Why are some people attacking JOSHUA IRWIN???

There are certain people in fan films that almost no one complains about. These are nice people with good hearts, dedicated fans always happy to go that extra mile—sometimes even hundreds or thousands of miles!—to help other people out.

JOSHUA IRWIN is one of these people.

He is a consummate professional, skilled at his craft of filmmaking, and never too proud to lend a hand to others. He never, ever criticizes another fan film publicly. Like me, Josh believes in encouraging others, just as he himself was encouraged when he started out. Look though Facebook and try to find an example of Josh saying anything negative about another Star Trek fan film. If you can find me something, I will personally send you $5 on Paypal. Seriously. Go look.

In addition to making his many, many AVALON fan films (he’s released FIVE this year alone!), Josh helps out on other fan productions, as well. Josh has already lent his talents to VANCE MAJOR for CONSTAR (both past and upcoming) and also to GLEN WOLFE and DAN REYNOLDS for THE FEDERATION FILES. Last month, Josh drove 11 hours each way to supervise behind-the-scenes interviews, videos, and photos for the one-day green screen shoot for the upcoming AXANAR sequels. And already scheduled for next year, Josh will be assisting SAM COCKINGS with shooting footage for one of his many TREK SHORTS fan films and helping JIM VON DOLTEREN write a script for an upcoming Star Trek fan film. And all of this while working crazy hours in the professional filmmaking industry in northwest Arkansas AND raising three great kids in partnership with his wonderful wife!

Oh, let’s not forget that Josh was my director of photography and film editor for INTERLUDE and recently spent an additional four months making tweaks for the successful launch of a new release (version 3.0) that has been met with solid praise and accolades. Let’s also not forget that Josh drove 11 hours from Arkansas to Georgia and back over the course of two days to reshoot portions of Interlude so that we could quickly replace the footage of PAUL JENKINS that he demanded be removed from the film.

In short, there’s a lot of fan film folks who love and appreciate Josh and all he does for our community. And that’s why so many of us were shocked and disgusted at what was posted this past Thursday…

And this, my friends, is how hurtful, malicious rumors are created out of thin air.

For the record, MATTHEW MILLER has never worked with Josh Irwin on any project. So it’s not entirely clear when he says, “I can’t share what I know…” exactly what it is he allegedly “knows.”

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DISCOVERY’s “All Is Possible” is three STAR TREK episodes in one…yes, I said STAR TREK! (editorial review)

My friends, we’ve got SPOILERS…right here in River City…with a capital “S” that’s, um, also the first letter of STAR TREK!

THIS!!! This is what I (and many fans) have been waiting for!

There’s no question that season 4 of STAR TREK: DISCOVERY has been their strongest start so far…although that’s not setting the bar particularly high. Season one was a train wreck. Season two was saved by ANSON MOUNT as Pike (so much so that his new Star Trek series is premiering in just a few more months). Season three started off a bit better, but dystopian futures have been done to death. That’s not what Star Trek should be about. The future is bright in Star Trek—even if there’s threats to overcome like the Borg or Dominion—it’s just knowing that the Federation is there as a beacon of hope to the galaxy that grounds Star Trek in a foundation that promises that…well…”All Is Possible.”

That’s the title of this fourth episode of season four. And it stands as proof—proof, I say!—that Discovery CAN do Star Trek…real Star Trek—not something that, if you squint just the right way, you can convince yourself is Star Trek.

So what happened?

The show hasn’t suddenly changed overnight. The evolution has been slow and steady over the four episodes of this season so far. And it’s possible that this fourth episode was a fluke and the fifth or sixth or seventh episodes (or all of them) will have the same old—or new—problems. Or this could be the start of a run of really strong episodes that make fans think, “Hey, maybe they really are finally figuring out how to do this show.”

But again, what was it about this particular episode that they get so right that they haven’t gotten right before (at least not all in one episode)? Let’s take a closer look…

Continue reading “DISCOVERY’s “All Is Possible” is three STAR TREK episodes in one…yes, I said STAR TREK! (editorial review)”

Did STAR TREK: DISCOVERY just tell us that Admiral Vance is (metaphorically) ALEX KURTZMAN??? (editorial review)

SPOILERS BE SPOILIN’, BRUH!

After I watched the third episode of STAR TREK: DISCOVERY‘s fourth season, “Choose to Live,” I was torn about what to focus on in this blog. There were so many possibilities going through my mind! So before I get to paying off the headline that got you here (feel free to skip to the end to read about the how I think there is a “not so secret” message for the Kurtzman haters embedded at the end of the episode), let me tell you a few other thoughts that I had about this one…

BUT FIRST!!!

Before I begin, let me say in ALL CAPS and bold italics: THIS WAS A VERY ENJOYABLE EPISODE!!!! Each of the three episodes this season have been superior to most of what Discovery has done before. People keep reading my blogs and complaining that I hate Discovery and just want to find reasons to trash it. No, no, no! I want to DISCUSS it—both the good and the bad. If the show was perfect each week, I’d have nothing interesting to say other than, “Hey, wasn’t that a great episode???” If all I ever did was bash the show, then why am I still watching it each week? Instead, I try to call balls and strikes as I see them as a starting point for thinking about the series and analyzing what’s working and not working. If that’s not your thing, then don’t bother with my blog. No need for insults on Facebook.

Okay, NOW for my thoughts on this episode…

JUGGLING TOO MANY SUB-PLOTS?

Last week I discussed how many things were going on simultaneously in the second episode: 1) Book’s emotional devastation over the destruction of his planet and loss of his family, 2) Michael’s struggles balancing command with personal feelings, 3) Saru’s return to Discovery, 4) Tilly’s problems adjusting to her new normal, 5) Adira’s uncertainty about Gray getting a new Soong-synth body, 6) Stamets’ feeling of inadequacy and struggles relating to Book…plus there was the anomaly to learn about and the fact that flames and rocks are spontaneously erupting onto the bridge during red alert!

Well, if I (or you) were hoping for a few less spinning plates this episode, that didn’t happen. This episode juggled the following plot lines: 1) Michael’s relationship with her mother, 2) Tilly is still having her existential crisis, 3) Book is still dealing with his pain, 4) Stamets is trying to figure out the anomaly but can’t find those darn tachyons, 5) Gray’s consciousness is now in the new synth body, but he’s not waking up…all of this while dealing with a rogue Romulan ninja nun with an ends-justify-the-means mentality (and a badass sword).

Well, I suppose the good news is that that’s one less ball in the air than last week AND nothing was spitting out flames at the bridge crew…!

Continue reading “Did STAR TREK: DISCOVERY just tell us that Admiral Vance is (metaphorically) ALEX KURTZMAN??? (editorial review)”

R.I.P. JACK “TOWAWAY” EATON — 1962-2021

My friend JACK “TOWAWAY” EATON has just passed away. He was 59, and yes, that is TOO goddamn soon!

If you’re part of the fan film community, it’s likely you’ve never heard of Jack…although he did attend Farragut Fest back in 2012 is friendly with a number of the folks who have been involved with the TOS sets at what is now called NEUTRAL ZONE STUDIOS in Kingsland, GA.

If you’re a member of STARFLEET: The International Star Trek Fan Association, Inc. then you probably known him as Vice Admiral Jack Eaton, former Region 2 Coordinator.

And if you’re GEORGE “Sulu” TAKEI, you know him simply as “Towaway” because you gave him that nickname.

I met Jack back in the late 1980s when I was going to school at Cornell and was heavily involved in STARFLEET International‘s Region 7, which at the time included nearly all the Mid-Atlantic and New England states. I was XO on the U.S.S. Avenger chapter based in New York and New Jersey, and Jack was with the U.S.S. Christa McAuliffe, based in Massachusetts and Rhode Island, where he lived before moving south to the eastern central coast of Florida.

The McAuliffe crew never took themselves very seriously. They would show up at regional and international conferences all wearing bathrobes, slippers, and fedora hats…saying that was their official uniform. Their club meetings consisted of bowling drunk on Friday nights in Providence, RI. They were funny and fun-loving, totally open and inclusive, the kind of people you were just happy to know existed in Star Trek fandom.

And Jack was one of their ringleaders…and proudly so.

Like an assassin who knows 1,000 ways to kill a person, Jack knew 1,000 ways to make a person laugh…including the aforementioned assassin. He had a good and generous heart. And despite his natural ability to play hard and relax even harder, Jack could get things done and accomplished when they needed to be and was an effective leader for Starfleet’s Region 2 when he moved down there.

Jack broke any mold you could possibly imagine. He loved all sci-fi the way he loved a good cigar and a smooth bottle of scotch. And yeah, enjoying that kind of lifestyle doesn’t usually help in living a long life. I can still be sad about it, though.

Jack and I weren’t buddy-buddy close, but we were a few steps up from just casual Facebook friends and kept in touch semi-regularly over the years. It was just good to know that, somewhere on the surface of this planet, Jack Eaton was breathing air (or cigar smoke) and probably making someone laugh.

Now, neither of those things are happening anymore, and the world is lessened because of it.

Continue reading “R.I.P. JACK “TOWAWAY” EATON — 1962-2021″

‘Tis the season for GIVING…to FAN FILMS!

When folks come to me for advice on crowd-funding their fan projects, I always tell them the same thing: DON’T LAUNCH YOUR CAMPAIGN DURING THE HOLIDAY SEASON!!! Ever since 2015, I’ve noticed that fan film crowd-funders that try to raise donations in November and December often struggle to reach their goals or even fail outright. The holiday season seems to be a “donation desert” for fan films.

It makes total sense. Nearly everyone is buying Christmas (or Hanukkah or Kwanza or Festivus) gifts for friends and family. And before COVID, people used to take expensive vacations during the holidays to visit family or just get away—remember when that used to happen? Charities, of course, usually choose this time to appeal to that ol’ spirit of giving and approach (hopefully) generous donors to give a little sumthin’. And soon Christmas bonus checks are spent before they even get cashed, and bank account balances do their impression of the Titanic.

I get that…not the time for fan films to ask for money.

But this past Monday, I received a bunch of e-mails from various places informing me that “Giving Tuesday” was here. So now we apparently have Black Friday, Cyber Monday, and…Giving Tuesday? When did that become a thing? Actually it started in 2012 at New York City’s famous 92rd Street Y (where I went to summer camp back in 1981) and has grown into an international movement to encourage a little healthy philanthropy among the manic bargain-hunting.

I wasn’t able to write a blog in time for this year’s Giving Tuesday because I just had cataract surgery early this week, and it took away my ability to see the text on my computer screen for a couple of days. Today is the first day I’ve got reliable sight back enough to compose a blog.

I’d actually been meaning to post something reminding folks about the ongoing Fan Film Factor Patreon to cover my annual expenses for keeping this blog site running. Currently, I’m taking in enough in monthly donations to cover the costs of domain registration and hosting, technical support, and security services.

But last month, I added a new annual expense: a $160/year Pro Account for Zoom. You might have noticed that I’ve been doing more video interviews with fan filmmakers lately. Zoom is an easy way to reach multiple people and record the interview calls. And Zoom is free as long as your call is less than 45 minutes or has only one other person on it. But my interviews go 60-90 minutes, and I often have multiple people on at the same time.

So with “Giving Tuesday” happening, even though we’re in the middle of the “fan film donation desert,” as I call it, I thought this might be a good time to post a little reminder about my Patreon

I’m looking for monthly contributions of $1, $2, whatever folks can spare to help cover the annual expenses of Fan Film Factor

PATREON link: https://www.patreon.com/fan_film_factor

Continue reading “‘Tis the season for GIVING…to FAN FILMS!”

DISCOVERY’s latest episode “Anomaly” gave me what I’ve been asking for…so why was I so UP IN THE AIR about it? (editorial review)

SPOILERS COMING OUT THE WAZOO!!!

First of all, VCBS moved quickly to (try to) clean up their “mess” from last week, now debuting STAR TREK: DISCOVERY season 4 internationally on Paramount+ and Pluto TV in at least some countries this week, releasing episodes 1 and 2 together. It’s far from a perfect fix, but at least I don’t have to worry about spoilers as much as I did last week when only fans in the U.S., Canada, and those with a questionably moral compass could view it.

So let’s jump into the second episode of the season, “Anomaly,” or as I like to call it: “Quiet Conversations Punctuated By Action Scenes and Technobabble in the Middle.”

Okay, stop, stop, stop! I did NOT hate the episode. And I didn’t love it either. But here’s the thing, folks: I should have loved it.

The reason that I should have loved “Anomaly” is that it corrected many, MANY things that I’ve been complaining about for three seasons now. And for those of you who don’t make it a point of memorizing Jonathan’s list of grievances, here’s a brief Festivus refresher of what has most grated on me and what this episode did to fix those issues…

Characters weren’t given time to react and process traumatic events

I remember my go-to example of this was when the crew of Discovery got back from the Mirror Universe in season one, having been betrayed by their former commanding officer (Lorca). He turned out to be an evil psychopath who tried to kill them all. And the only “traumatized” emotional reaction we got from any of the characters was when Admiral Cornwell phasers an innocent bowl of fortune cookies out of existence. Everyone else, it seems, was fine.

The problem with the series in the first two seasons was a rush to hit the major story “beats” (significant events that change the characters’ direction in some major way), and once a beat happened, there was a rush to the next beat, and so on and so on. The writers didn’t give the characters a chance to breathe.

This episode, on the other hand, had Book dealing with the destruction of his home world, Michael dealing with her feelings for Book affecting her command instincts, Tilly dealing with what happened on the space station last episode and all the events from season three, Adira dealing with both Tilly as well as uncertainties about Gray’s upcoming transition (interesting choice of wording) from disembodied mind-ghost to full-bodied Soong-type synth, and Stamets’ ongoing feelings of inadequacy and helplessness to save his family that led to him getting shot out of an airlock in season three.

So we went from almost no characters having lingering traumas to almost no characters NOT having lingering traumas. That’s what I wanted, right? Well, let me get back to you on that after I continue with the ol’ airing of the grievances…

Continue reading “DISCOVERY’s latest episode “Anomaly” gave me what I’ve been asking for…so why was I so UP IN THE AIR about it? (editorial review)”

Where in the world is STAR TREK: DISCOVERY??? (editorial and review)

ALMOST ZERO SPOILERS!

The fourth season of the wild ‘n’ wacky STAR TREK: DISCOVERY just premiered…at least in the U.S. and Canada. The rest of the planet will need to wait until an undefined date in “early 2022” (according to CBS) to view the new season because, um, reasons.

Up until this past week, viewers around the world (outside of the U.S. and Canada) got to watch Discovery on Netflix. This was because the infrastructure —both technical and red tape—to set up CBS All Access, which is now Paramount+, was not yet properly in place in other countries. In other words, without a service like Netflix—or in the case of PICARD and LOWER DECKS, Amazon Prime—there would be no way for international Star Trek fans to watch the various new series. So CBS offered non-U.S. and Canada streaming licenses to those two services.

But now, with Paramount+ now available in about 20 foreign countries (and another 25 set to add the service within the next year), the equation had changed entirely. CBS began unwinding its streaming agreements with Netflix earlier this year when TOS, Voyager, and Enterprise were all permanently removed from Netflix back in September. Obviously, CBS (now ViacomCBS) wants as many subscribers to Paramount+ as possible, and having their content simultaneously available on Netflix doesn’t exactly encourage folks in places like Europe, Asia, and Australia to sign up for an extra paid streaming service.

Indeed, reports are saying that VCBS had been working an agreement to buy out all of Netflix’s financial interest in Star Trek: Discovery, a show they had co-produced with CBS back in 2017. Unfortunately for fans in countries that do NOT contain the Rocky Mountains or share a coastline with the Great Lakes, that deal was finally inked this past week, and the announcement that Discovery would NOT be debuting internationally on Netflix on Thursday, November 18 came on November 16…just two days before hundreds of thousands of fans outside of North America were looking forward to the big premiere.

CBS tried to put some lipstick on this pig…

…but in the end, few besides the suits at VCBS were particularly happy about the last minute “news.” This included the Discovery cast and production crew, many of whom tweeted their own frustration with the timing of the announcement and the fact that they weren’t informed.

I’m not going to lambast VCBS for their decision(s) in this matter. I totally understand wanting to consolidate Trekkies to Paramount+ as it debuts worldwide, rather than having them giving their fan bucks to Netflix instead. And I assume that, in a perfect world, infrastructure would probably have already been in place to premiere Discovery internationally on the same date that season four premiered in North America. For whatever reason, that didn’t happen. And I suspect that negotiations with Netflix were precarious enough that sharing the news early with the cast and production crew (and likely having it leak) would have done way more harm than good.

That said, there is an obvious risk for VCBS in this…

Continue reading “Where in the world is STAR TREK: DISCOVERY??? (editorial and review)”

If you didn’t love STAR TREK: PRODIGY, then you’re probably NOT eleven years old… (editorial review)

One of my favorite stories of “generational” Star Trek comes from novelist/comic book writer PETER DAVID. It was 1989, and he was doing the Star Trek comic for DC. Peter needed to do a little research, so he plunked Wrath of Khan into the VCR and started watching it. A few minutes later, his oldest daughter, Shana, walked into the family room and asked her daddy what he was watching. “I’m watching Star Trek, honey,” Peter replied.

Shana loved to watch Star Trek with her father, so she sat down next to him. After a few minutes, with the most bewildered expression on her face, Shana turned to Peter and asked, totally confused: “Daddy, where’s Worf???”

Back in 1989, with Star Trek: The Next Generation only in its second or third season, most fans had grown up raised on Kirk, Spock, McCoy, and an Enterprise without families or a bartender on board (well, I suppose the ship’s doctor sometimes doubled as a bartender). We liked Next Gen (mostly—it was still early on), but it wasn’t really “our” Star Trek. But for Shana David and other kids who grew up in the 1980s and 1990s, TNG became “their” Star Trek.

I decided to wait until the second week before writing a blog about the the new STAR TREK: PRODIGY because I wanted to see what the show was going to be like once Holo-Janeway was given some decent screen time. But I’m going to avoid diving too deeply into a review because most of my readers have probably already decided that you…

  1. Love it,
  2. Hate it,
  3. Want to wait to get a better idea of where they’re going with it, or
  4. Will never watch anything the CBS produces with the name “Star Trek” in the title because they are determined to ruin the franchise and screw over the fans.

I’m firmly in group #3, by the way. My initial reaction after the first two-part episode, “Lost and Found”—and I swear this is exactly what I thought when it ended—was: “Well, I liked it more than DISCOVERY.” And I mean that from a writing, pacing, and character development perspective—even though the first episode was only (very) peripherally Star Trek: a few recognizable aliens, a Federation starship, and of course, a few seconds of Holo-Janeway.

But in the end, it wasn’t really MY opinion that mattered this time; it was that of my 11-year-old son, Jayden. Usually, when I ask Jayden how school was or what he thought of dinner, he’ll say, “Good.” But when I asked him to give me his reaction to the first two-part episode of Prodigy, he was much more enthusiastic than usual. He said, “VERY good” with a long and drawn out “VERY.” That’s high praise!

Continue reading “If you didn’t love STAR TREK: PRODIGY, then you’re probably NOT eleven years old… (editorial review)”

The real significance of sending WILLIAM SHATNER into space…

It all started in the summer of 1983 with the flight of the first female astronaut, SALLY RIDE, orbiting the earth on board the space shuttle Challenger. And it ended on January 26, 1986 with the death of civilian teacher CHRISTA McAULIFFE and six other crew members on board that same spacecraft as it exploded and broke apart just 73 seconds after liftoff from Cape Canaveral, Florida.

What ended? The hope of sending a poet into space.

“We need people other than MIT physicists to tell us what it’s like up there,” said novelist JAMES MICHENER in the early 1980s. A space enthusiast, Michener served at the time as a member of a special NASA task force. In 1983, after Sally Ride had reinvigorated Americans’ enthusiasm for the multi-billion dollar-a-year NASA space program, the task force issued a report that called for sending professional communicators, such as writers and educators, on future space missions. “It is desirable for NASA,” the report explained, “to fly observers on the shuttle for the purpose of adding to the public’s understanding of space flight.”

And so began the search for the perfect candidate out of literally millions of Americans. A NASA spokesman said they were looking for “…someone who can make an eloquent contribution to the literature…a broadcast journalist, a newspaper reporter, an artist, a song writer, or even a poet.”

I remember at the time (I was just starting college) learning that singer/songwriter JOHN DENVER was lobbying hard to be considered for this program. I imagined the man who wrote one of my all-time favorite songs, Looking for Space, actually traveling TO space and coming back to share that experience with the world through music and lyric. It could have been glorious because most people (nearly all) who were alive in the 1980s would have no chance to ever go into space.

And as lovely as the words of NEIL ARMSTRONG (“One small step for (a) man, one giant leap for mankind…”) and BUZZ ALDRIN (“Magnificent desolation…”) were when they stepped onto the moon’s surface in 1969, they really weren’t trained to be communicators. They were military men, pilots, engineers, and scientists of a sort. Their training and skillsets never included inspiring others with words and evoking visceral feelings and emotions. Writers and artists know how to do that, but they weren’t the ones leaving the planet.

Christa McAuliffe

In 1984, the decision was made to send a teacher into space to kick off the program. Thousands of applicants were whittled down to 114 semifinalists from all fifty states, and then to 10 finalists—six women and four men—with Christa McAuliffe of Concord, New Hampshire being the final selection.

Phase two of this civilian-in-space program would have sent a journalist into orbit the year following the teacher. More than 1,700 candidates were under consideration, including former CBS anchor WALTER CRRONKITE (who was 69-years-old at the time), WILLIAM F. BUCKLEY, JR., GERALDO RIVERA, TOM WOLFE (author of the widely-acclaimed book The Right Stuff) and NORMAN MAILER. Phase three would launch some kind of artist.

And then the Challenger disaster happened.

Continue reading “The real significance of sending WILLIAM SHATNER into space…”

SATURDAY NIGHT LIVE spoofs Star Trek (again!) AND billionaire astronauts…

Saturday Night Live has never shied away from parodying Star Trek…starting way back in their first season (1976) when JOHN BELUSHI, CHEVY CHASE, DAN AKROYD, and ELLIOTT GOULD brought viewers the unforgettably hilarious “Last Voyage of the Starship Enterprise.” Since then, their parodies have been somewhat hit-and-miss, with mixed reviews on such sketches as “The Restaurant Enterprise,” Love Boat: The Next Generation,” “Emergency Room/Worf, M.D.” and the recent “Lost Episode” featuring CHRIS PINE as Captain Kirk and BOBBY MOYNIHAN as Spock’s vulgar half-brother from Queens, Spocko. Now THAT’S a Star Trek!

The last one was also the latest parody of Star Trek until this past Saturday night when SNL kicked off its 47th season (c’mon, you’ve GOT to have a Star Trek sketch when the season is 47!), with host OWEN WILSON. Take a look:

As Homer Simpson would say, “It’s funny because it’s true.”

Now, if you’ll indulge me for a moment, I’d like to make two editorial observations…

First off, billionaires have been getting MUCH more interesting lately! Granted, none of them are dressing up like a bat at night and fighting crime in Gotham City or designing suits of flying armor and leading a team of superheroes. But even still, building rockets to take civilians and other payloads into space is pretty darn cool. I mean, a century ago, a “typical” billionaire looked like this:

John D. Rockerfeller, Henry Ford, and Andrew Mellon

These guys were certainly impressive and all—successful businessmen, entrepreneurs, philanthropists, patrons of art and science, and even one a secretary of the treasury. But were they fun? I mean, no complaints about making automobiles affordable to the masses or starting a top notch university…but fun?

Billionaires became more fun with this fellow:

That’s WILLIAM RANDOPH HEAST…the man built a frickin’ CASTLE on the central California coast, fer gosh sakes!!! And then he would invite famous celebrities, political leaders, and brilliant minds from all over the world to come and stay there, asking only that they attend communal dinners and certain other gatherings to share their thoughts, ideas, and perspectives with each other and with him. Seriously, if you ever have a chance to visit Hearst Castle in San Simeon, California, and learn its history, it’s totally worth the visit. It’s fascinating!

And who could forget this guy…?

Continue reading “SATURDAY NIGHT LIVE spoofs Star Trek (again!) AND billionaire astronauts…”