covered in the next two weeks. So there is a small campaign right now to raise $3,400, and then another campaign will launch in a couple of weeks to cover the more complex shoot #4.

To generate excitement, Alec just posted the following video of actor JAMIE RENELL “getting into” his character of Chief Engineer Alexei Leonov of the USS Ares. Rather that just having Jamie recite his lines from the script, Paul Jenkins did a little off-script improv with Jamie first, chatting with him as an “old friend” and having Jamie respond in character as Leonov (Russian accent and all). None of what you’re about to see is scripted, and the majority will likely not be included in the two Axanar sequels (except in the “extras”). But it’s still a really fun video…

https://www.youtube.com/watch?v=YO4Po2yyTqU&feature=emb_logo

For those waiting (im)patiently for the eagerly anticipated full Axanar trailer, I have good news! I’m told that you’ll see it within the next two weeks, timed to coincide with the launch of the fundraiser for shoot #4.

In the meantime, the Axanar fundraiser is—as required by the settlement with CBS and Paramount—behind a firewall and accessible only through the Ares Digital portal to fans who have signed up for an account. You can get there be clicking the following link…

https://aresdigital.axanar.com

When you get to the donate page, you’ll notice the goal is listed as only $2,300 and not $3,400. That is because one supporter already generously donated $1,100 directly. Already in the first few hours, nearly $800 more has come in…meaning that shoot #3 is only about $1,500 away from being fully funded!

AXANAR tops its $50K phase one crowd-funding goal…and announces phase two in MARCH!

For the fourth week in a row, I’ve got some AXANAR news that’s significant enough to warrant its own blog. And for anyone thinking, “Oh, you talk about Axanar all the time!”—my last Axanar blog prior to mid-January was three months earlier in mid-October.

Anyway, today’s new is actually VERY big, as it deals with Axanar‘s crowd-funding. As many of you are already aware, the legal settlement that ALEC PETERS signed with CBS and Paramount permitting him to produce and release Axanar as two 15-minute fan films does, in fact, allow him to crowd-fund them…and exceed the $50K guideline limit. But Alec isn’t permitted to use a public service like Kickstarter or Indiegogo; he must crowd-fund privately behind a firewall…which can be accessed at the following link:

https://aresdigital.axanar.com/

Alec also cannot publicly solicit donations (although others are allowed to), meaning that Axanar cannot take out advertisements or post the above link on social media, and Alec can’t ask for donations in YouTube videos or during interviews. It’s a challenging constraint, to be certain, but Alec has been diligent to abide by that requirement of the settlement agreement.

And indeed, even being limited to requesting donations only via e-mails to Axanar‘s existing donor list, it’s even more impressive that Alec and his team have been able to raise more than double what even the most successful post-guidelines Star Trek fan films have been able to generate even using public crowd-funding sites and being allowed to solicit donations on social media and elsewhere.

Last Thursday, the Axanar Phase One crowd-funding campaign finally crossed its $50K goal threshold, effectively paying for the first two of the four scheduled shoots—which happened in October and December of last year. The remaining two shoots, currently scheduled for March (previously February) at Ares Studios and April in Los Angeles, will complete all of the live-action scenes necessary to finish the two Axanar sequels. (A potential fifth shoot at a special Los Angeles location is still up in the air at the moment.)

The Ares Studio shoot is fairly minor, just some green screen interviews of Garth and his first officer Tanaka. But the April shoot is major, involving GARY GRAHAM as Soval plus a few other aliens and some humans (KATE VERNON?—no public confirmation on that yet). There will be some significant costs associated with that shoot, including green screen studio rental in L.A. plus prosthetics and make-up.

The estimated budget for these two shoots is around $30K (not yet finalized), and Alec will be launching a Phase Two campaign for that in March, along with debuting the first full Axanar trailer!

PAUL JENKINS discusses directing the AXANAR sequels, working with ALEC PETERS, and MUCH MORE! (audio interview)

I love PAUL JENKINS. I just do. Over the past few months, he has become one of my favorite people on the planet…and when you listen to my interview with him, I think you’ll understand why (or at least, I hope you will).

When it comes to AXANAR, it always seems to be ALEC PETERS this and ALEC PETERS that—here an Alec, there an Alec, everywhere an Alec, Alec. But as Alec himself would be the first to tell you, Axanar is a TEAM effort, and the team is made up of some very talented and dedicated individuals…and few more so than Axanar co-writer and director, Paul Jenkins.

When Alec first announced that Paul was joining the project back in 2017, replacing ROBERT MEYER BURNETT as director as well as helping to co-write the two-part, 30-minute fan film allowed by the settlement with CBS and Paramount, a number of fans were initially scratching their heads. And I’ll admit, I was one of them.

After all, I really only knew Paul from the days when I was reading twenty comic books a month, and his name was on many of them. Paul is widely considered as the person who helped save Marvel Comics from chapter 11 bankruptcy in the late 1990s with the development of the Marvel Knights imprint. Later, he went on to write the ground-breaking Wolverine: Origin (which was later turned into a motion picture). In fact, Paul has worked for various comic book publishers—including DC, Mirage, and Tundra. He developed video games, too. So yeah, Paul can obviously write.

But could he direct?

It turns out, the answer is yes. In fact, Paul co-founded META Studios in Atlanta, has been directing for about 20 years, and was even asked in 2015 by Georgia Governor Nathan Deal to assemble and chair an advisory committee to educate the Georgia General Assembly on the evolution of digital and interactive technologies. So yep, Paul’s a pretty big deal…but you’d never know it by speaking with him. The man is as humble and soft-spoken as they come.

I learned this firsthand during the shoot for my Axanar Universe fan film INTERLUDE. Paul popped by Ares Studios on that Sunday to say hi and see how things were going. He stayed off to the side, just happily watching, and even volunteered to stand behind the turbolift and flick the console lights on and off during a torpedo “hit.” The guy who saved Marvel Comics was flicking lights on my fan film??? You bet!

Later, during a break, Paul chatted with me for a good 45 minutes, sharing some stories, some insights, and just shooting the breeze. He even hung out with Interlude directors VICTORIA FOX and JOSHUA IRWIN during some quiet moments when they weren’t both doing a thousand things. He was a true gentleman and a lot of fun to talk to.

So when I had the opportunity to chat with him some more and record the call, I jumped at the chance! Take a listen…

INTERLUDE Confidential #4 – putting the post-production puzzle pieces in place!

A little more than a decade before his untimely death in 1997, John Denver trained with NASA and became a finalist for the first citizen’s trip to space in 1986. When asked why a singer/songwriter should be chosen to go to space, John Denver replied by asking who better to communicate the inspirational experience of spaceflight to the masses than someone used to putting sights, sounds, and feelings into words and music?

These “INTERLUDE Confidential” blogs I write are intended to do something similar. I realize that many of my readers will never produce or even work on a fan film. And most fan filmmakers are too busymaking fan films to blog about the experience in depth and try to communicate the nuances of all that they do.

So I want to give you folks a window into the process of creating a fan film from the point of view of someone who has never done this sort of thing before and is still blown away by the entire process. And today, I’d to talk about where Interlude stands right now.

There are three main phases to creating a film. Pre-production is planning everything: determining budgets, raising money, hiring (or in my case, begging for) actors and crew, setting up filming dates, getting costumes ready, and about a thousand other things from renting equipment to scheduling a caterer. The script is worked on and re-worked, the director(s) plan out a shot list…it’s like everything NASA does before a rocket is cleared for lift off.

Then production happens. This is when the various elements that will go into the film are actually produced. This can mean filming scenes or getting voice-overs or having your CGI friend create your visual effects. Every item that gets produced (filmed, recorded, rendered, etc.) becomes a piece of the overall puzzle that will become your final fan film.

Right now, Interlude is still in production. At the same time, we’re also in post-production. How is that possible?

New PANELS and new CHANNELS for AXANAR!

The final two AXACON 2019 panels are now available on the AXANAR YouTube channel. One of the panels—“The Crew of the USS Ares” (the third of the four from December’s event)—actually went live last week along with the Producers panel, and I completely missed announcing it. D’oh!

The other is the fourth and final panel which features an interview with SALLY IHNAT (the widow of the late actor STEVE IHNAT who played Garth of Izar in “Whom Gods Destroy”) and LINDA ALEXANDER (who wrote a wonderful biography of Steve).

It’s hard to know which is the better panel. They’re both really worth watching. The “Crew” panel features five of the actors who play key roles in the Axanar sequels, all being interviewed by ALEC PETERS. We’ve heard from the “big” names many times, but now we get to heard from actors who haven’t been regulars or semi-regulars on major television series. And their perspective on discovering Axanar and its fans, putting on uniforms, and performing on the USS Ares bridge set are really interesting to listen to. They’re now part of the Axanar family, and soon our community will know their names (characters and actors)…

https://www.youtube.com/watch?v=E9YcknJmt6Y&t=2361s

As for the second video, Steve Ihnat was an incredible actor. And if you’d like to learn more about his tragically too-short life, this is a very special panel to watch…

https://www.youtube.com/watch?v=BcXoF3pCwAI&t=2s

But wait, there’s even more Axa-news!

Up until this week, Axanar had one YouTube channel. Now it has two. The main Axanar Channel has more than 87K subscribers and features a mix of various Axanar-related content including clips, interviews, VFX, livestreams and the weekly Axanar Confidential and Axanar After Dark podcasts. But that was a LOT of content…and not all Axa-fans wanted to watch the hour-long podcasts to get all the Axanar news (and dog rescue updates) and just wanted their content more directly and succinctly. Other fans and supporters, however, love those longer chats and think of them like weekly gatherings of the whole extended family.

So Axanar just launched a second YouTube channel called Axanar Live! It’s brand new and only has about 200 subscribers as I write this, but it will soon be the home of Axanar Confidential, Axanar After Dark, and all the live-stream videos they create from places like the shoots at Ares Studios. Already, the first 11 episodes of Axanar After Dark have been transferred over.

This will leave the Axanar Channel for all the official Axanar updates and any created and edited video content. With an increasing amount of new footage scheduled to come out over the next few months, each channel should have a steady stream of fresh content.

And remember that the Axanar private crowd-funder is currently featuring a special dollar-for-dollar match of all donations. So donate $10 and it’s worth $20. Donate $50 and it’s worth $100.

If you haven’t donated yet (or recently), please consider logging in or setting up an account on Ares Digital and giving a little something…

https://aresdigital.axanar.com/

AXANAR donor offers DOLLAR-for-DOLLAR match of any donation to help reach the Phase One goal!

I know that ALEC PETERS cannot post anything publicly about AXANAR crowd-funding, but I can!

So here’s the BIG NEWS for today…

Axanar is now just $4,133 away from reaching its first crowd-funding goal (which was just lowered from $60K to $50K because $10K was actually bridge set construction, and that’s an Ares Studios asset and therefore can be crowd-funded separately and publicly).

BUT!!!

A top donor has promised a dollar-for-dollar match of any Axanar donations for a limited time. That means that Axanar is actually just $2,067 away from reaching the Phase One goal to cover the cost of the first two shoots.

So if you haven’t donated yet (or recently), NOW is the time to go to Ares Digital because every dollar you give is worth TWO dollars for a short time! Click on the link below to register/log-in to donate…

https://aresdigital.axanar.com/

The second panel from AXACON 2019 is now available for viewing!

Watch the opening act credits for any Next Gen, Ds9, Voyager, Enterprise, or Discovery episode…and what do you see? There’s a seemingly endless parade of producers: executive producers, co-producers, associate producers, line producers, supervising producers, consulting producers, co-executive producers, and just plain producers.

What’s the difference?

Most of us can probably guess that the executive producer is likely the one in charge. Gene Roddenberry was executive producer on TOS. Rick Berman was the executive producer on the later Paramount Trek series. But what about all of the rest of those titles? What do they mean? What do these various people do? And why do most television shows and movies need so many producers? Does your fan film need all of these different producers, too (assuming you have a fan film)?

As I mentioned last week when the first of the four panels from AXACON 2019 was released—the director’s panel—AXANAR offers fans, supporters, and fan filmmakers a unique perspective into the creation of a top-tier fan film. Sure, not every fan film is going to have the production value and scope of an Axanar, but there’s still much to be learned from this project…and ALEC PETERS and the folks on the Axanar production team are happy to explain.

Today’s “lesson” is from the second panel—the producers’ panel—and it features Director PAUL JENKINS interviewing four different producers on the project, each with a different title: Line Producer SCOTT CONLEY, Co-Producer CRYSSTAL HUBBARD, Associate Producer DALE SIMPSON, and Executive Producer Alec himself. What did all of these people do for the production? Why does Axanar even need four different producers? (Actually, there were more, but Producer CHRIS MILLS and a few other producers weren’t able to make it for the panel.)

Just like last week, I think that this is a MUST-SEE panel…whether or not you are an Axa-fan. This isn’t a self-congratulatory “why we all love Axanar so much” panel (none of them are, to be honest). Instead, it’s a very informative panel for the lay-person to understand the producer’s role…and why there are so gosh-darn many of them!

But before I present the producers’ panel video, and since I’ve spent my last couple of blogs talking about crowd-funding campaigns, let me include brief updates on both the Ares Studios and Axanar campaigns (two separate crowd-funders).

The first panel from AXACON 2019 is now available for viewing!

Say what you will about AXANAR. But the one inescapable fact is that, perhaps more than any other Star Trek fan film (maybe any fan film period), Axanar is teaching fans a LOT about the process filmmaking. Sure, some cynics will say, “Yeah, it taught us all not to piss off the copyright owners!” But it’s also provided fans, fan filmmakers, and those wishing to become fan filmmakers an unparalleled up-front view into the entire production process.

Granted, most fan projects aren’t nearly as elaborate or ambitious as Axanar. The majority of fan producers just make their film and put the finished product up on YouTube. A few take behind-the-scenes photos or videos while they build sets or do make-up or have their shoots, but Axanar takes all that to an entirely other level.

Through countless Axanar Podcasts and updates on Axanar Confidential, we’ve watched this production walk through the fire of the lawsuit, emerge on the other side, pick itself up, dust itself off, and get back up to speed again with a move across country, a completed bridge set, and two shoots so far (soon to be three!). Along the way, there’s been a parade of features on countless aspects of filmmaking—from VFX to set-building, make-up, costume design, budgeting, writing, pre-production, production, and post-production…and just about everything in between.

But the one thing Axanar hasn’t really done a deep-dive into yet is directing. There was some commentary from PRELUDE TO AXANAR director CHRISTIAN GOSSETT on one of the behind-the-scenes features on the Prelude Blu-ray, but not much in-depth coverage of the full process. And ROBERT MEYER BURNETT left the project before getting the chance to sink his teeth into directing actual production.

However, now that Axanar has started shooting, director and co-writer PAUL JENKINS had some very, very interesting insights to share during AXACON 2019. Unlike the first Axacon in 2018, the second Axacon didn’t take place in a hotel with convention rooms and dealers tables and membership badges. This time, “attendance” was FREE to anyone on YouTube and included four panels broadcast live from the bridge set at Ares Studios in Lawrenceville, GA.