Glen L. Wolfe – Page 3 – Fan Film Factor

Fan Film DIRECTORS CHOICE Awards submission deadline is THIS TUESDAY!

Three weeks ago, I announced that submissions were now open for the first annual Fan Film DIRECTORS CHOICE Awards, organized by GLEN WOLFE and DAN REYNOLDS of WARP 66 STUDIOS. Any fan film (not just Star Trek) released onto the Internet during calendar year 2021 is eligible for submission. Glen Wolfe reports that participation, so far, has been encouragingly strong so far.

The deadline to enter is this Tuesday, February 22, and if you want to submit your fan film, you can do so here:

CLICK HERE TO APPLY FOR THE FAN FILM DIRECTORS CHOICE AWARDS

Voting is done exclusively by the directors of the submitted films, and directors cannot vote their own films—otherwise, there would likely be massive ties with each fan film getting one vote! Ballots are due back no later than March 15, and any director who does not return their ballot by that deadline will have their fan film disqualified from winning anything.

When entering, the submitter can choose up to five categories for which that fan film can be considered for an award:

Best Actor
Best Actress
Best Director
Best Original Costuming
Best Make-up/Hairstyling
Best Cinematography
Best Original Music
Best F/X Make-up
Best Audio Mixing
Best Lighting
Best CGI FX
Best Green Screen
Best Screenplay
Best Parody
Best Foreign Fan Film
Best Animated Fan Film
Best Editing
Most Canon Award
Best Ensemble
Most Valuable Crew Member

After all of the ballots have been tabulated, a “Best In Fest” winner will be determined as the fan film that receives the most votes overall in all of the categories combined (so it’s advantageous to submit your film for the maximum of five categories).

Winners will be announced on April 5, and each winner will be e-mailed an award certificate. If you’ve entered or are planning to (before the end of Tuesday!), I wish you the best of luck!

Submissions now OPEN until Feb. 22 for the Fan Film DIRECTORS CHOICE Awards!

Last month, I announced TWO new annual award shows for fan films debuting this year. Up util now, Star Trek fan films were honored annually by the BJO AWARDS. However, now the Bjos will be joined by the Fan Film DIRECTORS CHOICE Awards and (later this year) the Star Trek Fan Film SHOWRUNNER AWARDS.

The two new competitions will be different in several logistical ways, with many details of the Showrunner Awards still needing to be worked out (by me and my team). In the meantime, however, coordinators GLEN L. WOLFE and DAN REYNOLDS of WARP 66 STUDIOS are launching the Directors Choice Awards today (February 1), with submissions being accepted for any fan film (not just Star Trek) publicly released in calendar year 2021. The YouTube/Vimeo publication date stamp will be used to verify eligibility.

Submissions are open from February 1 through February 22, 2022. Anyone can enter any fan film with a submission fee of $10 by filling out the form on this web page, but only a maximum of three films by the same director can be entered.

Voting is done exclusively by the directors of the submitted films. (So for INTERLUDE, for example, even though I am the one submitting and paying the entry fee, I won’t be the one voting since I wasn’t the director.) Directors cannot vote for their own films—otherwise, there would likely be massive ties with each fan film getting one vote! Ballots are due back no later than March 15, and any director who does not return their ballot by that deadline will have their fan film disqualified from winning anything.

When entering, the submitter can choose up to five categories for which that fan film can considered for an award:

Best Actor
Best Actress
Best Director
Best Original Costuming
Best Make-up/Hairstyling
Best Cinematography
Best Original Music
Best F/X Make-up
Best Audio Mixing
Best Lighting
Best CGI FX
Best Green Screen
Best Screenplay
Best Parody
Best Foreign Fan Film
Best Animated Fan Film
Best Editing
Most Canon Award
Best Ensemble
Most Valuable Crew Member

Winners will be announced on April 5, and each winner will be e-mailed an award certificate. To all the fan filmmakers who choose to enter (and hopefully, there will be many), I wish you the best of luck!

Click here to enter your fan film.

Announcing TWO new FAN FILM AWARD SHOWS coming in 2022!

File this under: “Great minds think alike…” or perhaps under, “This is what you get for missing staff meetings, Doctor.” Either way, GLEN WOLFE and DAN REYNOLDS of THE FEDERATION FILES and I had the same idea at the same time, and now there are going to be TWO new fan film awards shows coming your way in 2022!

In my case, the idea of hosting an annual awards show for Star Trek fan films has been percolating in the back of my mind for a few years…not as a way of competing with the annual BJO AWARDS but as simply an additional opportunity for Star Trek fan filmmakers and their productions to shine.

As the new year dawned a few days ago, I was able to finally enjoy a break from the blogging “sprint” that took up much of my December. And I decided that, if I was really serious about creating some Fan Film Factor awards show, now might be a good time to do some thinkin’…

At first, I tried to come up with a name—and you know how much I like things that abbreviate to “FFF.” The Fan Film Festival Awards? Nah. Fan Film Faves? Cheesy. Fan Film Friends? Family? Flamingos? Jeez, I had nothing decent!

Okay, time to try a different approach vector…

So I shifted to thinking about judging. I mean, I suppose it could just be me deciding the winners and losers, but no one fan should possess such power! And, sheesh, what a way to completely piss off almost all of my friends, right? Nope, I needed a panel, but whom? When I finally answered that question, the name for the awards show fell easily into place: THE SHOWRUNNER AWARDS.

I’ve always felt there should be a fan film awards competition where members of the community judge each other’s work…and who knows more about what it takes to make a fan film than a showrunner? But I didn’t want too many judges, so I decided to limit my invitations to showrunners who had successfully released at least four or five completed Star Trek fan films.

Of course, the next concern was making sure there weren’t too many entries. Goodness knows that VANCE MAJOR alone (one of the judges) could enter dozens—maybe hundreds!—of fan films all by himself! So I decided that, unlike the Bjo Awards, the Showrunner Awards will feature a nominal entry fee (maybe $10) plus an additional $1 for each special category like Best VFX, Best Music, Best Film Editing, etc. As I’m learning from entering my fan film INTERLUDE in various film festivals, this is how most of them work with application fees.

Speaking of Vance, or any of the judges, how do we make certain that all of them don’t simply vote for their own fan film, and we wind up with a 6-way or 10-way tie each year? Glad you asked…

Four years in the making, THE FEDERATION FILES’ tenth episode is “DOPPELGANGER” (video interview with DAN REYNOLDS)

I first heard about “Doppelganger” back in early 2017 when I watched this short trailer, released at the same time as this short trailer for “Walking Bear, Running Wolf.” Both didn’t show any filmed footage, but they promised new releases coming from the fan anthology (fanthology?) series THE FEDERATION FILES, which had launched a few months earlier in late 2016 with their debut episode, “His Name Is Mudd.”

Following that initial premiere and those two trailers, The Federation Files released another eight episodes…

And while “Walking Bear, Running Wolf” was completed and released pretty quickly later in 2017, “Doppelganger” was nowhere to be seen…until this past summer, that is. On July 9th, 2021, The Federation Files debuted its TENTH full episode, and fans finally got to see “Doppelganger.”

It also marked the first time in five releases that an episode of The Federation Files featured any of the amazing Star Trek TOS sets at WARP 66 STUDIOS in northern Arkansas. After using the sets in their first four releases, the next five episodes were either filmed on location (both indoors and outdoors) or else on non-TOS sets custom-built for the needs of a particular story.

Of course, that’s the advantage of a fanthology format, as the time period can jump around and not be limited to only 23rd century Star Trek history. But the trend was enough for me to notice and ask co-showrunner GLEN L. WOLFE about the lack of use of the TOS sets in my previous blog about “Mask.” Amusingly, though, before I had a chance to publish that interview, these busy beavers in Arkansas released their newest fan production, “Doppelganger,” which most assuredly makes copious use of the many TOS sets, as you can see here…

That said, Federation Files has once again “lapped” me by already posting an ELEVENTH fan film, “No Good Deed,” before I could cover this tenth release. And I’ll certainly get to that one (hopefully before they release their twelfth episode!).

But “Doppelganger” gives me a chance to interview the “R” in WARP 66 Studios: Mr. DAN REYNOLDS of Wolf/Reynolds Productions. In fact, Glen has sorta been hogging the last four interviews, and I haven’t had Dan in the hot seat since January of 2020!

So let’s remedy that absence with a brand new video interview (lately, I’ve kinda graduated from audio interviews to recorded Zoom calls—let me know what you think)…

How to be a SHOWRUNNER in the AVALON UNIVERSE…

We are now exactly one week out from the announced premiere of the latest fan film from THE AVALON UNIVERSE: AGENT OF NEW WORLDS. Fans are really looking forward to this one, for a number of reasons…

The showrunner, writer, and director, JOSHUA IRWIN, is a film industry professional in Arkansas and a skilled craftsman. Avalon releases are among the best-looking, best-sounding, and best-edited Star Trek fan films being produced right now.
This is a brand new era for Avalon. With the departure of director/writer/actor VICTORIA FOX from the series as well as lead actor CHUCK MERÉ (along with the characters they played: first officer Amanda Beck and Captain Lance Ramirez, respectively), a new cast and crew is coming aboard the U.S.S. Excalibur. This includes the ever-perky PIXI NEREID, who has already captured the hearts of fan film aficionados with a music video and interviews like this one. It also includes actor WARREN HAWK from my AXANAR Universe fan film INTERLUDE (now with 118K views!) who played fan-favorite character Captain Imari Jakande of the U.S.S. Artemis. Although Jakande died in the Axanar Universe, he’s alive and well in the Avalon Universe and is the new commanding officer of the U.S.S. Excalibur.
The film looks like it’ll be visually stunning. This is because Josh and members of his team traveled all the way from Arkansas to Arizona to film parts of this on location in a desert outside of Phoenix along with driving and hiking to two different scenic locations in western Oklahoma…all to create the feeling of being stranded on an alien world.

An overhead drone shot from the upcoming AGENT OF NEW WORLDS

And of course, I’ve been talking up this latest fan film for the past few months as I’ve endeavored to help Team Avalon raise crowd-funding for this production—as well as other upcoming projects. Speaking of which, they’re currently 60% of the way to their $20,000 goal, and if you haven’t tossed a few pennies (or preferably dollars) into the collection plate yet, this would be a great time to do so at this link…

https://www.gofundme.com/f/zdn4p-AvalonUniverse2021

Have you ever wondered what goes on a week before the release of a fan film? Of course, there’s all sorts of different scenarios. Sometimes a film is finished weeks or months early, pretty much ready to go, and maybe there’s a few minor tweaks as things head for an announced deadline. Sometimes there’s no announced deadline and a fan filmmaker just releases the finished product whenever it’s ready. And sometimes a deadline is announced and then has to be extended because things aren’t ready yet. I’ve seen ’em all.

But then there’s Josh Irwin. Josh doesn’t miss deadlines, no matter how many hours he has to work or go without sleep. It’s a matter of professional pride. And in the case of Agent of New Worlds, the announced release date of October 31 is significant because it marks exactly three years from the 2018 premiere of Avalon’s debut fan film GHOST SHIP.

So with the clock ticking down, what is life like for Josh right now…?

“MASK” marks FIVE releases in a row from THE FEDERATION FILES without a TOS set in sight! (interview with GLEN L. WOLFE)

I want you to imagine something. You and your best friend have built a bunch of super-accurate Star Trek TOS sets near your homes. You’ve got a partial bridge set, sickbay, transporter room, briefing room, corridor, and even the inside of a shuttlecraft. You can go there anytime you want, stay as long as you like, invite friends, etc.

You might even…I don’t know…shoot a Star Trek fan film??? C’mon, you know you would!

And starting in late 2017, that’s what GLEN WOLFE and DAN REYNOLDS began to do. Actually, they had both been involved in fan filmmaking for years previously, working on both other people’s projects as well as their own. The Federation Files released the first of its many, many Star Trek anthology-style productions back in 2016. Titled “His Name Is Mudd,” much of the episode was shot at the now-dearly-departed STARBASE STUDIOS while it was still in Oklahoma. Their second episode, “Walking Bear, Running Wolf,” and part of their third episode, “Extraction” were filmed at Starbase Studios after the sets were moved to Arkansas.

But “Extraction,” released in late 2017, also marked the first time Dan and Glen shot on their own set…in this case a shuttlecraft cockpit made of some elements donated from JAMES CAWLEY of STAR TREK: PHASE II after being used in their episode “The Holiest Thing” and completed in a TV studio building that Dan owns near his home in northern Arkansas.

Likewise, their fourth episode, “Galaxy Hopper,” included scenes shot in the briefing room, transporter room, and corridor sets at Starbase Studios early in 2018. But the episode featured, for the first time ever, scenes filmed on a brand new partial bridge set constructed by Glen and Dan at another of Dan’s studio facilities. With both a shuttlecraft cockpit and a bridge set, and with more sets planned, the two fan filmmakers officially christened their production location WARP 66 STUDIOS (“WARP” standing for Wolf And Reynolds Productions and “66” being the year that Star Trek debuted).

Amusingly, their fifth episode, “The Equinox Effect,” shot in 2019, utilized almost none of the TOS sets that Glen and Dan had constructed. The TOS sets that appear in that fan film were actually the ones located in upstate New York, rented out by James Cawley back in 2015 to the producers of the never-completed STAR TREK: EQUINOX – “The Night of Time,” footage which Glen Wolfe “rescued” to include in this original episode of The Federation Files. Meanwhile, Glen was building out a sickbay, transporter, briefing room, and corridor set to add to WARP 66.

Why this elaborate history lesson, you ask? It all goes back to the question I asked above: if you had complete and total access to high-end TOS set recreations, wouldn’t you want to shoot some cool fan films on them?

Reason #4 to donate to the AVALON GoFundMe: NEVER GIVE UP, NEVER SURRENDER!

Your mission: find an actress—young, positive attitude, who lives in Oklahoma—willing to appear in a volunteer Star Trek fan film. Oh, and she needs to be of Native American ethnicity.

You have two days.

When you donate to the AVALON UNIVERSE Star Trek fan production, you’re paying for a get-it-done attitude and a proven track record. Over the past few weeks, I’ve provided three solid reasons to lend your financial support to this hard-working fan production crew: Jakande Lives, Do It for Pixi, and The Team. This week, I’ve saved the best for last—the most compelling reason to donate to their GoFundMe campaign, which just happens to be located at this link:

https://www.gofundme.com/f/zdn4p-AvalonUniverse2021

These folks never give up…ever! No matter what obstacles God, the gods, fate, the Universe, and/or or the Flying Spaghetti Monster throw their way, showrunner JOSHUA IRWIN and his team will always find a way to get their fan film(s) finished.

Avalon Universe has already released SEVEN high-quality fan films (two of which were two-parters of 30-plus minute length) in less than three years. And even as they try to crowd-fund another three productions, they’re already hard at work on a fourth fan film: AGENT OF NEW WORLDS.

And therein lies a tale…

Reason #3 to donate to the AVALON GoFundMe: THE TEAM!

Fan films are like weddings. (Ha, got your attention!)

Think about it. Weddings can be as cheap and simple as a trip to City Hall or a few friends in the backyard. Or they can be expensive galas with hundreds of guests and all the trimmings. Or they can be anywhere in between.

And so it is with fan films. We get everything from cardboard sets and scenes shot with cell phones to professional-looking productions with trained actors, meticulous sets and costumes, top-quality recording equipment, and budgets into the five-figure range and sometimes even beyond that.

In general, the larger and more ambitious the wedding, the more critical it is that a team of planners and managers be involved to make sure everything goes smoothly. You get one chance at the actual ceremony, and it’s all that the behind-the-scenes planning that can determine if the wedding is a triumph or a disaster.

The AVALON UNIVERSE fan films aren’t exactly Kardashian weddings (thank goodness!), but they are still pretty impressive, with production quality a few steps above the majority of Star Trek fan films out there. This is not meant to diminish those other fan films. All fan filmmakers deserve support and encouragement. But when you donate to an Avalon Universe crowd-funding campaign, you know your money will be well-spent, and the finished product will look and sound and be amazing.

Oh, and speaking of donating, Avalon has a crowd-funding campaign going on right now, if you’d like to back it…

https://www.gofundme.com/zdn4p-AvalonUniverse2021

Like a successful wedding, a well-run fan production requires careful planning and preparation, and that means having the right people in the right jobs…not just during the shoots but in the months and weeks leading up to the director yelling “Action!” for the first time.

As I mentioned last week, I wasn’t initially planning to be part of “Team Avalon,” even though I consider Avalon Universe director/showrunner JOSHUA IRWIN to be a close friend. (Josh was my Director of Photography and Editor on INTERLUDE.) What I did offer to do was to advise Josh and his producer, PIXI NEREID, on strategies for crowd-funding…advice I’ve also offered to other fan filmmakers over the years.

But before I knew it, Pixi had jumped into action, adding me to the production crew’s Facebook chat, giving me access to their Slack productivity app account where the cast and crew keep all of their online resources, and inviting me onto the kick-off production meeting Zoom call. So that’s how I became a part of “Team Avalon,” and it’s given me a fascinating look into who these fine folks are and all that they’re doing to make the wedding…er, fan film extra spectacular and go off without a hitch.

Let me tell you about the team…

THE FEDERATION FILES “rescues” another uncompleted fan film in “FRIENDS AND FOES” (interview with MICHAEL DEMPSEY, CAMREN BURTON, and GLEN WOLFE, part 2)

Last time, we began looking at a Star Trek fan film from 2007 that had been partially filmed but was never completed. Titled STAR TREK: ORIGINS – “THE WOUNDS OF WAR,” the script was written by CAMREN T. BURTON and produced by MICHAEL DEMPSEY, who also starred as a young George Kirk serving on a starship commanded by Robert April, 30 years before the original series.

In 2020, GLEN WOLFE of the Star Trek anthology fan series THE FEDERATION FILES, decided to “rescue” this unfinished fan film, create a framing story around it, and release the completed production as an original anthology episode titled “FRIENDS AND FOES.” Here it is if you haven’t seen it yet…

We began the three-person interview focusing initially on Michael, who lives in the Lexington, Kentucky area, and Camren, who lives in the Tri-Cities region in southeast Washington state. They discussed their backgrounds, how they first teamed up, and the early evolution of the project. I hadn’t yet gotten to Glen, who lives in northeastern Arkansas, but I’lll be rectifying that shortly.

First, however, let’s dive back into 2006-2007 and learn more about how Michael and Camren prepared to get this production ready for filming…

*Glen Wolfe, Michael Dempsey, and Camren T. Burton*

JONATHAN – Once you had a script, what happened next? How involved were each of you in pre-production and getting things ready?

CAMREN – As it turned out, being more than halfway across the country from everything severely constrained my ability to contribute to the project…beyond creativity. I reviewed audition tapes with Mike, and we did agree on casting. (Mike was going to be playing George Kirk, long before CHIRS HEMSWORTH!) I particularly remember loving JAMES BUTTERFIELD’s audition as Deyziel because he nailed JOHN BILLINGSLEY’s vocal mannerisms for Phlox, and it was like looking at a younger Denobulan in human disguise. Mike found talented locals in his area with costumes, and we had a few enthusiastic fans around the country contribute with making props.

JONATHAN – Was it easy or hard finding people to be a part of the production?

MICHAEL – I had a very small group of people who were part of that team, and they were all great to work with. But it was hard to pull people in for this. For some reason, there wasn’t much local interest in doing a Star Trek production around here—I really don’t know why. We have a huge independent film base in Kentucky, but I had a really difficult time getting people to join us…even casting roles for it was really difficult. There was just no interest.

JONATHAN – Eventually, though, you had your cast and crew in place. Did production go fairly smoothly?

THE FEDERATION FILES “rescues” another uncompleted fan film in “FRIENDS AND FOES” (interview with MICHAEL DEMPSEY, CAMREN BURTON, and GLEN WOLFE, part 1)

One of the most unique and intriguing aspects of the fan series THE FEDERATION FILES is that it is a true anthology series. Each new episode features entirely different characters and settings and even eras. We’ve seen Star Trek episodes in the present, the not-too-distant future, the 23rd century, the 24th century, and even a long time ago in a galaxy far, far away. Essentially, these folks can tell any Star Trek or Star Trekkish story that they want to.

And by “these folks,” I mean GLEN WOLFE and his partner DAN REYNOLDS, the co-owners of WARP 66 STUDIOS in northeastern Arkansas. They have a growing collection of TOS set recreations, allowing them to create fan films from that era, but they’ve gone far beyond that both in terms of space and time.

Recently, Glen Wolfe “rescued” (my word) a fan film from several years ago that was partially filmed at Retro Studios in Ticonderoga, NY (before it became the official TOS Set Tour) but never completed. That fan film was STAR TREK: EQUINOX, written by CAMREN T. BURTON and starring GARY LOCKWOOD reprising his role of Gary Mitchell from the TOS episode “Where No Man Has Gone Before” and JOHN SAVAGE reprising his role of Captain Rudy Ransom from the Star Trek: Voyager “Equinox” two-parter. Glen came in, created a new 24th framing sequence, and finished the ill-fated fan film half a decade later. You can read more about that project here.

Late last year, Glen decided to do an encore with another uncompleted fan film from 2006-2007 called STAR TREK: ORIGINS – “The Wounds of War.” Once again, Glen produced a framing sequence and incorporated filmed elements of the the original footage to create an entirely original production—a new episode of the The Federation Files that he chose to call “FRIENDS AND FOES.” Let’s take a look…

This two-part blog interview was actually a somewhat challenging to put together. Obviously, I had some questions for Glen, as The Federation Files‘ show-runner as well as writer/director of this latest episode. But there was also the writer of the original uncompleted episode (again, the aforementioned Camren T. Burton) plus the executive producer and star of the original fan film, MICHAEL DEMPSEY.

What’s so difficult about interviewing three people? Well, I usually try to interview people together, but this time, it was three separate interviews that I’ve needed to merge into one that flows smoothly. (In other words, I need to make you guys think they were all in the same room or zoom call or email chain together when they really weren’t.) But the other challenge was that Michael’s portion of the interview needed to wait several months because he actually contracted a rather serious case of COVID-19 before I could interview him!

So with that as an intro, let’s get into it…