Fan Film DIRECTORS CHOICE Awards submission deadline is THIS TUESDAY!

Three weeks ago, I announced that submissions were now open for the first annual Fan Film DIRECTORS CHOICE Awards, organized by GLEN WOLFE and DAN REYNOLDS of WARP 66 STUDIOS. Any fan film (not just Star Trek) released onto the Internet during calendar year 2021 is eligible for submission. Glen Wolfe reports that participation, so far, has been encouragingly strong so far.

The deadline to enter is this Tuesday, February 22, and if you want to submit your fan film, you can do so here:

CLICK HERE TO APPLY FOR THE FAN FILM DIRECTORS CHOICE AWARDS

Voting is done exclusively by the directors of the submitted films, and directors cannot vote their own films—otherwise, there would likely be massive ties with each fan film getting one vote! Ballots are due back no later than March 15, and any director who does not return their ballot by that deadline will have their fan film disqualified from winning anything.

When entering, the submitter can choose up to five categories for which that fan film can be considered for an award:

  • Best Actor
  • Best Actress
  • Best Director
  • Best Original Costuming
  • Best Make-up/Hairstyling
  • Best Cinematography
  • Best Original Music
  • Best F/X Make-up
  • Best Audio Mixing
  • Best Lighting
  • Best CGI FX
  • Best Green Screen
  • Best Screenplay
  • Best Parody
  • Best Foreign Fan Film
  • Best Animated Fan Film
  • Best Editing
  • Most Canon Award
  • Best Ensemble
  • Most Valuable Crew Member

After all of the ballots have been tabulated, a “Best In Fest” winner will be determined as the fan film that receives the most votes overall in all of the categories combined (so it’s advantageous to submit your film for the maximum of five categories).

Winners will be announced on April 5, and each winner will be e-mailed an award certificate. If you’ve entered or are planning to (before the end of Tuesday!), I wish you the best of luck!

STARSHIP WEBSTER production crew discusses their latest “OPPORTUNITY”… (interview with a bunch of folks)


And then there were six…six fan films from the STARSHIP WEBSTER Creative Group that’s a part of POTEMKIN PICTURES, that is. And considering that this relatively new production team only launched 16 months ago, that’s going at a pretty decent clip…especially when one considers there was a pandemic lockdown for a decent potion of that time.

Webster got its start when show-runner RANDY LANDERS and his wife moved from Pelham, Alabama two states north to Lexington, Kentucky and reached out to local Trekkers and fans in the area to be a part of what turned into Potemkin‘s NINTH creative group (you can access all of the fans films from the various teams here). While other states in the vicinity like Tennessee, Ohio, Virginia, Georgia, Alabama, and Arkansas have supported fan films and series for many years, as far as I’ve been able to research, Webster was the first ongoing Star Trek fan production to be based in the state of Kentucky.

And the group has done some impressive work so far. Most recently, their latest release, “OPPORTUNITY,” has a run-time of 19 minutes and a cast of 18 actors with scenes on multiple homemade sets (in addition to a couple of composited green screen backgrounds). There are more than a dozen VFX shots.

While some fans criticized the “unpolished” nature of many of the Potemkin Pictures releases over the years, if you’re watching these fan films solely to be dazzled by top-tier production quality rivaling the major Hollywood studios, then you may have gotten off at the wrong exit. But if you go into viewing these productions with a mind open to seeing what fans with little money but lots of heart can manage to do, then you’re sure to come away satisfied.

And if you know what to look for, a fan film like “Opportunity” accomplishes quite a lot. Take a look…

This time out, I decided to have a free-form chat with four of the folks behind this film:

BILLY SWANSON – a producer and actor who portrays Commander Robert “Hawk” Hawkins, Executive Officer and Security Chief of the U.S.S. Webster.

LAURA JOHNSON – one of the three writers of “Opportunity,” also a producer and actress who portrays Lieutenant Commander T’Varik, the Vulcan Science Officer of the U.S.S. Webster.

ROSS TROWBRIDGE – visual FX producer and artist.

And of course, it’s not a proper Potemkin Pictures interview without show-runner and executive producer Randy Landers, who also directed this film.

Let’s dive in…

Continue reading “STARSHIP WEBSTER production crew discusses their latest “OPPORTUNITY”… (interview with a bunch of folks)”

STAR TREK: DISCOVERY meets OCEAN’S ELEVEN…but does it work? (editorial review)

I’LL SEE YOUR BET AND RAISE YOU SPOILERS!

“All In” won’t go down as the best STAR TREK: DISCOVERY ever made, but it succeeded on a number of levels. It also failed on a number of levels. Let’s take a look at both sides now, win and lose, and still, somehow

In many ways, “All In” was the “A Fistful of Datas“/”Badda-Bing, Badda-Bang“/”Bride of Chaotica” episode of Discovery. What each of these stories has in common is a sense of “fun and games” where the cast and production crew can just kinda let themselves go in an episode that’s lighthearted and funny, has a little pizzazz, and isn’t simply filled with melodrama, angst , tension, and gravitas. The first three of those episodes took place mainly on the holodeck/holosuite in settings far removed from the path that Star Trek usually treads. “All In” does essentially the same thing…just without the holoemitters.

For me, despite other obvious weaknesses of the episode, the humor and lightheartedness were the most welcome and refreshing aspect this time around. Admittedly, there’s still some serious shat going down in the galaxy, as billions, if not trillions, of lives are at risk. And worse than that, Michael and Book aren’t seeing eye-to-eye. But maybe that’s why we need a little vacation on a floating barge hidden behind a holographic sea serpent (hey, maybe this episode DOES have holoemitters!) to do some relaxing gambling and mixed martial arts ring-fighting.

But seriously, folks, let’s start with what, I believe, was the inherent strength of the episode…

Continue reading “STAR TREK: DISCOVERY meets OCEAN’S ELEVEN…but does it work? (editorial review)”

FARRAGUT FORWARD finally funding ferociously formidable fan film! (video interview with JOHN BROUGHTON and JOHNNY K.)

Back in 2016, after a decade of producing an impressive parade of both live-action and animated Star Trek fan films, the team at STARSHIP FARRAGUT began production on the series finale “Homecoming.” But the bittersweet ending to this celebrated fan series was much more sweet than bitter because, at the same time, they announced plans to begin production on a new project that would take the crew forward into the Star Trek movie era…complete with monster maroon uniforms and brand new sets! (You can read the full history of Starship Farragut starting here.)

Farragut Films had already distinguished itself as capable of building jaw-dropping TOS set recreations, having constructed most of the Constitution-class heavy cruiser sets that are currently housed in Kingsland, GA, sets that have also been used for the fan series STAR TREK CONTINUES, DREADNOUGHT DOMINION, AVALON UNIVERSE, TALES FROM THE NEUTRAL ZONE, CONSTAR CHRONICLES, and many others. Imagine what these guys could do with movie-era sets!

But then, shortly after the announcement of the fan film guidelines in June of 2016, Farragut showrunner and lead actor JOHN BROUGHTON all but disappeared from the fan film community, and the series finale remained uncompleted and unreleased. As for Farragut Forward, an announcement was made that the planned series was being tabled.

Then everything changed on a dime. In the span of just two months last year, an announcement came in August that Farragut Forward was now officially in pre-production, and in October “Homecoming” was finally released! Fans were really excited at both developments but especially that the new movie-era fan film would be produced…and not just by any ol’ director. John Broughton had teamed with KAOTICA STUDIOS in the Washington, DC area, and specifically with director JOHNNY K. (he likes to use just his last initial professionally), whose camera and lighting skills are truly impressive. In fact, his debut independent film, The Killer of Grassy Ridge, has since earned a dozen different awards in film festivals around the world.

Johnny K. has brought that same finesse to the new Farragut Forward project, and John B. has brought along props, a couple of new Klingon bird-of-prey sets, and the spiffiest monster maroon uniform you will ever see in a fan film (and probably even in studio-produced Star Trek!). Don’t believe me? Well, you can see for yourself, as they have already released the opening three minutes of the project in a vignette titled PROLOGUE

Of course, there’s a LOT more sets to build and costumes to craft (by hand!)—plus all of the other costs of production like equipment, studio space, food, make-up supplies, etc. And all that stuff doesn’t exactly come free. So Farragut Forward has launched a brand new, 60-day Indiegogo campaign trying to reach an ambitious goal of $30K!

Continue reading “FARRAGUT FORWARD finally funding ferociously formidable fan film! (video interview with JOHN BROUGHTON and JOHNNY K.)”

Is STAR TREK: DISCOVERY really “WOKE”? What does “WOKE” even mean??? (editorial, part 2)

Last time, we began by taking a brief look at the history of the word “woke.” (You can read the full history here.) Although “woke” began as a positive word connoting being aware of racial injustice, in the last half-decade, “woke” has been co-opted into a toxic, negative insult, implying (from conservatives) an overly liberal and progressive view of race relations and inequality and (from liberals) an overcompensation to try to mitigate implied social injustice.

Whatever the meaning, some detractors of STAR TREK: DISCOVERY have begun to deploy the word “woke” in criticizing the show. But what exactly are they talking about? Is it the diversity of characters of different races, ethnicities, sexual orientations, and gender identities? Or is there something about the plots or the storytelling that is supposedly “woke”?

In order to get a better understanding of what the critics mean when they call Discovery “woke,” I reached out to fans on four different large-size Star Trek Facebook groups(this group, this group, this group, and this group) and asked for examples of what they consider “woke” beyond just the characters themselves.

Unfortunately, almost no one offered specific examples—only broad brush strokes which didn’t help define (for me, at least) what it was about Discovery (beyond the characters) that was “woke.” Indeed, the only specific complaints I received were a bit absurd: one person who thought there was way too much kissing and another who assumed, from watching the third season Discovery episode “People of Earth,” that “Africans took over Earth and do not welcome non-Africans home.” And among his proof was that Earth ships resembled elephants. (Seriously, I screen capped the comment!)

Yeah, they do kinda look like elephants…

Anyway, with nothing else that I could take seriously as an example of what made Discovery “woke,” I could only assume it was indeed some combination of the races/ethnicities of the actors and/or the sexual orientations/gender identities of the characters.

So I took a closer look at the actors themselves. There is a general perception out there among certain fans that Discovery portrays an overly diverse cast in terms of race and ethnicity. The bridge crew is certainly “colorful,” and the current main cast features two Blacks, one Hispanic, and one half-Asian. Of course, it also features four white actors (I still consider Tilly part of the main cast). That’s 50% white.

But I took it a step further and looked at the casting of ALL actors who’ve appeared with significant speaking roles in at least two episodes dating back to the start of the series. The results were staggeringly skewed toward white actors and actresses (35 total) versus Black actors (8 total) and those of Latino, Asian and other/unknown ethnicities (also 8 total).

So with 2/3 of the total actors on the show being white, why it is that so many viewers mistakenly believe that the Discovery cast is so much more diverse than it actually is…?

Continue reading “Is STAR TREK: DISCOVERY really “WOKE”? What does “WOKE” even mean??? (editorial, part 2)”

Is STAR TREK: DISCOVERY really “WOKE”? What does “WOKE” even mean??? (editorial, part 1)

How many times have you seen someone on social media complaining that STAR TREK: DISCOVERY is too “woke”? People seem to use “woke” as though it were some kind of four-letter word!

But what does “woke” actually mean, and more importantly, is Discovery truly “woke”…or do certain people just think that it is?

The word “woke” first came to prominence within the Black community in the 1940s, an African-American slang term that initially meant being informed about systemic racism in America. It was a positive word, indicating awareness of things that tended to be “off the radar” for many Americans at the time.

By 2016, the newly-formed Black Lives Matter movement began to use the phrase and hashtag #StayWoke as a way calling attention to what they maintained was widespread mistreatment of Black suspects by law enforcement. By 2017, the word “woke” was added to the Oxford English Dictionary, defined as “being ‘aware’ or ‘well-informed’ in a political or cultural sense.”

So far, so good. Nothing wrong with being “woke”…yet.

However, like other terms that started out as positive—such as “politically correct” and “social justice warrior”—the word “woke” was eventually corrupted and turned into something derogatory and toxic…specifically by the alt-right and other conservative groups. It became a crass insult directed primarily at liberals and progressives who were ridiculed for everything from “cancel culture” to “critical race theory” in their desire to stand up for what they believed were marginalized and persecuted groups and minorities both within America and beyond.

Gradually, those on the left stopped using “woke” as a positive. Today, even liberals and progressives employ “woke” to call out actions that are mocked for overcompensating in trying to provide fairness and equal representation beyond what seems reasonable and appropriate. One example is the recent trend by the left to introduce the plural word “Latinx” into common usage because because the plural “Latinos” leaves out women (even though Spanish speakers actually prefer the original plural since that’s the way the Spanish language works).

WHAT SPECIFICALLY IS “WOKE” ABOUT ST: DISCOVERY?

Back in May of 2018, as CBS was pushing for Emmy consideration for the premiere season of Star Trek: Discovery, Entertainment Weekly called the new prequel show the “…boldest and most woke series yet.” CBS quickly plastered that pull quote as a headline on Discovery‘s media press kit. Obviously, the word “woke” hadn’t yet fallen from grace.

That was then…

Continue reading “Is STAR TREK: DISCOVERY really “WOKE”? What does “WOKE” even mean??? (editorial, part 1)”

Submissions now OPEN until Feb. 22 for the Fan Film DIRECTORS CHOICE Awards!

Last month, I announced TWO new annual award shows for fan films debuting this year. Up util now, Star Trek fan films were honored annually by the BJO AWARDS. However, now the Bjos will be joined by the Fan Film DIRECTORS CHOICE Awards and (later this year) the Star Trek Fan Film SHOWRUNNER AWARDS.

The two new competitions will be different in several logistical ways, with many details of the Showrunner Awards still needing to be worked out (by me and my team). In the meantime, however, coordinators GLEN L. WOLFE and DAN REYNOLDS of WARP 66 STUDIOS are launching the Directors Choice Awards today (February 1), with submissions being accepted for any fan film (not just Star Trek) publicly released in calendar year 2021. The YouTube/Vimeo publication date stamp will be used to verify eligibility.

Submissions are open from February 1 through February 22, 2022. Anyone can enter any fan film with a submission fee of $10 by filling out the form on this web page, but only a maximum of three films by the same director can be entered.

Voting is done exclusively by the directors of the submitted films. (So for INTERLUDE, for example, even though I am the one submitting and paying the entry fee, I won’t be the one voting since I wasn’t the director.) Directors cannot vote for their own films—otherwise, there would likely be massive ties with each fan film getting one vote! Ballots are due back no later than March 15, and any director who does not return their ballot by that deadline will have their fan film disqualified from winning anything.

When entering, the submitter can choose up to five categories for which that fan film can considered for an award:

  • Best Actor
  • Best Actress
  • Best Director
  • Best Original Costuming
  • Best Make-up/Hairstyling
  • Best Cinematography
  • Best Original Music
  • Best F/X Make-up
  • Best Audio Mixing
  • Best Lighting
  • Best CGI FX
  • Best Green Screen
  • Best Screenplay
  • Best Parody
  • Best Foreign Fan Film
  • Best Animated Fan Film
  • Best Editing
  • Most Canon Award
  • Best Ensemble
  • Most Valuable Crew Member

After all of the ballots have been tabulated, a “Best In Fest” winner will be determined as the fan film that receives the most votes overall in all of the categories combined (so it’s advantageous to submit your film for the maximum of five categories).

Winners will be announced on April 5, and each winner will be e-mailed an award certificate. To all the fan filmmakers who choose to enter (and hopefully, there will be many), I wish you the best of luck!

Click here to enter your fan film.

It’s RED SHIRTS…will they survive? (feature)

When it comes to everyone’s favorite walking Starfleet targets, there’s been a lot of fan film attention paid to the humble and ill-fated “Red Shirt.” Of course, Starfleet security only wore red for a few short years during the TOS-era, but that was long enough for Trekkers and even some non-Trekkers to accept that, when it came time to beam down—unless you were Scotty or Uhura or Rand—you did NOT want to be wearing the color red!

With titles like RED SHIRT, RED SHIRTS: A STAR TREK PARODY SERIES, and THE RED SHIRT DIARIES (to name but a few), fan filmmakers have been hilariously spotlighting these poor bastards—I mean, noble heroes—for nearly a decade.

One of the very first parody fan films of this sub-genre of a sub-genre of a sub-genre was posted to YouTube back in 2013—the brainchild of two show-runners who, at the time, were both studying Multimedia at California State University Northridge. ANTOINE BANDELE and his friend RICARDO ELLIOTT II decided in early 2013 to start up a YouTube channel called “Akimbros”—a hybrid of the word “akimbo” (when you stand with your hands on your hips) and “bros.”

Antoine Bandele and Ricardo Elliott II…the Akimbros!

At the time (and even now) African-American showrunners on Star Trek fan films were a rarity. So despite its light-hearted nature and the fact that this was the only Star Trek fan film that the Akimbros would ever release, RED SHIRTS still holds an important place in fan film history.

Antoine and Ricardo initially set out to release one new film every two weeks on their Akimbros channel, and Red Shirts was their first offering. It debuted on May 17, 2013. Their second release, an epic light saber battle on the roof of a garage next to the 405 Freeway in West Los Angeles, followed just over two weeks later. However, their third film, an action short titled Tower 46, took another six weeks to post, and their fourth release, an ultra-short but ultra-clever “real life” video game between Pirates and Ninjas, wouldn’t see release for another six months. Their final offering, a brief teaser-trailer for an Oblivion fan film, came out a year later…and then that was that for the Akimbros.

But right now, let’s take a look at their hilarious first project, Red Shirts

Continue reading “It’s RED SHIRTS…will they survive? (feature)”

INTERLUDE wins the GRAND PRIZE in the 5th annual IndieBOOM! Awards!

For the third time in the last five years, a Star Trek fan film has won the Grand Prize in the annual IndieBOOM! Film+Music Festival…and this year, the winner was my AXANAR Universe fan film INTERLUDE! The previous two winners were (in 2019) “The Equinox Effect” and (in 2020) “Mask“—both from THE FEDERATION FILES anthology series.

Actually, when I say “my” fan film, I really mean OUR fan film…because this was a labor of love and dedication from more than 50 people. And the two most important individuals in that group were my directors, VICTORIA FOX and JOSHUA IRWIN. Technically, Victoria was listed in the credits as “director” and Josh as “director of photography.” But as far as I’m concerned, they EACH deserve the highest accolades, which is why I submitted the film with both of their names listed—and here’s the official certificate that was just e-mailed to me yesterday…

Although entered in the Fan Film category, Interlude received more views and viewing hours than any other selection in any category. I was told by IndieBOOM! festival co-founder ANTHONY DEVITO that Interlude was viewed more than 2,600 times for a total of 488 viewed hours! As such, it was elevated to Grand Prize winner, allowing another fan film, Stegosaurus: A Jurassic Park Fan Film (directed by BARRY WILKINSON from the UK) to win the Fan Film category.

Another notable winner was the the music video STAR TREK IS REAL, written and performed by ILIA “PIXI NEREID” McNEAL, star and producer of the AVALON UNIVERSE fan series, which took the title of Winning Original Song and scored Pixi a $250 prize…yay, Pixi!

Continuing the Star Trek strength in the festival, Trek anthology series The Federation Files took the award for Best Series.

And finally, my composer for Interlude, KEVIN CROXTON, won in the category for Best Musical with his James Bond-inspired fan film starring the 4th and 5th graders whom he teaches: IN THE BLINK OF AN EYE (which is an amazing film in its own right and something you should definitely take ten minutes out of your day to watch).

You can see all of this year’s winners here.

Now, some folks on Facebook have complained that choosing winners based on views and viewing hours turns IndieBOOM! into little more than a competition to see who has the most followers on social media and who can “turn out the vote” most effectively. Maybe so, but those are the rules. Other film festivals work differently, but IndieBOOM! has decided that this is the best way to let the viewers make their choices known. And so those of us who submit our films do what we can to reach out to friends, family, donors, fans, etc. and ask them to vote for us by viewing. In that way, it’s kind of like crowd-funding: the more interest and support you can generate from people, the more successful you’ll be.

And speaking of crowd-funding, the Grand Prize Winner for the IndieBOOM! festival receives $500. As soon as it arrives, I am going to donate it directly to the Avalon Universe crowd-funder!

Continue reading “INTERLUDE wins the GRAND PRIZE in the 5th annual IndieBOOM! Awards!”

How I ended up writing QUARK’S MENU at STAR TREK: THE EXPERIENCE in Las Vegas! (biography blog #3)

My first biography blog was posted on January 11, 2016, a day after Fan Film Factor first launched. It described how I turned down a job working for MICHAEL OKUDA in the Star Trek Scenic Art Department at Paramount Studios back in 1993. A year and a half later, I published my second biography blog, describing how I came to work as a freelance “professional Trekkie” fan consultant for Viacom Consumer Products starting in 1997. It was a gig I’d have for another six years.

It’s now 2022, today is my birthday (January 17), and I am going to indulge myself by finally publishing my THIRD biography blog, explaining how I ended up writing the menu for QUARK’S BAR & RESTAURANT at Star Trek: The Experience at the Las Vegas Hilton. And as a special treat, here is a high-quality PDF file of the original menu for you to read and enjoy…

It was the summer of 1997, and I’d been working with JULIET DUTTON of Viacom Consumer Products for about 8 months, reviewing submitted Star Trek CD-ROM game scripts for accuracy, since Juliet wasn’t a Trekkie and didn’t know an Andorian from a Tellarite. Another person in licensing, KIRSTI PAYNE, was assigned to PARAMOUNT PARKS, a licensee that was finishing construction on a new Star Trek attraction at the Las Vegas Hilton that was scheduled to open early the following year. It would have an immersive virtual reality motion simulator ride, a Star Trek prop and costume museum, a gift shop (of course!), and even Quark’s Bar and Restaurant.

There was just one problem: their proposed menu was a complete disaster.

It wasn’t the food that was the issue so much figuring out what to call the various items. Uninspired names like “Cosmic Burger” and “Galaxy Fries” were falling far short of being Star Trek enough, and the menu just sounded boring. They needed help—badly! During a weekly staff meeting, Kirsti asked her fellow licensing staffers if anyone knew a creative Star Trek fan with a good sense of humor who was also able to write well.

Juliet said, “I have just the person for you…!”

Continue reading “How I ended up writing QUARK’S MENU at STAR TREK: THE EXPERIENCE in Las Vegas! (biography blog #3)”