Fan Film Features – Page 16

The 2022 SHOWRUNNER AWARDS now have their final 38 entries!

My friends, the great experiment: THE SHOWRUNNER AWARDS.

In January of this year, two new fan film competitions launched, to join the third (the long-running annual BJO AWARDS) in celebrating our fun and quirky little niche-of-a-niche-of-a-niche of fandom. The first of the two new yearly award shows to begin—and conclude—was the DIRECTORS CHOICE AWARDS, where the directors of the submitted fan films became the judges (and were not allowed to vote for their own fan film, of course). And once those awards were handed out, it was time to launch of the new SHOWRUNNER AWARDS.

Both first-time contests had fresh and unique aspects to them. For example, for the past almost-decade, ERIC L. WATTS of the Bjo Awards automatically entered any Star Trek fan film from the previous year that met the eligibility requirements. So a fan filmmaker didn’t have to do anything to be considered for a Bjo aside from release an eligible fan film in the previous year. The Directors Choice and Showrunner Awards, however, each required a small $10 submission fee to enter (in order to prevent a flood of entries). The Directors Choice also opened their contest to fan films beyond Star Trek—Star Wars, Harry Potter, etc.—while the Showrunner Awards limited ourselves to only Star Trek fan films.

All three competitions have the standard categories like Best Fan Film, Best Director, Best Actor/Actress, Best Hair and Makeup, etc. But the Directors Choice introduced some interesting outside-the-box categories like Best Ensemble Cast, Best Foreign (non-U.S.) Fan Film, Most Canon Fan Film, Best Animated Fan Film, and Best Parody.

Meanwhile, the Showrunner Awards created categories for Best Original Character, Best Scene (a short clip up to two minutes in length), and Best Micro-Budget ($1,000 or less) Fan Film. We also decided to do something the other two contests don’t do: give out THREE awards per category rather than just one winner and five finalists or one winner and one runner-up.

I keep saying “we” when referring to the Showrunner Awards. That’s because our panel of twelve judges—each the showrunner of a Star Trek fan film or series—brainstormed, discussed, and voted on our categories, entry fees, and rules. Among those rules is that we will use ranked-choice voting, each judge selecting their five favorites in each category in descending order. First choice gets 10 points, second gets 7, then 5, 3, and finally 1 point. A judge cannot vote for their own fan film in any of the top three slots.

For me, the most interesting aspect of the Showrunner Awards was our decision expand eligibility to a 5-year window. For our 2022 awards, any Star Trek fan film released from January 2017 through December 2021 could enter. Of course, that aspect of the “great experiment” carried some risks…

Does STARSHIP WEBSTER’S latest fan film “SNOWBOUND” prove that RANDY LANDERS is absolutely NUTS??? (interview)

I’m just kidding about you being nuts, Randy…well, kinda kidding!

If you look on the Internet (I’ve heard some people are doing that now), you’ll eventually run into a meme of DANNY DeVITO wearing a white wig pretending to be a pretentious art collector named Ongo Gablogian. It’s from an episode of the show It’s Always Sunny in Philadelphia, and the quote is:

Artists must suffer for the art. That’s why it’s called PAINting!

Well, if PAINting includes clicking multiple points with your mouse on literally tens of thousands of individual frames from a Star Trek fan film, then yes, RANDY LANDERS, showrunner of POTEMKIN PICTURES, has certainly suffered for his art. More precisely, he suffered for the most recent release from the STARSHIP WEBSTER Creative Group, “SNOWBOUND.” After filming, this fan film took an entire YEAR to finish!

Have a look…

Now, you might watch the above fan film and say, “So a bunch of Trekkies in Lexington, Kentucky went out on a day when it was snowing, shot some scenes, and turned it into a five-minute fan film (not counting opening and closing credits.) What’s the big deal?”

The big deal, my friends, is that it WASN’T snowing when Randy Landers shot it! Here’s what it looked like before Randy’s year-long odyssey of post-production began…

And here’s what it looked like after…

Of course, that’s just one still-frame. As I said, there’s nearly FIVE MINUTES of that!!!

So the obvious question this time out is: how on earth (or whatever planet that is) did Randy manage to accomplish this chilling feat? And since Fan Film Factor is mainly about fan filmmakers’ journeys getting from there to here, it’s time for another chat with Mr. Landers…

STAR TREK: TNG – THE ANIMATED SERIES vignette quickly goes VIRAL! (interview with JUSTIN LEE)

Most Star Trek fan films get anywhere between a few hundred and a few thousand views on YouTube. The more “polished” ones can make it into the tens of thousands of views and, maybe, after a few months or even years, crack the 100K threshold.

But STAR TREK: THE NEXT GENERATION – THE ANIMATED SERIES, a two minute and 14 second fan film with no “coming soon” trailers nor any fanfare prior to its April 12, 2022 premiere, was able to blast its way into the six-digit range in less than a week, and after five weeks on YouTube is now nearing a half million views!

Sometimes a video just goes viral—although the simplicity of the concept along with the flawless technical execution and inspired concept was certainly enough to justify the rapid word-of-mouth, including a shout-out from WIL WHEATON on his blog. Take a look…

Part of the brilliance, in addition to choosing one of the most iconic scenes from one of fandom’s favorite episodes—the kidnapping of Picard by the Borg in “The Best of Both Worlds, Part 1”—was coloring the Borg and their cube in bright purples and violets rather than dull grays. This harkened back to how the original Star Trek animated series would color the Klingon uniforms in those same ridiculous purple and violet colors…

The short vignette animation was released on the YouTube channel of GAZELLE AUTOMATIONS, a small Toronto, Canada-based agency specializing in puppetry, model miniatures, and animation. Five days after its debut, in response to many, many questions posted by hundreds of viewers, animator JUSTIN LEE released a second video, twice as long as the original fan film, explaining how the project was animated. It’s also worth checking out..

Of course, you know me—I had even more questions that I was sure my readers would love to hear the answers to. So I reached out to Justin via e-mail to ask if he’d be up for an interview. Since Justin is from Canada, he couldn’t have been nicer (I think it’s in their DNA, eh?), and he was happy to oblige…

DOOMSDAY quickly becomes the most popular TALE FROM THE NEUTRAL ZONE! (interview with RAY TESI and JOSH IRWIN, part 2)

Last week in Part 1, we learned how, in March of 2021, RAY TESI from NEUTRAL ZONE STUDIOS had asked JOSHUA IRWIN from THE AVALON UNIVERSE to make the half-day drive from northeastern Arkansas to southeastern Georgia to be the director of photography for the newest TALES FROM THE NEUTRAL ZONE fanthology film “DOOMSDAY.” Josh was happy to help out, and the completed production has quickly become the most watched of all three of the Neutral Zone releases, nearly doubling the views of the previous two offerings, THE LOOKING GLASS (released in June of 2019) and ENDOSYMBIOSIS (February 2021) in only a couple of weeks.

Take a look…

We had just learned that, after arriving at the studio on the day of shooting, Ray had gotten buried under other studio-related tasks he needed to do. And so he asked Josh if he would mind taking over as director in addition to being director of photography (two VERY different jobs). Josh is used to dealing with the unexpected on film sets, working in the film industry himself professionally, and so he agreed to the challenge.

Of course, this gave Josh essentially no time to prepare as director, and so I asked him the following question…

DREADNOUGHT DOMINION’S “MOM” debuts on Mother’s Day…of course! (interview with GARY DAVIS)

Ya just gotta love the folks at DREADNOUGHT DOMINION. Well, you don’t have to love them, but it’s hard not to! They spread such fun and joy through their fan films.

You would think that a fan series set on board a three-nacelled dreadnought-class starship would involve lots of battles and intense, serious action. And you would be wrong. Out of all of the most active ongoing Star Trek fan series, Dominion is one of the ones that takes themselves the LEAST seriously. Although they have had a handful of dramatic releases, they’ve also had a whole bunch of good, wholesome, fun-for-the-whole-family style episodes that just make you want to laugh and smile.

And what could be more wholesome than the captain’s mother visiting her son on the bridge of his starship? And what could be more family-friendly than releasing an episode titled “MOM” on Mother’s Day? Are you ready for something adorable…?

Seriously, how cute was that??!

Yeah, I know. Nothing like that would REALLY happen on a Federation dreadnought starship …or any starship, most likely. And the repercussions of a cloaked Klingon scout ship deep within Federation space could lead to interstellar war. And to that I say: “Stop complaining and go call your mother and tell her that you love her!” (My apologies to any out there who have lost their mothers, but if you know any mothers in your life, send them a link to this wonderful vignette and put a smile on their face.)

Speaking of smiles, I just couldn’t wait to ask GARY DAVIS, longtime Dominion showrunner and Captain Jason Brousseau himself, some things about this precious piece of production positivity…

DOOMSDAY quickly becomes the most popular TALE FROM THE NEUTRAL ZONE! (interview with RAY TESI and JOSH IRWIN, part 1)

NEUTRAL ZONE STUDIOS in Kingsland, GA is the only place on the planet where fans can shoot TOS-era Star Trek fan films on a full range of TOS-era sets including the bridge, engineering, sickbay, briefing room, transporter room, auxiliary control, captain’s quarters, turbolift, and a full range of corridors. WARP 66 STUDIOS in Arkansas has some, but not all, of these sets for fans to film on. And while JAMES CAWLEY’s TOS sets in upstate New York feature all of the rooms listed above, his sets are now an official licensed tour and are no longer available for shooting fan films.

Originally, STARSHIP FARRAGUT and STAR TREK CONTINUES were shot on these sets in Kingsland. After STC wrapped in 2018, VIC MIGNOGNA sold the sets to RAY TESI, who then opened them up to any fan film or series that wished to use them—including DREADNOUGHT DOMINION, the AVALON UNIVERSE, CONSTAR, LET OLD WRINKLES COME, TO HAVE BOLDLY GONE, and a bunch of others.

But Ray Tesi and Neutral Zone Studios also have their own fanthology series called TALES FROM THE NEUTRAL ZONE. Their first episode, THE LOOKING GLASS, was released in June of 2019 and has had about 28K views on YouTube so far. Their second episode, ENDOSYMBIOSIS, was hit YouTube in February 2021 and is currently over 15K views.

Their third release, DOOMSDAY, premiered just last month on April 5 (“First Contact Day”) and is already up to a staggering 81K views!!! Why the immediate popularity? Well, it could have something to do with the telling of the long-speculated tale of how Commodore Matt Decker and the crew of the U.S.S. Constellation first encountered the Planet Killer device and wound up the way Kirk and the Enterprise crew found them at the beginning of the TOS episode “The Doomsday Machine.” Take a look…

No too shabby, huh?

One of the most intriguing aspects of this fan film isn’t simply what went on in front of the camera but also who was standing behind it. Fan filmmaker JOSHUA MCHAEL IRWIN (who is also a professional filmmaker) is based in Arkansas and typically shoots his Avalon Universe productions at WARP 66 Studios. He did film Avalon‘s first release, GHOST SHIP, at Neutral Zone, and he later shot their 2021 release COSMIC STREAM there, as well. And although Josh was the director of photography for INTERLUDE (filmed at ARES STUDIOS in Lawrenceville, GA), nobody in the fan film world ever associated Josh with Tales From the Neutral Zone.

Until now, that is.

Josh served as director, DP, and film editor for Doomsday while Ray served as executive producer. Apparently, that was a winning combination, as the film has proved extremely popular on YouTube.

So how did this pairing happen? And what went into the production of this new fan film? I decided to interview both Ray and Josh together…

INTREPID’s “Pursuit of a Dream” brings DE-AGING tech to Star Trek fan films! (video interview with NICK COOK and SAMUEL COCKINGS)

PURSUIT OF A DREAM is a really great fan film! I almost said “surprisingly” great, but it really wasn’t a surprise because of the two blokes behind it. I call them blokes because NICK COOK and SAMUEL COCKINGS both live on the quaint little isle of Britannia.

Just in case you’re new to Star Trek fan films, here’s a quick primer. Nick Cook of Dundee, Scotland has been the showrunner on the Scottish Star Trek fan series INTREPID since they began work shooting their first fan film waaaaay back in 2003 (and released four years later). You can read the complete history of Intrepid starting with this blog.

Meanwhile, 422 miles south of Dundee, in the city of Bedford, England, SAMUEL COCKINGS has made a name for himself as the prestidigitator of all things animational when it comes to CGI for Star Trek fan films. I often joke that it takes less time to list the Star Trek fan projects that Sam HASN’T done the VFX for than the ones he has…but I’m not entirely convinced it’s actually a joke.

Among the fan series that Sam has worked on is—you guessed it!—Intrepid. Nick has also appeared in a number of Sam’s TREK SHORTS videos, including the first one (released last year), A LONG WAY FROM HOME. Nick will also be one of the primary stars of Sam’s upcoming mega-crossover fan film event CONVERGENCE.

So these two fan filmmakers are frequent collaborators. However, Sam usually runs his fan films and Nick just appears in them. Meanwhile, Nick runs Intrepid fan films and typically uses Sam on the back end for post production CGI effects. But Pursuit of a Dream is the first time Sam has come aboard Intrepid as a director!

In a story co-written by the two of them, Sam brings his eye for camera composition along with his amazing skills in both CGI animation as well as his ever-improving expertise with compositing green screen footage against jaw-dropping virtual 3D backgrounds to create a visually stunning fan film. Nick, meanwhile, brilliantly portrays his popular Intrepid character of Daniel Hunter at different times in his career. And because this film spans so many years, Sam sneaked in a little de-aging sorcery to make Nick look subtly younger in certain scenes. You really need to see it to believe it…

There’s also a bevy of guest star appearances by actors who have appeared in previous fan films from both Sam and Nick—including NIMRAN SAUND as Anna Keeley, MARCUS CHURCHILL as Sam Harriman, and a surprising cameo by RISHA DENNEY playing the character of Elizabeth Shelby for the first time since STAR TREK: HIDDEN FRONTIER!

There is SOOOO much to talk about! So I’m glad I was able to schedule two of my favorite Brits together at the same time during what was lunch for me in Los Angeles and just after dinner for them in the U.K. Are you ready for the British invasion of Fan Film Factor…???

This is one of the coolest aspects of the Star Trek Fan Film SHOWRUNNER AWARDS…

First, here’s the link to submit your Star Trek fan film to the first annual Star Trek Fan Film SHOWRUNNER AWARDS (deadline to enter is May 31):

https://www.cognitoforms.com/JonathanLane1/_2022StarTrekFanFilmSHOWRUNNERAWARDS

It’s funny how, over the past week and a half since I announced the first annual Star Trek Fan Film Showrunner Awards, several folks in the Axamonitor group have been up in arms (up in arms, I tells ya!) about this simple little fan film competition. This seemed pretty bizarre, since most of them have never even made a Star Trek fan film and won’t be competing.

At first, it appeared as though their issue was that the Showrunner Awards are charging a $10 entry fee (plus $1 per additional category like best director or best music). And thus I saw several posts like this…

Of course, submission fees are the industry standard. Just look on Film Freeway (where nearly all independent film festivals list their competitions), and you’ll see that submission fees range from $25 up to $100 per film. Even the recent fan film DIIRECTORS CHOICE Awards charged $10 per submission. Entry fees keep film competitions from being innundated with too many free entries.

When I pointed this out in one of the fan film Facebook groups, suddenly the issue “transformed” into from simply charging an entry fee to using those fees to help defray the ongoing annual hosting and site security costs for Fan Film Factor. The aforementioned JUSTIN BURTON suddenly switched to saying he was “fine” with the $10 fee itself, but not with what it would be used for…

And that’s when I realized: this is a complaint in search of a problem! (Imagine that!!!) I was actually tempted to reply, “Okay, so I won’t use the money raised for Fan Film Factor, and instead I’ll just go out and have a sushi dinner.” But I decided against it.

I probably don’t need to point out that fan filmmakers hold crowd-funders all the time looking for donations to help finance their “hobby.” And of course, I’ve covered hosting and security costs for Fan Film Factor mainly out of pocket for more than six years.

But hey, whether this blog site is a “hobby,” a pastime, a ridiculous time-suck, or a crazy obsession, Fan Film Factor serves our community in a very unique and important way. It honors and celebrates fan filmmakers and their creations, gives their projects extra exposure and web views, helps in their crowd-funding, and provides independent media coverage when these fan filmmakers opt to list themselves on IMDb.

Amusing, though, the negative nellies seemed to be even MORE incensed (if such a thing is possible) with the decision of our 12-member judging panel to open the competition to fan films released over MULTIPLE years—in the case of this first awards show, any fan film released from January 2017 through December 2021.

STALLED TREK is crowd-funding its third TOS puppet parody: “THE DUMBSDAY MACHINE”! (interview with MARK LARGENT)

Back in 2012, one of the earliest Kickstarters for a Star Trek fan film set a goal of $600 and raised $2,200 from over a 100 backers. The result, a hilarious animated puppet parody of the TOS episode “Amok Time,” premiered later that same year. Showrunner and animator MARK LARGENT originally intended that STALLED TREK: “AMUTT TIME” would be a one-off fan production…especially considering all of the work and computer rendering hours required to complete it.

But Mark’s CGI puppets weren’t quite finished yet!

In 2016, during the early days of the AXANAR lawsuit, I was interviewing Mark about “Amutt Time,” we got to talking, and we ended up co-writing and co-producing a hysterical puppet parody called PRELUDE TO AX’D-WE-ARE. Although it didn’t feature any of the zany Kirk/Spock/McCoy/etc. characters, it was still branded as Stalled Trek.

Two years later in 2018, Mark decided that it was time to go back to the TOS roots of Stalled Trek and parody a second classic episode. STALLED TREK: “THE CITY ON THE EDGE OF FORECLOSURE” launched a Kickstarter with a humble goal of just $600 and blew past it in just 8 hours! By the time that campaign ended, Mark had generated $4,181 from 114 backers. But shortly thereafter, Mark discovered that the 3D application he’d been using to animate Stalled Trek would no longer be supporting or updating the application on the Macintosh platform, and Mark didn’t have the money to switch to a Windows PC. Instead, he switched programs and started from scratch with Blender 3D.

The following year, as a proof of concept, Mark released the short vignette, ALL AHEAD FULL, in June of 2019, which was—as usual—brilliantly funny. And in the meantime, work continued on “City…”

Close to the finish line, Mark held an additional Indiegogo campaign at the end of 2020/beginning of 2021 that raised another $3,785 from 54 backers for “City…” offering DVDs/Blu-rays plus a high-quality 48-page “flip” comic styled after the old Star Trek “fotonovels” from the 1970s—one side adapting “Amutt Time” and the upside down side adapting City…”

And before anyone starts yelling about selling unlicensed Star Trek merchandise, Stalled Trek is unquestionably a PARODY and is—unlike most non-parody fan films—directly protected under the Fair Use doctrine.

“City…” was finally completed and mailed to donors on a blu-ray in June 2021. Since then, this humble fan film has gone on to win a ton of awards…

Indie Short Fest
IndieX Film Fest
Azure Lorica Fan Film Awards
LA Sci-Fi & Horror Festival (2 awards)
New York International Film Awards
Grand Rapids Comic-Con Film Festival
MonsterFlix Awards
Oniros Film Awards
Cult Movies International Film Festival
Independent Shorts Awards
RED Movie Awards
Berlin Sci-Fi Filmfest

Plus it was a finalist in The Galactic Imaginarium Film Festival and the Beyond the Curve International Film Festival.

So where can you see this marvel on YouTube? At present, you can’t. But Mark is once again making “City…” available on DVD along with “Amutt Time” and a BRAND NEW puppet parody, STALLED TREK: “THE DUMBSDAY MACHINE.” Here’s a trailer for it…

ONE SMALL STEP is one giant leap for DS9 fan films! (interview with SAMUEL COCKINGS)

We don’t see much Deep Space Nine in Star Trek fan films. Sure, we get the occasional reference to the Dominion War, as in the Czech fan film SQUADRON, but we typically don’t get to see the U.S.S. Defiant or Deep Space Nine itself. Part of the reason is that it would be nearly impossible for fans on a tight budget to recreate those massive Promenade and Ops sets on the station, or even the smaller bridge of the Defiant. And up until now, there hasn’t really been a decent virtual option to show a CGI background behind an actor filmed against a green screen.

You did notice that I said, “up until now,” right?

CGI Master of the Universe SAMUEL COCKINGS has already become legendary in our community for supplying industry quality visual effects at ridiculously affordable prices for countless Star Trek fan productions (way too many to list, so don’t ask…just look on his IMDb page). Now Sam is becoming just as well known for compositing green screen footage of actors against elaborately realistic 3D backgrounds of familiar starship and shuttlecraft interiors…and his latest interior is the bridge of the Defiant.

Sam pioneered and refined this skill in time collision Star Trek fan film TEMPORAL ANOMALY. He then crowd-funded a crossover film, CONVERGENCE, combining characters and story elements from five different Star Trek fan productions. Unfortunately, repeated COVID quarantines in the U.K. and Europe have prevented all of the actors from getting together in the same place at the same time for filming, and that project remains still in production.

However, that didn’t stop Sam from crowd-funding a second project…or rather, a set of projects. TREK SHORTS would be a series of vignette fan films, shot with smaller casts featuring only one or two actors on screen at once. The successful Indiegogo campaign took in $12.7K intended for the production of SIX separate short fan films. One of those films, the 19-minute A LONG WAY FROM HOME (did I say “short”?), premiered during the campaign and featured four actors, none of whom appeared on screen at the same time…making this technically a “fandemic” film.

But even isolating the actors from each other didn’t solve all of Sam’s COVID problems. On multiple occasions, an actor would test positive, and plans needed to change…often a the last second. This resulting in two “bonus” Trek Shorts releases, HOURS AT WARP and STARGATE SG-1: NEW MISSION (a prequel to a Trek Shorts universe crossover fan film).

Most recently, Sam released yet ANOTHER “bonus” Trek Shorts episode, not previously announced in the Ingiegogo campaign. It features scenes on the U.S.S. Defiant bridge plus a shot of Deep Space Nine at the end, a true rarity in fan films. Take a look…