
This is going to be a different kind of blog today. Usually, I write from the perspective of being on the outside looking in. This time, however, I stepped in as film editor on a very special Star Trek fan film starring a courageous young actress who is on the autism spectrum. And therein lies a tale…a tale from NEUTRAL ZONE STUDIOS.
It was the spring of 2024, and my friend JOSHUA IRWIN was feeling quite overloaded…and no wonder! Ever since branching out beyond producing his series of AVALON UNIVERSE fan films, Josh has been one of the most in-demand filmmakers in the entire community. He gets asked to direct, do lighting, camera, cinematography, special FX, sound, and editing on what seems to be an endless parade of projects ranging from fan films like FARRAGUT 2024 and fan series like DREADNOUGHT DOMINION to fanthologies like THE FEDERATION FILES and TALES FROM THE NEUTRAL ZONE. And as the year began, Josh had no loess than SIX different fan films that he helped shoot, produce, wrote, and/or directed…and he needed to edit each of them.
Some of these were major projects, like the series finale of the 23rd century run of Avalon Universe, an upcoming release to be titled THE ONCE AND FUTURE CAPTAIN. Others were mid-size projects, like a story for Tales from the Neutral Zone called HISTORY NEVER FORGETS (still unreleased) about the crew of the Enterprise-C before its destruction. And then there were three “small” fan films with minimal raw footage that had each been shot in about a day or less with run times of maybe 15 minutes or so. With work life, family life, and fan film life commitments piling up, Josh asked me if I’d be willing to help him edit one of these three shorter fan films.
This request didn’t come out of left field. Josh and I had worked closely on the edit for my AXANAR Universe fan film INTERLUDE, and even though I drove him nuts (and maybe a little vice-versa), we actually worked quite effectively together—finding some compromises when we didn’t agree or else one or the other of us putting our foot down—and wound up with a very nice final cut. Josh understands that I don’t know a hundredth of what he does about the finer points of film editing like levels and color optimization, but he knows I have a good feel of which takes work the best and how to piece together a good rough edit.
“If you can just assemble the cuts in the timeline, Jonathan, I can do all of the rest,” Josh told me. “And even if you edit only one of these shorter films, it’ll really help lighten my workload.” And I was happy to do it. I actually enjoy editing a film, at least on a basic putting-the-pieces-together level. Now the only decision I had to make was which of the three fan films to tackle.
Continue reading “How I ended up editing SECOND STAR TO THE LEFT from TALES FROM THE NEUTRAL ZONE… (part 1 of a 2-part blog)”













